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Que serait une communauté sans présupposés, sans conditions d'appartenance, sans identité? Peut-on imaginer une communauté faite d'hommes qui ne revendiquent pas une identité (être français, rouge ou musulman)? Comment penser désormais une communauté formée par des singularités quelconques, c'est-à-dire parfaitement déterminées, mais sans concept ou une propriété puisse(...)
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Que serait une communauté sans présupposés, sans conditions d'appartenance, sans identité? Peut-on imaginer une communauté faite d'hommes qui ne revendiquent pas une identité (être français, rouge ou musulman)? Comment penser désormais une communauté formée par des singularités quelconques, c'est-à-dire parfaitement déterminées, mais sans concept ou une propriété puisse(...)
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La communauté qui vient: théorie de la singularité quelconque
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Que serait une communauté sans présupposés, sans conditions d'appartenance, sans identité? Peut-on imaginer une communauté faite d'hommes qui ne revendiquent pas une identité (être français, rouge ou musulman)? Comment penser désormais une communauté formée par des singularités quelconques, c'est-à-dire parfaitement déterminées, mais sans concept ou une propriété puisse leur servir d'identité?
La communauté qui vient: théorie de la singularité quelconque
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Que serait une communauté sans présupposés, sans conditions d'appartenance, sans identité? Peut-on imaginer une communauté faite d'hommes qui ne revendiquent pas une identité (être français, rouge ou musulman)? Comment penser désormais une communauté formée par des singularités quelconques, c'est-à-dire parfaitement déterminées, mais sans concept ou une propriété puisse leur servir d'identité?
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books
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November 1990, Paris
November 1990, Paris
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Critical Theory
Critical Theory
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Malpas follows the development of Heidegger's topology through three stages: the early period of the 1910s and 1920s, through Being and Time, centered on the "meaning of being"; the middle period of the 1930s into the 1940s, centered on the "truth of being"; and the late period from the mid-1940s on, when the "place of being" comes to the fore. (Malpas also challenges the(...)
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Malpas follows the development of Heidegger's topology through three stages: the early period of the 1910s and 1920s, through Being and Time, centered on the "meaning of being"; the middle period of the 1930s into the 1940s, centered on the "truth of being"; and the late period from the mid-1940s on, when the "place of being" comes to the fore. (Malpas also challenges the(...)
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Heidegger's topology: being, place, world
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Malpas follows the development of Heidegger's topology through three stages: the early period of the 1910s and 1920s, through Being and Time, centered on the "meaning of being"; the middle period of the 1930s into the 1940s, centered on the "truth of being"; and the late period from the mid-1940s on, when the "place of being" comes to the fore. (Malpas also challenges the widely repeated arguments that link Heidegger's notions of place and belonging to his entanglement with Nazism.) The significance of Heidegger as a thinker of place, Malpas claims, lies not only in Heidegger's own investigations but also in the way that spatial and topographic thinking has flowed from Heidegger's work into that of other key thinkers of the past 60 years.
Heidegger's topology: being, place, world
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Malpas follows the development of Heidegger's topology through three stages: the early period of the 1910s and 1920s, through Being and Time, centered on the "meaning of being"; the middle period of the 1930s into the 1940s, centered on the "truth of being"; and the late period from the mid-1940s on, when the "place of being" comes to the fore. (Malpas also challenges the widely repeated arguments that link Heidegger's notions of place and belonging to his entanglement with Nazism.) The significance of Heidegger as a thinker of place, Malpas claims, lies not only in Heidegger's own investigations but also in the way that spatial and topographic thinking has flowed from Heidegger's work into that of other key thinkers of the past 60 years.
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books
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October 2008, Cambridge
October 2008, Cambridge
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Critical Theory
Critical Theory
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Restricted Areas brings together the results from a nine year project looking at some of the key military bases in Eastern Germany that lie abandoned following the fall of the Iron Curtain and withdrawal of the Soviet Armed forces.
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Restricted Areas brings together the results from a nine year project looking at some of the key military bases in Eastern Germany that lie abandoned following the fall of the Iron Curtain and withdrawal of the Soviet Armed forces.
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Chaosophy: texts and interviews 1972-1977
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Restricted Areas brings together the results from a nine year project looking at some of the key military bases in Eastern Germany that lie abandoned following the fall of the Iron Curtain and withdrawal of the Soviet Armed forces.
Chaosophy: texts and interviews 1972-1977
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Restricted Areas brings together the results from a nine year project looking at some of the key military bases in Eastern Germany that lie abandoned following the fall of the Iron Curtain and withdrawal of the Soviet Armed forces.
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books
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September 2008, Los Angales
September 2008, Los Angales
Subject:
Critical Theory
Critical Theory
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books
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Capital and language
Capital and language
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The Swiss-Italian economist Christian Marazzi is one of the core theorists of the Italian postfordist movement, along with Antonio Negri, Paolo Virno, and Bifo (Franco Berardi). But although his work is often cited by scholars (particularly by those in the field of "Cognitive Capitalism"), his writing has never appeared in English. This translation of his most recent(...)
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The Swiss-Italian economist Christian Marazzi is one of the core theorists of the Italian postfordist movement, along with Antonio Negri, Paolo Virno, and Bifo (Franco Berardi). But although his work is often cited by scholars (particularly by those in the field of "Cognitive Capitalism"), his writing has never appeared in English. This translation of his most recent(...)
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Capital and language
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The Swiss-Italian economist Christian Marazzi is one of the core theorists of the Italian postfordist movement, along with Antonio Negri, Paolo Virno, and Bifo (Franco Berardi). But although his work is often cited by scholars (particularly by those in the field of "Cognitive Capitalism"), his writing has never appeared in English. This translation of his most recent work, Capital and Language (published in Italian in 2002), finally makes Marazzi's work available to an English-speaking audience. Capital and Language takes as its starting point the fact that the extreme volatility of financial markets is generally attributed to the discrepancy between the "real economy" (that of material goods produced and sold) and the more speculative monetary-financial economy. But this distinction has long ceased to apply in the postfordist New Economy, in which both spheres are structurally affected by language and communication. In Capital and Language Marazzi argues that the changes in financial markets and the transformation of labor into immaterial labor (that is, its reliance on abstract knowledge, general intellect, and social cooperation) are just two sides of the same coin. Capital and Language focuses on the causes behind the international economic and financial depression of 2001, and on the primary instrument that the U.S. government has since been using to face them: war. Marazzi points to capitalism’s fourth stage (after mercantilism, industrialism, and the postfordist culmination of the New Economy): the "War Economy" that is already upon us.
Capital and language
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The Swiss-Italian economist Christian Marazzi is one of the core theorists of the Italian postfordist movement, along with Antonio Negri, Paolo Virno, and Bifo (Franco Berardi). But although his work is often cited by scholars (particularly by those in the field of "Cognitive Capitalism"), his writing has never appeared in English. This translation of his most recent work, Capital and Language (published in Italian in 2002), finally makes Marazzi's work available to an English-speaking audience. Capital and Language takes as its starting point the fact that the extreme volatility of financial markets is generally attributed to the discrepancy between the "real economy" (that of material goods produced and sold) and the more speculative monetary-financial economy. But this distinction has long ceased to apply in the postfordist New Economy, in which both spheres are structurally affected by language and communication. In Capital and Language Marazzi argues that the changes in financial markets and the transformation of labor into immaterial labor (that is, its reliance on abstract knowledge, general intellect, and social cooperation) are just two sides of the same coin. Capital and Language focuses on the causes behind the international economic and financial depression of 2001, and on the primary instrument that the U.S. government has since been using to face them: war. Marazzi points to capitalism’s fourth stage (after mercantilism, industrialism, and the postfordist culmination of the New Economy): the "War Economy" that is already upon us.
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books
books
Publication:
September 2008, Los Angeles
September 2008, Los Angeles
Subject:
Critical Theory
Critical Theory
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books
books
Title:
Profanations
Profanations
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The Italian philosopher Giorgio Agamben has always been an original reader of texts, understanding their many rich and multiple historical, aesthetic, and political meanings and effects. In "Profanations", Agamben has assembled for the first time some of his most pivotal essays on photography, the novel, and film.
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The Italian philosopher Giorgio Agamben has always been an original reader of texts, understanding their many rich and multiple historical, aesthetic, and political meanings and effects. In "Profanations", Agamben has assembled for the first time some of his most pivotal essays on photography, the novel, and film.
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Profanations
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The Italian philosopher Giorgio Agamben has always been an original reader of texts, understanding their many rich and multiple historical, aesthetic, and political meanings and effects. In "Profanations", Agamben has assembled for the first time some of his most pivotal essays on photography, the novel, and film.
Profanations
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The Italian philosopher Giorgio Agamben has always been an original reader of texts, understanding their many rich and multiple historical, aesthetic, and political meanings and effects. In "Profanations", Agamben has assembled for the first time some of his most pivotal essays on photography, the novel, and film.
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books
books
Publication:
October 2007, New York
October 2007, New York
Subject:
Critical Theory
Critical Theory
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books
books
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$55.95
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Les imaginaires explorés par ce livre ont ceci de commun qu'ils tentent de s'en tenir à la matérialité du monde, de ses corps, de ses images, de ses lois. Ils affirment chacun à sa manière le monde et sa fable. Ils y construisent la figure d'un à-côté, d'une fuite, d'une déviation ou d'un renversement. Un coup d'oeil persan. Lois et calculs; clôtures et braconnages;(...)
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Les imaginaires explorés par ce livre ont ceci de commun qu'ils tentent de s'en tenir à la matérialité du monde, de ses corps, de ses images, de ses lois. Ils affirment chacun à sa manière le monde et sa fable. Ils y construisent la figure d'un à-côté, d'une fuite, d'une déviation ou d'un renversement. Un coup d'oeil persan. Lois et calculs; clôtures et braconnages;(...)
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Cristallographie(s) (Montesquieu, Certeau, Deleuze, Foucault, Valéry)
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Les imaginaires explorés par ce livre ont ceci de commun qu'ils tentent de s'en tenir à la matérialité du monde, de ses corps, de ses images, de ses lois. Ils affirment chacun à sa manière le monde et sa fable. Ils y construisent la figure d'un à-côté, d'une fuite, d'une déviation ou d'un renversement. Un coup d'oeil persan. Lois et calculs; clôtures et braconnages; lignes de fuites; histoire(s).
Cristallographie(s) (Montesquieu, Certeau, Deleuze, Foucault, Valéry)
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Les imaginaires explorés par ce livre ont ceci de commun qu'ils tentent de s'en tenir à la matérialité du monde, de ses corps, de ses images, de ses lois. Ils affirment chacun à sa manière le monde et sa fable. Ils y construisent la figure d'un à-côté, d'une fuite, d'une déviation ou d'un renversement. Un coup d'oeil persan. Lois et calculs; clôtures et braconnages; lignes de fuites; histoire(s).
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books
books
Publication:
January 1900, Paris
January 1900, Paris
Subject:
Critical Theory
Critical Theory
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books
books
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$49.95
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Translated by Donald Nicholson-Smith. Guy Debord is best known as the prime mover of the Situationist International (1957-1972), as a filmmaker, and as the author of "The Society of the Spectacle" (1967). Alice Becker-Ho (Alice Debord) and Debord’s "A Game of War" originally appeared in 1987, as well as a rudimentary version of the game in a limited edition. In 1991, at(...)
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Translated by Donald Nicholson-Smith. Guy Debord is best known as the prime mover of the Situationist International (1957-1972), as a filmmaker, and as the author of "The Society of the Spectacle" (1967). Alice Becker-Ho (Alice Debord) and Debord’s "A Game of War" originally appeared in 1987, as well as a rudimentary version of the game in a limited edition. In 1991, at(...)
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November 2007, London
November 2007, London
Title:
Alice Becker-Ho & Guy Debord: a game of war
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Translated by Donald Nicholson-Smith. Guy Debord is best known as the prime mover of the Situationist International (1957-1972), as a filmmaker, and as the author of "The Society of the Spectacle" (1967). Alice Becker-Ho (Alice Debord) and Debord’s "A Game of War" originally appeared in 1987, as well as a rudimentary version of the game in a limited edition. In 1991, at the direction of Guy Debord, all copies of the book were pulped. This carefully produced first edition in English combines book and a game-board and counters allowing readers to play “at home” according to the rules given.
Alice Becker-Ho & Guy Debord: a game of war
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Translated by Donald Nicholson-Smith. Guy Debord is best known as the prime mover of the Situationist International (1957-1972), as a filmmaker, and as the author of "The Society of the Spectacle" (1967). Alice Becker-Ho (Alice Debord) and Debord’s "A Game of War" originally appeared in 1987, as well as a rudimentary version of the game in a limited edition. In 1991, at the direction of Guy Debord, all copies of the book were pulped. This carefully produced first edition in English combines book and a game-board and counters allowing readers to play “at home” according to the rules given.
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books
books
Publication:
November 2007, London
November 2007, London
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$13.95
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When Hope in the Dark was first published, it resonated with readers everywhere. In these days of cultural and political pessimism, Rebecca Solnit's impassioned defense of hope is both necessary and inspiring. Now, in this new, significantly expanded edition, Solnit explores the political territory of America following George Bush's re-election, and the ongoing(...)
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When Hope in the Dark was first published, it resonated with readers everywhere. In these days of cultural and political pessimism, Rebecca Solnit's impassioned defense of hope is both necessary and inspiring. Now, in this new, significantly expanded edition, Solnit explores the political territory of America following George Bush's re-election, and the ongoing(...)
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Hope in the dark: untold histories, wild possibilities
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When Hope in the Dark was first published, it resonated with readers everywhere. In these days of cultural and political pessimism, Rebecca Solnit's impassioned defense of hope is both necessary and inspiring. Now, in this new, significantly expanded edition, Solnit explores the political territory of America following George Bush's re-election, and the ongoing consequences of the war in Iraq.
Hope in the dark: untold histories, wild possibilities
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When Hope in the Dark was first published, it resonated with readers everywhere. In these days of cultural and political pessimism, Rebecca Solnit's impassioned defense of hope is both necessary and inspiring. Now, in this new, significantly expanded edition, Solnit explores the political territory of America following George Bush's re-election, and the ongoing consequences of the war in Iraq.
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books
books
Publication:
December 2005, New York
December 2005, New York
Subject:
Critical Theory
Critical Theory
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books
books
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$72.95
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Scholars have long known that Chaucer read and was influenced by Dante, but they have debated the effect Dante had on Chaucer's poetry. In this book, the author demonstrates that Chaucer's reaction to The Divine Comedy shaped the most fondamental aspects of his poetic art - the way he handles time within his stories, his attitudes toward language and authority, and above(...)
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Scholars have long known that Chaucer read and was influenced by Dante, but they have debated the effect Dante had on Chaucer's poetry. In this book, the author demonstrates that Chaucer's reaction to The Divine Comedy shaped the most fondamental aspects of his poetic art - the way he handles time within his stories, his attitudes toward language and authority, and above(...)
Subject:
Critical Theory
Critical Theory
Publication:
January 1900, Stanford
January 1900, Stanford
Title:
The poetry of allusion: Virgil and Ovid in Dante's 'Commedia'
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Scholars have long known that Chaucer read and was influenced by Dante, but they have debated the effect Dante had on Chaucer's poetry. In this book, the author demonstrates that Chaucer's reaction to The Divine Comedy shaped the most fondamental aspects of his poetic art - the way he handles time within his stories, his attitudes toward language and authority, and above all, his presentation of the credibility of his fictional worlds, which she terms 'narrative authentication.'
The poetry of allusion: Virgil and Ovid in Dante's 'Commedia'
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Scholars have long known that Chaucer read and was influenced by Dante, but they have debated the effect Dante had on Chaucer's poetry. In this book, the author demonstrates that Chaucer's reaction to The Divine Comedy shaped the most fondamental aspects of his poetic art - the way he handles time within his stories, his attitudes toward language and authority, and above all, his presentation of the credibility of his fictional worlds, which she terms 'narrative authentication.'
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books
books
Publication:
January 1900, Stanford
January 1900, Stanford
Subject:
Critical Theory
Critical Theory
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books
books
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The author writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space.
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The author writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space.
Title:
The Culture Of Time And Space, 1880-1918
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The author writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space.
The Culture Of Time And Space, 1880-1918
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The author writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space.
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books
books
Publication:
November 2003, Cambridge
November 2003, Cambridge
Subject:
Critical Theory
Critical Theory
