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Title:
Constructions
Constructions
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In this series of overlapping essays on architecture and art, John Rajchman attempts to present theory in a new way that takes off from the philosophy of the late Gilles Deleuze. Starting from notions of folding, lightness, ground, abstraction, and future cities, he (...)
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Summary:
In this series of overlapping essays on architecture and art, John Rajchman attempts to present theory in a new way that takes off from the philosophy of the late Gilles Deleuze. Starting from notions of folding, lightness, ground, abstraction, and future cities, he (...)
Title:
Constructions
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In this series of overlapping essays on architecture and art, John Rajchman attempts to present theory in a new way that takes off from the philosophy of the late Gilles Deleuze. Starting from notions of folding, lightness, ground, abstraction, and future cities, he embarks on a conceptual voyage whose aim is to help "construct" a new space of connections, to "build" a new idiom, perhaps even to suggest a new architecture. Along the way, he addresses questions of the new abstraction, operative form, other geometries, new technologies, global cities, ideas of the virtual and the formless, and possibilities for critical theory after utopia and transgression. With a foreword by Paul Virilio.
Constructions
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In this series of overlapping essays on architecture and art, John Rajchman attempts to present theory in a new way that takes off from the philosophy of the late Gilles Deleuze. Starting from notions of folding, lightness, ground, abstraction, and future cities, he embarks on a conceptual voyage whose aim is to help "construct" a new space of connections, to "build" a new idiom, perhaps even to suggest a new architecture. Along the way, he addresses questions of the new abstraction, operative form, other geometries, new technologies, global cities, ideas of the virtual and the formless, and possibilities for critical theory after utopia and transgression. With a foreword by Paul Virilio.
Form:
books
books
Publication:
November 1997
November 1997
Subject:
Architectural Theory
Architectural Theory
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books
books
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First published in 1960, Theory and Design in the First Machine Age has become required reading in numerous courses on the history of modern architecture and is widely regarded as one of the definitive books on the modern movement. It has influenced a generation of students and critics interested in the formation of attitudes, themes, and forms which were characteristic(...)
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First published in 1960, Theory and Design in the First Machine Age has become required reading in numerous courses on the history of modern architecture and is widely regarded as one of the definitive books on the modern movement. It has influenced a generation of students and critics interested in the formation of attitudes, themes, and forms which were characteristic(...)
Title:
Theory and design in the first machine age
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First published in 1960, Theory and Design in the First Machine Age has become required reading in numerous courses on the history of modern architecture and is widely regarded as one of the definitive books on the modern movement. It has influenced a generation of students and critics interested in the formation of attitudes, themes, and forms which were characteristic of artists and architects working primarily in Europe between 1900 and 1930 under the compulsion of new technological developments in the first machine age.
Theory and design in the first machine age
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First published in 1960, Theory and Design in the First Machine Age has become required reading in numerous courses on the history of modern architecture and is widely regarded as one of the definitive books on the modern movement. It has influenced a generation of students and critics interested in the formation of attitudes, themes, and forms which were characteristic of artists and architects working primarily in Europe between 1900 and 1930 under the compulsion of new technological developments in the first machine age.
Form:
books
books
Publication:
July 1980
July 1980
Subject:
Architectural Theory
Architectural Theory
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books
books
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$26.00
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In this, his last significant work, the French philosopher provides extraordinary meditations on the relation between the imagining consciousness and the world, positing the notion of reverie as its most dynamic point of reference.
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In this, his last significant work, the French philosopher provides extraordinary meditations on the relation between the imagining consciousness and the world, positing the notion of reverie as its most dynamic point of reference.
Title:
The poetics of reverie: childhood, language, and the cosmos
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In this, his last significant work, the French philosopher provides extraordinary meditations on the relation between the imagining consciousness and the world, positing the notion of reverie as its most dynamic point of reference.
The poetics of reverie: childhood, language, and the cosmos
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In this, his last significant work, the French philosopher provides extraordinary meditations on the relation between the imagining consciousness and the world, positing the notion of reverie as its most dynamic point of reference.
Form:
books
books
Publication:
January 1900
January 1900
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$42.95
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As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract(...)
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As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
September 1977, New Haven / London
September 1977, New Haven / London
Title:
Body, memory, and architecture
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As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract two-dimensional drawings, they often find themselves in conflict with a general and undebated assumption that architecture is a highly specialized system with a set of prescribed technical goals, rather than a sensual social art historically derived from experiences and memories of the human body. "Body, memory, and architecture" traces the significance of the body from its place as the divine organizing principle in the earliest built forms to its near elimination from architectural thought in this century. The authors draw on contemporary models of spatial perception as well as on body-image theory in arguing for a return of the body to its proper place in the architectural equation. With a contribution by Robert J. Yudell.
Body, memory, and architecture
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$42.95
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Summary:
As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract two-dimensional drawings, they often find themselves in conflict with a general and undebated assumption that architecture is a highly specialized system with a set of prescribed technical goals, rather than a sensual social art historically derived from experiences and memories of the human body. "Body, memory, and architecture" traces the significance of the body from its place as the divine organizing principle in the earliest built forms to its near elimination from architectural thought in this century. The authors draw on contemporary models of spatial perception as well as on body-image theory in arguing for a return of the body to its proper place in the architectural equation. With a contribution by Robert J. Yudell.
Form:
books
books
Publication:
September 1977, New Haven / London
September 1977, New Haven / London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$27.95
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Summary:
"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost,(...)
$27.95
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost,(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
January 2005, Minneapolis
January 2005, Minneapolis
Title:
Filth : dirt, disgust, and modern life
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost, the rejected, the abject, and the dirty play in social management and identity formation. It suggests the ongoing power of culturally mandated categories of exclusion and repression. Focusing on filth in literary and cultural materials from London, Paris, and their colonial outposts in the nineteenth and early twentieth centuries, the essays in "Filth" - all but one previously unpublished - range over topics as diverse as the building of sewers in nineteenth-century European metropolises, the link between interior design and bourgeois sanitary phobias, the fictional representation of labouring women and foreigners as polluting, and relations among disease, disorder, and sexual-racial disharmony. "Filth" provides the first sustained consideration, both theoretical and historical, of a subject whose power to horrify, fascinate, and repel is as old as civilization itself. Contributors: David S. Barnes, Neil Blackadder, Joseph Bristow, Joseph W. Childers, Eileen Cleere, Natalka Freeland, Pamela K. Gilbert, Christopher Hamlin, William Kupinse, Benjamin Lazier, David L. Pike, David Trotter.
Filth : dirt, disgust, and modern life
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$27.95
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Summary:
"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost, the rejected, the abject, and the dirty play in social management and identity formation. It suggests the ongoing power of culturally mandated categories of exclusion and repression. Focusing on filth in literary and cultural materials from London, Paris, and their colonial outposts in the nineteenth and early twentieth centuries, the essays in "Filth" - all but one previously unpublished - range over topics as diverse as the building of sewers in nineteenth-century European metropolises, the link between interior design and bourgeois sanitary phobias, the fictional representation of labouring women and foreigners as polluting, and relations among disease, disorder, and sexual-racial disharmony. "Filth" provides the first sustained consideration, both theoretical and historical, of a subject whose power to horrify, fascinate, and repel is as old as civilization itself. Contributors: David S. Barnes, Neil Blackadder, Joseph Bristow, Joseph W. Childers, Eileen Cleere, Natalka Freeland, Pamela K. Gilbert, Christopher Hamlin, William Kupinse, Benjamin Lazier, David L. Pike, David Trotter.
Form:
books
books
Publication:
January 2005, Minneapolis
January 2005, Minneapolis
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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Price:
$39.00
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Summary:
The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these(...)
$39.00
(available to order)
Summary:
The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
January 1975, Cambridge, Massachusetts
January 1975, Cambridge, Massachusetts
Title:
Programs and manifestos of 20th-century architecture
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$39.00
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Summary:
The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.
Programs and manifestos of 20th-century architecture
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$39.00
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Summary:
The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.
Form:
books
books
Publication:
January 1975, Cambridge, Massachusetts
January 1975, Cambridge, Massachusetts
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$32.95
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Summary:
Le Centre Georges Pompidou présente ses acquisitions récentes de projets d'architecture. L'entrée au musée et leur médiatisation introduisent ces projets dès leur achèvement - instantanément - dans une histoire de l'architecture. L'objet de l'ouvrage est de proposer des lectures de l'architecture contemporaine, de sa théorie et de sa critique.
$32.95
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Summary:
Le Centre Georges Pompidou présente ses acquisitions récentes de projets d'architecture. L'entrée au musée et leur médiatisation introduisent ces projets dès leur achèvement - instantanément - dans une histoire de l'architecture. L'objet de l'ouvrage est de proposer des lectures de l'architecture contemporaine, de sa théorie et de sa critique.
Title:
Architecture instantanée. Nouvelles acquisitions
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Le Centre Georges Pompidou présente ses acquisitions récentes de projets d'architecture. L'entrée au musée et leur médiatisation introduisent ces projets dès leur achèvement - instantanément - dans une histoire de l'architecture. L'objet de l'ouvrage est de proposer des lectures de l'architecture contemporaine, de sa théorie et de sa critique.
Architecture instantanée. Nouvelles acquisitions
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$32.95
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Summary:
Le Centre Georges Pompidou présente ses acquisitions récentes de projets d'architecture. L'entrée au musée et leur médiatisation introduisent ces projets dès leur achèvement - instantanément - dans une histoire de l'architecture. L'objet de l'ouvrage est de proposer des lectures de l'architecture contemporaine, de sa théorie et de sa critique.
Form:
books
books
Publication:
January 1900, Paris
January 1900, Paris
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$74.95
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Summary:
Fifth revised and enlarged edition of this classic text.
$74.95
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Summary:
Fifth revised and enlarged edition of this classic text.
Title:
Space, time and architecture : the growth of a new tradition
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$74.95
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Summary:
Fifth revised and enlarged edition of this classic text.
Space, time and architecture : the growth of a new tradition
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$74.95
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Summary:
Fifth revised and enlarged edition of this classic text.
Form:
books
books
Publication:
January 1900, Cambridge, Mass.
January 1900, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$70.00
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Summary:
This important book, which received the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today.
$70.00
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Summary:
This important book, which received the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today.
Publication:
January 1985, Cambridge, Mass.
January 1985, Cambridge, Mass.
Title:
Architecture and the crisis of modern science
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$70.00
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Summary:
This important book, which received the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today.
Architecture and the crisis of modern science
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$70.00
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Summary:
This important book, which received the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today.
Form:
books
books
Publication:
January 1985, Cambridge, Mass.
January 1985, Cambridge, Mass.
Form:
books
books
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$105.00
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Summary:
Traduit de l'anglais par Jean-Pierre Chupin
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Summary:
Traduit de l'anglais par Jean-Pierre Chupin
Title:
L'architecture et la crise de la science moderne
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$105.00
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Traduit de l'anglais par Jean-Pierre Chupin
L'architecture et la crise de la science moderne
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Summary:
Traduit de l'anglais par Jean-Pierre Chupin
Form:
books
books
Publication:
January 1988, Bruxelles
January 1988, Bruxelles
Subject:
Architectural Theory
Architectural Theory
