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La ruine est ce qui reste d'une tension entre mémoire et oubli, permanence et impermanence, œuvre de culture et action de la nature. Le présent essai vise à confronter la tradition du Proche Orient ancien avec celles du monde gréco-romain et de la Chine pour tenter de cerner la diversité des définitions et des usages du passé dans les sociétés anciennes.
Ruines: essai de perspective comparée
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La ruine est ce qui reste d'une tension entre mémoire et oubli, permanence et impermanence, œuvre de culture et action de la nature. Le présent essai vise à confronter la tradition du Proche Orient ancien avec celles du monde gréco-romain et de la Chine pour tenter de cerner la diversité des définitions et des usages du passé dans les sociétés anciennes.
Architectural Theory
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The follow-up book to ''The Secret Lives of Buildings'', Edwards Hollis turns his focus from the great architectural constructions of the past to the now-vanished chambers they once contained. From Rome’s palatine to the old palace of Westminster and the petit Trianon at Versailles, from the sets of MGM studios in Hollywood to the pavilions of the Crystal palace and the(...)
The memory palace: a book of lost interiors
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The follow-up book to ''The Secret Lives of Buildings'', Edwards Hollis turns his focus from the great architectural constructions of the past to the now-vanished chambers they once contained. From Rome’s palatine to the old palace of Westminster and the petit Trianon at Versailles, from the sets of MGM studios in Hollywood to the pavilions of the Crystal palace and the author’s own grandmother’s sitting room, the author offers a unique perspective on the history of interiors.
Architectural Theory
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How do we think about architecture historically and theoretically? Forty Ways to Think about Architecture provides an introduction to some of the wide-ranging ways in which architectural history and theory are being approached today.
Architectural Theory
September 2014
Forty ways to think about architecture: architectural history and theory today
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How do we think about architecture historically and theoretically? Forty Ways to Think about Architecture provides an introduction to some of the wide-ranging ways in which architectural history and theory are being approached today.
Architectural Theory
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Has architectural theory become a historical phenomenon to be anthologized and studied as another passing phase in the history of the discipline? Do the current commonplace watchwords of "practice" and "research" mark the end of theory's place in architectural discourse? This edited volume posits the contrary--that theory remains urgent and even unavoidable, so ingrained(...)
2000+: the urgencies of architectural theory (GSAPP Transcripts)
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Has architectural theory become a historical phenomenon to be anthologized and studied as another passing phase in the history of the discipline? Do the current commonplace watchwords of "practice" and "research" mark the end of theory's place in architectural discourse? This edited volume posits the contrary--that theory remains urgent and even unavoidable, so ingrained in architectural practice and pedagogy that it remains a vital if sometimes latent influence. Architectural theory is not confined to its supposed heyday in the decades leading up to the year 2000; it has persisted and expanded as the stakes of theoretical discussions have transformed
Architectural Theory
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Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the(...)
The ordinary: recordings. Rem Koolhaas, Denise Scott Brown, Yoshiharu Tsukamoto
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Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the genre of books derived from it. Organized around conversations with the authors of three seminal texts that document the city—Denise Scott Brown's "Learning from Las Vegas" (1972), Rem Koolhaas's "Delirious New York" (1978), and Yoshiharu Tsukamoto's "Made in Tokyo" (2001)—this volume traces the history of these "books on cities" by examining the material they recorded, the findings they established, the arguments they advanced, and the projects they promoted. These conversations also question the assumptions underlying this practice and whether in its ubiquity it still remains a space of opportunity.
Architectural Theory
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At a moment when the world's population increasingly lives in urban settings, the public health of cities--or the intersection of stress and wellness with architecture and urbanism--is a matter of pressing concern for designers. Questions Concerning Health reports on this critical terrain, focusing particularly on Johannesburg, South Africa (a notable test case in(...)
September 2015
Questions concerning health: stress and wellness in Johannesburg
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At a moment when the world's population increasingly lives in urban settings, the public health of cities--or the intersection of stress and wellness with architecture and urbanism--is a matter of pressing concern for designers. Questions Concerning Health reports on this critical terrain, focusing particularly on Johannesburg, South Africa (a notable test case in which the term "social equivalency," used by epidemiologists, also carries considerable historical and spatial resonance). Among the book's research findings is that health is an intensively local phenomenon that demands intensively local responses in the form of more sensitive architectural typologies as well as urban planning.
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Après Penser à ne pas voir qui réunissait les principaux textes de Jacques Derrida sur le dessin, la peinture et la photographie, voici l'ensemble de s'es réflexions sur l'architecture. Ginette Michaud et Joana Maso ont regroupé chronologiquement entretiens, lettres, communications, interventions dans les forums et les tables rondes qui concernent l'architecture, les(...)
Les arts de l'espace: écrits et interventions sur l'architecture
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Après Penser à ne pas voir qui réunissait les principaux textes de Jacques Derrida sur le dessin, la peinture et la photographie, voici l'ensemble de s'es réflexions sur l'architecture. Ginette Michaud et Joana Maso ont regroupé chronologiquement entretiens, lettres, communications, interventions dans les forums et les tables rondes qui concernent l'architecture, les rapports du texte à l'architecture et les débats nombreux avec les architectes - essentiellement Bernard Tschumi, Peter Eisenman et Daniel Libeskind.
Architectural Theory
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This book brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth's(...)
Architecture in the anthropocene: encounters among design, deep time, science and philosophy
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This book brings together a provocative series of essays, conversations, and design proposals that attempt to intensify the potential of the multidisciplinary discourse developing in response to the Anthropocene thesis for contemporary architecture scholarship and practice. Research regarding the significance and consequence of anthropogenic transformations of the earth's land, oceans, biosphere and climate have demonstrated that, from a wide variety of perspectives, it is almost certain that humans have initiated a new geological epoch, their own. First labeled the Anthropocene by the chemist Paul Crutzen, the consideration of the merits of the Anthropocene thesis by the International Commission on Stratigraphy and the International Union of Geological Sciences has also garnered the attention of philosophers, historians, and legal scholars, as well as an increasing number of researchers from a range of scientific backgrounds.
Architectural Theory
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Ronchamp, DS Citroën, Spoutnik, Atomium et stéréophonie : les Trente Glorieuses n'en sont qu'à leur mitan et en cette année 1958, le Mon Oncle de Jacques Tati le prouve au même titre que le Mode d’existence des objets techniques de Gilbert Simondon, le Centre des nouvelles industries et technologies (Cnit) à La Défense ou l'Exposition universelle se tenant à Bruxelles. À(...)
Les murs du sons: le poème électronique au pavillon Philips
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Ronchamp, DS Citroën, Spoutnik, Atomium et stéréophonie : les Trente Glorieuses n'en sont qu'à leur mitan et en cette année 1958, le Mon Oncle de Jacques Tati le prouve au même titre que le Mode d’existence des objets techniques de Gilbert Simondon, le Centre des nouvelles industries et technologies (Cnit) à La Défense ou l'Exposition universelle se tenant à Bruxelles. À l'invitation de la marque Philips, c'est justement le moment que choisit le vieux Le Corbusier (70 ans) pour passer ses « murs du son ». Pour ce faire, il compose une œuvre d'art totale avec la complicité d'Edgard Varèse et de son jeune collaborateur, Iannis Xenakis. Prend alors forme un projet fou – celui d'un « poème électronique » où l'espace se compte en secondes et l'odyssée humaine en quelques images... Auteure d'Avant-gardes sonores en architecture (2013), Carlotta Darò est historienne de l'art et enseignante à l'école d'architecture de Paris-Malaquais.
Architectural Theory
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Le 16 juillet 1929, l'aristocrate Charles de Beistegui passe commande à Le Corbusier d'un appartement-terrasse au n°136 des Champs-Élysées – l'ancien hôtel particulier de sa grand-mère. Membre de la haute bohème cosmopolite des Années folles, ce jeune dandy entend s'inspirer des fêtes légendaires se déroulant dans le penthouse de Condé Nast sur Madison Avenue (1925), et(...)
Beistegui avant le Corbusier: genèse du penthouse des Champs-Élysées
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Le 16 juillet 1929, l'aristocrate Charles de Beistegui passe commande à Le Corbusier d'un appartement-terrasse au n°136 des Champs-Élysées – l'ancien hôtel particulier de sa grand-mère. Membre de la haute bohème cosmopolite des Années folles, ce jeune dandy entend s'inspirer des fêtes légendaires se déroulant dans le penthouse de Condé Nast sur Madison Avenue (1925), et relatées dans les titres à la mode lui appartenant – dont Vogue et Vanity Fair. Mais pour Wim van den Bergh, la « machine à amuser » dont rêve Beistegui (avec périscope et baie motorisée), aurait aussi à voir avec le château et la « petite maison » Art Déco réalisés par Robert Mallet-Stevens pour ses amis Paul Poiret « Le Magnifique » (1921-1923, inachevé) ainsi que Charles et Marie-Laure de Noailles (1923-1933)... Architecte diplômé de l'Université technique d'Eindhoven, Wim van den Bergh enseigne depuis 2001 à la RWTH Aachen University d'Aix-la-Chapelle, en Allemagne.
Architectural Theory