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Is Europe a place, a space, or a temporary community of shared interests? As a political space, Europe is as conflictual as its debated constitution. It is a construct that must be continuously negotiated, and its longing for an architecture of strategic encounters parallels an increasing economical power of the private sector, while the sovereignty of European nation(...)
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Is Europe a place, a space, or a temporary community of shared interests? As a political space, Europe is as conflictual as its debated constitution. It is a construct that must be continuously negotiated, and its longing for an architecture of strategic encounters parallels an increasing economical power of the private sector, while the sovereignty of European nation(...)
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The violence of participation
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Is Europe a place, a space, or a temporary community of shared interests? As a political space, Europe is as conflictual as its debated constitution. It is a construct that must be continuously negotiated, and its longing for an architecture of strategic encounters parallels an increasing economical power of the private sector, while the sovereignty of European nation states attenuate. This book, edited by London-based architect and author Markus Miessen, marks an extension of the discursive space he has produced as contribution to the 2007 Lyon Biennial. He has pulled together a heterogeneous group of interlocutors to lead conversations on alternative notions of participation, the inconsistence between democratic concepts, and what it means to live in Europe today.
The violence of participation
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Is Europe a place, a space, or a temporary community of shared interests? As a political space, Europe is as conflictual as its debated constitution. It is a construct that must be continuously negotiated, and its longing for an architecture of strategic encounters parallels an increasing economical power of the private sector, while the sovereignty of European nation states attenuate. This book, edited by London-based architect and author Markus Miessen, marks an extension of the discursive space he has produced as contribution to the 2007 Lyon Biennial. He has pulled together a heterogeneous group of interlocutors to lead conversations on alternative notions of participation, the inconsistence between democratic concepts, and what it means to live in Europe today.
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books
books
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December 2007, Lyon
December 2007, Lyon
Subject:
Architectural Theory
Architectural Theory
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did(...)
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did(...)
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Architectural Theory
Architectural Theory
Publication:
January 1900, Helsinki
January 1900, Helsinki
Title:
Architecture and art: New visions, new strategies
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did art play in the history of modern architecture? How did architecture influence art? What’s the current state of the balance between the two fields? Illustrated with color photographs and black and white reproductions, with a foreward by Aalto Academy Professor Eeva-Lisa Pelkonen, the thought-provoking essays strive to illuminate the mystery of overlap, from Le Corbusier to Donald Judd. In a world where Frank Gehry claims architecture is art against Richard Serra’s wishes, it’s refreshing to learn there’s more than one viewpoint at the table. The most recent publication from the Academy’s forward-thinking conferences held every summer in Finland.
Architecture and art: New visions, new strategies
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did art play in the history of modern architecture? How did architecture influence art? What’s the current state of the balance between the two fields? Illustrated with color photographs and black and white reproductions, with a foreward by Aalto Academy Professor Eeva-Lisa Pelkonen, the thought-provoking essays strive to illuminate the mystery of overlap, from Le Corbusier to Donald Judd. In a world where Frank Gehry claims architecture is art against Richard Serra’s wishes, it’s refreshing to learn there’s more than one viewpoint at the table. The most recent publication from the Academy’s forward-thinking conferences held every summer in Finland.
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books
books
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January 1900, Helsinki
January 1900, Helsinki
Subject:
Architectural Theory
Architectural Theory
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books
books
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$32.00
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Leading architects from two contries, Switzerland and the United States, were brought together in five interviews to discuss research and the role it plays in the building process. 5 x 2 documents their international exchange (five interviews, two contries) revealing salient issues in contemporary practice.
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Leading architects from two contries, Switzerland and the United States, were brought together in five interviews to discuss research and the role it plays in the building process. 5 x 2 documents their international exchange (five interviews, two contries) revealing salient issues in contemporary practice.
Title:
5 x 2 research and the making of architecture
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Leading architects from two contries, Switzerland and the United States, were brought together in five interviews to discuss research and the role it plays in the building process. 5 x 2 documents their international exchange (five interviews, two contries) revealing salient issues in contemporary practice.
5 x 2 research and the making of architecture
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Leading architects from two contries, Switzerland and the United States, were brought together in five interviews to discuss research and the role it plays in the building process. 5 x 2 documents their international exchange (five interviews, two contries) revealing salient issues in contemporary practice.
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books
books
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February 2007, Berkeley
February 2007, Berkeley
Subject:
Architectural Theory
Architectural Theory
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books
books
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$17.00
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During a three-month residency in Sharjah, United Arab Emirates, Japanese-born, London-based artist and filmmaker Naoko Takahashi confronted the issues of dislocation, mistranslation and gender politics in the Arab world. In this chapbook, written in the style of a factual report, she takes the reader on a breathless journey through the air-conditioned rooms and arid(...)
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During a three-month residency in Sharjah, United Arab Emirates, Japanese-born, London-based artist and filmmaker Naoko Takahashi confronted the issues of dislocation, mistranslation and gender politics in the Arab world. In this chapbook, written in the style of a factual report, she takes the reader on a breathless journey through the air-conditioned rooms and arid(...)
Title:
Not so too much of everything
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During a three-month residency in Sharjah, United Arab Emirates, Japanese-born, London-based artist and filmmaker Naoko Takahashi confronted the issues of dislocation, mistranslation and gender politics in the Arab world. In this chapbook, written in the style of a factual report, she takes the reader on a breathless journey through the air-conditioned rooms and arid streets of the modern Arab metropolis, where she feels that every move she makes is misread and that her identity is repeatedly forced upon her and manipulated in ways she cannot control. Takahashi’s work highlights the ambiguities and confusions of identities as played out through language in a multi-cultural, multi-lingual society. Moving from confusion and isolation to anger in the course of the book, she casts her experiences as a modern allegory of alienation. Part of Book Works Chapbook Series.
Not so too much of everything
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During a three-month residency in Sharjah, United Arab Emirates, Japanese-born, London-based artist and filmmaker Naoko Takahashi confronted the issues of dislocation, mistranslation and gender politics in the Arab world. In this chapbook, written in the style of a factual report, she takes the reader on a breathless journey through the air-conditioned rooms and arid streets of the modern Arab metropolis, where she feels that every move she makes is misread and that her identity is repeatedly forced upon her and manipulated in ways she cannot control. Takahashi’s work highlights the ambiguities and confusions of identities as played out through language in a multi-cultural, multi-lingual society. Moving from confusion and isolation to anger in the course of the book, she casts her experiences as a modern allegory of alienation. Part of Book Works Chapbook Series.
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books
books
Publication:
January 1900, London
January 1900, London
Subject:
Architectural Theory
Architectural Theory
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books
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$50.95
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Has Man A Function In Universe? is part of an ongoing project to develop forty projects related to forty questions written by R. Buckminster Fuller. Each project is an artwork or a combination of artworks, developed in response to one of the questions. Of all the questions ‘Has Man A Function In Universe?’ may be the key that binds and directs all of the other questions.(...)
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Has Man A Function In Universe? is part of an ongoing project to develop forty projects related to forty questions written by R. Buckminster Fuller. Each project is an artwork or a combination of artworks, developed in response to one of the questions. Of all the questions ‘Has Man A Function In Universe?’ may be the key that binds and directs all of the other questions.(...)
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Strategic questions #2: Has man a function in the universe?
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Has Man A Function In Universe? is part of an ongoing project to develop forty projects related to forty questions written by R. Buckminster Fuller. Each project is an artwork or a combination of artworks, developed in response to one of the questions. Of all the questions ‘Has Man A Function In Universe?’ may be the key that binds and directs all of the other questions. Gavin Wade has commissioned artists and writers to respond to this question using a combination of text and image. The publication will reflect the process of the project—an ‘exquisite corpse’ involving collaboration, dissemination and the combining of works. Contributions from: Neil Chapman, Shezad Dawood, Per Hüttner, Juneau Projects, Karin Kihlberg & Reuben Henry, Kerry James Marshall, Jessica Spanyol, Lisa Strömbeck, Mark Titchner, Sue Tompkins, Hayley Tompkins, Gavin Wade and Carey Young.
Strategic questions #2: Has man a function in the universe?
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Has Man A Function In Universe? is part of an ongoing project to develop forty projects related to forty questions written by R. Buckminster Fuller. Each project is an artwork or a combination of artworks, developed in response to one of the questions. Of all the questions ‘Has Man A Function In Universe?’ may be the key that binds and directs all of the other questions. Gavin Wade has commissioned artists and writers to respond to this question using a combination of text and image. The publication will reflect the process of the project—an ‘exquisite corpse’ involving collaboration, dissemination and the combining of works. Contributions from: Neil Chapman, Shezad Dawood, Per Hüttner, Juneau Projects, Karin Kihlberg & Reuben Henry, Kerry James Marshall, Jessica Spanyol, Lisa Strömbeck, Mark Titchner, Sue Tompkins, Hayley Tompkins, Gavin Wade and Carey Young.
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books
books
Publication:
March 2008
March 2008
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Chronology
Chronology
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$21.95
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“It has never been my ambition to treat artworks as illustrations of philosophical doctrines. Rather, I believe that the works explored give rise to their own set of concepts.” A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was recently reviewed in the April 2006 issue of frieze as a “compelling and sophisticated take on the(...)
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“It has never been my ambition to treat artworks as illustrations of philosophical doctrines. Rather, I believe that the works explored give rise to their own set of concepts.” A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was recently reviewed in the April 2006 issue of frieze as a “compelling and sophisticated take on the(...)
Title:
Chronology
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“It has never been my ambition to treat artworks as illustrations of philosophical doctrines. Rather, I believe that the works explored give rise to their own set of concepts.” A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was recently reviewed in the April 2006 issue of frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence.” Whereas many theoretical books littering the bookshops of art institutions are laudations of excess, Birnbaum’s convictions presented in Chronology cut a way through the “caesuras of non-meaning and blankness into the thick web of sense.” The works of artists such as Stan Douglas, Eija-Liisa Athila, Doug Aitken, Dominique Gonzalez-Foerster, Tacita Dean, Darren Almond, Tobias Rehberger, Pierre Huyghe, and Philippe Parreno are scrutinized as so many attempts to capture the very dialectic of time itself. As Brian Dillon writes in frieze, “Birnbaum’s notion of an art of unpredictable becoming … has its aporias too. A brief aside apropos Matthew Barney – to the effect that his art is all meaning, all of the time – is quite telling.” Daniel Birnbaum is Rector of the Städelschule in Frankfurt am Main and Director of its Portikus gallery. A contributing editor of Artforum, he is the author of a number of texts on art and philosophy.
Chronology
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Summary:
“It has never been my ambition to treat artworks as illustrations of philosophical doctrines. Rather, I believe that the works explored give rise to their own set of concepts.” A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was recently reviewed in the April 2006 issue of frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence.” Whereas many theoretical books littering the bookshops of art institutions are laudations of excess, Birnbaum’s convictions presented in Chronology cut a way through the “caesuras of non-meaning and blankness into the thick web of sense.” The works of artists such as Stan Douglas, Eija-Liisa Athila, Doug Aitken, Dominique Gonzalez-Foerster, Tacita Dean, Darren Almond, Tobias Rehberger, Pierre Huyghe, and Philippe Parreno are scrutinized as so many attempts to capture the very dialectic of time itself. As Brian Dillon writes in frieze, “Birnbaum’s notion of an art of unpredictable becoming … has its aporias too. A brief aside apropos Matthew Barney – to the effect that his art is all meaning, all of the time – is quite telling.” Daniel Birnbaum is Rector of the Städelschule in Frankfurt am Main and Director of its Portikus gallery. A contributing editor of Artforum, he is the author of a number of texts on art and philosophy.
Form:
books
books
Publication:
January 1900, New York
January 1900, New York
Subject:
Architectural Theory
Architectural Theory
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books
books
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$22.00
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With its 100 questions and answers from major practitioners of the art world and beyond, this book helps to examine the various parameters for a new institutional model. 3 selected questions: 1. Sabine Breitwieser: Is a private art institution more independent than a municipal one? 2. Barbara Steiner: Is the idea of internationality in / of art a myth? 3. Jan(...)
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With its 100 questions and answers from major practitioners of the art world and beyond, this book helps to examine the various parameters for a new institutional model. 3 selected questions: 1. Sabine Breitwieser: Is a private art institution more independent than a municipal one? 2. Barbara Steiner: Is the idea of internationality in / of art a myth? 3. Jan(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
January 2007, Berlin / New York
January 2007, Berlin / New York
Title:
Die frage des tages / the question of the day
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With its 100 questions and answers from major practitioners of the art world and beyond, this book helps to examine the various parameters for a new institutional model. 3 selected questions: 1. Sabine Breitwieser: Is a private art institution more independent than a municipal one? 2. Barbara Steiner: Is the idea of internationality in / of art a myth? 3. Jan Verwoert: Can a Kunsthalle establish a critical counter-discourse questioning the art system?
Die frage des tages / the question of the day
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With its 100 questions and answers from major practitioners of the art world and beyond, this book helps to examine the various parameters for a new institutional model. 3 selected questions: 1. Sabine Breitwieser: Is a private art institution more independent than a municipal one? 2. Barbara Steiner: Is the idea of internationality in / of art a myth? 3. Jan Verwoert: Can a Kunsthalle establish a critical counter-discourse questioning the art system?
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books
books
Publication:
January 2007, Berlin / New York
January 2007, Berlin / New York
Subject:
Architectural Theory
Architectural Theory
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books
books
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$42.00
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Air equals information. All organic air users - plants, humans and other animals - contribute to the hybrid space that is the atmosphere through breathing and sending chemical messages. Unlike other organic air users, humans, in addition, saturate air space with electronic data. This book argues in favour of ‘remembering air’ that is expressed in the shift from the(...)
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Air equals information. All organic air users - plants, humans and other animals - contribute to the hybrid space that is the atmosphere through breathing and sending chemical messages. Unlike other organic air users, humans, in addition, saturate air space with electronic data. This book argues in favour of ‘remembering air’ that is expressed in the shift from the(...)
Title:
Going aerial: air, art, architecture
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Air equals information. All organic air users - plants, humans and other animals - contribute to the hybrid space that is the atmosphere through breathing and sending chemical messages. Unlike other organic air users, humans, in addition, saturate air space with electronic data. This book argues in favour of ‘remembering air’ that is expressed in the shift from the ‘leap into the void’ to ‘going aerial’. Going aerial enables us to receive and transmit airborne data of various sources that were previously inaccessible due to a lack of technology and, more importantly, due to lack of awareness and interest in air as carrier, conductor and catalyst of communication processes. Going aerial offers an original account of the most innovative air-using strategies that have been developed by artists and architects in the form of machines, robots, nomadic inflatables, bubbles, ambiances, and atmospheres.
Going aerial: air, art, architecture
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$42.00
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Air equals information. All organic air users - plants, humans and other animals - contribute to the hybrid space that is the atmosphere through breathing and sending chemical messages. Unlike other organic air users, humans, in addition, saturate air space with electronic data. This book argues in favour of ‘remembering air’ that is expressed in the shift from the ‘leap into the void’ to ‘going aerial’. Going aerial enables us to receive and transmit airborne data of various sources that were previously inaccessible due to a lack of technology and, more importantly, due to lack of awareness and interest in air as carrier, conductor and catalyst of communication processes. Going aerial offers an original account of the most innovative air-using strategies that have been developed by artists and architects in the form of machines, robots, nomadic inflatables, bubbles, ambiances, and atmospheres.
Form:
books
books
Publication:
October 2007, Maastricht
October 2007, Maastricht
Subject:
Architectural Theory
Architectural Theory
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books
books
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$31.50
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Weimar Germany still fascinates us, and now this complex and remarkably creative period and place has the history it deserves. Eric Weitz's new book reveals the Weimar era as a time of strikingly progressive achievements- and even greater promise. With a rich thematic narrative and detailled portraits of some of Weimar's greatest figures, this comprehensive history(...)
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Weimar Germany still fascinates us, and now this complex and remarkably creative period and place has the history it deserves. Eric Weitz's new book reveals the Weimar era as a time of strikingly progressive achievements- and even greater promise. With a rich thematic narrative and detailled portraits of some of Weimar's greatest figures, this comprehensive history(...)
Title:
Weimar Germany: promise and tragedy
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Weimar Germany still fascinates us, and now this complex and remarkably creative period and place has the history it deserves. Eric Weitz's new book reveals the Weimar era as a time of strikingly progressive achievements- and even greater promise. With a rich thematic narrative and detailled portraits of some of Weimar's greatest figures, this comprehensive history recaptures the excitement and drama as it unfolded, viewing Weimar in its own right- and not as a mere prelude to the Nazi era.
Weimar Germany: promise and tragedy
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$31.50
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Weimar Germany still fascinates us, and now this complex and remarkably creative period and place has the history it deserves. Eric Weitz's new book reveals the Weimar era as a time of strikingly progressive achievements- and even greater promise. With a rich thematic narrative and detailled portraits of some of Weimar's greatest figures, this comprehensive history recaptures the excitement and drama as it unfolded, viewing Weimar in its own right- and not as a mere prelude to the Nazi era.
Form:
books
books
Publication:
October 2007, Princeton
October 2007, Princeton
Subject:
Architectural Theory
Architectural Theory
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books
books
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$60.00
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Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
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In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
Title:
Picturing spaces, displacing bodies : anamorphosis in early Modern theories of perspective
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In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these "failures" were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, "Picturing Space, Displacing Bodies" asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.
Picturing spaces, displacing bodies : anamorphosis in early Modern theories of perspective
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$60.00
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Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these "failures" were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, "Picturing Space, Displacing Bodies" asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.
Form:
books
books
Publication:
October 2007, University Park
October 2007, University Park
Subject:
Architectural Theory
Architectural Theory
