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Matter and Mind in Architecture was the theme of the 7th Alvar Aalto Symposium and this book brings together essays by the participants. The contributing writers, all important representatives in their respective fields of philosophy, music, literature and architecture (...)
Matter and mind in architecture
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Matter and Mind in Architecture was the theme of the 7th Alvar Aalto Symposium and this book brings together essays by the participants. The contributing writers, all important representatives in their respective fields of philosophy, music, literature and architecture include Kazuyo Sejima, Vittorio Gregotti, Wilfried Wang, Juan Navarro Baldeweg, Karsten Harries, Göran Schildt, Juha Leviskä, and John Patkau.
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January 2001, Helsinki
Architectural Theory
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At the turn of the last century, Adolf Loos wrote: "The evolution of culture is synonymous with the removal of ornament from objects of daily use." Ornament had exhausted its purpose, and the persistence of it, Loos argued, was indicative of a degenerative culture. The simple, undecorated form was celebrated as a signal of the movement of modern man toward some truer,(...)
Crime and ornament : the arts and popular culture in the shadow of Adolf Loos
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At the turn of the last century, Adolf Loos wrote: "The evolution of culture is synonymous with the removal of ornament from objects of daily use." Ornament had exhausted its purpose, and the persistence of it, Loos argued, was indicative of a degenerative culture. The simple, undecorated form was celebrated as a signal of the movement of modern man toward some truer, more powerful expression of his self. Debates about ornament have returned: recent thinking questions the assumption that ornament is inessential, and its artistic and political implications continue to be hotly debated. The writers in "Crime and Ornament" bring these debates together by addressing the role of ornament in a variety of disciplines: film, visual art, video, literature, fashion, sports, gay imagery and, of course, architecture are explored in relation to this key concept. With a distinguished group of contributors including Felicity Scott, Brian Pronger, Jeanne Randolph, Ignasi de Solà-Morales, Graham Ramsay, Katherine Milligan, Jan Zwicky, Jim Drobnick, "Crime and Ornament" provides a diverse, multi-disciplinary approach to a salient concern in architectural, artistic and aesthetic discourse.
Architectural Theory
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Edited by Professor Maia Engeli and with a contribution by Professor Gerhard Schmitt, both of the Swiss Federal Institute of Technology (ETH Zürich), this book presents 33 exciting new(...)
Bits and spaces : architecture and computing for physical, virtual, hybrid realms
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Edited by Professor Maia Engeli and with a contribution by Professor Gerhard Schmitt, both of the Swiss Federal Institute of Technology (ETH Zürich), this book presents 33 exciting new projects which demonstrate the growing significance of CAAD for today's architects. Divided into 5 main chapters: Design in Space and Time; Learning and Creative Collaboration; Virtual Environments; IT and Practice; and Blurring Boundaries, the projects illustrate how computers can be used innovatively and creatively in designing physical, virtual and hybrid architecture. Particular emphasis is placed on the interaction between man and computer, and also on the aesthetic aspects. The book is accompanied by a CD-Rom which documents the design processes through animation sequences, demonstrating the dynamic features of the projects. Whilst these tools, installations and multi-media projects have arisen out of the field of architecture, they exceed the narrow confines of this discipline to touch upon areas such as interior design, graphic design and information technology. The designs presented are colourful and complex, seeking to fire the imagination in creating a fitting environment for today's society.
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March 2001, Basel
Architectural Theory
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When it comes to questions like these, making decisions about what ought to be done—or what is the "best" or "right" solution—requires more than sound technical knowledge and strong design talent. It demands a solid understanding of the ethical issues that lie at the heart of architectural practice. (...)
Architectural Theory
January 1900, New York
Ethics and the practice of architecture
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When it comes to questions like these, making decisions about what ought to be done—or what is the "best" or "right" solution—requires more than sound technical knowledge and strong design talent. It demands a solid understanding of the ethical issues that lie at the heart of architectural practice. Ethics and the Practice of Architecture offers a complete, broad-based introduction to this crucial subject. First, it examines basic ethical theories and their application to architecture, and discusses different ways of identifying ethical content in architecture. Bridging the gap between theory and practice, the second part of the book surveys different professional settings and building project processes that frequently hold ethical concerns, and charts the ethical mandates that arise from them. In the final section of the book, thirty case studies explore a wide range of ethical dilemmas encountered in architectural practice, with useful guidance on how to work through them effectively. Arranged by topics that span the key phases of a project from pre-design through post-occupancy evaluation, these case studies allow a detailed look at ethical concerns in real-life situations where multiple issues are often at stake.
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January 1900, New York
Architectural Theory
Architecture goes wild
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In his writings, architect Kas Oosterhuis bridges the gap between theory and practice. His observations are based on the principle of concrete science fiction. He is convinced that every construct - hardware or software - that can be formulated as a consistent set of rules is realizable within the social constraints of our present-day culture. In his essay(...)
Architecture goes wild
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In his writings, architect Kas Oosterhuis bridges the gap between theory and practice. His observations are based on the principle of concrete science fiction. He is convinced that every construct - hardware or software - that can be formulated as a consistent set of rules is realizable within the social constraints of our present-day culture. In his essay 'Space_Time_Volume' Kas Oosterhuis places himself in the local and temporary delamination point between the micro- and macroworlds. He speculates on a seamless continuity of these worlds where the instrumental human position is only one of many possible positions. Our perception of the universe is based on observations made by instruments. Language is seen as such an instrument. In 'Wild Bodies' Oosterhuis asserts that all true architecture inevitably will be programmed to perform in real time. This point of view is based on the observation that traditional fixed and static architecture is a highly unlikely state among all possible ones. An architectural construct is regarded as a body with real-time behaviour that is always in motion. Computer programs speak the new instrumental language in which potential new worlds are described. 'Automotive Styling' declares the human driver of the automobile to be the voluntary prisoner of the physical car-road communications network. In 'Vectorial Bodies' the human driver is nothing less than fuzzy software programming the car to lead it to his destinations. There is no place for romantic ideas such as freedom of movement, but there is the overwhelming desire of carbon-based life forms to exchange data with industrial and digital life forms.
Architectural Theory
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"The lonely crowd" is considered by many to be the most influential book of the twentieth century. Its now-classic analysis of the “new middle class” in terms of inner-directed and other-directed social character opened exciting new dimensions in our understanding of the psychological, political, and economic problems that confront the individual in contemporary American(...)
The lonely crowd: a study of the changing American character
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"The lonely crowd" is considered by many to be the most influential book of the twentieth century. Its now-classic analysis of the “new middle class” in terms of inner-directed and other-directed social character opened exciting new dimensions in our understanding of the psychological, political, and economic problems that confront the individual in contemporary American society. The 1969 abridged and revised edition of the book is now reissued with a new foreword by Todd Gitlin that explains why the book is still relevant to our own era.
Architectural Theory
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In "The Building in the Text", Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari. Analyzing such(...)
The building in the text : Alberti to Shakespeare and Milton
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In "The Building in the Text", Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari. Analyzing such words as "plot," "topos," "fabrica," and "stanza," Eriksen discloses the fundamental spatial symmetries and complexities in the writings of Ariosto, Shakespeare, and Milton, among other major figures. Ultimately, his book uncovers and clarifies a tradition of literary architecture that is rooted in antiquity and based on correspondences regarded as ordering principles of the cosmos.
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January 1900, University Park
Architectural Theory
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The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration(...)
Dreamworld and catastrophe : the passing of mass utopia in East and West
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The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration of European socialism, capitalist restructuring, and ecological constraints. The larger social vision has given way to private dreams of material happiness and to political cynicism. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. She shows how dreamworlds became dangerous when their energy was used by the structures of power as an instrument of force against the masses. Stressing the similarities between the East and West and using the end of the Cold War as her point of departure, she examines both extremes of mass utopia, dreamworld and catastrophe. The book is in four parts. "Dreamworlds of Democracy" asks whether collective sovereignty can ever be democratic. "Dreamworlds of History" calls for a rethinking of revolution by political and artistic avant-gardes. "Dreamworlds of Mass Culture" explores the affinities between mass culture's socialist and capitalist forms. An "Afterward" places the book in the historical context of the author's collaboration with a group of Moscow philosophers and artists over the past two tumultuous decades. The book is an experiment in visual culture, using images as philosophy, presenting, literally, a way of seeing the past. Its pictorial narratives rescue historical data that with the end of the Cold War are threatened with oblivion and challenge common conceptions of what this century was all about.
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January 1900, Cambridge
Architectural Theory
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Cet ouvrage propose la traduction française de la conférence Silence and Light que Louis I. Kahn tient à Zurich le 12 février 1969 à l'EPF, lors de l'inauguration de l'exposition de ses travaux. Empreinte d'une grande spiritualité, cette conférence d'un architecte qui a contribué à mettre en crise le Mouvement moderne traite du sens de la création architecturale, avec ses(...)
Louis I. Kahn : silence and light -- actualité d'une pensée
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Cet ouvrage propose la traduction française de la conférence Silence and Light que Louis I. Kahn tient à Zurich le 12 février 1969 à l'EPF, lors de l'inauguration de l'exposition de ses travaux. Empreinte d'une grande spiritualité, cette conférence d'un architecte qui a contribué à mettre en crise le Mouvement moderne traite du sens de la création architecturale, avec ses implications sur la démarche de l'architecte, le regard qu'il porte sur son action et sa finalité et, par extension, sur le monde.
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September 2000, Lausanne
Architectural Theory
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Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie(...)
You have to pay for the private life : selected essays by Charles W. Moore
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Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie architecture and design: What does it mean to make a place, and how do we inhabit those places? How do we continue to build upon but respect the landscape? How do we reconcile democracy and private land ownership? What is original? What is taste? What is the relationship between past and present? How do we involve inhabitants in making places? Finally, what is public life? As the world becomes smaller, and the uniqueness of places and landscapes gives way to sameness, Moore's celebration of the vernacular and of the surprising are more relevant than ever. The pieces in this book span the years 1952 to 1993 and engage a myriad of topics and movements, such as contextualism, community participation, collaboration, environmentally sensitive design, and historic preservation. The essays in this book reflect as well Moore's scholarship, humanism, urbanity, and great wit.
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November 2000, Cambridge, Mass.
Architectural Theory