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books
books
Title:
Sugar in the air
Sugar in the air
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First published by Jonathan Cape, London, in 1937. Reprinted in 2008 by Hyphen Press, layout by Stuart Bailey. "The title of Mr Large's novel is a strange one: SUGAR IN THE AIR. It was published in this country (England) by Scribner's and had a considerable success. It is the story of a hard-working and serious-minded chemist who devotes himself to the problem of making(...)
$48.95
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Summary:
First published by Jonathan Cape, London, in 1937. Reprinted in 2008 by Hyphen Press, layout by Stuart Bailey. "The title of Mr Large's novel is a strange one: SUGAR IN THE AIR. It was published in this country (England) by Scribner's and had a considerable success. It is the story of a hard-working and serious-minded chemist who devotes himself to the problem of making(...)
Title:
Sugar in the air
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$48.95
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First published by Jonathan Cape, London, in 1937. Reprinted in 2008 by Hyphen Press, layout by Stuart Bailey. "The title of Mr Large's novel is a strange one: SUGAR IN THE AIR. It was published in this country (England) by Scribner's and had a considerable success. It is the story of a hard-working and serious-minded chemist who devotes himself to the problem of making synthetic sugar. Not being a chemist myself, I do not know how plausible Mr Large's formulas and processes would sound to a technical man, but they are convincing to the lay reader, and by the time we see the first supply of "Sunsap" coming out of the vats we believe in it, and are prepared to see the food industry revolutionized. But we have forgotten the profit-takers. Mr Large's hard-working chemist finds himself and his process tied into knots by the financiers." Upton Sinclair
Sugar in the air
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$48.95
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Summary:
First published by Jonathan Cape, London, in 1937. Reprinted in 2008 by Hyphen Press, layout by Stuart Bailey. "The title of Mr Large's novel is a strange one: SUGAR IN THE AIR. It was published in this country (England) by Scribner's and had a considerable success. It is the story of a hard-working and serious-minded chemist who devotes himself to the problem of making synthetic sugar. Not being a chemist myself, I do not know how plausible Mr Large's formulas and processes would sound to a technical man, but they are convincing to the lay reader, and by the time we see the first supply of "Sunsap" coming out of the vats we believe in it, and are prepared to see the food industry revolutionized. But we have forgotten the profit-takers. Mr Large's hard-working chemist finds himself and his process tied into knots by the financiers." Upton Sinclair
Form:
books
books
Publication:
November 2008, New York
November 2008, New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$27.95
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Summary:
E.C. Large (1902 - 76) was, successively, an industrial chemist, a writer, and a plant scientist. As a writer he is known for his magisterial history of plant diseases, "The advance of the fungi", and for two novels, "Sugar in the air" and "Asleep in the afternoon". "God's amateur" is a companion to our republication of these two novels.
$27.95
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Summary:
E.C. Large (1902 - 76) was, successively, an industrial chemist, a writer, and a plant scientist. As a writer he is known for his magisterial history of plant diseases, "The advance of the fungi", and for two novels, "Sugar in the air" and "Asleep in the afternoon". "God's amateur" is a companion to our republication of these two novels.
Title:
God's amateur: the writing of E.C. Large
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$27.95
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Summary:
E.C. Large (1902 - 76) was, successively, an industrial chemist, a writer, and a plant scientist. As a writer he is known for his magisterial history of plant diseases, "The advance of the fungi", and for two novels, "Sugar in the air" and "Asleep in the afternoon". "God's amateur" is a companion to our republication of these two novels.
God's amateur: the writing of E.C. Large
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$27.95
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Summary:
E.C. Large (1902 - 76) was, successively, an industrial chemist, a writer, and a plant scientist. As a writer he is known for his magisterial history of plant diseases, "The advance of the fungi", and for two novels, "Sugar in the air" and "Asleep in the afternoon". "God's amateur" is a companion to our republication of these two novels.
Form:
books
books
Publication:
November 2008
November 2008
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Off-modern
Off-modern
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$32.50
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Svetlana Boym is a writer, theorist, and media artist, and teaches Slavic and Comparative Literature at Harvard University. 'If in the 1980s artists dreamed of becoming their own curators and borrowed from the theorists, now the theorists dream of becoming artists. Disappointed with their own disciplinary specialization, thet immigrate into each other's territory. The(...)
$32.50
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Svetlana Boym is a writer, theorist, and media artist, and teaches Slavic and Comparative Literature at Harvard University. 'If in the 1980s artists dreamed of becoming their own curators and borrowed from the theorists, now the theorists dream of becoming artists. Disappointed with their own disciplinary specialization, thet immigrate into each other's territory. The(...)
Title:
Off-modern
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$32.50
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Svetlana Boym is a writer, theorist, and media artist, and teaches Slavic and Comparative Literature at Harvard University. 'If in the 1980s artists dreamed of becoming their own curators and borrowed from the theorists, now the theorists dream of becoming artists. Disappointed with their own disciplinary specialization, thet immigrate into each other's territory. The lateral move again. Neither backward nor forward, but sideways.' This is the second volume in a series of books related to the FORuM Project, Buell Center, Columbia University, New York, dedicated to exploring the relationship of architectural form to politics and urban life.
Off-modern
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$32.50
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Summary:
Svetlana Boym is a writer, theorist, and media artist, and teaches Slavic and Comparative Literature at Harvard University. 'If in the 1980s artists dreamed of becoming their own curators and borrowed from the theorists, now the theorists dream of becoming artists. Disappointed with their own disciplinary specialization, thet immigrate into each other's territory. The lateral move again. Neither backward nor forward, but sideways.' This is the second volume in a series of books related to the FORuM Project, Buell Center, Columbia University, New York, dedicated to exploring the relationship of architectural form to politics and urban life.
Form:
books
books
Publication:
August 2008, New York
August 2008, New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$46.95
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Summary:
So much writing about architecture tends to evaluate it on the basis of its intentions: how closely it corresponds to the artistic will of the designer, the technical skills of the builder, or whether it reflects the spirit of the place and time in which it was built, making it not much more than the willful (or even subconscious) assemblage of objects that result from(...)
$46.95
(available to order)
Summary:
So much writing about architecture tends to evaluate it on the basis of its intentions: how closely it corresponds to the artistic will of the designer, the technical skills of the builder, or whether it reflects the spirit of the place and time in which it was built, making it not much more than the willful (or even subconscious) assemblage of objects that result from(...)
Title:
Architecture oriented otherwise
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$46.95
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So much writing about architecture tends to evaluate it on the basis of its intentions: how closely it corresponds to the artistic will of the designer, the technical skills of the builder, or whether it reflects the spirit of the place and time in which it was built, making it not much more than the willful (or even subconscious) assemblage of objects that result from design and construction techniques. Renowned writer and thinker David Leatherbarrow argues for a richer and more profound, but also simpler, way of thinking about architecture, namely on the basis of how it performs.
Architecture oriented otherwise
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$46.95
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Summary:
So much writing about architecture tends to evaluate it on the basis of its intentions: how closely it corresponds to the artistic will of the designer, the technical skills of the builder, or whether it reflects the spirit of the place and time in which it was built, making it not much more than the willful (or even subconscious) assemblage of objects that result from design and construction techniques. Renowned writer and thinker David Leatherbarrow argues for a richer and more profound, but also simpler, way of thinking about architecture, namely on the basis of how it performs.
Form:
books
books
Publication:
January 2009, New York
January 2009, New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$35.95
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Summary:
Through observations, arguments, and detailed project explorations these diverse contributors describe new models of practice and reorganizations of labor for the 21st century. Chapters include a reconsideration of craft in light of digital fabrication; an exploration of new methods of collaboration; an analysis of changes in contracts and standards; and an assessment of(...)
$35.95
(available to order)
Summary:
Through observations, arguments, and detailed project explorations these diverse contributors describe new models of practice and reorganizations of labor for the 21st century. Chapters include a reconsideration of craft in light of digital fabrication; an exploration of new methods of collaboration; an analysis of changes in contracts and standards; and an assessment of(...)
Title:
Building (in) the future: recasting labor in architecture
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$35.95
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Summary:
Through observations, arguments, and detailed project explorations these diverse contributors describe new models of practice and reorganizations of labor for the 21st century. Chapters include a reconsideration of craft in light of digital fabrication; an exploration of new methods of collaboration; an analysis of changes in contracts and standards; and an assessment of the new market realities of mass production and customization.
Building (in) the future: recasting labor in architecture
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Price:
$35.95
(available to order)
Summary:
Through observations, arguments, and detailed project explorations these diverse contributors describe new models of practice and reorganizations of labor for the 21st century. Chapters include a reconsideration of craft in light of digital fabrication; an exploration of new methods of collaboration; an analysis of changes in contracts and standards; and an assessment of the new market realities of mass production and customization.
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$25.00
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Summary:
This pioneering work is the first to trace how our understanding of the causes of human behavior has changed radically over the course of European and American cultural history since 1830. Focusing on the act of murder, as documented vividly by more than a hundred novels including "Crime and Punishment, An American Tragedy, The Trial," and "Lolita," Stephen Kern devotes(...)
$25.00
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Summary:
This pioneering work is the first to trace how our understanding of the causes of human behavior has changed radically over the course of European and American cultural history since 1830. Focusing on the act of murder, as documented vividly by more than a hundred novels including "Crime and Punishment, An American Tragedy, The Trial," and "Lolita," Stephen Kern devotes(...)
Title:
A cultural history of causality
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$25.00
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This pioneering work is the first to trace how our understanding of the causes of human behavior has changed radically over the course of European and American cultural history since 1830. Focusing on the act of murder, as documented vividly by more than a hundred novels including "Crime and Punishment, An American Tragedy, The Trial," and "Lolita," Stephen Kern devotes each chapter of "A Cultural History of Causality" to examining a specific causal factor or motive for murder--ancestry, childhood, language, sexuality, emotion, mind, society, and ideology. In addition to drawing on particular novels, each chapter considers the sciences (genetics, endocrinology, physiology, neuroscience) and systems of thought (psychoanalysis, linguistics, sociology, forensic psychiatry, and existential philosophy) most germane to each causal factor or motive.
A cultural history of causality
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$25.00
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Summary:
This pioneering work is the first to trace how our understanding of the causes of human behavior has changed radically over the course of European and American cultural history since 1830. Focusing on the act of murder, as documented vividly by more than a hundred novels including "Crime and Punishment, An American Tragedy, The Trial," and "Lolita," Stephen Kern devotes each chapter of "A Cultural History of Causality" to examining a specific causal factor or motive for murder--ancestry, childhood, language, sexuality, emotion, mind, society, and ideology. In addition to drawing on particular novels, each chapter considers the sciences (genetics, endocrinology, physiology, neuroscience) and systems of thought (psychoanalysis, linguistics, sociology, forensic psychiatry, and existential philosophy) most germane to each causal factor or motive.
Form:
books
books
Publication:
September 2006, Princeton, Oxford
September 2006, Princeton, Oxford
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$19.50
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Summary:
The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American(...)
$19.50
(available to order)
Summary:
The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American(...)
Title:
A field guide to getting lost
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$19.50
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Summary:
The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American captivity narratives to the avant-garde artist Yves Klein. She interlaces personal and familial histories of disorientation and reinvention, writing of her Russian Jewish forebears' arrival in the New World, her experiences driving around the American west and listening to country music, and her youthful immersion in the punk rock demimonde. Unfortunately, the conceit of embracing the unknown is not enough to impart thematic unity to these essays; one piece ties together the author's love affair with a reclusive man, desert fauna, Hitchcock's Vertigo and the blind seer Tiresias in ways that will indeed leave readers feeling lost. Solnit's writing is as abstract and intangible as her subject, veering between oceanic lyricism ("Blue is the color of longing for the distance you never arrive in") and pensées about the limitations of human understanding ("Between words is silence, around ink whiteness, behind every map's information is what's left out, the unmapped and unmappable") that seem profound but are actually banal once you think about them.
A field guide to getting lost
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Price:
$19.50
(available to order)
Summary:
The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American captivity narratives to the avant-garde artist Yves Klein. She interlaces personal and familial histories of disorientation and reinvention, writing of her Russian Jewish forebears' arrival in the New World, her experiences driving around the American west and listening to country music, and her youthful immersion in the punk rock demimonde. Unfortunately, the conceit of embracing the unknown is not enough to impart thematic unity to these essays; one piece ties together the author's love affair with a reclusive man, desert fauna, Hitchcock's Vertigo and the blind seer Tiresias in ways that will indeed leave readers feeling lost. Solnit's writing is as abstract and intangible as her subject, veering between oceanic lyricism ("Blue is the color of longing for the distance you never arrive in") and pensées about the limitations of human understanding ("Between words is silence, around ink whiteness, behind every map's information is what's left out, the unmapped and unmappable") that seem profound but are actually banal once you think about them.
Form:
books
books
Publication:
January 1900, New York, Toronto
January 1900, New York, Toronto
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$47.00
(available to order)
Summary:
Political conflicts, humanitarian disasters, wars and migrations – we live in an age of global unrest and discontinuity. While official reactions consist in the search for means of stabilization and restraint, the dynamics of deregulation are giving rise to a situation characterized by global parallel systems: parallel architectures, parallel societies, parallel(...)
$47.00
(available to order)
Summary:
Political conflicts, humanitarian disasters, wars and migrations – we live in an age of global unrest and discontinuity. While official reactions consist in the search for means of stabilization and restraint, the dynamics of deregulation are giving rise to a situation characterized by global parallel systems: parallel architectures, parallel societies, parallel(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
August 2008, Rotterdam
August 2008, Rotterdam
Title:
Networked cultures: parallel architectures and the politics of space
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$47.00
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Summary:
Political conflicts, humanitarian disasters, wars and migrations – we live in an age of global unrest and discontinuity. While official reactions consist in the search for means of stabilization and restraint, the dynamics of deregulation are giving rise to a situation characterized by global parallel systems: parallel architectures, parallel societies, parallel lives. This book offers an insight into the complex spatial and social realities of globalization, from city-like informal markets in Moscow and the post-war self-urbanization in Kosovo to the border economies of the Mediterranean and the parallel worlds of today’s burgeoning megacities. In this state of uncertainties, networks have become the most powerful tool in how we organize our lives. The emerging struggle between network formations produces a space that is both fragmented and contested, yet testifies to the creativity of its inhabitants. As a result, our cities have become topologies of overlapping realities and narratives as much as they are geographical entities. Networked Cultures traces these conflictual negotiations in dialogue with artists, architects, curators and theorists whose work explores possibilities for a multi-inhabitation of territories and narratives across cultural, social or geographic boundaries. Their shared knowledge and accompanying case studies provide stirring insights as well as imaginative encounters with a world of networks – our world. The enclosed DVD features conversations with the contributors to this book that follow the thematic strands along which the collaborative format of Networked Cultures has evolved: Network Creativity – Contested Spaces – Trading Places – Parallel Worlds.
Networked cultures: parallel architectures and the politics of space
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Price:
$47.00
(available to order)
Summary:
Political conflicts, humanitarian disasters, wars and migrations – we live in an age of global unrest and discontinuity. While official reactions consist in the search for means of stabilization and restraint, the dynamics of deregulation are giving rise to a situation characterized by global parallel systems: parallel architectures, parallel societies, parallel lives. This book offers an insight into the complex spatial and social realities of globalization, from city-like informal markets in Moscow and the post-war self-urbanization in Kosovo to the border economies of the Mediterranean and the parallel worlds of today’s burgeoning megacities. In this state of uncertainties, networks have become the most powerful tool in how we organize our lives. The emerging struggle between network formations produces a space that is both fragmented and contested, yet testifies to the creativity of its inhabitants. As a result, our cities have become topologies of overlapping realities and narratives as much as they are geographical entities. Networked Cultures traces these conflictual negotiations in dialogue with artists, architects, curators and theorists whose work explores possibilities for a multi-inhabitation of territories and narratives across cultural, social or geographic boundaries. Their shared knowledge and accompanying case studies provide stirring insights as well as imaginative encounters with a world of networks – our world. The enclosed DVD features conversations with the contributors to this book that follow the thematic strands along which the collaborative format of Networked Cultures has evolved: Network Creativity – Contested Spaces – Trading Places – Parallel Worlds.
Form:
books
books
Publication:
August 2008, Rotterdam
August 2008, Rotterdam
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$35.00
(available to order)
Summary:
The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical(...)
$35.00
(available to order)
Summary:
The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical(...)
Title:
The silences of Mies: 02.AKAD
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$35.00
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Summary:
The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical genealogy, and to connect it to the present moment, when the possibility and very sense of criticality as a strategy of negativity seem more questinable than ever. Sven-Olov Wallenstein teaches philosophy and aesthetics at the University College of Södertörn in Stockholm, and is the editor-in-chief of Site magazine.
The silences of Mies: 02.AKAD
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$35.00
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Summary:
The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical genealogy, and to connect it to the present moment, when the possibility and very sense of criticality as a strategy of negativity seem more questinable than ever. Sven-Olov Wallenstein teaches philosophy and aesthetics at the University College of Södertörn in Stockholm, and is the editor-in-chief of Site magazine.
Form:
books
books
Publication:
January 1900, Stockholm
January 1900, Stockholm
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$41.00
(available to order)
Summary:
Ramia Mazé is a design researcher, manager, and educator. Her own education is in interaction design (an MA from the Royal College of Art, London) and in architecture (BA from Barnard College, Columbia University, New York). She has worked as a designer at MetaDesign San Francisco, Philips Research Lab in the UK, and on a freelance basis. At the Interactive Institute in(...)
$41.00
(available to order)
Summary:
Ramia Mazé is a design researcher, manager, and educator. Her own education is in interaction design (an MA from the Royal College of Art, London) and in architecture (BA from Barnard College, Columbia University, New York). She has worked as a designer at MetaDesign San Francisco, Philips Research Lab in the UK, and on a freelance basis. At the Interactive Institute in(...)
Title:
Occupying time: design, technology, and the form of interaction
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$41.00
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Summary:
Ramia Mazé is a design researcher, manager, and educator. Her own education is in interaction design (an MA from the Royal College of Art, London) and in architecture (BA from Barnard College, Columbia University, New York). She has worked as a designer at MetaDesign San Francisco, Philips Research Lab in the UK, and on a freelance basis. At the Interactive Institute in Sweden since 2001, she has been involved in a series of interdiciplinary and international research projects - it is this work that forms the basis of this book. Occupying Time: Design, Technology, and the Form of Interaction is her PhD thesis in interaction design through Malmö University, in collaboration with Blekinge Technical University, and sponsored by the Interactive Institute.
Occupying time: design, technology, and the form of interaction
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$41.00
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Summary:
Ramia Mazé is a design researcher, manager, and educator. Her own education is in interaction design (an MA from the Royal College of Art, London) and in architecture (BA from Barnard College, Columbia University, New York). She has worked as a designer at MetaDesign San Francisco, Philips Research Lab in the UK, and on a freelance basis. At the Interactive Institute in Sweden since 2001, she has been involved in a series of interdiciplinary and international research projects - it is this work that forms the basis of this book. Occupying Time: Design, Technology, and the Form of Interaction is her PhD thesis in interaction design through Malmö University, in collaboration with Blekinge Technical University, and sponsored by the Interactive Institute.
Form:
books
books
Publication:
January 1900, Stockholm
January 1900, Stockholm
Subject:
Architectural Theory
Architectural Theory
