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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
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Picturing science producing art
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
Picturing science producing art
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
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books
books
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June 1998
June 1998
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books
books
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$42.00
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In this suggestive inquiry into the operations of linearity in architectural theory and practice, Catherine Ingraham investigates the line as both a conceptual and a literal force in architecture. She approaches her subject from philosophical, theoretical, practical, and historical points of view, finding many places of convergence between architecture and(...)
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In this suggestive inquiry into the operations of linearity in architectural theory and practice, Catherine Ingraham investigates the line as both a conceptual and a literal force in architecture. She approaches her subject from philosophical, theoretical, practical, and historical points of view, finding many places of convergence between architecture and(...)
Title:
Architecture and the burdens of linearity
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In this suggestive inquiry into the operations of linearity in architectural theory and practice, Catherine Ingraham investigates the line as both a conceptual and a literal force in architecture. She approaches her subject from philosophical, theoretical, practical, and historical points of view, finding many places of convergence between architecture and other fields. She considers maps, architectural plans, the laws of geometry, systems of architectural knowledge, and mythologies of architectural origin in works of Le Corbusier, Vitruvius, Alberti, Tafuri, Derrida, Lévi-Strauss, Shakespeare, Lacan, Deleuze, Rilke, and Stendhal.
Architecture and the burdens of linearity
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In this suggestive inquiry into the operations of linearity in architectural theory and practice, Catherine Ingraham investigates the line as both a conceptual and a literal force in architecture. She approaches her subject from philosophical, theoretical, practical, and historical points of view, finding many places of convergence between architecture and other fields. She considers maps, architectural plans, the laws of geometry, systems of architectural knowledge, and mythologies of architectural origin in works of Le Corbusier, Vitruvius, Alberti, Tafuri, Derrida, Lévi-Strauss, Shakespeare, Lacan, Deleuze, Rilke, and Stendhal.
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books
books
Publication:
April 1998, New Haven
April 1998, New Haven
Subject:
Architectural Theory
Architectural Theory
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books
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$26.25
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A collection of autobiographical essays examining the changes resulting from the introduction of women into the field of architecture. Contributors include Beatiz Colomina, Francoise-Helene Jourda, Catherine Ingraham, and Diana Agrest.
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A collection of autobiographical essays examining the changes resulting from the introduction of women into the field of architecture. Contributors include Beatiz Colomina, Francoise-Helene Jourda, Catherine Ingraham, and Diana Agrest.
Title:
The architect reconstructing her practice
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A collection of autobiographical essays examining the changes resulting from the introduction of women into the field of architecture. Contributors include Beatiz Colomina, Francoise-Helene Jourda, Catherine Ingraham, and Diana Agrest.
The architect reconstructing her practice
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A collection of autobiographical essays examining the changes resulting from the introduction of women into the field of architecture. Contributors include Beatiz Colomina, Francoise-Helene Jourda, Catherine Ingraham, and Diana Agrest.
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books
books
Publication:
April 1998, Cambridge, Mass.
April 1998, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
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books
books
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$36.95
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This book is among the most influential books by any achitect of our era, it's celebrating complexity in architecture. This new collection of writings in a variety of genres argues for a generic architecture defined by iconography and electronics, an architecture whose elemental qualities become shelter and symbol.
$36.95
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This book is among the most influential books by any achitect of our era, it's celebrating complexity in architecture. This new collection of writings in a variety of genres argues for a generic architecture defined by iconography and electronics, an architecture whose elemental qualities become shelter and symbol.
Title:
Iconography and electronics upon a generic architecture
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This book is among the most influential books by any achitect of our era, it's celebrating complexity in architecture. This new collection of writings in a variety of genres argues for a generic architecture defined by iconography and electronics, an architecture whose elemental qualities become shelter and symbol.
Iconography and electronics upon a generic architecture
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$36.95
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Summary:
This book is among the most influential books by any achitect of our era, it's celebrating complexity in architecture. This new collection of writings in a variety of genres argues for a generic architecture defined by iconography and electronics, an architecture whose elemental qualities become shelter and symbol.
Form:
books
books
Publication:
April 1998, Cambridge, London
April 1998, Cambridge, London
Subject:
Architectural Theory
Architectural Theory
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books
books
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$65.00
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Joseph Rykwert, a professor of architecture at the University of Pennsylvania, has contributed to the body of work about architecture a wide-ranging study of the use of the human figure in the discipline, particularly in columns. Rykwert plunges deep into architectural history, tracing the development of the classic orders from Greece to Rome and on through the(...)
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Joseph Rykwert, a professor of architecture at the University of Pennsylvania, has contributed to the body of work about architecture a wide-ranging study of the use of the human figure in the discipline, particularly in columns. Rykwert plunges deep into architectural history, tracing the development of the classic orders from Greece to Rome and on through the(...)
Title:
The dancing column: on order in architecture
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Joseph Rykwert, a professor of architecture at the University of Pennsylvania, has contributed to the body of work about architecture a wide-ranging study of the use of the human figure in the discipline, particularly in columns. Rykwert plunges deep into architectural history, tracing the development of the classic orders from Greece to Rome and on through the Renaissance in France and Italy. He says the relationship between the human body and architecture is "deeply ingrained in all recorded architectural thinking." He especially sees a close tie between the body and the column, the essential building block of architectural order.
The dancing column: on order in architecture
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Joseph Rykwert, a professor of architecture at the University of Pennsylvania, has contributed to the body of work about architecture a wide-ranging study of the use of the human figure in the discipline, particularly in columns. Rykwert plunges deep into architectural history, tracing the development of the classic orders from Greece to Rome and on through the Renaissance in France and Italy. He says the relationship between the human body and architecture is "deeply ingrained in all recorded architectural thinking." He especially sees a close tie between the body and the column, the essential building block of architectural order.
Form:
books
books
Publication:
April 1998, Cambridge, London
April 1998, Cambridge, London
Subject:
Architectural Theory
Architectural Theory
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books
books
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$29.95
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Departing from conventional genres of architectural writing, Roger Connah presents an original and wry reflection on the fickle but exciting role that language, semantics, and philosophy have played this century in relation to architecture. "Welcome to the Hotel (...)
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Departing from conventional genres of architectural writing, Roger Connah presents an original and wry reflection on the fickle but exciting role that language, semantics, and philosophy have played this century in relation to architecture. "Welcome to the Hotel (...)
Title:
Welcome to the hotel architecture
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Departing from conventional genres of architectural writing, Roger Connah presents an original and wry reflection on the fickle but exciting role that language, semantics, and philosophy have played this century in relation to architecture. "Welcome to the Hotel Architecture" is a five-part "anti-epic" poem on the culture of architecture, its tribes and inventions, the spectacular and vernacular, and the processes through which names and movements are secured, erased, forgotten, and manipulated.
Welcome to the hotel architecture
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Departing from conventional genres of architectural writing, Roger Connah presents an original and wry reflection on the fickle but exciting role that language, semantics, and philosophy have played this century in relation to architecture. "Welcome to the Hotel Architecture" is a five-part "anti-epic" poem on the culture of architecture, its tribes and inventions, the spectacular and vernacular, and the processes through which names and movements are secured, erased, forgotten, and manipulated.
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books
books
Publication:
May 1998
May 1998
Subject:
Architectural Theory
Architectural Theory
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books
books
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$26.00
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This book is a blend of autobiography, historical research, and cultural criticism examining the notion of the primitive hut.
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This book is a blend of autobiography, historical research, and cultural criticism examining the notion of the primitive hut.
Title:
A hut of one's own : life outside the circle of architecture
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This book is a blend of autobiography, historical research, and cultural criticism examining the notion of the primitive hut.
A hut of one's own : life outside the circle of architecture
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$26.00
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Summary:
This book is a blend of autobiography, historical research, and cultural criticism examining the notion of the primitive hut.
Form:
books
books
Publication:
June 1998, Cambridge, Mass.
June 1998, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$75.00
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Summary:
According to N. J. Habraken, intimate and unceasing interaction between people and the forms they inhabit uniquely defines built environment. The Structure of the Ordinary, the culmination of decades of environmental observation and design research, is a (...)
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According to N. J. Habraken, intimate and unceasing interaction between people and the forms they inhabit uniquely defines built environment. The Structure of the Ordinary, the culmination of decades of environmental observation and design research, is a (...)
Title:
The structure of the ordinary : form and control in the built environment
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According to N. J. Habraken, intimate and unceasing interaction between people and the forms they inhabit uniquely defines built environment. The Structure of the Ordinary, the culmination of decades of environmental observation and design research, is a recognition and analysis of everyday environment as the wellspring of urban design and formal architecture. The authors central argument is that built environment is universally organized by the Orders of Form, Place, and Understanding. These three fundamental, interwoven principles correspond roughly to physical, biological, and social domains.
The structure of the ordinary : form and control in the built environment
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$75.00
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Summary:
According to N. J. Habraken, intimate and unceasing interaction between people and the forms they inhabit uniquely defines built environment. The Structure of the Ordinary, the culmination of decades of environmental observation and design research, is a recognition and analysis of everyday environment as the wellspring of urban design and formal architecture. The authors central argument is that built environment is universally organized by the Orders of Form, Place, and Understanding. These three fundamental, interwoven principles correspond roughly to physical, biological, and social domains.
Form:
books
books
Publication:
May 1998, Cambridge, Mass
May 1998, Cambridge, Mass
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$105.00
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Summary:
In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The (...)
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The (...)
Title:
Architecture theory since 1968
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--poststructuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architecture's general importance in intellectual discourse. This long-awaited anthology is in some sense a sequel to Joan Ockman's "Architecture Culture 1943-1968, A Documentary Anthology" (1993). It presents forty-seven of the primary texts of contemporary architecture theory, introducing each by detailing the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.
Architecture theory since 1968
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$105.00
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Summary:
In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--poststructuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architecture's general importance in intellectual discourse. This long-awaited anthology is in some sense a sequel to Joan Ockman's "Architecture Culture 1943-1968, A Documentary Anthology" (1993). It presents forty-seven of the primary texts of contemporary architecture theory, introducing each by detailing the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.
Form:
books
books
Publication:
July 1998, Cambridge, Mass.
July 1998, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$30.50
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Summary:
Although we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laundromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms; and helping to pass the time in workplaces of all kinds. In Ambient Television Anna McCarthy(...)
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Although we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laundromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms; and helping to pass the time in workplaces of all kinds. In Ambient Television Anna McCarthy(...)
Title:
Ambient television : visual culture and public space
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Although we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laundromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms; and helping to pass the time in workplaces of all kinds. In Ambient Television Anna McCarthy explores the significance of this pervasive phenomenon, tracing the forms of conflict, commerce, and community that television generates outside the home.
Ambient television : visual culture and public space
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$30.50
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Summary:
Although we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laundromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms; and helping to pass the time in workplaces of all kinds. In Ambient Television Anna McCarthy explores the significance of this pervasive phenomenon, tracing the forms of conflict, commerce, and community that television generates outside the home.
Form:
books
books
Publication:
May 2001, Durham / London
May 2001, Durham / London
Subject:
Architectural Theory
Architectural Theory
