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The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of(...)
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Summary:
The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of(...)
Title:
Organization space : landscapes, highways, and houses in America
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The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of interrelationships and linkages, and she treats the expression of organizational character as part of the architectural endeavor. Easterling also makes the case that these organizational formats are improvisational and responsive to circumstantial change, to mistakes, anomalies, and seemingly illogical market forces. By treating these irregularities opportunistically, she offers architects working within the customary development protocols new sites for making and altering space. By showing the reciprocal relations between systems of thinking and modes of designing, Easterling establishes unexpected congruencies between natural and built environments, virtual and physical systems, highway and communication networks, and corporate and spatial organizations. She frames her unconventional notion of site not in terms of singular entities, but in terms of relationships between multiple sites that are both individually and collectively adjustable.
Organization space : landscapes, highways, and houses in America
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$52.50
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Summary:
The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of interrelationships and linkages, and she treats the expression of organizational character as part of the architectural endeavor. Easterling also makes the case that these organizational formats are improvisational and responsive to circumstantial change, to mistakes, anomalies, and seemingly illogical market forces. By treating these irregularities opportunistically, she offers architects working within the customary development protocols new sites for making and altering space. By showing the reciprocal relations between systems of thinking and modes of designing, Easterling establishes unexpected congruencies between natural and built environments, virtual and physical systems, highway and communication networks, and corporate and spatial organizations. She frames her unconventional notion of site not in terms of singular entities, but in terms of relationships between multiple sites that are both individually and collectively adjustable.
Form:
books
books
Publication:
November 1999, Cambridge
November 1999, Cambridge
Subject:
Architectural Theory
Architectural Theory
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books
books
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$45.00
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In this book, Richard Hill examines the many-faceted relationship between aesthetic theory and architecture. Grounding his arguments in the practical issues related to building - the demands of site, materials, labor force, the nature of the commission - Hill expands our understanding and enjoyment of architecture. The book opens with an analysis of the relationship(...)
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Summary:
In this book, Richard Hill examines the many-faceted relationship between aesthetic theory and architecture. Grounding his arguments in the practical issues related to building - the demands of site, materials, labor force, the nature of the commission - Hill expands our understanding and enjoyment of architecture. The book opens with an analysis of the relationship(...)
Title:
Designs and their consequences
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In this book, Richard Hill examines the many-faceted relationship between aesthetic theory and architecture. Grounding his arguments in the practical issues related to building - the demands of site, materials, labor force, the nature of the commission - Hill expands our understanding and enjoyment of architecture. The book opens with an analysis of the relationship between buildings, drawings, and designs. Hill suggests that architectural drawings are essentially pictures of physical objects, although initially they may be imagined ones, and he considers the implications of this for architects and builders. He discusses the notion of "architectural experience" that has been important in the development of modern architecture, and the notion of "seeing as" that has been developed for other visual arts and that illuminates a range of architectural meaning. Asking how architecture can be expressive of a range of human states and qualities, Hill tests the idea that our ability to see the expressive aspects of buildings relates to our ability to see meaning in the faces and demeanor of other people. In the final section of the book, the author focuses on modern architecture's central aim to deepen the connection between usefulness and design, explores recent intense criticism of this outlook, and assesses the strengths and weaknesses of this body of criticism.
Designs and their consequences
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$45.00
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Summary:
In this book, Richard Hill examines the many-faceted relationship between aesthetic theory and architecture. Grounding his arguments in the practical issues related to building - the demands of site, materials, labor force, the nature of the commission - Hill expands our understanding and enjoyment of architecture. The book opens with an analysis of the relationship between buildings, drawings, and designs. Hill suggests that architectural drawings are essentially pictures of physical objects, although initially they may be imagined ones, and he considers the implications of this for architects and builders. He discusses the notion of "architectural experience" that has been important in the development of modern architecture, and the notion of "seeing as" that has been developed for other visual arts and that illuminates a range of architectural meaning. Asking how architecture can be expressive of a range of human states and qualities, Hill tests the idea that our ability to see the expressive aspects of buildings relates to our ability to see meaning in the faces and demeanor of other people. In the final section of the book, the author focuses on modern architecture's central aim to deepen the connection between usefulness and design, explores recent intense criticism of this outlook, and assesses the strengths and weaknesses of this body of criticism.
Form:
books
books
Publication:
August 1999, New Haven
August 1999, New Haven
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$39.95
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Summary:
Edited and presented by Sanford Kwinter and Bruce Mau.
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Edited and presented by Sanford Kwinter and Bruce Mau.
Title:
Pandemonium : the rise of predatory locales in the postwar world
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Edited and presented by Sanford Kwinter and Bruce Mau.
Pandemonium : the rise of predatory locales in the postwar world
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Edited and presented by Sanford Kwinter and Bruce Mau.
Form:
books
books
Publication:
December 1999, New York
December 1999, New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
The arcades project
The arcades project
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$59.95
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin(...)
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin(...)
Title:
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris, glass-roofed rows of shops that were early centers of consumerism, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things, a process in which he locates the decisive shift to the modern age. "The Arcades Project" is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris, glass-roofed rows of shops that were early centers of consumerism, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things, a process in which he locates the decisive shift to the modern age. "The Arcades Project" is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.
Form:
books
books
Publication:
November 1999, Cambridge, Mass.
November 1999, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Field event / field space
Field event / field space
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$23.95
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A collection of two and three dimensional studies describing an architecture and urbanism which proceeds from the idea of field or ground as the basis for a radical architecture. Collecting together detailed studies of the urbanisms of central European cities and cities of the former East Block, Field Event/Field Space takes a critical view of contemporary(...)
$23.95
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A collection of two and three dimensional studies describing an architecture and urbanism which proceeds from the idea of field or ground as the basis for a radical architecture. Collecting together detailed studies of the urbanisms of central European cities and cities of the former East Block, Field Event/Field Space takes a critical view of contemporary(...)
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Field event / field space
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A collection of two and three dimensional studies describing an architecture and urbanism which proceeds from the idea of field or ground as the basis for a radical architecture. Collecting together detailed studies of the urbanisms of central European cities and cities of the former East Block, Field Event/Field Space takes a critical view of contemporary urban ideas, proposing stategies which counter the dominant paradigm of an oppositional Modernism.
Field event / field space
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A collection of two and three dimensional studies describing an architecture and urbanism which proceeds from the idea of field or ground as the basis for a radical architecture. Collecting together detailed studies of the urbanisms of central European cities and cities of the former East Block, Field Event/Field Space takes a critical view of contemporary urban ideas, proposing stategies which counter the dominant paradigm of an oppositional Modernism.
Form:
books
books
Publication:
January 1998, London
January 1998, London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Grace and architecture
Grace and architecture
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$31.95
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Through a constructive way of looking at the timing of architecture, this reference explores the myths of a critical history. The featured ideas are made more concrete and specific by focusing the enquiry on a forgotten building outside Helsinki — Espoonlahti Church — designed by the architects Timo and Tuomo Suomalainen.
$31.95
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Through a constructive way of looking at the timing of architecture, this reference explores the myths of a critical history. The featured ideas are made more concrete and specific by focusing the enquiry on a forgotten building outside Helsinki — Espoonlahti Church — designed by the architects Timo and Tuomo Suomalainen.
Title:
Grace and architecture
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$31.95
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Summary:
Through a constructive way of looking at the timing of architecture, this reference explores the myths of a critical history. The featured ideas are made more concrete and specific by focusing the enquiry on a forgotten building outside Helsinki — Espoonlahti Church — designed by the architects Timo and Tuomo Suomalainen.
Grace and architecture
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$31.95
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Summary:
Through a constructive way of looking at the timing of architecture, this reference explores the myths of a critical history. The featured ideas are made more concrete and specific by focusing the enquiry on a forgotten building outside Helsinki — Espoonlahti Church — designed by the architects Timo and Tuomo Suomalainen.
Form:
books
books
Publication:
February 1998, Helsinki
February 1998, Helsinki
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$49.95
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Summary:
Fontaine, Viollet-le-Duc, Hankar, Horta, Guimard,Tony Garnier, Le Corbusier.
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Fontaine, Viollet-le-Duc, Hankar, Horta, Guimard,Tony Garnier, Le Corbusier.
Title:
Les bâtisseurs d'avenir : portraits d'architectes XIXe-XXe siècle
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Fontaine, Viollet-le-Duc, Hankar, Horta, Guimard,Tony Garnier, Le Corbusier.
Les bâtisseurs d'avenir : portraits d'architectes XIXe-XXe siècle
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Fontaine, Viollet-le-Duc, Hankar, Horta, Guimard,Tony Garnier, Le Corbusier.
Form:
books
books
Publication:
October 1998, Paris
October 1998, Paris
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Terminal architecture
Terminal architecture
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$37.50
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In this book, British architecture critic Martin Pawley argues that design innovation and notions of obsolescence and replacement have been subordinated to rules for the benefit of heritage and tourism, resulting in cities which appear classical or Victorian. He claims that only by redefining our values can architecture continue to evolve and remain innovative.
$37.50
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Summary:
In this book, British architecture critic Martin Pawley argues that design innovation and notions of obsolescence and replacement have been subordinated to rules for the benefit of heritage and tourism, resulting in cities which appear classical or Victorian. He claims that only by redefining our values can architecture continue to evolve and remain innovative.
Title:
Terminal architecture
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$37.50
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Summary:
In this book, British architecture critic Martin Pawley argues that design innovation and notions of obsolescence and replacement have been subordinated to rules for the benefit of heritage and tourism, resulting in cities which appear classical or Victorian. He claims that only by redefining our values can architecture continue to evolve and remain innovative.
Terminal architecture
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$37.50
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Summary:
In this book, British architecture critic Martin Pawley argues that design innovation and notions of obsolescence and replacement have been subordinated to rules for the benefit of heritage and tourism, resulting in cities which appear classical or Victorian. He claims that only by redefining our values can architecture continue to evolve and remain innovative.
Form:
books
books
Publication:
September 1998, London
September 1998, London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$77.00
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Summary:
Introductory essays and selected translations by Samir Younés.
$77.00
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Summary:
Introductory essays and selected translations by Samir Younés.
Title:
The historical dictionary of architecture of Quatremère de Quincy
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$77.00
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Summary:
Introductory essays and selected translations by Samir Younés.
The historical dictionary of architecture of Quatremère de Quincy
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$77.00
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Summary:
Introductory essays and selected translations by Samir Younés.
Form:
books
books
Publication:
January 1900, London
January 1900, London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$60.00
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Summary:
Conception and birth, growth and maturity, aging and death--these are important moments in the human life story. They are also stages in the existence of a building, says the author of this unconventional history of the rituals and practices that surround built structures in America. Drawing on sources as varied as Masonic manuals, promotional brochures, janitorial(...)
$60.00
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Summary:
Conception and birth, growth and maturity, aging and death--these are important moments in the human life story. They are also stages in the existence of a building, says the author of this unconventional history of the rituals and practices that surround built structures in America. Drawing on sources as varied as Masonic manuals, promotional brochures, janitorial(...)
Title:
Building lives : constructing rites and passages
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$60.00
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Conception and birth, growth and maturity, aging and death--these are important moments in the human life story. They are also stages in the existence of a building, says the author of this unconventional history of the rituals and practices that surround built structures in America. Drawing on sources as varied as Masonic manuals, promotional brochures, janitorial contracts, tourist guidebooks, and religious texts, cultural historian Neil Harris explores the rites of building passage over the past one hundred and fifty years. In this generously illustrated volume, he offers fascinating new insights into the social and cultural roles of buildings. This book suggests that architecture is a performing art as well as a fine art. Harris provides entertaining accounts of building introductions and presentations; celebrations, including groundbreakings, cornerstone layings, dedication ceremonies, and milestone anniversaries; efforts by builders, designers, real estate agents, photographers, and users to endow buildings with personality; debates over the naming of buildings; and attempts to document the erection and aging of buildings. Harris details recent strenuous efforts to prolong building life and vitality, and the increasing concern over "sick" and endangered buildings. Observing the difficulty that people experience in saying goodbye to old buildings that feel like friends, he calls for ceremony to mark the end as well as the beginning of a building's life.
Building lives : constructing rites and passages
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$60.00
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Summary:
Conception and birth, growth and maturity, aging and death--these are important moments in the human life story. They are also stages in the existence of a building, says the author of this unconventional history of the rituals and practices that surround built structures in America. Drawing on sources as varied as Masonic manuals, promotional brochures, janitorial contracts, tourist guidebooks, and religious texts, cultural historian Neil Harris explores the rites of building passage over the past one hundred and fifty years. In this generously illustrated volume, he offers fascinating new insights into the social and cultural roles of buildings. This book suggests that architecture is a performing art as well as a fine art. Harris provides entertaining accounts of building introductions and presentations; celebrations, including groundbreakings, cornerstone layings, dedication ceremonies, and milestone anniversaries; efforts by builders, designers, real estate agents, photographers, and users to endow buildings with personality; debates over the naming of buildings; and attempts to document the erection and aging of buildings. Harris details recent strenuous efforts to prolong building life and vitality, and the increasing concern over "sick" and endangered buildings. Observing the difficulty that people experience in saying goodbye to old buildings that feel like friends, he calls for ceremony to mark the end as well as the beginning of a building's life.
Form:
books
books
Publication:
October 1998, New Haven
October 1998, New Haven
Subject:
Architectural Theory
Architectural Theory
