L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique(...)
L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique créateur d'univers. Sexy pour les uns, sexiste pour les autres, l'excentricité érotique de ses penthouses cache en réalité une cosmétique bien plus vaste. Avec son jet privé Big Bunny, ses hôtesses, ses clubs, ses Manoirs Est et Ouest, sa Grotte, son zoo, son lit connecté et ses filiales multimédias, Hefner a finalement inventé un monde illusoire à l'image de l'Amérique : le sien.
Architectural Theory
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In this title, Daniel M. Abramson investigates this notion of architectural expendability and the logic by which buildings lose their value and utility. The idea that the new necessarily outperforms and makes superfluous the old, Abramson argues, helps people come to terms with modernity and capitalism’s fast-paced change. 'Obsolescence', then, gives an unsettling(...)
Obsolescence: an architectural history
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In this title, Daniel M. Abramson investigates this notion of architectural expendability and the logic by which buildings lose their value and utility. The idea that the new necessarily outperforms and makes superfluous the old, Abramson argues, helps people come to terms with modernity and capitalism’s fast-paced change. 'Obsolescence', then, gives an unsettling experience purpose and meaning.
Architectural Theory
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"Lessons for students in architecture", written by Dutch architect and educator Herman Hertzberger (born 1932), was first published in 1991 as an elaborated version of lectures Hertzberger had given since 1973 at Delft University of Technology. Since its first edition, the book has become a classic for students the world over; this immensely successful volume has gone(...)
Lessons for students in architecture, 3rd edition
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"Lessons for students in architecture", written by Dutch architect and educator Herman Hertzberger (born 1932), was first published in 1991 as an elaborated version of lectures Hertzberger had given since 1973 at Delft University of Technology. Since its first edition, the book has become a classic for students the world over; this immensely successful volume has gone through many reprints and has also been published in Japanese, German, Italian, Portuguese, Taiwanese, Dutch, Greek, Chinese, French, Polish and Persian. This new edition brings the classic book back into print.
Architectural Theory
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Renowned for his extensive work in architectural history and historic preservation as an educator, scholar, activist, and public lecturer, Richard Longstreth is one of the most important architectural preservationists of the recent past. Looking beyond the Icons offers a generous and diverse selection of his writings over the past twenty-five years. The author explores a(...)
Looking beyond the icons: midcentury architecture, landscape and urbanism
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Renowned for his extensive work in architectural history and historic preservation as an educator, scholar, activist, and public lecturer, Richard Longstreth is one of the most important architectural preservationists of the recent past. Looking beyond the Icons offers a generous and diverse selection of his writings over the past twenty-five years. The author explores a variety of topics related to midcentury (ca. 1945–70) preservation efforts, including practical, intellectual, and psychological dilemmas associated with preserving the recent past, preservation-related deficiencies in the urban planning process, and preservation of specific types of buildings. This collection offers a new understanding of the richness and variety of mid-twentieth-century U.S. architecture, landscape, and urbanism, and provides a detailed analysis of both the imperatives for and the challenges involved in preserving this legacy.
Architectural Theory
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An essential toolkit for understanding architecture as both art form and the setting for our everyday lives We spend most of our days and nights in buildings, living and working and sometimes playing. Architecture is both the setting for our everyday lives and a public art form - but it remains mysterious to most of us. In "How architecture works", Witold Rybczynski, (...)
How architecture works: a humanist's toolkit
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An essential toolkit for understanding architecture as both art form and the setting for our everyday lives We spend most of our days and nights in buildings, living and working and sometimes playing. Architecture is both the setting for our everyday lives and a public art form - but it remains mysterious to most of us. In "How architecture works", Witold Rybczynski, answers our most fundamental questions about how good - and not so good - buildings are designed and constructed. Introducing the reader to the rich and varied world of modern architecture, he reveals how architects as diverse as Frank Gehry, Renzo Piano, and Robert A. M. Stern envision and create their designs. He teaches us how to read" plans, how buildingsrespond to their settings, and how the smallest detail - of a stair balustrade, for instance - can convey an architect's vision. How Architecture Works explains the central elements that make up good building design, ranging from a war memorial in London to an opera house in Saint Petersburg, from the National Museum of African American History and Culture in Washington, D.C., to a famous architect's private retreat in Princeton, New Jersey. It is an enlightening humanist's toolkit for thinking about the built environment and seeing it afresh.
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October 2014
Architectural Theory
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Ces 10 clefs abordent l'architecture non par une accroche spectaculaire, mais par une voie plus subjective. Elles tentent d'éviter l'écueil consistant à présenter ce domaine aux yeux du grand public comme une valeur culturelle fondée soit sur la dimension patrimoniale, soit sur les prouesses techniques des grands ouvrages d'art, ou encore sur la dimension événementielle(...)
January 2017
10 clefs pour s'ouvrir à l'architecture
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Ces 10 clefs abordent l'architecture non par une accroche spectaculaire, mais par une voie plus subjective. Elles tentent d'éviter l'écueil consistant à présenter ce domaine aux yeux du grand public comme une valeur culturelle fondée soit sur la dimension patrimoniale, soit sur les prouesses techniques des grands ouvrages d'art, ou encore sur la dimension événementielle de certaines réalisations qui se prêtent aux jeux des caméras et deviennent de parfaits décors pour le fond d'écran des journaux télévisés. Ce texte est destiné à initier une démarche personnelle, à stimuler la curiosité du lecteur en introduisant l'architecture par son versant sensible et émotionnel. Il s'adresse aux curieux, amoureux des villes, des parcs et des jardins, à ceux qui aiment le paysage, ceux qui n'hésitent pas à quitter leur espace domestique pour se perdre dans l'espace urbain.
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Il est enfin admis ouvertement que Le Corbusier était un fasciste bon teint. On tolère ses mensonges et sa mégalomanie. On sourit en le voyant mépriser ses (riches) clients. Un observateur impartial découvrira vite qu’il n’a rien inventé, gommant les auteurs dont il s’est attribué les idées. La seule réelle compétence de Le Corbusier fut la promotion de son image publique(...)
Misère de l'espace moderne: la production de Le Corbusier et ses conséquences
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Il est enfin admis ouvertement que Le Corbusier était un fasciste bon teint. On tolère ses mensonges et sa mégalomanie. On sourit en le voyant mépriser ses (riches) clients. Un observateur impartial découvrira vite qu’il n’a rien inventé, gommant les auteurs dont il s’est attribué les idées. La seule réelle compétence de Le Corbusier fut la promotion de son image publique au détriment de la qualité de son œuvre construite – catastrophique. Mais de tout cela on ne tire aucune conséquence, la plupart des critiques refusant de voir le monde cauchemardesque qu’il voulait édifier. Ce qui n’aurait aucune importance si Le Corbusier n’était devenu le modèle pour les architectes de l’après-guerre qui ont couvert la France de barres et tours en béton. Et si, aujourd’hui, ses théories ne faisaient les affaires des bureaucrates de Chine et de Russie.
Architectural Theory
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The topics that Friedman and his interviewees discuss illuminate five overarching themes: the functions and meanings of home; history, tradition, and change in residential architecture; activism, sustainability, and the environment; cities, suburbs, and regions; and technology, innovation, and materials. Friedman frames the interviews with an extended introduction that(...)
The American idea of home: conversations about architecture and design
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The topics that Friedman and his interviewees discuss illuminate five overarching themes: the functions and meanings of home; history, tradition, and change in residential architecture; activism, sustainability, and the environment; cities, suburbs, and regions; and technology, innovation, and materials. Friedman frames the interviews with an extended introduction that highlights these themes and helps readers appreciate the common concerns that underlie projects as disparate as Katrina cottages and Frank Lloyd Wright Usonian houses.
Architectural Theory
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Werner Blaser is among the most respected architectural critics of recent decades, who has interacted with virtually all of the major architects, including Mies, Foster, Piano, and Calatrava. In Synthesis, he tells the story of his encounters with architects and architecture. In addition, he is also the creator of collages that make apparent aesthetic connections between(...)
Synthesis: texts and collages
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Werner Blaser is among the most respected architectural critics of recent decades, who has interacted with virtually all of the major architects, including Mies, Foster, Piano, and Calatrava. In Synthesis, he tells the story of his encounters with architects and architecture. In addition, he is also the creator of collages that make apparent aesthetic connections between the East and West, and between traditional and contemporary architecture.
Architectural Theory
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With Design is Invisible, Lucius Burckhardt was one of the first to point out that factors that are invisible can be integrated – they determine the use of objects and should be part of the design. What is the use of the most attractive tramway if it does not operate at night? Burckhardt expands on the meaning of design, in this case by including the timetable, which can(...)
Architectural Theory
April 2017
Design is invisible: planning, education and society
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With Design is Invisible, Lucius Burckhardt was one of the first to point out that factors that are invisible can be integrated – they determine the use of objects and should be part of the design. What is the use of the most attractive tramway if it does not operate at night? Burckhardt expands on the meaning of design, in this case by including the timetable, which can also be optimized. The relevance of these articles dating from between 1965 and 1999 can be appreciated today in the current debate on architecture. Problems arising from social polarization, rural depopulation, and migration can only be resolved on an interdisciplinary basis. The articles, for the first time available in English, finally allow access to key source texts for the purpose of international debate.
Architectural Theory