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Content is a bi-annual publication that explores the formal, cultural and technical issues of architecture through detailed drawings, photographs, and where appropriate, elucidating texts. With an emphasis on clear and direct presentation, architecture is examined as the formal transformation of site, material and construction in the search for social and(...)
Content form technique 3 : wall
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Content is a bi-annual publication that explores the formal, cultural and technical issues of architecture through detailed drawings, photographs, and where appropriate, elucidating texts. With an emphasis on clear and direct presentation, architecture is examined as the formal transformation of site, material and construction in the search for social and ethical content.
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March 1997, Sydney
Architectural Theory
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Design and analysis
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An interdisciplinary exploration of the methods used by architects, designers, urban planners, and landscape architects to understand the structure and principles of the built environment.
Architectural Theory
September 1997, Rotterdam
Design and analysis
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An interdisciplinary exploration of the methods used by architects, designers, urban planners, and landscape architects to understand the structure and principles of the built environment.
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September 1997, Rotterdam
Architectural Theory
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A newly revised and enlarged edition of Jencks' bestseller brings the reader up to date with new projects by some of today's most prominent architects including Peter Eisenman, Frank Gehry, Daniel Libesking and Greg Lynn.
The architecture of the jumping universe, a polemic : how complexity science is changing architecture and culture
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A newly revised and enlarged edition of Jencks' bestseller brings the reader up to date with new projects by some of today's most prominent architects including Peter Eisenman, Frank Gehry, Daniel Libesking and Greg Lynn.
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January 1900, London
Architectural Theory
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Peter Collins's classic study surveys two hundred years of architectural theories and ideas. It explains what Revivalism, Rationalism, Eclecticism, and Functionalism meant to those who practised them, examining the influence of the other arts and sciences on architectural theory, and analysing notions that are commonly used in discussions about modern architecture but(...)
Architectural Theory
February 1998, Montréal, Kingston, Ithaca, London
Changing ideals in Modern architecture
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Peter Collins's classic study surveys two hundred years of architectural theories and ideas. It explains what Revivalism, Rationalism, Eclecticism, and Functionalism meant to those who practised them, examining the influence of the other arts and sciences on architectural theory, and analysing notions that are commonly used in discussions about modern architecture but have implications frequently unsuspected or overlooked.
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February 1998, Montréal, Kingston, Ithaca, London
Architectural Theory
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German artist Kurt Schwitters' Hannover Merzbau, a combination of collage, sculpture, and architecture, began, according to Schwitters, in 1923 with a small construction in a corner of the artist's studio, a room contained within the apartment he shared with (...)
Kurt Schwitters' Merzbau : the cathedral of erotic misery
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German artist Kurt Schwitters' Hannover Merzbau, a combination of collage, sculpture, and architecture, began, according to Schwitters, in 1923 with a small construction in a corner of the artist's studio, a room contained within the apartment he shared with members of his family. Also called "The Cathedral of Erotic Misery" or KdeE, the project eventually took over many of the spaces of his living quarters, filling the rooms with grottoes and caves dedicated to friends, artists, and cultural events. Left unfinished when Schwitters fled Hannover in early 1938, the Merzbau was completely destroyed during an Allied bombing raid over Hannover in 1943. While the project is usually listed as a marginal episode in the annals of Modern art and architecture, the Merzbau is of seminal importance in understanding the complex relationships between several European Avant-garde movements, including Expressionism, Dada, Constructivism, and Merz, the one-man movement Schwitters insisted was available to anyone. The project also provides information supporting the belief that artists such as Joseph Beuys and Robert Rauschenberg consciously extend the project of Merz. In delving into Schwitters' creative 'principles,' as well as the influences of prominent artists and architects on the Merzbau and vice versa, Elizabeth Burns Gamard discusses the project's physical evolution, its hidden meanings, and its significance within the artist's entire oeuvre. She also focusses on the relationship between Schwitters' ideas and those of German nature mysticism and German Romanticism, thus providing an extensive genealogy of the project as well.
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January 1960, New York
Architectural Theory
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This volume documents the 1992, 1994 and 1996 sessions of the Jerusalem Seminar in Architecture, a forum where the world's most distinguished architects and critics gather to present their work and to discuss pressing issues in architectural practice today. Each section includes the architects' edited presentations illustrated with photographs, plans, and(...)
Technology, place & architecture : the Jerusalem seminar in architecture
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This volume documents the 1992, 1994 and 1996 sessions of the Jerusalem Seminar in Architecture, a forum where the world's most distinguished architects and critics gather to present their work and to discuss pressing issues in architectural practice today. Each section includes the architects' edited presentations illustrated with photographs, plans, and drawings. This book also features essays by critics and biographies of the participants.
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May 1998, New York
Architectural Theory
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This collection of essays focuses on the importance of the user in architecture. It emphasizes the the cross-currents between design, theory and use, and the need for a wider cross-cultural approach to architecture.
Occupying architecture : between the architect and the user
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This collection of essays focuses on the importance of the user in architecture. It emphasizes the the cross-currents between design, theory and use, and the need for a wider cross-cultural approach to architecture.
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June 1998, New York
Architectural Theory
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Places through the body
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In this book geographers, architects, anthropologists, artists, film, cultural studies and psycho-analysis theorists, among others, work alongside each other to show how places through the body take shape at a variety of scales.
Places through the body
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In this book geographers, architects, anthropologists, artists, film, cultural studies and psycho-analysis theorists, among others, work alongside each other to show how places through the body take shape at a variety of scales.
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June 1998, London
Architectural Theory
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
Picturing science producing art
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
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June 1998
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$42.00
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In this suggestive inquiry into the operations of linearity in architectural theory and practice, Catherine Ingraham investigates the line as both a conceptual and a literal force in architecture. She approaches her subject from philosophical, theoretical, practical, and historical points of view, finding many places of convergence between architecture and(...)
Architecture and the burdens of linearity
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In this suggestive inquiry into the operations of linearity in architectural theory and practice, Catherine Ingraham investigates the line as both a conceptual and a literal force in architecture. She approaches her subject from philosophical, theoretical, practical, and historical points of view, finding many places of convergence between architecture and other fields. She considers maps, architectural plans, the laws of geometry, systems of architectural knowledge, and mythologies of architectural origin in works of Le Corbusier, Vitruvius, Alberti, Tafuri, Derrida, Lévi-Strauss, Shakespeare, Lacan, Deleuze, Rilke, and Stendhal.
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April 1998, New Haven
Architectural Theory