Relive : media art histories
$56.95
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In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of "new media" and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history -- the materials through which the past is mediated. Drawing on the tools of media archaeology and the(...)
Relive : media art histories
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$56.95
(available to order)
Summary:
In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of "new media" and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history -- the materials through which the past is mediated. Drawing on the tools of media archaeology and the history and philosophy of media, they propose a new materialist media art history.
Art Theory
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In a manufacturing metropolis in south China lies Dafen, an urban village that famously houses thousands of workers who paint van Goghs, Da Vincis, Warhols, and other Western masterpieces for the world market, producing an astonishing five million paintings a year. To write about work and life in Dafen, Winnie Wong infiltrated this world, first investigating the work of(...)
Van Gogh on demand: China and the readymade
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In a manufacturing metropolis in south China lies Dafen, an urban village that famously houses thousands of workers who paint van Goghs, Da Vincis, Warhols, and other Western masterpieces for the world market, producing an astonishing five million paintings a year. To write about work and life in Dafen, Winnie Wong infiltrated this world, first investigating the work of conceptual artists who made projects there; then working as a dealer; apprenticing as a painter; surveying wholesalers and retailers in Europe, East Asia and North America; establishing relationships with local leaders; and organizing a conceptual art exhibition for the Shanghai World Expo. The result is Van Gogh on Demand, a book about a little-known aspect of the global art world—one that sheds surprising light on the workings of art, artists, and individual genius.
books
October 2013
Art Theory
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The first book to use the physical evidence of Royal Society experiments to produce forensic evaluations of how scientific knowledge was generated, Wicked Intelligence rethinks the parameters of visual art, experimental philosophy, and architecture at the cusp of Britain’s imperial power and artistic efflorescence.
Wicked intelligence : visual art and the science of experiment in restoration London
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The first book to use the physical evidence of Royal Society experiments to produce forensic evaluations of how scientific knowledge was generated, Wicked Intelligence rethinks the parameters of visual art, experimental philosophy, and architecture at the cusp of Britain’s imperial power and artistic efflorescence.
Art Theory
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Playing at Home explores the different ways in which artists have engaged with this popular everyday theme – from ‘broken homes’ to haunted houses, doll’s houses, mobile homes and greenhouses. The book considers how issues of gender, identity, class and place can overlap and interact in our relationships with ‘home’, and how certain artworks disturb our comfortable ideas(...)
Playing at home: the house in contemporary art
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Playing at Home explores the different ways in which artists have engaged with this popular everyday theme – from ‘broken homes’ to haunted houses, doll’s houses, mobile homes and greenhouses. The book considers how issues of gender, identity, class and place can overlap and interact in our relationships with ‘home’, and how certain artworks disturb our comfortable ideas of what it means to be ‘at home’.
Art Theory
L'odeur de la peinture
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« L’odeur de la peinture pourrait te faire du mal!» Par ces mots, Rembrandt prévenait les visiteurs de son atelier, intrigués par la facture singulière de ses tableaux, du danger de s’en approcher. Au regard de la place particulière de cette œuvre dans l’histoire de l’art, on peut formuler l’hypothèse que le propos de Rembrandt présentait, au-delà de considérations(...)
L'odeur de la peinture
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« L’odeur de la peinture pourrait te faire du mal!» Par ces mots, Rembrandt prévenait les visiteurs de son atelier, intrigués par la facture singulière de ses tableaux, du danger de s’en approcher. Au regard de la place particulière de cette œuvre dans l’histoire de l’art, on peut formuler l’hypothèse que le propos de Rembrandt présentait, au-delà de considérations matérielles, une conception «toxique» de la peinture, alors inacceptable pour une partie de ses contemporains.
Art Theory
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The Pragmatism in the History of Art traces the questions that modern art history has used to make sense of the changes overtaking both art and life. A genealogy emerges naturally, elliptically. Several generations cross back and forth over the Atlantic. The questions combine with case studies as a story unfolds: the work of Meyer Schapiro, Henri Focillon, Alexander(...)
The pragmatism in the History of art
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The Pragmatism in the History of Art traces the questions that modern art history has used to make sense of the changes overtaking both art and life. A genealogy emerges naturally, elliptically. Several generations cross back and forth over the Atlantic. The questions combine with case studies as a story unfolds: the work of Meyer Schapiro, Henri Focillon, Alexander Dorner, George Kubler, Robert Herbert, T. J. Clark and Linda Nochlin is scrutinized; the philosophy of Michel Foucault and Gilles Deleuze and the films of Chris Marker and Jean-Luc Godard show distinctly pragmatic effects; artists discussed include Vincent Van Gogh, Isamu Noguchi, Lawrence Weiner and Gordon Matta-Clark.
Art Theory
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Penser, c'est ressentir. Et c'est à une expérience intime, intuitive, des sens et des formes, de l'espace et du monde que nous invite Walter Benjamin dans cet essai de 1939 qui reste son texte le plus populaire. Le philosophe y montre comment l'invention de la photographie et surtout celle du cinéma, en rendant possible la reproduction massive des oeuvres d'art, ont(...)
L'oeuvre d'art à l'époque de sa reproductibilité technique
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Penser, c'est ressentir. Et c'est à une expérience intime, intuitive, des sens et des formes, de l'espace et du monde que nous invite Walter Benjamin dans cet essai de 1939 qui reste son texte le plus populaire. Le philosophe y montre comment l'invention de la photographie et surtout celle du cinéma, en rendant possible la reproduction massive des oeuvres d'art, ont précipité le "déclin de l'aura", formule désormais célèbre pour un concept devenu central dans l'histoire de l'art et la philosophie esthétique, l'aura d'une oeuvre étant l'effet de sa présence unique, liée à un lieu précis et inscrite dans l'histoire.
Art Theory
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Interrompre l'écriture fictive à partir d'une photographie. Dessiner dans les marges d'un cahier puis entrelacer les figures aux mots. Inventer des images pour créer autrement sa langue. Voilà autant de scènes qui sont retenus dans ce livre et reliées entre elles par la question de l'Apparition des images chez certains écrivains et théoriciens. La place de l'ombre(...)
La place de l'ombre: écriture et images, de Roland Barthes à Antonin Artaud
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Interrompre l'écriture fictive à partir d'une photographie. Dessiner dans les marges d'un cahier puis entrelacer les figures aux mots. Inventer des images pour créer autrement sa langue. Voilà autant de scènes qui sont retenus dans ce livre et reliées entre elles par la question de l'Apparition des images chez certains écrivains et théoriciens. La place de l'ombre s'intéresse à ces étonnants passages à l'art qui explorent une dimension renouvelée de l'acte d'écrire.
Art Theory
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The work of art has often been a battleground—its decorative and formal aspects positioned against its nature as an embodiment of cognitive acts. Leonardo da Vinci’s claim that art be a “cosa mentale” is winning at last: recent debates around art schools and their methods, of which this book is a vast survey, demonstrate that, now more than ever, art is considered the(...)
Art as a thinking process : visual forms of knowledge production
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The work of art has often been a battleground—its decorative and formal aspects positioned against its nature as an embodiment of cognitive acts. Leonardo da Vinci’s claim that art be a “cosa mentale” is winning at last: recent debates around art schools and their methods, of which this book is a vast survey, demonstrate that, now more than ever, art is considered the result of a thinking process.
Art Theory
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In Douglas Coupland's writing, the doldrums of a world afflicted by the pains of dotcom booms and busts, the ascendency of subcultures to pop cultures, and the subsequent struggle for identity are counterbalanced by droll, personal, and incisive analyses. This collection of nonfiction essays provides an illuminating meander through what we call culture today.
Douglas Coupland : Shopping in Jail : Ideas, essays, and stories
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In Douglas Coupland's writing, the doldrums of a world afflicted by the pains of dotcom booms and busts, the ascendency of subcultures to pop cultures, and the subsequent struggle for identity are counterbalanced by droll, personal, and incisive analyses. This collection of nonfiction essays provides an illuminating meander through what we call culture today.
Art Theory