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Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.
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Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.
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An anthropology of images: picture, medium, body
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Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.
An anthropology of images: picture, medium, body
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Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.
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books
books
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July 2014
July 2014
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Art Theory
Art Theory
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The artistically unconventional and theoretically cutting-edge magazine Parachute was launched in 1975, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry(...)
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The artistically unconventional and theoretically cutting-edge magazine Parachute was launched in 1975, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry(...)
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Parachute: the anthology, volume II
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The artistically unconventional and theoretically cutting-edge magazine Parachute was launched in 1975, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster and Laura Mulvey published important early essays in the journal. This second volume of writings from Parachute gathers texts around “Performance and Performativity.”
Parachute: the anthology, volume II
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The artistically unconventional and theoretically cutting-edge magazine Parachute was launched in 1975, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster and Laura Mulvey published important early essays in the journal. This second volume of writings from Parachute gathers texts around “Performance and Performativity.”
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books
books
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March 2014
March 2014
Subject:
Art Theory
Art Theory
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$45.00
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The essays in this collection were written in the first decade of the new millennium by critic, editor and curator Chantal Pontbriand. Pontbriand examines themes of being-in-common in today s world and their relation to the development of art practices. As these practices are implemented, other ways of seeing, understanding and making appear.
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The essays in this collection were written in the first decade of the new millennium by critic, editor and curator Chantal Pontbriand. Pontbriand examines themes of being-in-common in today s world and their relation to the development of art practices. As these practices are implemented, other ways of seeing, understanding and making appear.
Title:
The contemporary, the common: art in globalizing world
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The essays in this collection were written in the first decade of the new millennium by critic, editor and curator Chantal Pontbriand. Pontbriand examines themes of being-in-common in today s world and their relation to the development of art practices. As these practices are implemented, other ways of seeing, understanding and making appear.
The contemporary, the common: art in globalizing world
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Summary:
The essays in this collection were written in the first decade of the new millennium by critic, editor and curator Chantal Pontbriand. Pontbriand examines themes of being-in-common in today s world and their relation to the development of art practices. As these practices are implemented, other ways of seeing, understanding and making appear.
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books
books
Publication:
January 2014
January 2014
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Art Theory
Art Theory
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Objects in This Mirror presents a polemical defense of intellectual and cultural generalism and curiosity. The collection of essays rewardingly navigates diverse subjects ranging from the writings of W. G. Sebald and Roland Barthes to the history of manuals for tying a cravat and the search for a cure to the common cold. Staying true to the idea of the essay as a(...)
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Objects in This Mirror presents a polemical defense of intellectual and cultural generalism and curiosity. The collection of essays rewardingly navigates diverse subjects ranging from the writings of W. G. Sebald and Roland Barthes to the history of manuals for tying a cravat and the search for a cure to the common cold. Staying true to the idea of the essay as a(...)
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Objects in this mirror: essays
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Objects in This Mirror presents a polemical defense of intellectual and cultural generalism and curiosity. The collection of essays rewardingly navigates diverse subjects ranging from the writings of W. G. Sebald and Roland Barthes to the history of manuals for tying a cravat and the search for a cure to the common cold. Staying true to the idea of the essay as a self-aware but generous literary and critical form, this book explores the variety of topics within the rubric of art writing or criticism.
Objects in this mirror: essays
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Objects in This Mirror presents a polemical defense of intellectual and cultural generalism and curiosity. The collection of essays rewardingly navigates diverse subjects ranging from the writings of W. G. Sebald and Roland Barthes to the history of manuals for tying a cravat and the search for a cure to the common cold. Staying true to the idea of the essay as a self-aware but generous literary and critical form, this book explores the variety of topics within the rubric of art writing or criticism.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Art Theory
Art Theory
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books
books
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Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the(...)
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Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the(...)
Title:
Kim Gordon: is it my body? selected texts
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Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham.
Kim Gordon: is it my body? selected texts
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Summary:
Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Art Theory
Art Theory
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books
books
Title:
The morbid anatomy anthology
The morbid anatomy anthology
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Since 2008, the Morbid Anatomy Library of Brooklyn, New York, has hosted scholars, artists and writers working along the intersections of the history of anatomy and medicine, death and the macabre, religion and spectacle. The Morbid Anatomy Anthology collects some of the best of this work in 28 illustrated essays.
$35.00
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Summary:
Since 2008, the Morbid Anatomy Library of Brooklyn, New York, has hosted scholars, artists and writers working along the intersections of the history of anatomy and medicine, death and the macabre, religion and spectacle. The Morbid Anatomy Anthology collects some of the best of this work in 28 illustrated essays.
Title:
The morbid anatomy anthology
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$35.00
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Summary:
Since 2008, the Morbid Anatomy Library of Brooklyn, New York, has hosted scholars, artists and writers working along the intersections of the history of anatomy and medicine, death and the macabre, religion and spectacle. The Morbid Anatomy Anthology collects some of the best of this work in 28 illustrated essays.
The morbid anatomy anthology
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Price:
$35.00
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Summary:
Since 2008, the Morbid Anatomy Library of Brooklyn, New York, has hosted scholars, artists and writers working along the intersections of the history of anatomy and medicine, death and the macabre, religion and spectacle. The Morbid Anatomy Anthology collects some of the best of this work in 28 illustrated essays.
Form:
books
books
Publication:
April 2014
April 2014
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$36.95
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Summary:
As the American environmental movement emerged in the 1960s and 1970s, ecological perspectives also emerged in art. But ecological artworks were not limited to conventional understandings of environmental art as something that had to be located outdoors or made of organic materials. Created in a range of media, they reflected a widespread reconceptualization of the(...)
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As the American environmental movement emerged in the 1960s and 1970s, ecological perspectives also emerged in art. But ecological artworks were not limited to conventional understandings of environmental art as something that had to be located outdoors or made of organic materials. Created in a range of media, they reflected a widespread reconceptualization of the(...)
Title:
Ecologies, environments, and energy systems in art of the 1960s and 1970s
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As the American environmental movement emerged in the 1960s and 1970s, ecological perspectives also emerged in art. But ecological artworks were not limited to conventional understandings of environmental art as something that had to be located outdoors or made of organic materials. Created in a range of media, they reflected a widespread reconceptualization of the material world and a sense of the interconnectedness of all things. In this book, James Nisbet investigates the many levels of intersection between ecology and art in the 1960s and 1970s, examining a series of works that served as sensory interfaces to ecological concepts and reflected the shifting notions of ecology during the period.
Ecologies, environments, and energy systems in art of the 1960s and 1970s
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Summary:
As the American environmental movement emerged in the 1960s and 1970s, ecological perspectives also emerged in art. But ecological artworks were not limited to conventional understandings of environmental art as something that had to be located outdoors or made of organic materials. Created in a range of media, they reflected a widespread reconceptualization of the material world and a sense of the interconnectedness of all things. In this book, James Nisbet investigates the many levels of intersection between ecology and art in the 1960s and 1970s, examining a series of works that served as sensory interfaces to ecological concepts and reflected the shifting notions of ecology during the period.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Art Theory
Art Theory
Form:
books
books
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$34.95
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In Refrains for Moving Bodies, Derek P. McCormack explores the kinds of experiments with experience that can take place in the affective spaces generated when bodies move. Drawing out new connections between thinkers including Henri Lefebvre, William James, John Dewey, Gregory Bateson, Félix Guattari, and Gilles Deleuze, McCormack argues for a critically affirmative(...)
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In Refrains for Moving Bodies, Derek P. McCormack explores the kinds of experiments with experience that can take place in the affective spaces generated when bodies move. Drawing out new connections between thinkers including Henri Lefebvre, William James, John Dewey, Gregory Bateson, Félix Guattari, and Gilles Deleuze, McCormack argues for a critically affirmative(...)
Title:
Refrains for moving bodies: experience and experiment in affective spaces
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In Refrains for Moving Bodies, Derek P. McCormack explores the kinds of experiments with experience that can take place in the affective spaces generated when bodies move. Drawing out new connections between thinkers including Henri Lefebvre, William James, John Dewey, Gregory Bateson, Félix Guattari, and Gilles Deleuze, McCormack argues for a critically affirmative experimentalism responsive to the opportunities such spaces provide for rethinking and remaking maps of experience.
Refrains for moving bodies: experience and experiment in affective spaces
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$34.95
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Summary:
In Refrains for Moving Bodies, Derek P. McCormack explores the kinds of experiments with experience that can take place in the affective spaces generated when bodies move. Drawing out new connections between thinkers including Henri Lefebvre, William James, John Dewey, Gregory Bateson, Félix Guattari, and Gilles Deleuze, McCormack argues for a critically affirmative experimentalism responsive to the opportunities such spaces provide for rethinking and remaking maps of experience.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Art Theory
Art Theory
Form:
books
books
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$41.95
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Cet ouvrage, écrit par un économiste, s’ouvre sur une anecdote se rapportant à l’une des œuvres de Damien Hirst, un des grands noms de l’art contemporain qui domine la scène artistique britannique depuis les années 1990. Plusieurs de ses créations (dont L’impossibilité physique de la mort dans un esprit vivant, à savoir un requin tigre conservé dans du formol et présenté(...)
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Cet ouvrage, écrit par un économiste, s’ouvre sur une anecdote se rapportant à l’une des œuvres de Damien Hirst, un des grands noms de l’art contemporain qui domine la scène artistique britannique depuis les années 1990. Plusieurs de ses créations (dont L’impossibilité physique de la mort dans un esprit vivant, à savoir un requin tigre conservé dans du formol et présenté(...)
Title:
L'affaire du requin qui valait douze millions: l'étrange économie de l'art contemporain
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Cet ouvrage, écrit par un économiste, s’ouvre sur une anecdote se rapportant à l’une des œuvres de Damien Hirst, un des grands noms de l’art contemporain qui domine la scène artistique britannique depuis les années 1990. Plusieurs de ses créations (dont L’impossibilité physique de la mort dans un esprit vivant, à savoir un requin tigre conservé dans du formol et présenté dans un aquarium) ont atteint des sommes record sur le marché de l’art. À partir de cet élément, Don Thompson déroule une étude détaillée, précise et largement accessible du marché de l’art, de ses lois économiques et psychologiques, de ses acteurs (artistes, galeristes, collectionneurs, musées, grandes maisons de vente aux enchères). Ce livre s’adresse à toute personne qui s’intéresse à l’art contemporain. Don Thompson est professeur d’économie. Il a notamment enseigné à l’université de Harvard, à la London School of Economics et à l’université de Toronto.
L'affaire du requin qui valait douze millions: l'étrange économie de l'art contemporain
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Cet ouvrage, écrit par un économiste, s’ouvre sur une anecdote se rapportant à l’une des œuvres de Damien Hirst, un des grands noms de l’art contemporain qui domine la scène artistique britannique depuis les années 1990. Plusieurs de ses créations (dont L’impossibilité physique de la mort dans un esprit vivant, à savoir un requin tigre conservé dans du formol et présenté dans un aquarium) ont atteint des sommes record sur le marché de l’art. À partir de cet élément, Don Thompson déroule une étude détaillée, précise et largement accessible du marché de l’art, de ses lois économiques et psychologiques, de ses acteurs (artistes, galeristes, collectionneurs, musées, grandes maisons de vente aux enchères). Ce livre s’adresse à toute personne qui s’intéresse à l’art contemporain. Don Thompson est professeur d’économie. Il a notamment enseigné à l’université de Harvard, à la London School of Economics et à l’université de Toronto.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Art Theory
Art Theory
Form:
books
books
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$42.95
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Qu’y a-t-il de commun entre les Amish, les Ranters et Barbe Noire ? Entre les hippies, les beatniks et les communards du XIXe ? Entre les indignés, les hackers, ces nouveaux pirates de la cyberculture, et Prométhée ? C’est ce que cet ouvrage se propose de vous expliquer. Contre-culture(s) dépeint une histoire originale des dissidences à partir des années deux mille et en(...)
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Qu’y a-t-il de commun entre les Amish, les Ranters et Barbe Noire ? Entre les hippies, les beatniks et les communards du XIXe ? Entre les indignés, les hackers, ces nouveaux pirates de la cyberculture, et Prométhée ? C’est ce que cet ouvrage se propose de vous expliquer. Contre-culture(s) dépeint une histoire originale des dissidences à partir des années deux mille et en(...)
Title:
Contre-Culture(s) des Anonymous à Prométhée
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Qu’y a-t-il de commun entre les Amish, les Ranters et Barbe Noire ? Entre les hippies, les beatniks et les communards du XIXe ? Entre les indignés, les hackers, ces nouveaux pirates de la cyberculture, et Prométhée ? C’est ce que cet ouvrage se propose de vous expliquer. Contre-culture(s) dépeint une histoire originale des dissidences à partir des années deux mille et en remontant jusqu’à l’antiquité grecque, au seuil de notre civilisation judéo-chrétienne. Si le terme de « contre-culture » a été théorisé dans un cadre très précis, la contestation tous azimuts des turbulentes années soixante, l’auteur a voulu remonter le temps pour écouter les voix dissidentes qui se sont fait entendre, fouiller les microsociétés qui ont tenté de se pérenniser en marge de l’ordre établi. Vaste panorama historique des tentatives de rébellion et de réalisation d’utopies, Contre-culture(s), des Anonymous à Prométhée permet de remonter la riche lignée de la logique contestataire, d’en dresser une sorte de généalogie, de rétablir la voix des vaincus. C’est un peu une histoire populaire de la contestation, à rebours de l’ordre chronologique et des canons établis
Contre-Culture(s) des Anonymous à Prométhée
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Qu’y a-t-il de commun entre les Amish, les Ranters et Barbe Noire ? Entre les hippies, les beatniks et les communards du XIXe ? Entre les indignés, les hackers, ces nouveaux pirates de la cyberculture, et Prométhée ? C’est ce que cet ouvrage se propose de vous expliquer. Contre-culture(s) dépeint une histoire originale des dissidences à partir des années deux mille et en remontant jusqu’à l’antiquité grecque, au seuil de notre civilisation judéo-chrétienne. Si le terme de « contre-culture » a été théorisé dans un cadre très précis, la contestation tous azimuts des turbulentes années soixante, l’auteur a voulu remonter le temps pour écouter les voix dissidentes qui se sont fait entendre, fouiller les microsociétés qui ont tenté de se pérenniser en marge de l’ordre établi. Vaste panorama historique des tentatives de rébellion et de réalisation d’utopies, Contre-culture(s), des Anonymous à Prométhée permet de remonter la riche lignée de la logique contestataire, d’en dresser une sorte de généalogie, de rétablir la voix des vaincus. C’est un peu une histoire populaire de la contestation, à rebours de l’ordre chronologique et des canons établis
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Art Theory
Art Theory
