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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
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Parachute: the anthology, vol 4
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
Parachute: the anthology, vol 4
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
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books
books
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June 2015
June 2015
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Art Theory
Art Theory
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books
books
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Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
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Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
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Bad news days: art, criticism, emergency
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Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
Bad news days: art, criticism, emergency
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Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.
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books
books
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October 2015
October 2015
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Art Theory
Art Theory
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books
books
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Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how the Occupy movement ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a(...)
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Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how the Occupy movement ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a(...)
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Strike art: contemporary art and the post-occupy condition
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Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how the Occupy movement ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a consideration of the overlaps between such work and the aesthetic practices of the Black Lives Matter movement.
Strike art: contemporary art and the post-occupy condition
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Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how the Occupy movement ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a consideration of the overlaps between such work and the aesthetic practices of the Black Lives Matter movement.
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books
books
Publication:
October 2015
October 2015
Subject:
Art Theory
Art Theory
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books
books
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$12.95
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Cet ouvrage, paru en 1983, est très vite devenu un classique contemporain, tant après lui nombre se sont engagés dans la brèche de cette première vraie critique de la modernité artistique. Le constat demeure aujourd'hui encore lucide : depuis les années 1950 se sont multipliés aussi bien les musées d'art moderne que les écrits qui lui sont consacrés. Mais jamais on a(...)
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Cet ouvrage, paru en 1983, est très vite devenu un classique contemporain, tant après lui nombre se sont engagés dans la brèche de cette première vraie critique de la modernité artistique. Le constat demeure aujourd'hui encore lucide : depuis les années 1950 se sont multipliés aussi bien les musées d'art moderne que les écrits qui lui sont consacrés. Mais jamais on a(...)
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Considérations sur l'état des Beaux-Arts: critique de la modernité
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Cet ouvrage, paru en 1983, est très vite devenu un classique contemporain, tant après lui nombre se sont engagés dans la brèche de cette première vraie critique de la modernité artistique. Le constat demeure aujourd'hui encore lucide : depuis les années 1950 se sont multipliés aussi bien les musées d'art moderne que les écrits qui lui sont consacrés. Mais jamais on a aussi peu peint, jamais on a aussi mal peint.
Considérations sur l'état des Beaux-Arts: critique de la modernité
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Cet ouvrage, paru en 1983, est très vite devenu un classique contemporain, tant après lui nombre se sont engagés dans la brèche de cette première vraie critique de la modernité artistique. Le constat demeure aujourd'hui encore lucide : depuis les années 1950 se sont multipliés aussi bien les musées d'art moderne que les écrits qui lui sont consacrés. Mais jamais on a aussi peu peint, jamais on a aussi mal peint.
Form:
books
books
Publication:
July 2015
July 2015
Subject:
Art Theory
Art Theory
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books
books
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$55.00
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In 1925, the artists Edward Bawden and Eric Ravilious moved to the village of Great Bardfield in the countryside of Essex, England. Over time, other artists came to the village, forming a community of artists and designers that remains active today. In the 1950s, these artists, including Bawden, Ravilious, John Aldridge, Michael Rothenstein, and Marianne Straub, among(...)
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In 1925, the artists Edward Bawden and Eric Ravilious moved to the village of Great Bardfield in the countryside of Essex, England. Over time, other artists came to the village, forming a community of artists and designers that remains active today. In the 1950s, these artists, including Bawden, Ravilious, John Aldridge, Michael Rothenstein, and Marianne Straub, among(...)
Title:
Bawden, Ravilious and the artists of Great Barfield
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In 1925, the artists Edward Bawden and Eric Ravilious moved to the village of Great Bardfield in the countryside of Essex, England. Over time, other artists came to the village, forming a community of artists and designers that remains active today. In the 1950s, these artists, including Bawden, Ravilious, John Aldridge, Michael Rothenstein, and Marianne Straub, among others, held now-famous “open house” exhibitions, displaying their modernist works to the public in their own homes. These informal shows brought acclaim to the artists, and also brought thousands of visitors to the quaint village. This illustrated book shows how that community, and its neigh- boring landscape, nurtured a distinctive style of art, design, and illustration
Bawden, Ravilious and the artists of Great Barfield
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Summary:
In 1925, the artists Edward Bawden and Eric Ravilious moved to the village of Great Bardfield in the countryside of Essex, England. Over time, other artists came to the village, forming a community of artists and designers that remains active today. In the 1950s, these artists, including Bawden, Ravilious, John Aldridge, Michael Rothenstein, and Marianne Straub, among others, held now-famous “open house” exhibitions, displaying their modernist works to the public in their own homes. These informal shows brought acclaim to the artists, and also brought thousands of visitors to the quaint village. This illustrated book shows how that community, and its neigh- boring landscape, nurtured a distinctive style of art, design, and illustration
Form:
books
books
Publication:
September 2015
September 2015
Subject:
Art Theory
Art Theory
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books
books
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$74.95
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The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), which was founded in North Carolina in 1933, made it one of the most innovative schools, after the Bauhaus, of the first half of the 20th century. Visual arts, economics, physics, dance, architecture and music were all taught here on an equal footing, and teachers and(...)
$74.95
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Summary:
The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), which was founded in North Carolina in 1933, made it one of the most innovative schools, after the Bauhaus, of the first half of the 20th century. Visual arts, economics, physics, dance, architecture and music were all taught here on an equal footing, and teachers and(...)
Title:
Black Mountain: an interdisciplinary (1933-1957)
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The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), which was founded in North Carolina in 1933, made it one of the most innovative schools, after the Bauhaus, of the first half of the 20th century. Visual arts, economics, physics, dance, architecture and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first director of the school was Josef Albers, and icons such as John Cage, Walter Gropius and Buckminster Fuller were among the many luminaries invited to teach. In consequence, BMC witnessed the development of a cutting-edge range of avant-garde concepts and ideas that still influence the art world today.
Black Mountain: an interdisciplinary (1933-1957)
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The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), which was founded in North Carolina in 1933, made it one of the most innovative schools, after the Bauhaus, of the first half of the 20th century. Visual arts, economics, physics, dance, architecture and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first director of the school was Josef Albers, and icons such as John Cage, Walter Gropius and Buckminster Fuller were among the many luminaries invited to teach. In consequence, BMC witnessed the development of a cutting-edge range of avant-garde concepts and ideas that still influence the art world today.
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books
books
Publication:
October 2015
October 2015
Subject:
Art Theory
Art Theory
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books
books
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$54.95
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Assembling nearly 200 pieces from the collection of George Loudon, the volume encompasses a vast assortment of objects relating to nineteenth-century life sciences. Originally designed to capture the complex structures of nature, they range from books and illustrations to botanical specimens and anatomical models.
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Assembling nearly 200 pieces from the collection of George Loudon, the volume encompasses a vast assortment of objects relating to nineteenth-century life sciences. Originally designed to capture the complex structures of nature, they range from books and illustrations to botanical specimens and anatomical models.
Title:
Object lessons : the visualisation of nineteenth-century life sciences
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Assembling nearly 200 pieces from the collection of George Loudon, the volume encompasses a vast assortment of objects relating to nineteenth-century life sciences. Originally designed to capture the complex structures of nature, they range from books and illustrations to botanical specimens and anatomical models.
Object lessons : the visualisation of nineteenth-century life sciences
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$54.95
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Summary:
Assembling nearly 200 pieces from the collection of George Loudon, the volume encompasses a vast assortment of objects relating to nineteenth-century life sciences. Originally designed to capture the complex structures of nature, they range from books and illustrations to botanical specimens and anatomical models.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Art Theory
Art Theory
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books
books
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$39.95
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For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict.(...)
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For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict.(...)
Title:
Flaka Haliti: speculating on the blue
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For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict. Haliti’s installation aims at demilitarizing and decontextualizing this specific aesthetic practice by stripping the columns down to their material essence and juxtaposing them with elements that are by nature resistant to the concept of borders. In this scenario, the horizon and the blue pictorial ground, which directly references the blue-painted barriers in front of the Kosovo UN, create a counter image to the concept of borders as a tool to raise new perspectives. In addition is an artist’s conversation with Markus Miessen and an essay by curator Vanessa Joan Müller.
Flaka Haliti: speculating on the blue
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Summary:
For the Kosovo Pavilion at the 56th Venice Biennale, artist Flaka Haliti created the installation Speculating on the Blue, reflecting on the meaning of borders, democracy, freedom and mobility. The skeletons of barrier-like objects in the space are a reference to the aesthetics of the concrete walls that are erected between nations as a materialization of conflict. Haliti’s installation aims at demilitarizing and decontextualizing this specific aesthetic practice by stripping the columns down to their material essence and juxtaposing them with elements that are by nature resistant to the concept of borders. In this scenario, the horizon and the blue pictorial ground, which directly references the blue-painted barriers in front of the Kosovo UN, create a counter image to the concept of borders as a tool to raise new perspectives. In addition is an artist’s conversation with Markus Miessen and an essay by curator Vanessa Joan Müller.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Halka / Haiti: 18°48'05
Halka / Haiti: 18°48'05
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The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and(...)
$46.50
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Summary:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and(...)
Title:
Halka / Haiti: 18°48'05
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$46.50
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Summary:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and Joanna Malinowska and curator Magdalena Moskalewicz, decided to stage the opera in Haiti inspired by the mad plan of Werner Herzog's Fitzcarraldo, who wanted to build an opera house in the Amazon. Fascinated by Fitzcarraldo's faith in the universal power of opera, but not uncritical of the colonizing aspect of his actions, they decided to reveal and undercut its romanticism by confronting a set of very specific geographic, historical, and sociopolitical realities.
Halka / Haiti: 18°48'05
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$46.50
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Summary:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and Joanna Malinowska and curator Magdalena Moskalewicz, decided to stage the opera in Haiti inspired by the mad plan of Werner Herzog's Fitzcarraldo, who wanted to build an opera house in the Amazon. Fascinated by Fitzcarraldo's faith in the universal power of opera, but not uncritical of the colonizing aspect of his actions, they decided to reveal and undercut its romanticism by confronting a set of very specific geographic, historical, and sociopolitical realities.
Form:
books
books
Publication:
July 2015
July 2015
Subject:
Art Theory
Art Theory
Form:
books
books
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$39.50
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In this third edition of The Murmuring of the Artistic Multitude, art sociologist Pascal Gielen's hypothesis that the globalized art scene is an ideal production entity for economic exploitation is updated with the author's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics and democracy.This publication attempts to(...)
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Summary:
In this third edition of The Murmuring of the Artistic Multitude, art sociologist Pascal Gielen's hypothesis that the globalized art scene is an ideal production entity for economic exploitation is updated with the author's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics and democracy.This publication attempts to(...)
Title:
The murmuring of the artistic multitude: global art, politics and post-fordism
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In this third edition of The Murmuring of the Artistic Multitude, art sociologist Pascal Gielen's hypothesis that the globalized art scene is an ideal production entity for economic exploitation is updated with the author's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics and democracy.This publication attempts to provide alternatives to the current model of economic exploitation, exploring places of intimacy and "slowability" in the hectic global flow of artistic events and artistically minded trends.
The murmuring of the artistic multitude: global art, politics and post-fordism
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$39.50
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Summary:
In this third edition of The Murmuring of the Artistic Multitude, art sociologist Pascal Gielen's hypothesis that the globalized art scene is an ideal production entity for economic exploitation is updated with the author's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics and democracy.This publication attempts to provide alternatives to the current model of economic exploitation, exploring places of intimacy and "slowability" in the hectic global flow of artistic events and artistically minded trends.
Form:
books
books
Publication:
July 2015
July 2015
Subject:
Art Theory
Art Theory
