1193 Results
Form:
books
books
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$43.95
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Summary:
This innovative new volume offers an in-depth exploration of scale, one of the most crucial elements in the creation and reception of art. Illustrates how scale has compelled audiences to rethink the significance and importance of specific works of art.
$43.95
(available to order)
Summary:
This innovative new volume offers an in-depth exploration of scale, one of the most crucial elements in the creation and reception of art. Illustrates how scale has compelled audiences to rethink the significance and importance of specific works of art.
Title:
To Scale
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Price:
$43.95
(available to order)
Summary:
This innovative new volume offers an in-depth exploration of scale, one of the most crucial elements in the creation and reception of art. Illustrates how scale has compelled audiences to rethink the significance and importance of specific works of art.
To Scale
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Price:
$43.95
(available to order)
Summary:
This innovative new volume offers an in-depth exploration of scale, one of the most crucial elements in the creation and reception of art. Illustrates how scale has compelled audiences to rethink the significance and importance of specific works of art.
Form:
books
books
Publication:
November 2015
November 2015
Subject:
Art Theory
Art Theory
Form:
books
books
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$19.95
(available to order)
Summary:
Les Editions du Seuil ont été fondées en 1935 par Henri Sjöberg, un publicitaire en mal d’engagement dans la tourmente des années d’avant-guerre. Son mentor, l’abbé Jean Plaquevent, joua un rôle considérable dans ces débuts. Deux ans plus tard, Jean Bardet et Paul Flamand, deux jeunes bourgeois partageant le même goût pour l’action, prennent les rênes du petit(...)
$19.95
(available to order)
Summary:
Les Editions du Seuil ont été fondées en 1935 par Henri Sjöberg, un publicitaire en mal d’engagement dans la tourmente des années d’avant-guerre. Son mentor, l’abbé Jean Plaquevent, joua un rôle considérable dans ces débuts. Deux ans plus tard, Jean Bardet et Paul Flamand, deux jeunes bourgeois partageant le même goût pour l’action, prennent les rênes du petit(...)
Title:
Aux origines des éditions du Seuil
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Price:
$19.95
(available to order)
Summary:
Les Editions du Seuil ont été fondées en 1935 par Henri Sjöberg, un publicitaire en mal d’engagement dans la tourmente des années d’avant-guerre. Son mentor, l’abbé Jean Plaquevent, joua un rôle considérable dans ces débuts. Deux ans plus tard, Jean Bardet et Paul Flamand, deux jeunes bourgeois partageant le même goût pour l’action, prennent les rênes du petit attelage. 1935-1940 : voici racontées, pour la première fois, les tribulations de quatre aventuriers de l’esprit qui fondèrent l’une des institutions intellectuelles et littéraires les plus influentes de la France contemporaine.
Aux origines des éditions du Seuil
Actions:
Price:
$19.95
(available to order)
Summary:
Les Editions du Seuil ont été fondées en 1935 par Henri Sjöberg, un publicitaire en mal d’engagement dans la tourmente des années d’avant-guerre. Son mentor, l’abbé Jean Plaquevent, joua un rôle considérable dans ces débuts. Deux ans plus tard, Jean Bardet et Paul Flamand, deux jeunes bourgeois partageant le même goût pour l’action, prennent les rênes du petit attelage. 1935-1940 : voici racontées, pour la première fois, les tribulations de quatre aventuriers de l’esprit qui fondèrent l’une des institutions intellectuelles et littéraires les plus influentes de la France contemporaine.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Ewa Lajer-Burcharth
Ewa Lajer-Burcharth
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$27.95
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Summary:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly(...)
$27.95
(available to order)
Summary:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly(...)
Title:
Ewa Lajer-Burcharth
Actions:
Price:
$27.95
(available to order)
Summary:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly procedures “his own,” and what were the implications of his possessive and personalized approach to the process of making? The author delves into these questions by examining a crucial moment in the artist’s career, when he, for reasons we can only speculate about, temporarily abandoned his still life practice and turned to painting genre scenes. The essay is joined by responses from Daniel Birnbaum and Isabelle Graw, followed by the author’s replies.
Ewa Lajer-Burcharth
Actions:
Price:
$27.95
(available to order)
Summary:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly procedures “his own,” and what were the implications of his possessive and personalized approach to the process of making? The author delves into these questions by examining a crucial moment in the artist’s career, when he, for reasons we can only speculate about, temporarily abandoned his still life practice and turned to painting genre scenes. The essay is joined by responses from Daniel Birnbaum and Isabelle Graw, followed by the author’s replies.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Art Theory
Art Theory
