Of walking in ice
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In the winter of 1974, filmmaker Werner Herzog made a three week solo journey from Munich to Paris on foot. He believed it was the only way his close friend, film historian Lotte Eisner, would survive a horrible sickness that had overtaken her. During this monumental odyssey through a seemingly endless blizzard, Herzog documented everything he saw and felt with intense(...)
September 2007, New York
Of walking in ice
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In the winter of 1974, filmmaker Werner Herzog made a three week solo journey from Munich to Paris on foot. He believed it was the only way his close friend, film historian Lotte Eisner, would survive a horrible sickness that had overtaken her. During this monumental odyssey through a seemingly endless blizzard, Herzog documented everything he saw and felt with intense sincerity. This diary is dotted with a pastiche of rants about the extreme cold and utter loneliness, notes on Herzog's films and travels, poetic descriptions of the snowy countryside, and personal philosophizing. What is most remarkable is that the reading of the book is in continuity with the experience of watching his films; it's as if, through this walk, we witness the process in which images are born. Although he received a literary award for it, this introspective masterpiece has lingered out of print since 1979. Beautifully designed and emotionally impressive, Of Walking in Ice is the first in a color-coded series of remarkable yet long-forgotten titles being republished by Free Association.
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This absorbing book looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. Mark Godfrey investigates how abstract artists and architects—whose work by its very nature rejects conventional figuration or symbolism—have negotiated Holocaust memory without ever representing the Holocaust directly. His(...)
Abstraction and the holocaust
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This absorbing book looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. Mark Godfrey investigates how abstract artists and architects—whose work by its very nature rejects conventional figuration or symbolism—have negotiated Holocaust memory without ever representing the Holocaust directly. His thought-provoking conclusions will alter the way we understand abstraction, the place of abstract artists in art history, and “Holocaust art.” The book considers works from 1951 to the present and includes, among others, paintings by Morris Louis, Frank Stella, and Barnett Newman; Louis Kahn’s proposal for New York City’s first Holocaust memorial; and United States Holocaust Memorial Museum commissions by Richard Serra, Joel Shapiro, Sol Lewitt, and Ellsworth Kelly. The book concludes with a thoughtful discussion of Peter Eisenman’s Berlin Holocaust memorial and Susan Hiller’s photographic and video work, The J. Street Project, and shows how these works extend the possibilities of abstraction as a form of Holocaust representation.
Art Theory
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From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first(...)
On painting: Courses March - June 1981
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From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon. Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?
Art Theory
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In these six essays, Mitch Speed plumbs the ambivalences that at once fuel and plague art. Written over the last fifteen years, in parallel to Speed’s work as an art critic, the essays forward ways of writing, which might be better equipped to trace art’s role in life, from personal intricacies to looming political questions. Each piece proceeds through a specific theme,(...)
Closeness eats time: Six essays inside art
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In these six essays, Mitch Speed plumbs the ambivalences that at once fuel and plague art. Written over the last fifteen years, in parallel to Speed’s work as an art critic, the essays forward ways of writing, which might be better equipped to trace art’s role in life, from personal intricacies to looming political questions. Each piece proceeds through a specific theme, for example: the art world’s relationship to socioeconomic injustice, the beguiling return of found objects to contemporary art, the devolution of art criticism into a branch of the communications industry, and how we can better understand art’s meanings, by attending closely to the words of the people who make it.
Art Theory
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Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took(...)
Surrealism and anti-fascism: An anthology
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Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took photographs, and made collages. Surrealism was associated with later emancipatory concerns not as a style, but as a method, and was taken up by the student protests of the 1960s and the Black Liberation Movement. This catalogue is published on the occasion of an exhibition at the Lenbachhaus Munich. In the form of an anthology, it presents pivotal texts and manifestoes of political Surrealism from its beginnings to current references in art and politics. It thus offers a valuable contribution to revising the still narrowly defined Surrealist canon.
Art Theory
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In a sweeping journey through time, bestselling author Florian Illies tells the story of Caspar David Friedrich’s paintings and their impact on subsequent generations. Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on Rügen, emerge from the mists of history a hundred years after(...)
The magic of silence: Caspar David Friedrich's journey through time
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In a sweeping journey through time, bestselling author Florian Illies tells the story of Caspar David Friedrich’s paintings and their impact on subsequent generations. Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on Rügen, emerge from the mists of history a hundred years after Friedrich's death. Illies recounts the story of how Friedrich's paintings ended up at the Russian czar's court, others among a pile of winter tires in a Mafia car repair shop, and others still in the kitchen of a German social housing apartment. Adored by Hitler and Rainer Maria Rilke, despised by Stalin and by the generation of 68, this compelling narrative dances through 250 years of history as seen through Friedrich’s art and life. As a result, the man himself becomes flesh and blood before our very eyes.
Art Theory
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Après le trafic de drogue, le blanchiment d'argent et la vente d'armes, le vol d'oeuvres d'art fait désormais partie des plus grandes catégories criminelles. Le FBI estimait au début de notre siècle qu'entre 4 et 6 milliards de dollars d'oeuvres d'art étaient volés chaque année. Au sein de cet ouvrage, sorte de musée impossible, Susie Hodge a compilé 50 chefs-d'oeuvre de(...)
Petites histoires de l'art volé en 50 oeuvres
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Après le trafic de drogue, le blanchiment d'argent et la vente d'armes, le vol d'oeuvres d'art fait désormais partie des plus grandes catégories criminelles. Le FBI estimait au début de notre siècle qu'entre 4 et 6 milliards de dollars d'oeuvres d'art étaient volés chaque année. Au sein de cet ouvrage, sorte de musée impossible, Susie Hodge a compilé 50 chefs-d'oeuvre de l'histoire de l'art victimes de vol. Récits de braquage, sombres arcanes de l'histoire et mystérieuses disparitions sont au programme de ce livre richement documenté. Quelques anecdotes sur des oeuvres aujourd'hui retrouvées concluent ce passionnant ouvrage, qui nous emmène dans un formidable voyage artistique, de Michel-Ange à Picasso, en passant par Van Gogh.
Art Theory
Snow business
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A collection of Philippa Snow's most celebrated writings, articulating with majestic precision the thorny, unbreakable bond between mass media, popular culture and art.
Snow business
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A collection of Philippa Snow's most celebrated writings, articulating with majestic precision the thorny, unbreakable bond between mass media, popular culture and art.
Art Theory
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Peter Dubé's Desire as ''Praxis: Towards a Queer Surrealism'' dives deeply into the intricate connections between surrealism and the cultures of same-sex attracted queer men, unraveling the complex interplay of the erotic, affect, and the occult. In his groundbreaking first non-fiction work, acclaimed author Dubé-celebrated in *Quill and Quire* as a leading voice in gay(...)
Desire as Praxis: Towards a Queer Surrealism
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Peter Dubé's Desire as ''Praxis: Towards a Queer Surrealism'' dives deeply into the intricate connections between surrealism and the cultures of same-sex attracted queer men, unraveling the complex interplay of the erotic, affect, and the occult. In his groundbreaking first non-fiction work, acclaimed author Dubé-celebrated in *Quill and Quire* as a leading voice in gay surrealist fiction-invites readers on a journey that transcends traditional boundaries. This bold study illuminates the transformative potential of the subversive in literature, life, and sheer magic(k). Dubé's work offers new possibilities with profound personal, poetic, and political significance. Join him in this captivating exploration of the exciting intersections of desire, creativity, and identity.
Art Theory
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In 1973, Derek Jarman set off from London to film the stones of Avebury. He was following in the footsteps of Paul Nash, who had photographed the ancient megaliths a generation before. Standing in that muddy field, by those stones, both artists had felt a direct connection to their hero – a man who had died a long, long time ago, yet who remained electrically alive to(...)
William Blake and the sea-monsters of love
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In 1973, Derek Jarman set off from London to film the stones of Avebury. He was following in the footsteps of Paul Nash, who had photographed the ancient megaliths a generation before. Standing in that muddy field, by those stones, both artists had felt a direct connection to their hero – a man who had died a long, long time ago, yet who remained electrically alive to them. In this alluring and poetic odyssey, Philip Hoare traces the enduring legacy of William Blake and how he came to inspire so many creative lives. Reaching out of his past and into our future, Blake draws together the natural world and metaphysical realms, merging the human and the animal and the spiritual, firing up twentieth-century artists, filmmakers, poets, writers and musicians with his radical promise of absolute freedom. This stirring, deeply felt book brings us back to Blake and shows that art still has the power to create positive change.
Art Theory