1134 Results
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books
books
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Another publlication
Another publlication
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Another publication is a book project around the manifold perspectives on otherness. Magnanimous in its ubiquitous applications, the other floats between different points of view. The aim of the publication is to bind together different proposals, as a strategy to approach this somewhat bankrupt term. Twelve writers were invited to contribute a text on this subject, each(...)
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Summary:
Another publication is a book project around the manifold perspectives on otherness. Magnanimous in its ubiquitous applications, the other floats between different points of view. The aim of the publication is to bind together different proposals, as a strategy to approach this somewhat bankrupt term. Twelve writers were invited to contribute a text on this subject, each(...)
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Another publlication
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Another publication is a book project around the manifold perspectives on otherness. Magnanimous in its ubiquitous applications, the other floats between different points of view. The aim of the publication is to bind together different proposals, as a strategy to approach this somewhat bankrupt term. Twelve writers were invited to contribute a text on this subject, each writing a preface to a possible book around the other.
Another publlication
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Another publication is a book project around the manifold perspectives on otherness. Magnanimous in its ubiquitous applications, the other floats between different points of view. The aim of the publication is to bind together different proposals, as a strategy to approach this somewhat bankrupt term. Twelve writers were invited to contribute a text on this subject, each writing a preface to a possible book around the other.
Form:
books
books
Publication:
October 2007, Rotterdam
October 2007, Rotterdam
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Seth Price: dispersion
Seth Price: dispersion
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Artist Seth Price's provocative essay calling for a reexamination of "classical" conceptualism and for the establishment of a new public art. Punctuated with illustrations and featuring a spray-painted glossy cover.
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Summary:
Artist Seth Price's provocative essay calling for a reexamination of "classical" conceptualism and for the establishment of a new public art. Punctuated with illustrations and featuring a spray-painted glossy cover.
Title:
Seth Price: dispersion
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Artist Seth Price's provocative essay calling for a reexamination of "classical" conceptualism and for the establishment of a new public art. Punctuated with illustrations and featuring a spray-painted glossy cover.
Seth Price: dispersion
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Artist Seth Price's provocative essay calling for a reexamination of "classical" conceptualism and for the establishment of a new public art. Punctuated with illustrations and featuring a spray-painted glossy cover.
Form:
books
books
Publication:
October 2008, New York
October 2008, New York
Subject:
Art Theory
Art Theory
Form:
books
books
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$15.00
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The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for(...)
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Summary:
The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for(...)
Title:
Center for advanced visual studies
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$15.00
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The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for public events and a sampling of pictures from four years of programming. http://cavs.mit.edu
Center for advanced visual studies
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The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for public events and a sampling of pictures from four years of programming. http://cavs.mit.edu
Form:
books
books
Publication:
October 2008, Cambridge
October 2008, Cambridge
Subject:
Art Theory
Art Theory
Form:
books
books
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$10.00
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Commissionned by Black Diamond Press and International Project space, Birmingham (U.K.), to coincide with the exhibition 'Chris Evans Militant bourgeois : an existentialist retreat, 18 January to 17 Frebruary 2007, at IPS, Birmingham.
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Commissionned by Black Diamond Press and International Project space, Birmingham (U.K.), to coincide with the exhibition 'Chris Evans Militant bourgeois : an existentialist retreat, 18 January to 17 Frebruary 2007, at IPS, Birmingham.
Subject:
Art Theory
Art Theory
Publication:
October 2007, New York
October 2007, New York
Title:
Militant bourgeois : an existantialist retreat
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Commissionned by Black Diamond Press and International Project space, Birmingham (U.K.), to coincide with the exhibition 'Chris Evans Militant bourgeois : an existentialist retreat, 18 January to 17 Frebruary 2007, at IPS, Birmingham.
Militant bourgeois : an existantialist retreat
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Commissionned by Black Diamond Press and International Project space, Birmingham (U.K.), to coincide with the exhibition 'Chris Evans Militant bourgeois : an existentialist retreat, 18 January to 17 Frebruary 2007, at IPS, Birmingham.
Form:
books
books
Publication:
October 2007, New York
October 2007, New York
Subject:
Art Theory
Art Theory
Form:
books
books
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$19.75
(available to order)
Summary:
La guerre futuriste est une mobilisation totale contre les valeurs politiques, morales et culturelles du passé; elle permet à Marinetti de rompre les ponts avec la décadence, d'être de plain-pied dans la réalité qui n'est plus la conséquence du passé mais son contraire. Il repère un ennemi immédiat - les empires centraux "moribonds" - et un objectif facile -(...)
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La guerre futuriste est une mobilisation totale contre les valeurs politiques, morales et culturelles du passé; elle permet à Marinetti de rompre les ponts avec la décadence, d'être de plain-pied dans la réalité qui n'est plus la conséquence du passé mais son contraire. Il repère un ennemi immédiat - les empires centraux "moribonds" - et un objectif facile -(...)
Title:
Marinetti et la révolution futuriste
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La guerre futuriste est une mobilisation totale contre les valeurs politiques, morales et culturelles du passé; elle permet à Marinetti de rompre les ponts avec la décadence, d'être de plain-pied dans la réalité qui n'est plus la conséquence du passé mais son contraire. Il repère un ennemi immédiat - les empires centraux "moribonds" - et un objectif facile - l'irrédentisme ; mais surtout il identifie, dans la technique au service du mythe, l'avènement traumatique de la modernité. [...] Marinetti n'est décidément pas facile à cerner. Il est de "droite" ou plutôt d'"extrême droite", lorsqu'il en appelle au droit du plus fort, au reniement de la solidarité de classe, à la loi martiale contre les pacifistes et les traîtres, à la destruction de l'ennemi et pas seulement à sa défaite. Il est de "gauche ", ou plutôt d'"extrême gauche" parce qu'à ses yeux la guerre doit mener à la dissolution de tout ordre préétabli, y compris celui des non-belligérants comme l'Eglise - d'où sa fronde pendant la période fasciste contre les compromis et la corruption du régime. Maurizio Serra, diplomate et historien italien, né à Londres en 1955 ; il dirige actuellement l'Institut diplomatique du ministère des Affaires étrangères italien. Spécialiste d'histoire des idées au XXe siècle, professeur de relations internationales à l'université LUISS de Rome, il est l'auteur de plusieurs ouvrages dont Le Passager du siècle.
Marinetti et la révolution futuriste
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La guerre futuriste est une mobilisation totale contre les valeurs politiques, morales et culturelles du passé; elle permet à Marinetti de rompre les ponts avec la décadence, d'être de plain-pied dans la réalité qui n'est plus la conséquence du passé mais son contraire. Il repère un ennemi immédiat - les empires centraux "moribonds" - et un objectif facile - l'irrédentisme ; mais surtout il identifie, dans la technique au service du mythe, l'avènement traumatique de la modernité. [...] Marinetti n'est décidément pas facile à cerner. Il est de "droite" ou plutôt d'"extrême droite", lorsqu'il en appelle au droit du plus fort, au reniement de la solidarité de classe, à la loi martiale contre les pacifistes et les traîtres, à la destruction de l'ennemi et pas seulement à sa défaite. Il est de "gauche ", ou plutôt d'"extrême gauche" parce qu'à ses yeux la guerre doit mener à la dissolution de tout ordre préétabli, y compris celui des non-belligérants comme l'Eglise - d'où sa fronde pendant la période fasciste contre les compromis et la corruption du régime. Maurizio Serra, diplomate et historien italien, né à Londres en 1955 ; il dirige actuellement l'Institut diplomatique du ministère des Affaires étrangères italien. Spécialiste d'histoire des idées au XXe siècle, professeur de relations internationales à l'université LUISS de Rome, il est l'auteur de plusieurs ouvrages dont Le Passager du siècle.
Form:
books
books
Publication:
November 2008, Paris
November 2008, Paris
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$28.95
(available to order)
Summary:
Originally published in Swedish in 1992, this book examines the enigmatic relation of melancholia to an early kind of cannibalism, which psychoanalysis, in particular, stressed. It contains reading of, amongst others, Franz Kafka, Samuel Beckett, Thomas Bernhard, Sigmund Freud, G. W. F. Hegel, and the Swedish poet Gunnar Ekelöf. The authors also quote Goethe and Rabelais,(...)
$28.95
(available to order)
Summary:
Originally published in Swedish in 1992, this book examines the enigmatic relation of melancholia to an early kind of cannibalism, which psychoanalysis, in particular, stressed. It contains reading of, amongst others, Franz Kafka, Samuel Beckett, Thomas Bernhard, Sigmund Freud, G. W. F. Hegel, and the Swedish poet Gunnar Ekelöf. The authors also quote Goethe and Rabelais,(...)
Subject:
Art Theory
Art Theory
Publication:
October 2008, Berlin, New York
October 2008, Berlin, New York
Title:
As a weasel sucks eggs, an essay on melancholy and cannibalism
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Originally published in Swedish in 1992, this book examines the enigmatic relation of melancholia to an early kind of cannibalism, which psychoanalysis, in particular, stressed. It contains reading of, amongst others, Franz Kafka, Samuel Beckett, Thomas Bernhard, Sigmund Freud, G. W. F. Hegel, and the Swedish poet Gunnar Ekelöf. The authors also quote Goethe and Rabelais, for whom food is a cosmic principle, the soil of fertility, on which all creation is based. In a transferred sense, food also plays that same role for the melancholiac he who questions the normal order of things, who creates an other unknown food, with a variety of meanings. The authors trace the desire for this other food through the ages, and scrutinize its relationship to both primitive sacrificial rites as well as contemporary anthropology, philosophy, and linguistic theory.
As a weasel sucks eggs, an essay on melancholy and cannibalism
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$28.95
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Summary:
Originally published in Swedish in 1992, this book examines the enigmatic relation of melancholia to an early kind of cannibalism, which psychoanalysis, in particular, stressed. It contains reading of, amongst others, Franz Kafka, Samuel Beckett, Thomas Bernhard, Sigmund Freud, G. W. F. Hegel, and the Swedish poet Gunnar Ekelöf. The authors also quote Goethe and Rabelais, for whom food is a cosmic principle, the soil of fertility, on which all creation is based. In a transferred sense, food also plays that same role for the melancholiac he who questions the normal order of things, who creates an other unknown food, with a variety of meanings. The authors trace the desire for this other food through the ages, and scrutinize its relationship to both primitive sacrificial rites as well as contemporary anthropology, philosophy, and linguistic theory.
Form:
books
books
Publication:
October 2008, Berlin, New York
October 2008, Berlin, New York
Subject:
Art Theory
Art Theory
Form:
books
books
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$42.00
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Summary:
Can art be used as an effective means for change or resistance against hegemonic power? What shape should such art assume? And in which context can it be used effectively to develop political relevance? This volume offers a broad spectrum of responses, both from the arts and in essays. The contributions range from the 1960’s to the present day. The themes include the(...)
$42.00
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Summary:
Can art be used as an effective means for change or resistance against hegemonic power? What shape should such art assume? And in which context can it be used effectively to develop political relevance? This volume offers a broad spectrum of responses, both from the arts and in essays. The contributions range from the 1960’s to the present day. The themes include the(...)
Title:
Kunst+ politik, art + politics
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$42.00
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Can art be used as an effective means for change or resistance against hegemonic power? What shape should such art assume? And in which context can it be used effectively to develop political relevance? This volume offers a broad spectrum of responses, both from the arts and in essays. The contributions range from the 1960’s to the present day. The themes include the after effects of the holocaust, the Hungarian uprising, the nuclear threat and alienation as well as migration.
Kunst+ politik, art + politics
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$42.00
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Summary:
Can art be used as an effective means for change or resistance against hegemonic power? What shape should such art assume? And in which context can it be used effectively to develop political relevance? This volume offers a broad spectrum of responses, both from the arts and in essays. The contributions range from the 1960’s to the present day. The themes include the after effects of the holocaust, the Hungarian uprising, the nuclear threat and alienation as well as migration.
Form:
books
books
Publication:
October 2008, New York
October 2008, New York
Subject:
Art Theory
Art Theory
Form:
books
books
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$42.00
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Summary:
"On knowledge production : a critical reader in contemporary art" presents a selection of newly commissioned and anthologized texts by a diverse group of artists, art historians, philosophers, and theorists who have engaged with thinking critically about the field of art as a site for the production of knowledge. The body of contributions in this reader comprise a series(...)
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Summary:
"On knowledge production : a critical reader in contemporary art" presents a selection of newly commissioned and anthologized texts by a diverse group of artists, art historians, philosophers, and theorists who have engaged with thinking critically about the field of art as a site for the production of knowledge. The body of contributions in this reader comprise a series(...)
Subject:
Art Theory
Art Theory
Publication:
January 1900, Utrecht, Frankfurt am Main
January 1900, Utrecht, Frankfurt am Main
Title:
On knowledge production : a critical reader in contemporary art (BAK critical reader series)
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$42.00
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Summary:
"On knowledge production : a critical reader in contemporary art" presents a selection of newly commissioned and anthologized texts by a diverse group of artists, art historians, philosophers, and theorists who have engaged with thinking critically about the field of art as a site for the production of knowledge. The body of contributions in this reader comprise a series of critical inquiries, thought experiments, documents of practices, and tentative propositions about the status of producing knowledge in contemporary art, which vary widely in perspective, approach, and form. This selection unfolds different entry points and layers, unwrapping the (often) uncritically adopted notion of "art producing knowledge" and casting diverse views on the context, meaning, and potential of this understanding of art practices today.
On knowledge production : a critical reader in contemporary art (BAK critical reader series)
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$42.00
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Summary:
"On knowledge production : a critical reader in contemporary art" presents a selection of newly commissioned and anthologized texts by a diverse group of artists, art historians, philosophers, and theorists who have engaged with thinking critically about the field of art as a site for the production of knowledge. The body of contributions in this reader comprise a series of critical inquiries, thought experiments, documents of practices, and tentative propositions about the status of producing knowledge in contemporary art, which vary widely in perspective, approach, and form. This selection unfolds different entry points and layers, unwrapping the (often) uncritically adopted notion of "art producing knowledge" and casting diverse views on the context, meaning, and potential of this understanding of art practices today.
Form:
books
books
Publication:
January 1900, Utrecht, Frankfurt am Main
January 1900, Utrecht, Frankfurt am Main
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Curating critique :
Curating critique :
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$58.00
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"Our interest in research lies in mediating the complexity of what we define as art in the widest sense of the term, in other words in developing an ´operating system´ that attempts in all its facets to balance order and change, old and new, theory and practice."
$58.00
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Summary:
"Our interest in research lies in mediating the complexity of what we define as art in the widest sense of the term, in other words in developing an ´operating system´ that attempts in all its facets to balance order and change, old and new, theory and practice."
Subject:
Art Theory
Art Theory
Publication:
January 1900, Frankfurt am Main
January 1900, Frankfurt am Main
Title:
Curating critique :
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$58.00
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Summary:
"Our interest in research lies in mediating the complexity of what we define as art in the widest sense of the term, in other words in developing an ´operating system´ that attempts in all its facets to balance order and change, old and new, theory and practice."
Curating critique :
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$58.00
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"Our interest in research lies in mediating the complexity of what we define as art in the widest sense of the term, in other words in developing an ´operating system´ that attempts in all its facets to balance order and change, old and new, theory and practice."
Form:
books
books
Publication:
January 1900, Frankfurt am Main
January 1900, Frankfurt am Main
Subject:
Art Theory
Art Theory
Form:
books
books
Actions:
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$12.99
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Summary:
La présente collection prolonge l'activité éditoriale de la revue Documents sur l'art, fondée en 1992. Elle rassemble textes et entretiens avec les acteurs du champ artistique actuel: critiques, artistes, commissaires, collectionneurs... Les artistes actuels évoluent dans un univers de produits en vente, de formes préexistantes, de signaux déjà émis, de bâtiments déjà(...)
$12.99
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Summary:
La présente collection prolonge l'activité éditoriale de la revue Documents sur l'art, fondée en 1992. Elle rassemble textes et entretiens avec les acteurs du champ artistique actuel: critiques, artistes, commissaires, collectionneurs... Les artistes actuels évoluent dans un univers de produits en vente, de formes préexistantes, de signaux déjà émis, de bâtiments déjà(...)
Title:
Nicolas Bourriaud postproduction
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La présente collection prolonge l'activité éditoriale de la revue Documents sur l'art, fondée en 1992. Elle rassemble textes et entretiens avec les acteurs du champ artistique actuel: critiques, artistes, commissaires, collectionneurs... Les artistes actuels évoluent dans un univers de produits en vente, de formes préexistantes, de signaux déjà émis, de bâtiments déjà construits, d’itinéraires balisés par leurs devanciers. Ils ou elles ne considèrent plus le champ artistique comme un musée contenant des œuvres qu’il faudrait citer ou "dépasser", ainsi que le voudrait l’idéologie moderniste du nouveau, mais comme autant de magasins remplis d’outils à utiliser, de stocks de données à manipuler, à rejouer et à mettre en scène. Version française de Postproduction, parue en anglais en 2001.
Nicolas Bourriaud postproduction
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La présente collection prolonge l'activité éditoriale de la revue Documents sur l'art, fondée en 1992. Elle rassemble textes et entretiens avec les acteurs du champ artistique actuel: critiques, artistes, commissaires, collectionneurs... Les artistes actuels évoluent dans un univers de produits en vente, de formes préexistantes, de signaux déjà émis, de bâtiments déjà construits, d’itinéraires balisés par leurs devanciers. Ils ou elles ne considèrent plus le champ artistique comme un musée contenant des œuvres qu’il faudrait citer ou "dépasser", ainsi que le voudrait l’idéologie moderniste du nouveau, mais comme autant de magasins remplis d’outils à utiliser, de stocks de données à manipuler, à rejouer et à mettre en scène. Version française de Postproduction, parue en anglais en 2001.
Form:
books
books
Publication:
January 1900, Dijon
January 1900, Dijon
Subject:
Art Theory
Art Theory
