Where is Africa, Vol. 1
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''Where Is Africa'' is a conceptual project that accompanies a conceptual place, driven by the desire to dislodge Africa from categorical fixity and the representational logics of nation-states. Africa can never be fully enclosed by the residue of colonial violence or the totalitarian gaze of neoliberalism; instead, it creates infinite malleability, where place and(...)
Where is Africa, Vol. 1
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$49.00
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''Where Is Africa'' is a conceptual project that accompanies a conceptual place, driven by the desire to dislodge Africa from categorical fixity and the representational logics of nation-states. Africa can never be fully enclosed by the residue of colonial violence or the totalitarian gaze of neoliberalism; instead, it creates infinite malleability, where place and concept are untethered from each other.
Art Theory
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Wole Soyinka is also a longtime art collector. This book of essays offers a glimpse into the motivations of the collector, as well as a highly personal look at the politics of aesthetics and collecting. Detailing moments of first encounter with objects that drew him in and continue to affect him, Soyinka describes a world of mortals, muses, and deities that imbue the(...)
Beyond aesthetics: use, abuse, and dissonance in African art traditions
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Wole Soyinka is also a longtime art collector. This book of essays offers a glimpse into the motivations of the collector, as well as a highly personal look at the politics of aesthetics and collecting. Detailing moments of first encounter with objects that drew him in and continue to affect him, Soyinka describes a world of mortals, muses, and deities that imbue the artworks with history and meaning. Beyond Aesthetics is a passionate discussion of the role of identity, tradition, and originality in making, collecting, and exhibiting African art today. Soyinka considers objects that have stirred controversy, and he decries dogmatic efforts—whether colonial or religious—to suppress Africa’s artistic traditions.
Art Theory
Bonnard, Giacometti, P.
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Ce volume réunit trois études approfondies et précises sur la vision et le langage. Par Bonnard et Giacometti nous apprenons comment nous voyons – comment, dans la vie de tous les jours, les indications que nous fournissent nos sens forment en nous des images de la réalité. Ces deux artistes ont observé cela de très près et nous pouvons le faire à leur suite, non(...)
Bonnard, Giacometti, P.
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Ce volume réunit trois études approfondies et précises sur la vision et le langage. Par Bonnard et Giacometti nous apprenons comment nous voyons – comment, dans la vie de tous les jours, les indications que nous fournissent nos sens forment en nous des images de la réalité. Ces deux artistes ont observé cela de très près et nous pouvons le faire à leur suite, non seulement pour mieux apprécier leurs œuvres, mais aussi pour mieux nous comprendre nous-mêmes et prendre plus de plaisir à voir. L’analyse du récit de P. et des effets qu’il a produits nous ramène à la connaissance de nous-mêmes, comme Bonnard et Giacometti, quoique sur un autre plan.
Art Theory
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The tracking of our personal information, activities, and medical data through our digital devices is an increasingly recognizable field in which the lines between caretaking and control have blurred. In this age of surveillance, mothers' behaviors and bodies are observed, made public, exposed, scrutinized, and policed like never before. This volume gathers together the(...)
Supervision: On motherhood and surveillance
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The tracking of our personal information, activities, and medical data through our digital devices is an increasingly recognizable field in which the lines between caretaking and control have blurred. In this age of surveillance, mothers' behaviors and bodies are observed, made public, exposed, scrutinized, and policed like never before. This volume gathers together the work of fifty contributors from diverse disciplines that include the visual arts, legal scholarship, ethnic studies, sociology, gender studies, poetry, and activism to ask what the relationship is between how we watch and how we are watched, and how the attention that mothers pay to their children might foster a kind of counterattention to the many ways in which mothers are scrutinized. A groundbreaking collection, thisis a project about vision (and supervision), and all the ways in which vision intersects with surveillance and politics, through motherhood and personal history as well as through the histories and relations of the societies in which we live.
Art Theory
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''Oceans'' cover more than 70 percent of the Earth’s surface, dividing and connecting humans, who carry saltwater in their blood, sweat, and tears. They also represent a powerful nonhuman force, rising, flooding, heating and raging in unprecedented ways as the climate crisis unfolds. Artists have envisioned the sea as a sublime wilderness, home to mythical creatures and(...)
Oceans: Documents of contemporary art
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''Oceans'' cover more than 70 percent of the Earth’s surface, dividing and connecting humans, who carry saltwater in their blood, sweat, and tears. They also represent a powerful nonhuman force, rising, flooding, heating and raging in unprecedented ways as the climate crisis unfolds. Artists have envisioned the sea as a sublime wilderness, home to mythical creatures and bizarre species, a source of life and death, a site of new beginnings and tragic endings, both wondrous and disastrous. From migration to melting ice caps, the sea is omnipresent in international news and politics, leaking into popular culture and proliferating in recent art and exhibitions. This anthology gathers artists and writers to address the ocean not only as a theme but as a major agent of artistic and curatorial methods.
Art Theory
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Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation(...)
Speculation: Document of contemporary art
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Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation in the creation (and capitalization) of possible worlds. Artistic autonomy, and the self-legislation of the space of art, have often been seen as the freedom to speculate wildly on material and social possibilities. This anthology surveys material and social inventiveness from the ground up, speculating with technologies, gender, constructs of the family, and systems of logistics and coordination. An ecology of speculation is traced—one that is as broken, specific, and enthralling as the world.
Art Theory
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Between 1979 and 1981, Alfredo Jaar asked Chileans a deceptively simple question: "Are you happy?" Through private interviews, sidewalk polls and video-recorded forums, among other interventions, Jaar's three-year and seven-phase project, ''Studies on happiness'', addressed a furtive and fearful population living under Augusto Pinochet's military dictatorship. It also(...)
Alfredo Jaar: Studies on happiness
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Between 1979 and 1981, Alfredo Jaar asked Chileans a deceptively simple question: "Are you happy?" Through private interviews, sidewalk polls and video-recorded forums, among other interventions, Jaar's three-year and seven-phase project, ''Studies on happiness'', addressed a furtive and fearful population living under Augusto Pinochet's military dictatorship. It also spoke to a country in transition, as a newly adopted constitution remade Chile through privatisation and other neoliberal reforms. In its varied interventions and direct mode of address, ''Studies on happiness'' functioned as a feedback device meant to catalyse a critical awareness with its blunt questioning. Edward A. Vazquez contextualises Studies on Happiness within Jaar's early production and situates his practice within a Chilean art world haunted by the residues of political violence. This study foregrounds the project's historical embeddedness and the deep political stakes of its apparent sociality, recognising the crucial role that context has always played in Jaar's practice. By turning to the Santiago of Studies on Happiness, Vazquez explores the work's political and art historical environment and provides a wedge to realign current interpretations of Chilean art and hemispheric conceptualism with the openness central to Jaar's project.
Art Theory
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Compiled here for the first time, the selected writings of Aria Dean (b. 1993, Los Angeles) mount a trenchant critique of representational systems. A visual artist and filmmaker, Dean has also emerged as one of the leading critical voices of her generation through a body of writing that maps the forces of aesthetic theory, image regimes, and visibility onto questions of(...)
Bad infinity: Selected writings
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Compiled here for the first time, the selected writings of Aria Dean (b. 1993, Los Angeles) mount a trenchant critique of representational systems. A visual artist and filmmaker, Dean has also emerged as one of the leading critical voices of her generation through a body of writing that maps the forces of aesthetic theory, image regimes, and visibility onto questions of race and power. Dean’s work across media has long been defined by what she calls a “fixation on the subject and its borders,” and the texts collected here filter that inquiry through digital networks, art history, and Black radical thought. Equally at home discussing artists who embrace difficulty—from Robert Morris to David Hammons, Lorna Simpson, and Ulysses Jenkins—and conceptual frameworks such as Afropessimism, Dean often contends with how theoretical positions brush against the grain of lived reality: how the Structuralism handed down from the academy, for instance, can be commingled with critiques of structural racism, or how Georges Bataille’s notion of base matter transforms through an encounter with Blackness.
Art Theory
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"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting(...)
Film X Autochthonous struggles today
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"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.
Art Theory
What to let go?
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"What to let go?" offers new contributions by and international roster of thinkers, authors, anthropologists, curators, artists, and poets addressing the question: what gets counted within the category of heritage, and who gets to do the counting? Addressing the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar(...)
What to let go?
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"What to let go?" offers new contributions by and international roster of thinkers, authors, anthropologists, curators, artists, and poets addressing the question: what gets counted within the category of heritage, and who gets to do the counting? Addressing the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar processes of renaming and removing symbols of past eras, from India and Myanmar to Apartheid South Africa, the book will also look at how China's resurgent nationalism is placing a (still developing) version of its imperial heritage at the core of its twenty-first century self-image. As these processes appear to occupy an increasingly prominent segment of the political discourse, with history seemingly becoming the major battlefield both for the left and for the right, "What to let go?" asks: how can art reconfigure our collective foundational myths?
Art Theory