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This publication presents four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) who discuss their experience of becoming mothers as professionals in the arts, its reality and effects. While their reflections represent a similar strata of art worker in terms of background,(...)
Why call it labor? On motherhood and art work
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This publication presents four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) who discuss their experience of becoming mothers as professionals in the arts, its reality and effects. While their reflections represent a similar strata of art worker in terms of background, class, and career trajectory, the impact of instruments of patriarchy on rendering maternity invisible that they describe is recognizable and insidious.
Art Theory
Oh, to be a painter!
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Despite wide interest in Woolf’s writings, and in the artists and art critics in her Bloomsbury circle, there is no accessible edition or selection of essays dedicated to her writings on art. This volume collects her longest essay on painting, “Walter Sickert: A Conversation” (1934), alongside shorter essays and reviews, including “Pictures and Portraits” (1920) and(...)
Oh, to be a painter!
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Despite wide interest in Woolf’s writings, and in the artists and art critics in her Bloomsbury circle, there is no accessible edition or selection of essays dedicated to her writings on art. This volume collects her longest essay on painting, “Walter Sickert: A Conversation” (1934), alongside shorter essays and reviews, including “Pictures and Portraits” (1920) and “Pictures” (1925).
Art Theory
Du tissage
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Rédigé par l'une des pionnières de l'art textile au XXe siècle, cet ouvrage illustré offre une brillante méditation sur l'art du tissage, son histoire, ses outils et ses techniques, et sur ses conséquences pour le design moderne (nouvelle édition augmentée, avec trois textes critiques et des illustrations en couleur).
Du tissage
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Rédigé par l'une des pionnières de l'art textile au XXe siècle, cet ouvrage illustré offre une brillante méditation sur l'art du tissage, son histoire, ses outils et ses techniques, et sur ses conséquences pour le design moderne (nouvelle édition augmentée, avec trois textes critiques et des illustrations en couleur).
Art Theory
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This unprecedented collection compiles the writings of artist and poet Jesse Murry (1948–93), an extraordinary thinker who believed in the capacity of painting to hold the complexity of human meaning. Painting Is a Supreme Fiction brings together Murry’s published art criticism with previously unpublished philosophical writing and poetry from 1980 to his tragic death from(...)
Painting is a supreme fiction: Writings by Jesse Murry
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This unprecedented collection compiles the writings of artist and poet Jesse Murry (1948–93), an extraordinary thinker who believed in the capacity of painting to hold the complexity of human meaning. Painting Is a Supreme Fiction brings together Murry’s published art criticism with previously unpublished philosophical writing and poetry from 1980 to his tragic death from AIDS-related illness at the age of 44. The result is a portrait of an original mind who sought to unite the histories of Romantic landscape painting with the realities of Black experience through ''a belief in the restorative and creative powers of the imagination.'' No artist before occupied the exact intersections Murry created through his work, which aimed to reclaim ''painting as a poetic act amid the ''death of painting'' discourse of the 1980s. In addition to Murry’s writings, this volume also includes reproductions of selected paintings; excerpts from a a pair of panel discussions on art criticism and expressionism that took place in 1980; as well as transcriptions of two of the artist's notebooks, in which the spatialization of the words across the page approaches the condition of thought. ''Painting is a supreme fiction'' presents Jesse Murry in his own words, offering intimate access to this remarkable figure.
Art Theory
Art after liberalism
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This publication is an account of creative practice at a moment of converging social crises. It is also an inquiry into emergent ways of living, acting, and making art in the company of others. The apparent failures of liberal thinking mark its starting point. No longer can the framework of the nation-state, the figure of the enterprising individual, and the premise of(...)
Art after liberalism
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This publication is an account of creative practice at a moment of converging social crises. It is also an inquiry into emergent ways of living, acting, and making art in the company of others. The apparent failures of liberal thinking mark its starting point. No longer can the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development be counted on to produce a world worth living in. No longer can talk of inclusion, representation, or a neutral public sphere pass for something like equality. It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, conscription, colonization, moral debt, and ecological devastation. Now we must decide what comes after.
Art Theory
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The People’s Action against the Nordic Áltá-Guovdageaidnu Waterway (c. 1978-82) radically shook the course of history in the region. Its call to ''let the river live'' clamored against the construction of a large dam across the Alltáeatnu river in Norway. The action grew to an unexpectedly broad movement of solidarity across civil society—Sámi and Norwegian, as well as(...)
Art Theory
February 2021
Let the river flow: An eco-indigenous uprising and its legacies in art and politics
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The People’s Action against the Nordic Áltá-Guovdageaidnu Waterway (c. 1978-82) radically shook the course of history in the region. Its call to ''let the river live'' clamored against the construction of a large dam across the Alltáeatnu river in Norway. The action grew to an unexpectedly broad movement of solidarity across civil society—Sámi and Norwegian, as well as Indigenous and non-Indigenous peoples internationally—in which Sámi artists played a pivotal role. ''Let the river flow'' takes this eco-Indigenous rebellion, the first in Europe and inspirational worldwide, to reflect on events at the time and their correlations with international artists’ eco actions today. It is conceived as a reader, and addresses innovations in political organizing, new influences of Indigenous thinking on contemporary politics and the centrality of artists within the constellation of these activities. It also considers other Indigenous artists’ protests that happened in parallel to the actions mentioned.
Art Theory
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This study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence(...)
Art & Graphic Design: George Maciunas, Ed Rusche, Sheila Levrant de Bretteville
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This study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha’s brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects—some of which have never been discussed before—combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.
Art Theory
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For the third act of the research programme related to the Fondo Luigi Ghirri, the Fondazione Querini Stampalia is presenting Un’evidenza fantascientifica. Luigi Ghirri, Andrea Zanzotto, Giuseppe Caccavale, a project that places photography, painting and poetry in relation to one another, creating a new opportunity to appreciate these artistic languages.
Un'evidenza fantascientifica : Luigi Ghirri, Andrea Zanzotto, Giuseppe Caccavale
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For the third act of the research programme related to the Fondo Luigi Ghirri, the Fondazione Querini Stampalia is presenting Un’evidenza fantascientifica. Luigi Ghirri, Andrea Zanzotto, Giuseppe Caccavale, a project that places photography, painting and poetry in relation to one another, creating a new opportunity to appreciate these artistic languages.
Art Theory
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The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In(...)
Saturation: Race, art, and the circulation of value
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The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity.
Art Theory
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In this publication, Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni(...)
Black gathering: Art, ecology, ungiven life
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In this publication, Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.
Art Theory