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Cette publication s’intéresse à la façon dont les stratégies de dénormalisation mises en place par les arts visuels peuvent se prolonger par le biais de l’écriture. Dans les trois chapitres de ce livre, les discussions théoriques et artistiques s’associent à la théorie queer, aux études sur la handicap et à la théorie postcoloniale pour définir trois pratiques : le drag(...)
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Cette publication s’intéresse à la façon dont les stratégies de dénormalisation mises en place par les arts visuels peuvent se prolonger par le biais de l’écriture. Dans les trois chapitres de ce livre, les discussions théoriques et artistiques s’associent à la théorie queer, aux études sur la handicap et à la théorie postcoloniale pour définir trois pratiques : le drag(...)
Title:
Art queer : une théorie freak
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Cette publication s’intéresse à la façon dont les stratégies de dénormalisation mises en place par les arts visuels peuvent se prolonger par le biais de l’écriture. Dans les trois chapitres de ce livre, les discussions théoriques et artistiques s’associent à la théorie queer, aux études sur la handicap et à la théorie postcoloniale pour définir trois pratiques : le drag radical, le drag transtemporel et le drag abstrait. Une des caractéristiques de l’art queer, tel que le définit Renate Lorenz, est sa possibilité d’agir à travers le temps, désorganisant une chronologie positiviste et se saisissant d’objets historiques par affinité. L’art queer cultive l’anachronisme comme méthode.
Art queer : une théorie freak
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Cette publication s’intéresse à la façon dont les stratégies de dénormalisation mises en place par les arts visuels peuvent se prolonger par le biais de l’écriture. Dans les trois chapitres de ce livre, les discussions théoriques et artistiques s’associent à la théorie queer, aux études sur la handicap et à la théorie postcoloniale pour définir trois pratiques : le drag radical, le drag transtemporel et le drag abstrait. Une des caractéristiques de l’art queer, tel que le définit Renate Lorenz, est sa possibilité d’agir à travers le temps, désorganisant une chronologie positiviste et se saisissant d’objets historiques par affinité. L’art queer cultive l’anachronisme comme méthode.
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books
books
Publication:
March 2018
March 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Rebel video: the video movement of the 1970s amd 1980s. London -- Bern -- Lausanne -- Basel -- Zuric
Rebel video: the video movement of the 1970s amd 1980s. London -- Bern -- Lausanne -- Basel -- Zuric
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"Rebel Video" portrays protagonists of this activist movement in London, Basel, Berne, Lausanne, and Zurich. It documents the topics and concerns these creative rowdies picked up and the lasting effect their work has until today. Richly illustrated and fleshed out with brief essays by expert authors on specific aspects of film documentary and video art, the book(...)
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"Rebel Video" portrays protagonists of this activist movement in London, Basel, Berne, Lausanne, and Zurich. It documents the topics and concerns these creative rowdies picked up and the lasting effect their work has until today. Richly illustrated and fleshed out with brief essays by expert authors on specific aspects of film documentary and video art, the book(...)
Title:
Rebel video: the video movement of the 1970s amd 1980s. London -- Bern -- Lausanne -- Basel -- Zuric
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$61.95
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"Rebel Video" portrays protagonists of this activist movement in London, Basel, Berne, Lausanne, and Zurich. It documents the topics and concerns these creative rowdies picked up and the lasting effect their work has until today. Richly illustrated and fleshed out with brief essays by expert authors on specific aspects of film documentary and video art, the book demonstrates and illuminates the significance and manifold facets of the community media movement.
Rebel video: the video movement of the 1970s amd 1980s. London -- Bern -- Lausanne -- Basel -- Zuric
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"Rebel Video" portrays protagonists of this activist movement in London, Basel, Berne, Lausanne, and Zurich. It documents the topics and concerns these creative rowdies picked up and the lasting effect their work has until today. Richly illustrated and fleshed out with brief essays by expert authors on specific aspects of film documentary and video art, the book demonstrates and illuminates the significance and manifold facets of the community media movement.
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books
books
Publication:
February 2018
February 2018
Subject:
Art Theory
Art Theory
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books
books
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$32.95
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''Legible-Visible'' explores the relationship between print publications and audio-visual documents, two of the most important media in the social and cultural landscape of our time—and two forms that also define the evolution of contemporary art in the twentieth and twenty-first centuries. Mela Dávila and Maite Muñoz here show how the arrival of inexpensive home video(...)
$32.95
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''Legible-Visible'' explores the relationship between print publications and audio-visual documents, two of the most important media in the social and cultural landscape of our time—and two forms that also define the evolution of contemporary art in the twentieth and twenty-first centuries. Mela Dávila and Maite Muñoz here show how the arrival of inexpensive home video(...)
Title:
Legible-visible: between the film frame and the page
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''Legible-Visible'' explores the relationship between print publications and audio-visual documents, two of the most important media in the social and cultural landscape of our time—and two forms that also define the evolution of contemporary art in the twentieth and twenty-first centuries. Mela Dávila and Maite Muñoz here show how the arrival of inexpensive home video technologies in the 1970s and then of digital media at the turn of the millennium sparked revolutions in the creation and diffusion of both video artworks and artists' publications. Dávila proposes a theoretical and historical framework for works long dismissed by the market because of their serial nature, while Muñoz shows how artists have taken advantage of the permeability between publications and audovisual elements.
Legible-visible: between the film frame and the page
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''Legible-Visible'' explores the relationship between print publications and audio-visual documents, two of the most important media in the social and cultural landscape of our time—and two forms that also define the evolution of contemporary art in the twentieth and twenty-first centuries. Mela Dávila and Maite Muñoz here show how the arrival of inexpensive home video technologies in the 1970s and then of digital media at the turn of the millennium sparked revolutions in the creation and diffusion of both video artworks and artists' publications. Dávila proposes a theoretical and historical framework for works long dismissed by the market because of their serial nature, while Muñoz shows how artists have taken advantage of the permeability between publications and audovisual elements.
Form:
books
books
Publication:
August 2018
August 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$152.50
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of(...)
$152.50
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Summary:
The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of(...)
Title:
Guerrilla networks: an anarchaeology of 1970s radical media ecologies
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of the forms of media creativity and invention mapped here, such as militant film and video, pirate radio and guerrilla television, fit within conventional definitions of media, others, such as urban guerrilla groups and autonomous movements, do not. Nevertheless what was at stake in all these ventures was the use of available means of expression in order to produce transformative effects, and they were all in different ways responding to ideas and practices of guerrilla struggle and specifically of guerrilla media. This book examines these radical media ecologies as guerrilla networks, emphasising the proximity and inseparability of radical media and political practices.
Guerrilla networks: an anarchaeology of 1970s radical media ecologies
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Summary:
The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of the forms of media creativity and invention mapped here, such as militant film and video, pirate radio and guerrilla television, fit within conventional definitions of media, others, such as urban guerrilla groups and autonomous movements, do not. Nevertheless what was at stake in all these ventures was the use of available means of expression in order to produce transformative effects, and they were all in different ways responding to ideas and practices of guerrilla struggle and specifically of guerrilla media. This book examines these radical media ecologies as guerrilla networks, emphasising the proximity and inseparability of radical media and political practices.
Form:
books
books
Publication:
January 2018
January 2018
Subject:
Art Theory
Art Theory
Form:
books
books
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$39.95
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Mirages have long astonished travellers and beguiled thirsty desert voyagers. Chinese and Japanese poetry and images depicted mirages as the exhalations of clam-monsters. Indian sources related them to the ‘thirst of gazelles’, a metaphor for the futility of desire. From the late eighteenth century to the present, mirages became a symbol of ‘Oriental despotism’, a malign,(...)
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Mirages have long astonished travellers and beguiled thirsty desert voyagers. Chinese and Japanese poetry and images depicted mirages as the exhalations of clam-monsters. Indian sources related them to the ‘thirst of gazelles’, a metaphor for the futility of desire. From the late eighteenth century to the present, mirages became a symbol of ‘Oriental despotism’, a malign,(...)
Title:
The waterless sea: a curious history of mirages
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Mirages have long astonished travellers and beguiled thirsty desert voyagers. Chinese and Japanese poetry and images depicted mirages as the exhalations of clam-monsters. Indian sources related them to the ‘thirst of gazelles’, a metaphor for the futility of desire. From the late eighteenth century to the present, mirages became a symbol of ‘Oriental despotism’, a malign, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More commonly it conveys a sense of escape, of fascination, of a desire to be deceived. "The Waterless Sea" is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion, and how we can continue to learn from their sublimity.
The waterless sea: a curious history of mirages
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Summary:
Mirages have long astonished travellers and beguiled thirsty desert voyagers. Chinese and Japanese poetry and images depicted mirages as the exhalations of clam-monsters. Indian sources related them to the ‘thirst of gazelles’, a metaphor for the futility of desire. From the late eighteenth century to the present, mirages became a symbol of ‘Oriental despotism’, a malign, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More commonly it conveys a sense of escape, of fascination, of a desire to be deceived. "The Waterless Sea" is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion, and how we can continue to learn from their sublimity.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Keep walking intently: the ambulatory art of Surrealists, the Situationist International and Fluxus
Keep walking intently: the ambulatory art of Surrealists, the Situationist International and Fluxus
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Walking, that most basic of human actions, was transformed in the twentieth century by Surrealism, the Situationist International, and Fluxus into a tactic for revolutionizing everyday life. Each group chose locations in the urban landscape as sites—from the flea markets and bars of Paris to the sidewalks of New York—and ambulation as the essential gesture. Keep Walking(...)
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Walking, that most basic of human actions, was transformed in the twentieth century by Surrealism, the Situationist International, and Fluxus into a tactic for revolutionizing everyday life. Each group chose locations in the urban landscape as sites—from the flea markets and bars of Paris to the sidewalks of New York—and ambulation as the essential gesture. Keep Walking(...)
Title:
Keep walking intently: the ambulatory art of Surrealists, the Situationist International and Fluxus
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$45.95
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Summary:
Walking, that most basic of human actions, was transformed in the twentieth century by Surrealism, the Situationist International, and Fluxus into a tactic for revolutionizing everyday life. Each group chose locations in the urban landscape as sites—from the flea markets and bars of Paris to the sidewalks of New York—and ambulation as the essential gesture. Keep Walking Intently traces the meandering and peculiar footsteps of these avant-garde artists as they moved through the city, encountering the marvelous, studying the environment, and re-enchanting the banal. Art historian Lori Waxman reveals the radical potential that walking holds for us all.
Keep walking intently: the ambulatory art of Surrealists, the Situationist International and Fluxus
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$45.95
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Summary:
Walking, that most basic of human actions, was transformed in the twentieth century by Surrealism, the Situationist International, and Fluxus into a tactic for revolutionizing everyday life. Each group chose locations in the urban landscape as sites—from the flea markets and bars of Paris to the sidewalks of New York—and ambulation as the essential gesture. Keep Walking Intently traces the meandering and peculiar footsteps of these avant-garde artists as they moved through the city, encountering the marvelous, studying the environment, and re-enchanting the banal. Art historian Lori Waxman reveals the radical potential that walking holds for us all.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Claude Closky: Iluo
Claude Closky: Iluo
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Catalogue de l'exposition des livres d'artistes de Claude Closky au CDLA, dans le cadre du 40e anniversaire du Centre Pompidou. L'ouvrage évoque, dans sa forme, le dispositif de l'exposition. La typographie utilise une police créée pour l'occasion par l'artiste français, la kalavryta, du nom d'une station de ski grecque.
$26.95
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Summary:
Catalogue de l'exposition des livres d'artistes de Claude Closky au CDLA, dans le cadre du 40e anniversaire du Centre Pompidou. L'ouvrage évoque, dans sa forme, le dispositif de l'exposition. La typographie utilise une police créée pour l'occasion par l'artiste français, la kalavryta, du nom d'une station de ski grecque.
Title:
Claude Closky: Iluo
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Catalogue de l'exposition des livres d'artistes de Claude Closky au CDLA, dans le cadre du 40e anniversaire du Centre Pompidou. L'ouvrage évoque, dans sa forme, le dispositif de l'exposition. La typographie utilise une police créée pour l'occasion par l'artiste français, la kalavryta, du nom d'une station de ski grecque.
Claude Closky: Iluo
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Catalogue de l'exposition des livres d'artistes de Claude Closky au CDLA, dans le cadre du 40e anniversaire du Centre Pompidou. L'ouvrage évoque, dans sa forme, le dispositif de l'exposition. La typographie utilise une police créée pour l'occasion par l'artiste français, la kalavryta, du nom d'une station de ski grecque.
Form:
books
books
Publication:
July 2017
July 2017
Subject:
Art Theory
Art Theory
Form:
books
books
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$41.50
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and(...)
$41.50
(available to order)
Summary:
This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and(...)
Title:
10 landscapes: documentary, inventory, utopia
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and radical rural-mountain landscape in Umbria that used "hypertextual" methods and projects to draw links between different sites and "thematic" landscapes, the outcome is a broad investigation, exhibition, and catalogue on public spaces, site-specific art practices, and interventions on landscape in Italy and beyond.
10 landscapes: documentary, inventory, utopia
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$41.50
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and radical rural-mountain landscape in Umbria that used "hypertextual" methods and projects to draw links between different sites and "thematic" landscapes, the outcome is a broad investigation, exhibition, and catalogue on public spaces, site-specific art practices, and interventions on landscape in Italy and beyond.
Form:
books
books
Publication:
December 2017
December 2017
Subject:
Art Theory
Art Theory
Form:
books
books
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$20.00
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Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new(...)
$20.00
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Summary:
Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new(...)
Title:
Giotto and his works in Padua
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$20.00
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Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new edition presents each panel in vivid color photography, adding a useful visual aid to Ruskin’s lyrical descriptions. The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of most influential writers ever to tackle visual art.
Giotto and his works in Padua
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Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new edition presents each panel in vivid color photography, adding a useful visual aid to Ruskin’s lyrical descriptions. The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of most influential writers ever to tackle visual art.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Indiscipline!
Indiscipline!
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L’indiscipline s’attaque à la paroi qui veut séparer la recherche de l’action, ainsi qu’à celle qui prétend étanchéifier la pensée et l’isoler de la création. Elle n’est pas une solution. Elle n’est pas même durable. Davantage que de définir il s’agit de se réunir, de faire lien. Ce livre cherche à formuler un mot de passe, un schibboleth pour apprendre à nous reconnaître(...)
$15.95
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Summary:
L’indiscipline s’attaque à la paroi qui veut séparer la recherche de l’action, ainsi qu’à celle qui prétend étanchéifier la pensée et l’isoler de la création. Elle n’est pas une solution. Elle n’est pas même durable. Davantage que de définir il s’agit de se réunir, de faire lien. Ce livre cherche à formuler un mot de passe, un schibboleth pour apprendre à nous reconnaître(...)
Title:
Indiscipline!
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$15.95
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L’indiscipline s’attaque à la paroi qui veut séparer la recherche de l’action, ainsi qu’à celle qui prétend étanchéifier la pensée et l’isoler de la création. Elle n’est pas une solution. Elle n’est pas même durable. Davantage que de définir il s’agit de se réunir, de faire lien. Ce livre cherche à formuler un mot de passe, un schibboleth pour apprendre à nous reconnaître comme une communauté à venir, un «nous» qui s’ignore encore. Ce livre, comme une carte postale destinée à voyager de manière erratique: d'une UniverCité à un centre d'artiste, d'un squat à un théâtre, d'un chapiteau à une zone d'autonomie temporaire et aussi d'un continent à un autre.
Indiscipline!
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$15.95
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Summary:
L’indiscipline s’attaque à la paroi qui veut séparer la recherche de l’action, ainsi qu’à celle qui prétend étanchéifier la pensée et l’isoler de la création. Elle n’est pas une solution. Elle n’est pas même durable. Davantage que de définir il s’agit de se réunir, de faire lien. Ce livre cherche à formuler un mot de passe, un schibboleth pour apprendre à nous reconnaître comme une communauté à venir, un «nous» qui s’ignore encore. Ce livre, comme une carte postale destinée à voyager de manière erratique: d'une UniverCité à un centre d'artiste, d'un squat à un théâtre, d'un chapiteau à une zone d'autonomie temporaire et aussi d'un continent à un autre.
Form:
books
books
Publication:
August 2016
August 2016
Subject:
Art Theory
Art Theory
