1193 Results
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books
books
Title:
Seth Price: dispersion
Seth Price: dispersion
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Summary:
Artist Seth Price's provocative essay calling for a reexamination of "classical" conceptualism and for the establishment of a new public art. Punctuated with illustrations and featuring a spray-painted glossy cover.
$12.00
(available to order)
Summary:
Artist Seth Price's provocative essay calling for a reexamination of "classical" conceptualism and for the establishment of a new public art. Punctuated with illustrations and featuring a spray-painted glossy cover.
Title:
Seth Price: dispersion
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$12.00
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Summary:
Artist Seth Price's provocative essay calling for a reexamination of "classical" conceptualism and for the establishment of a new public art. Punctuated with illustrations and featuring a spray-painted glossy cover.
Seth Price: dispersion
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$12.00
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Summary:
Artist Seth Price's provocative essay calling for a reexamination of "classical" conceptualism and for the establishment of a new public art. Punctuated with illustrations and featuring a spray-painted glossy cover.
Form:
books
books
Publication:
October 2008, New York
October 2008, New York
Subject:
Art Theory
Art Theory
Form:
books
books
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$15.00
(available to order)
Summary:
The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for(...)
$15.00
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Summary:
The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for(...)
Title:
Center for advanced visual studies
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$15.00
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The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for public events and a sampling of pictures from four years of programming. http://cavs.mit.edu
Center for advanced visual studies
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$15.00
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Summary:
The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for public events and a sampling of pictures from four years of programming. http://cavs.mit.edu
Form:
books
books
Publication:
October 2008, Cambridge
October 2008, Cambridge
Subject:
Art Theory
Art Theory
Form:
books
books
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$10.00
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Commissionned by Black Diamond Press and International Project space, Birmingham (U.K.), to coincide with the exhibition 'Chris Evans Militant bourgeois : an existentialist retreat, 18 January to 17 Frebruary 2007, at IPS, Birmingham.
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Commissionned by Black Diamond Press and International Project space, Birmingham (U.K.), to coincide with the exhibition 'Chris Evans Militant bourgeois : an existentialist retreat, 18 January to 17 Frebruary 2007, at IPS, Birmingham.
Subject:
Art Theory
Art Theory
Publication:
October 2007, New York
October 2007, New York
Title:
Militant bourgeois : an existantialist retreat
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$10.00
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Commissionned by Black Diamond Press and International Project space, Birmingham (U.K.), to coincide with the exhibition 'Chris Evans Militant bourgeois : an existentialist retreat, 18 January to 17 Frebruary 2007, at IPS, Birmingham.
Militant bourgeois : an existantialist retreat
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Commissionned by Black Diamond Press and International Project space, Birmingham (U.K.), to coincide with the exhibition 'Chris Evans Militant bourgeois : an existentialist retreat, 18 January to 17 Frebruary 2007, at IPS, Birmingham.
Form:
books
books
Publication:
October 2007, New York
October 2007, New York
Subject:
Art Theory
Art Theory
Form:
books
books
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$19.75
(available to order)
Summary:
La guerre futuriste est une mobilisation totale contre les valeurs politiques, morales et culturelles du passé; elle permet à Marinetti de rompre les ponts avec la décadence, d'être de plain-pied dans la réalité qui n'est plus la conséquence du passé mais son contraire. Il repère un ennemi immédiat - les empires centraux "moribonds" - et un objectif facile -(...)
$19.75
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La guerre futuriste est une mobilisation totale contre les valeurs politiques, morales et culturelles du passé; elle permet à Marinetti de rompre les ponts avec la décadence, d'être de plain-pied dans la réalité qui n'est plus la conséquence du passé mais son contraire. Il repère un ennemi immédiat - les empires centraux "moribonds" - et un objectif facile -(...)
Title:
Marinetti et la révolution futuriste
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La guerre futuriste est une mobilisation totale contre les valeurs politiques, morales et culturelles du passé; elle permet à Marinetti de rompre les ponts avec la décadence, d'être de plain-pied dans la réalité qui n'est plus la conséquence du passé mais son contraire. Il repère un ennemi immédiat - les empires centraux "moribonds" - et un objectif facile - l'irrédentisme ; mais surtout il identifie, dans la technique au service du mythe, l'avènement traumatique de la modernité. [...] Marinetti n'est décidément pas facile à cerner. Il est de "droite" ou plutôt d'"extrême droite", lorsqu'il en appelle au droit du plus fort, au reniement de la solidarité de classe, à la loi martiale contre les pacifistes et les traîtres, à la destruction de l'ennemi et pas seulement à sa défaite. Il est de "gauche ", ou plutôt d'"extrême gauche" parce qu'à ses yeux la guerre doit mener à la dissolution de tout ordre préétabli, y compris celui des non-belligérants comme l'Eglise - d'où sa fronde pendant la période fasciste contre les compromis et la corruption du régime. Maurizio Serra, diplomate et historien italien, né à Londres en 1955 ; il dirige actuellement l'Institut diplomatique du ministère des Affaires étrangères italien. Spécialiste d'histoire des idées au XXe siècle, professeur de relations internationales à l'université LUISS de Rome, il est l'auteur de plusieurs ouvrages dont Le Passager du siècle.
Marinetti et la révolution futuriste
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$19.75
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La guerre futuriste est une mobilisation totale contre les valeurs politiques, morales et culturelles du passé; elle permet à Marinetti de rompre les ponts avec la décadence, d'être de plain-pied dans la réalité qui n'est plus la conséquence du passé mais son contraire. Il repère un ennemi immédiat - les empires centraux "moribonds" - et un objectif facile - l'irrédentisme ; mais surtout il identifie, dans la technique au service du mythe, l'avènement traumatique de la modernité. [...] Marinetti n'est décidément pas facile à cerner. Il est de "droite" ou plutôt d'"extrême droite", lorsqu'il en appelle au droit du plus fort, au reniement de la solidarité de classe, à la loi martiale contre les pacifistes et les traîtres, à la destruction de l'ennemi et pas seulement à sa défaite. Il est de "gauche ", ou plutôt d'"extrême gauche" parce qu'à ses yeux la guerre doit mener à la dissolution de tout ordre préétabli, y compris celui des non-belligérants comme l'Eglise - d'où sa fronde pendant la période fasciste contre les compromis et la corruption du régime. Maurizio Serra, diplomate et historien italien, né à Londres en 1955 ; il dirige actuellement l'Institut diplomatique du ministère des Affaires étrangères italien. Spécialiste d'histoire des idées au XXe siècle, professeur de relations internationales à l'université LUISS de Rome, il est l'auteur de plusieurs ouvrages dont Le Passager du siècle.
Form:
books
books
Publication:
November 2008, Paris
November 2008, Paris
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$28.95
(available to order)
Summary:
Originally published in Swedish in 1992, this book examines the enigmatic relation of melancholia to an early kind of cannibalism, which psychoanalysis, in particular, stressed. It contains reading of, amongst others, Franz Kafka, Samuel Beckett, Thomas Bernhard, Sigmund Freud, G. W. F. Hegel, and the Swedish poet Gunnar Ekelöf. The authors also quote Goethe and Rabelais,(...)
$28.95
(available to order)
Summary:
Originally published in Swedish in 1992, this book examines the enigmatic relation of melancholia to an early kind of cannibalism, which psychoanalysis, in particular, stressed. It contains reading of, amongst others, Franz Kafka, Samuel Beckett, Thomas Bernhard, Sigmund Freud, G. W. F. Hegel, and the Swedish poet Gunnar Ekelöf. The authors also quote Goethe and Rabelais,(...)
Subject:
Art Theory
Art Theory
Publication:
October 2008, Berlin, New York
October 2008, Berlin, New York
Title:
As a weasel sucks eggs, an essay on melancholy and cannibalism
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$28.95
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Summary:
Originally published in Swedish in 1992, this book examines the enigmatic relation of melancholia to an early kind of cannibalism, which psychoanalysis, in particular, stressed. It contains reading of, amongst others, Franz Kafka, Samuel Beckett, Thomas Bernhard, Sigmund Freud, G. W. F. Hegel, and the Swedish poet Gunnar Ekelöf. The authors also quote Goethe and Rabelais, for whom food is a cosmic principle, the soil of fertility, on which all creation is based. In a transferred sense, food also plays that same role for the melancholiac he who questions the normal order of things, who creates an other unknown food, with a variety of meanings. The authors trace the desire for this other food through the ages, and scrutinize its relationship to both primitive sacrificial rites as well as contemporary anthropology, philosophy, and linguistic theory.
As a weasel sucks eggs, an essay on melancholy and cannibalism
Actions:
Price:
$28.95
(available to order)
Summary:
Originally published in Swedish in 1992, this book examines the enigmatic relation of melancholia to an early kind of cannibalism, which psychoanalysis, in particular, stressed. It contains reading of, amongst others, Franz Kafka, Samuel Beckett, Thomas Bernhard, Sigmund Freud, G. W. F. Hegel, and the Swedish poet Gunnar Ekelöf. The authors also quote Goethe and Rabelais, for whom food is a cosmic principle, the soil of fertility, on which all creation is based. In a transferred sense, food also plays that same role for the melancholiac he who questions the normal order of things, who creates an other unknown food, with a variety of meanings. The authors trace the desire for this other food through the ages, and scrutinize its relationship to both primitive sacrificial rites as well as contemporary anthropology, philosophy, and linguistic theory.
Form:
books
books
Publication:
October 2008, Berlin, New York
October 2008, Berlin, New York
Subject:
Art Theory
Art Theory
Form:
books
books
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$42.00
(available in store)
Summary:
Can art be used as an effective means for change or resistance against hegemonic power? What shape should such art assume? And in which context can it be used effectively to develop political relevance? This volume offers a broad spectrum of responses, both from the arts and in essays. The contributions range from the 1960’s to the present day. The themes include the(...)
$42.00
(available in store)
Summary:
Can art be used as an effective means for change or resistance against hegemonic power? What shape should such art assume? And in which context can it be used effectively to develop political relevance? This volume offers a broad spectrum of responses, both from the arts and in essays. The contributions range from the 1960’s to the present day. The themes include the(...)
Title:
Kunst+ politik, art + politics
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$42.00
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Summary:
Can art be used as an effective means for change or resistance against hegemonic power? What shape should such art assume? And in which context can it be used effectively to develop political relevance? This volume offers a broad spectrum of responses, both from the arts and in essays. The contributions range from the 1960’s to the present day. The themes include the after effects of the holocaust, the Hungarian uprising, the nuclear threat and alienation as well as migration.
Kunst+ politik, art + politics
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$42.00
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Summary:
Can art be used as an effective means for change or resistance against hegemonic power? What shape should such art assume? And in which context can it be used effectively to develop political relevance? This volume offers a broad spectrum of responses, both from the arts and in essays. The contributions range from the 1960’s to the present day. The themes include the after effects of the holocaust, the Hungarian uprising, the nuclear threat and alienation as well as migration.
Form:
books
books
Publication:
October 2008, New York
October 2008, New York
Subject:
Art Theory
Art Theory
Form:
books
books
Actions:
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$64.00
(available to order)
Summary:
Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
$64.00
(available to order)
Summary:
Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
Title:
Picturing science producing art
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$64.00
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Summary:
Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
Picturing science producing art
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Price:
$64.00
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Summary:
Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
Form:
books
books
Publication:
June 1998
June 1998
Form:
books
books
Title:
Art and technics
Art and technics
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$33.95
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Summary:
With a new introduction by Casey Nelson Blake
$33.95
(available to order)
Summary:
With a new introduction by Casey Nelson Blake
Title:
Art and technics
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$33.95
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Summary:
With a new introduction by Casey Nelson Blake
Art and technics
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$33.95
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Summary:
With a new introduction by Casey Nelson Blake
Form:
books
books
Publication:
May 2000, New York
May 2000, New York
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
The life of forms in art
The life of forms in art
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$21.00
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Summary:
In this classic meditation on the problem of style in art history, the author describes how art forms change over time. Although he argues that the development of art is irreducible to external political, social, or economic determinants, one of his great achievements was to lodge a concept of autonomous formal mutation within the shifting domain of materials and(...)
$21.00
(available to order)
Summary:
In this classic meditation on the problem of style in art history, the author describes how art forms change over time. Although he argues that the development of art is irreducible to external political, social, or economic determinants, one of his great achievements was to lodge a concept of autonomous formal mutation within the shifting domain of materials and(...)
Title:
The life of forms in art
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$21.00
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Summary:
In this classic meditation on the problem of style in art history, the author describes how art forms change over time. Although he argues that the development of art is irreducible to external political, social, or economic determinants, one of his great achievements was to lodge a concept of autonomous formal mutation within the shifting domain of materials and techniques. Focillon emphasizes the presence of nonsynchronous tendencies within styles that give to artworks a manifold and stratified character.
The life of forms in art
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Price:
$21.00
(available to order)
Summary:
In this classic meditation on the problem of style in art history, the author describes how art forms change over time. Although he argues that the development of art is irreducible to external political, social, or economic determinants, one of his great achievements was to lodge a concept of autonomous formal mutation within the shifting domain of materials and techniques. Focillon emphasizes the presence of nonsynchronous tendencies within styles that give to artworks a manifold and stratified character.
Form:
books
books
Publication:
September 1992
September 1992
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Art and thought
Art and thought
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$37.50
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Summary:
Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought.
$37.50
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Summary:
Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought.
Title:
Art and thought
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$37.50
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Summary:
Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought.
Art and thought
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Price:
$37.50
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Summary:
Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought.
Form:
books
books
Publication:
February 2003, 2003
February 2003, 2003
Subject:
Art Theory
Art Theory
