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books
books
Title:
Of sponge, stone and the intertwinements with the here and now: a methodology of artistic research
Of sponge, stone and the intertwinements with the here and now: a methodology of artistic research
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This concise book introduces the notion of "experience" as a key concept in a methodology of artistic research. The author traces a genealogy of "experience" from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept in a framework of research in visual art. The argument is founded in the practice of artistic research and in the(...)
$19.95
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Summary:
This concise book introduces the notion of "experience" as a key concept in a methodology of artistic research. The author traces a genealogy of "experience" from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept in a framework of research in visual art. The argument is founded in the practice of artistic research and in the(...)
Title:
Of sponge, stone and the intertwinements with the here and now: a methodology of artistic research
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$19.95
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Summary:
This concise book introduces the notion of "experience" as a key concept in a methodology of artistic research. The author traces a genealogy of "experience" from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept in a framework of research in visual art. The argument is founded in the practice of artistic research and in the reflection on the interweaving of thinking and making. This publication is a slightly extended version of Wesseling's inaugural lecture at Leiden University in September 2016. Included is a collaboration with the Austrian performance artist and PhD researcher Lilo Nein.
Of sponge, stone and the intertwinements with the here and now: a methodology of artistic research
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$19.95
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Summary:
This concise book introduces the notion of "experience" as a key concept in a methodology of artistic research. The author traces a genealogy of "experience" from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept in a framework of research in visual art. The argument is founded in the practice of artistic research and in the reflection on the interweaving of thinking and making. This publication is a slightly extended version of Wesseling's inaugural lecture at Leiden University in September 2016. Included is a collaboration with the Austrian performance artist and PhD researcher Lilo Nein.
Form:
books
books
Publication:
February 2017
February 2017
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$86.00
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Summary:
'The Forces Behind the Forms', titled after a phrase coined by artist Per Kirkeby, who also coined the term “Anthropocene,” takes up the widely conducted debate over how much our environment is influenced by human activity. Comprehensive and fully illustrated, this substantial hardcover catalog documents a variety of compelling projects and installations by 12(...)
$86.00
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Summary:
'The Forces Behind the Forms', titled after a phrase coined by artist Per Kirkeby, who also coined the term “Anthropocene,” takes up the widely conducted debate over how much our environment is influenced by human activity. Comprehensive and fully illustrated, this substantial hardcover catalog documents a variety of compelling projects and installations by 12(...)
Publication:
July 2016
July 2016
Title:
The forces behind the forms: geology, matter, process in contemporary art
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$86.00
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'The Forces Behind the Forms', titled after a phrase coined by artist Per Kirkeby, who also coined the term “Anthropocene,” takes up the widely conducted debate over how much our environment is influenced by human activity. Comprehensive and fully illustrated, this substantial hardcover catalog documents a variety of compelling projects and installations by 12 artists—Olafur Eliasson, Per Kirkeby, Roger Hiorns and Giuseppe Penone, among others—engaging the geo-aesthetics of matter and transformative processes in both nature and art in installations, images and objects.
The forces behind the forms: geology, matter, process in contemporary art
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$86.00
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Summary:
'The Forces Behind the Forms', titled after a phrase coined by artist Per Kirkeby, who also coined the term “Anthropocene,” takes up the widely conducted debate over how much our environment is influenced by human activity. Comprehensive and fully illustrated, this substantial hardcover catalog documents a variety of compelling projects and installations by 12 artists—Olafur Eliasson, Per Kirkeby, Roger Hiorns and Giuseppe Penone, among others—engaging the geo-aesthetics of matter and transformative processes in both nature and art in installations, images and objects.
Form:
books
books
Publication:
July 2016
July 2016
Form:
books
books
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$31.95
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For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and(...)
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Summary:
For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and(...)
Title:
The man who walked in color: James Turrell
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For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and vision with its foundation deep in history. Didi-Huberman takes the reader on a journey between the impossible limit of the horizon and the arrival into a site of reverie and light, from the story of Exodus to the Pala d’Oro of San Marco’s Basilica in Venice, through art history and the origins of religious worship, finally plunging into Turrell’s cadmium dust and light, into the Painted Desert of his installation Roden Crater. For the esteemed art historian, Turrell’s artistic practice becomes the equivalent of walking along endless pathways in the desert, in “minuscule cathedrals where man discovers himself walking in color.”
The man who walked in color: James Turrell
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$31.95
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Summary:
For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and vision with its foundation deep in history. Didi-Huberman takes the reader on a journey between the impossible limit of the horizon and the arrival into a site of reverie and light, from the story of Exodus to the Pala d’Oro of San Marco’s Basilica in Venice, through art history and the origins of religious worship, finally plunging into Turrell’s cadmium dust and light, into the Painted Desert of his installation Roden Crater. For the esteemed art historian, Turrell’s artistic practice becomes the equivalent of walking along endless pathways in the desert, in “minuscule cathedrals where man discovers himself walking in color.”
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Tell them I said no
Tell them I said no
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$32.00
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This collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms (essays on Lutz Bacher, Stanley Brouwn, Christopher D'Arcangelo, Trisha Donnelly, David Hammons, Agnes Martin, Cady Noland, Laurie Parsons, Charlotte Posenenske, and Albert York).
$32.00
(available to order)
Summary:
This collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms (essays on Lutz Bacher, Stanley Brouwn, Christopher D'Arcangelo, Trisha Donnelly, David Hammons, Agnes Martin, Cady Noland, Laurie Parsons, Charlotte Posenenske, and Albert York).
Title:
Tell them I said no
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$32.00
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Summary:
This collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms (essays on Lutz Bacher, Stanley Brouwn, Christopher D'Arcangelo, Trisha Donnelly, David Hammons, Agnes Martin, Cady Noland, Laurie Parsons, Charlotte Posenenske, and Albert York).
Tell them I said no
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$32.00
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Summary:
This collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms (essays on Lutz Bacher, Stanley Brouwn, Christopher D'Arcangelo, Trisha Donnelly, David Hammons, Agnes Martin, Cady Noland, Laurie Parsons, Charlotte Posenenske, and Albert York).
Form:
books
books
Publication:
January 2017
January 2017
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$28.50
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Summary:
Our taste buds are a powerful way for humans to know beauty and experience beautiful things. In Taste, Italian philosopher Giorgio Agamben takes a close look at why the sense of taste has not historically been appreciated as a means to know and experience pleasure or why it has always been considered inferior to actual theoretical knowledge.
$28.50
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Summary:
Our taste buds are a powerful way for humans to know beauty and experience beautiful things. In Taste, Italian philosopher Giorgio Agamben takes a close look at why the sense of taste has not historically been appreciated as a means to know and experience pleasure or why it has always been considered inferior to actual theoretical knowledge.
Title:
Taste
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$28.50
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Summary:
Our taste buds are a powerful way for humans to know beauty and experience beautiful things. In Taste, Italian philosopher Giorgio Agamben takes a close look at why the sense of taste has not historically been appreciated as a means to know and experience pleasure or why it has always been considered inferior to actual theoretical knowledge.
Taste
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$28.50
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Summary:
Our taste buds are a powerful way for humans to know beauty and experience beautiful things. In Taste, Italian philosopher Giorgio Agamben takes a close look at why the sense of taste has not historically been appreciated as a means to know and experience pleasure or why it has always been considered inferior to actual theoretical knowledge.
Form:
books
books
Publication:
December 2017
December 2017
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$34.95
(available to order)
Summary:
Scale is perhaps the most spectacularly overlooked aspect of artistic production. As photographic and digital reproductions have essentially dematerialized art, critical and historical research dealing with scale—both within the American critical tradition and abroad—has become scattered and insufficiently theorized. However, by posing a specific challenge, such research(...)
$34.95
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Summary:
Scale is perhaps the most spectacularly overlooked aspect of artistic production. As photographic and digital reproductions have essentially dematerialized art, critical and historical research dealing with scale—both within the American critical tradition and abroad—has become scattered and insufficiently theorized. However, by posing a specific challenge, such research(...)
Title:
Scale
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Scale is perhaps the most spectacularly overlooked aspect of artistic production. As photographic and digital reproductions have essentially dematerialized art, critical and historical research dealing with scale—both within the American critical tradition and abroad—has become scattered and insufficiently theorized. However, by posing a specific challenge, such research forces a heightened recognition of both the properties of materials and the deep technical knowledge of makers. A reconsideration of scalar relationships in American art and visual culture therefore reveals original insights. "Scale" is the second volume in the Terra Foundation Essays series. With eighty color illustrations and a wealth of new research from Glenn Adamson, Wendy Bellion, Wouter Davidts, Darcy Grimaldo Grigsby, Christopher P. Heuer, Joshua G. Stein, and Jason Weems, it explores viewers’ physical relationship to Barnett Newman’s abstract canvases, the arduous engineering behind the creation of Mount Rushmore, and the charged significance of liberty poles in the landscape of eighteenth-century New York, among other topics that range from studies of specific works of art to significant conceptual and theoretical concerns.
Scale
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$34.95
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Summary:
Scale is perhaps the most spectacularly overlooked aspect of artistic production. As photographic and digital reproductions have essentially dematerialized art, critical and historical research dealing with scale—both within the American critical tradition and abroad—has become scattered and insufficiently theorized. However, by posing a specific challenge, such research forces a heightened recognition of both the properties of materials and the deep technical knowledge of makers. A reconsideration of scalar relationships in American art and visual culture therefore reveals original insights. "Scale" is the second volume in the Terra Foundation Essays series. With eighty color illustrations and a wealth of new research from Glenn Adamson, Wendy Bellion, Wouter Davidts, Darcy Grimaldo Grigsby, Christopher P. Heuer, Joshua G. Stein, and Jason Weems, it explores viewers’ physical relationship to Barnett Newman’s abstract canvases, the arduous engineering behind the creation of Mount Rushmore, and the charged significance of liberty poles in the landscape of eighteenth-century New York, among other topics that range from studies of specific works of art to significant conceptual and theoretical concerns.
Form:
books
books
Publication:
November 2016
November 2016
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Fear, reverence, terror
Fear, reverence, terror
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$55.50
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Summary:
We are surrounded by images, fairly drowning in them. From our cell phones to our computers, from our televisions at home to the screens that light up while we wait in the grocery store checkout line, images of all kinds are seducing us, commanding us to buy!, scaring us, dazzling us. "Fear, reverence, terror" invites us to look at images slowly, with the help of a few(...)
$55.50
(available to order)
Summary:
We are surrounded by images, fairly drowning in them. From our cell phones to our computers, from our televisions at home to the screens that light up while we wait in the grocery store checkout line, images of all kinds are seducing us, commanding us to buy!, scaring us, dazzling us. "Fear, reverence, terror" invites us to look at images slowly, with the help of a few(...)
Title:
Fear, reverence, terror
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$55.50
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Summary:
We are surrounded by images, fairly drowning in them. From our cell phones to our computers, from our televisions at home to the screens that light up while we wait in the grocery store checkout line, images of all kinds are seducing us, commanding us to buy!, scaring us, dazzling us. "Fear, reverence, terror" invites us to look at images slowly, with the help of a few examples: Picasso’s Guernica, the “Lord Kitchener wants you” World War I recruitment poster, Jacques-Louis David’s Marat, the frontispiece of Thomas Hobbes’s Leviathan, a cup of gilded silver with scenes from the conquest of the New World. Are these political images, Carlo Ginzburg asks? Yes, because every image is, in a sense, political—an instrument of power. Tacitus once wrote, unforgettably, that we are enslaved by lies of which we ourselves are the authors. Is it possible to break this bond? Fear, Reverence, Terror will answer this question.
Fear, reverence, terror
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$55.50
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Summary:
We are surrounded by images, fairly drowning in them. From our cell phones to our computers, from our televisions at home to the screens that light up while we wait in the grocery store checkout line, images of all kinds are seducing us, commanding us to buy!, scaring us, dazzling us. "Fear, reverence, terror" invites us to look at images slowly, with the help of a few examples: Picasso’s Guernica, the “Lord Kitchener wants you” World War I recruitment poster, Jacques-Louis David’s Marat, the frontispiece of Thomas Hobbes’s Leviathan, a cup of gilded silver with scenes from the conquest of the New World. Are these political images, Carlo Ginzburg asks? Yes, because every image is, in a sense, political—an instrument of power. Tacitus once wrote, unforgettably, that we are enslaved by lies of which we ourselves are the authors. Is it possible to break this bond? Fear, Reverence, Terror will answer this question.
Form:
books
books
Publication:
August 2017
August 2017
Subject:
Art Theory
Art Theory
Form:
books
books
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$34.95
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Summary:
In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood.(...)
$34.95
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Summary:
In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood.(...)
Title:
The aesthetic imperative: writings on art
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In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, epistemology, metaphysics, society, politics, anthropology and the subject.Sloterdijk explores a great variety of topics, including the Greek-Roman invention of postcards, medieval barter with purgatory and relics, the capitalist art market, the black boxes and white cubes of modernism, the rise of world’s fairs in the 19th century, the growth of museum and memorial culture, images of the city and the role of creativity. In doing so, Sloterdijk extends his characteristic method of defamiliarisation to transform the way we look at works of art and movements. His bold and original approach leads us away from the well-trodden paths of conventional art history to develop a theory of aesthetics which rejects strict categorisation, emphasising instead the crucial importance of individual subjectivity as a counter to the latent dangers of collective culture.This sustained collection of reflections, at once playful, serious and provocative, goes to the very heart of Sloterdijk’s enduring philosophical preoccupation with the aesthetic. It will be essential reading for students and scholars of philosophy and aesthetics and will appeal to anyone interested in culture and the arts more generally.
The aesthetic imperative: writings on art
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$34.95
(available to order)
Summary:
In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, epistemology, metaphysics, society, politics, anthropology and the subject.Sloterdijk explores a great variety of topics, including the Greek-Roman invention of postcards, medieval barter with purgatory and relics, the capitalist art market, the black boxes and white cubes of modernism, the rise of world’s fairs in the 19th century, the growth of museum and memorial culture, images of the city and the role of creativity. In doing so, Sloterdijk extends his characteristic method of defamiliarisation to transform the way we look at works of art and movements. His bold and original approach leads us away from the well-trodden paths of conventional art history to develop a theory of aesthetics which rejects strict categorisation, emphasising instead the crucial importance of individual subjectivity as a counter to the latent dangers of collective culture.This sustained collection of reflections, at once playful, serious and provocative, goes to the very heart of Sloterdijk’s enduring philosophical preoccupation with the aesthetic. It will be essential reading for students and scholars of philosophy and aesthetics and will appeal to anyone interested in culture and the arts more generally.
Form:
books
books
Publication:
April 2017
April 2017
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$34.95
(available to order)
Summary:
Boredom in modern and contemporary art: as something to be struggled against, embraced as an experience, or explored as a potential site of resistance.
$34.95
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Summary:
Boredom in modern and contemporary art: as something to be struggled against, embraced as an experience, or explored as a potential site of resistance.
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books
books
Title:
William Kentridge
William Kentridge
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Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge’s artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October(...)
$31.95
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Summary:
Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge’s artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October(...)
Title:
William Kentridge
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Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge’s artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge’s work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works.
William Kentridge
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$31.95
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Summary:
Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge’s artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge’s work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works.
Form:
books
books
Publication:
February 2017
February 2017
Subject:
Art Theory
Art Theory
