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Avec cet essai pionnier, Muriel Pic montre que Sebald, représentant le plus inventif de la théorie critique en littérature, s’appuie sur la pensée de Walter Benjamin pour fonder un matérialisme littéraire. Celui-ci s’impose comme la solution poétique et politique permettant de pallier un déficit des mémoires face à la destruction, et, en premier lieu, de la mémoire(...)
W.G. Sebald-L'image papillon ; L'art de voler
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Avec cet essai pionnier, Muriel Pic montre que Sebald, représentant le plus inventif de la théorie critique en littérature, s’appuie sur la pensée de Walter Benjamin pour fonder un matérialisme littéraire. Celui-ci s’impose comme la solution poétique et politique permettant de pallier un déficit des mémoires face à la destruction, et, en premier lieu, de la mémoire allemande. Écrivant dans sa langue maternelle depuis l’Angleterre, voué à l’errance mélancolique, Sebald travaille une prose de l’exil en suivant les traces de Chateaubriand, Stendhal, Kafka, Nabokov, ou Simon. Critique à l’endroit des canons de l’histoire positiviste, l’écrivain en refuse les représentations et désigne un autre lieu de vérité : les images.
Art Theory
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An A–Z glossary of utopian structures, zones and acts in art and beyond, Utopics is a guide to artistically “living otherwise”—whether through imaginative design solutions (Andrea Zittel, Lang & Baumann), artist republics (Ian Hamilton Finlay's Little Sparta, Robert Filliou's République Géniale), temporary utopias (Atelier Van Lieshout's AVL-Ville) or extraordinary spaces(...)
Utopics: systems and landmarks
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An A–Z glossary of utopian structures, zones and acts in art and beyond, Utopics is a guide to artistically “living otherwise”—whether through imaginative design solutions (Andrea Zittel, Lang & Baumann), artist republics (Ian Hamilton Finlay's Little Sparta, Robert Filliou's République Géniale), temporary utopias (Atelier Van Lieshout's AVL-Ville) or extraordinary spaces (James Turrell's Roden Crater) and situations (Rirkrit Tiravanija). Also itemized here are potentially utopian entities such as bees, islands and squats, plus more theoretical forays such as Rudolf Steiner's educational philosophy and Buckminster Fuller's utopian proposals. Sporting a wraparound poster dustjacket and bound in a glittering night-sky cloth, Utopics shows that by acts of creativity both intimate and epic, and by locating the nooks at the perimeters of society, the strictures of contemporary living can be fruitfully sabotaged.
Art Theory
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In the years around 1960, a rapid process of deindustrialization profoundly changed New York City. At the same time, massive highway construction, urban housing renewal, and the growth of the financial sector altered the city’s landscape. As the new economy took shape, manufacturing lofts, piers, and small shops were replaced by sleek high-rise housing blocks and office(...)
The disappearance of objects: New York art and the rise of the Postmodern city
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In the years around 1960, a rapid process of deindustrialization profoundly changed New York City. At the same time, massive highway construction, urban housing renewal, and the growth of the financial sector altered the city’s landscape. As the new economy took shape, manufacturing lofts, piers, and small shops were replaced by sleek high-rise housing blocks and office towers. Focusing on works by Claes Oldenburg, Jasper Johns, Robert Rauschenberg, and Donald Judd, art historian Joshua Shannon shows how New York art engaged with this transformation of the city.
Art Theory
The infinity of lists
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Author and philosopher Umberto Eco is currently resident at the Louvre, and his chosen theme of study is "the vertigo of lists." Reflecting on this enormous trove of human achievements, he has embarked on an investigation of the phenomenon of cataloging and collecting. This book, featuring lavish reproductions of artworks from the Louvre and other world-famous(...)
The infinity of lists
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Author and philosopher Umberto Eco is currently resident at the Louvre, and his chosen theme of study is "the vertigo of lists." Reflecting on this enormous trove of human achievements, he has embarked on an investigation of the phenomenon of cataloging and collecting. This book, featuring lavish reproductions of artworks from the Louvre and other world-famous collections, is a philosophical and artistic sequel to Eco’s recent acclaimed books, History of Beauty and On Ugliness, books in which he delved into the psychology, philosophy, history, and art of human forms. Here he examines the Western mind’s predilection for list-making and the encyclopedic. His central thesis is that in Western culture a passion for accumulation is recurring: lists of saints, catalogues of plants, collections of art. This impulse has recurred through the ages from music to literature to art.From medieval reliquaries to Andy Warhol’s compulsive collecting, Umberto Eco reflects in his inimitably inspiring way on how such catalogues mirror the spirit of their times.
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Petra Giezendanner, Heindrich Gartentor, Damian Jurt, Delphine Reist, Sibylle Omlin, adrien Tirtiaux, Philippe Pirotte Nino Baumgartner, Selma Käppeli, Simone Zaugg Sonke Gau, eggerschlatter, Barnaby Drabble, Donatella Bernardi.
Wie wichtig ist der Kick für dich ?
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Petra Giezendanner, Heindrich Gartentor, Damian Jurt, Delphine Reist, Sibylle Omlin, adrien Tirtiaux, Philippe Pirotte Nino Baumgartner, Selma Käppeli, Simone Zaugg Sonke Gau, eggerschlatter, Barnaby Drabble, Donatella Bernardi.
Art Theory
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall,(...)
Speaking of art: four decades of art in conversation
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall, Damien Hirst and Tacita Dean. Dennis Oppenheim, Tadeusz Kantor, Philip Glass, Richard Long, Frank Stella, Joseph Beuys, Mona Hatoum, Roy Lichtenstein, Ilya Kabakov, Jeff Koons, Anish Kapoor, Rachel Whiteread, Mike Kelley, Richard Serra, Marina Abramovic, Bill Viola, Tacita Dean, Ed Ruscha, Wolfgang Tillmans, Damien Hirst, Jeff Wall, Gilbert & George, Thomas Demand, Hans Ulrich Obrist, John Baldessari, Shirin Neshat and many more.
Art Theory
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It is evident that modernity is a popular mountain for analyses and reflection of a largely controversial nature. Numerous theories have also been written about the beginning as well as the end of modernity. The aim of the Modernologies exhibition is to achieve an account of the state of artistic research and to discuss selected contributions on the subject matter that(...)
Modernologies, contemporary artists researching modernity and modernism
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It is evident that modernity is a popular mountain for analyses and reflection of a largely controversial nature. Numerous theories have also been written about the beginning as well as the end of modernity. The aim of the Modernologies exhibition is to achieve an account of the state of artistic research and to discuss selected contributions on the subject matter that appear central after two to three decades of an ever intensely blazing conflict over the legacy of modernity and modernism.
Art Theory
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French historian Serge Guilbaut explores the aesthetic quarrels between Paris and New York of the 40s and 50s, analysing the art that became cultural and commercial icons. With works by Picasso, de Kooning, Dubuffet, Gorky, Kandinsky, Pollock, Rothko, as well as forgotten artists like Barbeau, Bearden, Capogrossi. He also studies the reasons why the popular icons of one(...)
Be-Bomb : the transatlantic war of images and all that Jazz, 1946-1956
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French historian Serge Guilbaut explores the aesthetic quarrels between Paris and New York of the 40s and 50s, analysing the art that became cultural and commercial icons. With works by Picasso, de Kooning, Dubuffet, Gorky, Kandinsky, Pollock, Rothko, as well as forgotten artists like Barbeau, Bearden, Capogrossi. He also studies the reasons why the popular icons of one culture were not recognised by the other at that time. Faced with the imposing presence of the victorious movement of abstract expressionism, the French art scene, seemed incapable of projecting a single voice or direction for the future, as Paris had done in the past. To study the history of French and American art after the Second World War is a considerable challenge because the consensus among investigators has been shaped by the success of American art. The French art of that period has been regarded as irrelevant although it displayed the same debates about realism, geometrical abstraction and forms of abstract expressionism. The specific aspect of the French scene was the extreme politicisation of artistic expression at a time of strong tensions arising from the divisions of the Cold War.
Art Theory
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Catalogue. Exhibition at Agnes Etherington Art Centre, Queen University, Kingston, Canada, from january to april 2010. Digital information-gathering systems increasingly affect our lives, tracking our movement and consumer preferences. Such sorting daemons subtly reinforce existing streams of influence and create new ones. This publication presents the work of sixteen(...)
Sorting daemons, art, surveillance regimes and social control
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Catalogue. Exhibition at Agnes Etherington Art Centre, Queen University, Kingston, Canada, from january to april 2010. Digital information-gathering systems increasingly affect our lives, tracking our movement and consumer preferences. Such sorting daemons subtly reinforce existing streams of influence and create new ones. This publication presents the work of sixteen artists who address the social, psychological, political and aesthetic dimensions of surveillance systems. Writings on the artists and their works are accompanied by critical essays on the culture of surveillance, social sorting, data-aesthetics and our evolving understandings of and participation in surveillance regimes. Participating artists include Antonia Hirsch, Tran T. Kim-Trang, Germaine Koh and Ian Verchere, Michael Lewis, Walid Raad, David Rokeby and Cheryl Sourkes.
Art Theory
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The Studio Reader pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist’s practice? This anthology features an array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, Katy(...)
The studio reader: on the space of of artists
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The Studio Reader pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist’s practice? This anthology features an array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, Katy Siegel, John Baldessari, and more.
Art Theory