Michael Snow, wavelength
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In 1966, at the height of minimal art in New York, artist Michael Snow chose not to make another object to be placed in a room but instead spent a year planning a film of a room: Wavelength, a forty-five-minute more or less straight-line zoom from the near to the far wall of a loft space, accompanied by a rising sine wave. In this critical study, Elizabeth Legge describes(...)
Michael Snow, wavelength
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In 1966, at the height of minimal art in New York, artist Michael Snow chose not to make another object to be placed in a room but instead spent a year planning a film of a room: Wavelength, a forty-five-minute more or less straight-line zoom from the near to the far wall of a loft space, accompanied by a rising sine wave. In this critical study, Elizabeth Legge describes Wavelength as a film of virtuosically managed tensions, sensuous beauty, subtle light and color, and recession into perspectival depth. Wavelength won the grand prize for experimental film at Knokke-le-Zoute in 1967, and it was crucial to critics' efforts to establish a vocabulary for temporal art. It was a "wavelength" that could stand up to the French new wave, and it has has functioned ever since as a touchstone for art and film studies, and as a blue screen in front of which a range of ideological and intellectual dramas have been played.
Art Theory
Optical media
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This book provides a comprehensive introduction to the history of image production which is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.
Optical media
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This book provides a comprehensive introduction to the history of image production which is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.
Art Theory
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Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or(...)
On curating: interviews with ten international curators
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Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija.
The making of art
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The mechanisms, rhetoric and strategies of today's art world are probably closer to popular conceptions of the film industry than to the romantic image of the solitary studio-bound artist. The artists in The Making of Art show and trace these structures, offering some transparency as to how this world really operates. Artists contributing to this elucidation are Pawel(...)
The making of art
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The mechanisms, rhetoric and strategies of today's art world are probably closer to popular conceptions of the film industry than to the romantic image of the solitary studio-bound artist. The artists in The Making of Art show and trace these structures, offering some transparency as to how this world really operates. Artists contributing to this elucidation are Pawel Althamer, Azorro, Tami Ben-Tor, Joseph Beuys, Merlin Carpenter, Clegg & Guttmann, Phil Collins, Tracey Emin, Fischli & Weiss, Andrea Fraser, Ryan Gander, Thomas Hirschhorn, Jorg Immendorff, Komar & Melamid, Sean Landers, Louise Lawler, Manuel Ocampo, Martin Parr, Sigmar Polke, Cheri Samba, Nedko Solakov, Wolfgang Tillmans and John Waters.
Art Theory
books
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A ground-breaking contribution to contemporary thinking about aesthetics, Arthur C. Danto's new collection of interconnected essays grapples with the most challenging issues in art today, among them the problems of contemporary pluralism and the dilemmas of censorship and state support for artists.
Beyond the Brillo box, the visual arts in post-historical perspective
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A ground-breaking contribution to contemporary thinking about aesthetics, Arthur C. Danto's new collection of interconnected essays grapples with the most challenging issues in art today, among them the problems of contemporary pluralism and the dilemmas of censorship and state support for artists.
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September 1998
Art Theory
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In Unnatural Wonders the Danto finds himself at a point when contemporary art has become wholly pluralistic, even chaotic-with one medium as good as another-and when the moment for the "next thing" has already passed. So the theorist goes in search of contemporary art's most exhilarating achievements, work that bridges the gap between art and life, which, he argues, is(...)
Unnatural wonders: essays from the gap between art and life
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In Unnatural Wonders the Danto finds himself at a point when contemporary art has become wholly pluralistic, even chaotic-with one medium as good as another-and when the moment for the "next thing" has already passed. So the theorist goes in search of contemporary art's most exhilarating achievements, work that bridges the gap between art and life, which, he argues, is now the definitive art of our time. He argues that aesthetic considerations no longer play a central role in the experience and critique of art. Instead art addresses us in our humanity, as men and women who seek meaning in the "unnatural wonders" of art, a meaning that philosophy and religion are unable to provide.
Art Theory
The aesthetics of terror
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This title offers a provocative look at the profound impact war and terrorism have had on contemporary art. There is no doubt that the rise in terrorism across the globe has had a profound impact on the world of contemporary art. "The Aesthetics of Terrorism" asks how, and to what extent, the traumas of the daily news are integrated with art, and what purpose this(...)
The aesthetics of terror
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This title offers a provocative look at the profound impact war and terrorism have had on contemporary art. There is no doubt that the rise in terrorism across the globe has had a profound impact on the world of contemporary art. "The Aesthetics of Terrorism" asks how, and to what extent, the traumas of the daily news are integrated with art, and what purpose this integration can serve.
Art Theory
Art and text
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This publication covers the development of the textual medium in art from the early combinations of text, lettering and image in the work of seminal artists such as El Lissitzky and Kurt Schwitters right up to the present day.
Art and text
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This publication covers the development of the textual medium in art from the early combinations of text, lettering and image in the work of seminal artists such as El Lissitzky and Kurt Schwitters right up to the present day.
Art Theory
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Des oeuvres significatives des années 1980 et des essais critiques sur le travail des artistes des années 1980 d'après des images récurrentes, des images médiatiques, des emprunts à l'histoire de l'art ancien ou contemporain, etc.
October 2009
Les années 1980: seconde partie /The eighties: second part
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Des oeuvres significatives des années 1980 et des essais critiques sur le travail des artistes des années 1980 d'après des images récurrentes, des images médiatiques, des emprunts à l'histoire de l'art ancien ou contemporain, etc.
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Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from the Italian Futurist Cookbook to the magazine(...)
Antidiets of the avant-garde: from futurist cooking to eat art
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Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from the Italian Futurist Cookbook to the magazine Dada, Walter Benjamin's writings on eating and cooking, Daniel Spoerri's Eat Art, and the French New Realists.