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Art and photography
Art and photography
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"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered(...)
$115.00
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Summary:
"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered(...)
Title:
Art and photography
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$115.00
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Summary:
"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered among the fine arts. Despite its increasing use by the century's most significant artists, only since the late 1960s have art museums gradually begun to exhibit and acquire the photograph as an artwork. This volume provides an authoritative overview of photography's place in recent art history, contextualised in the Documents section by original artists statements and interviews, and texts by leading critics, writers and theorists of the late twentieth century.
Art and photography
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Price:
$115.00
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Summary:
"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered among the fine arts. Despite its increasing use by the century's most significant artists, only since the late 1960s have art museums gradually begun to exhibit and acquire the photograph as an artwork. This volume provides an authoritative overview of photography's place in recent art history, contextualised in the Documents section by original artists statements and interviews, and texts by leading critics, writers and theorists of the late twentieth century.
Form:
books
books
Publication:
August 2003, London
August 2003, London
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$49.95
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Summary:
In "Faking Death", Penny Cousineau-Levine presents Canadian art photography since 1952 as a coherent body of work and articulates a provocative framework for its interpretation. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and a duality that(...)
$49.95
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Summary:
In "Faking Death", Penny Cousineau-Levine presents Canadian art photography since 1952 as a coherent body of work and articulates a provocative framework for its interpretation. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and a duality that(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
January 1900, Montreal and Kingston
January 1900, Montreal and Kingston
Title:
Faking death : Canadian art photography and the Canadian imagination
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In "Faking Death", Penny Cousineau-Levine presents Canadian art photography since 1952 as a coherent body of work and articulates a provocative framework for its interpretation. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and a duality that also occur in Canadian literature, film, and political life. Exploring the ambivalent preoccupations Canadian photographers have with death and dying, bondage and entrapment, she argues that the forms of death depicted in the works are 'faked' and express a collective Canadian wish for a symbolic passage to national maturity. Penny Cousineau-Levine discusses the works of over 120 artists. The book includes 16 colour reproductions and 150 duotones of photographs by artists such as Raymonde April, Geneviève Cadieux, Lynne Cohen, Donigan Cumming, Evergon, Janieta Eyre, Charles Gagnon, Thaddeus Holownia, Geoffrey James, Michel Lambeth, Ken Lum, Shelley Niro, Gabor Szilasi, Diana Thorneycroft, Jeff Wall, Ian Wallace, and Jin-me Yoon.
Faking death : Canadian art photography and the Canadian imagination
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$49.95
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Summary:
In "Faking Death", Penny Cousineau-Levine presents Canadian art photography since 1952 as a coherent body of work and articulates a provocative framework for its interpretation. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and a duality that also occur in Canadian literature, film, and political life. Exploring the ambivalent preoccupations Canadian photographers have with death and dying, bondage and entrapment, she argues that the forms of death depicted in the works are 'faked' and express a collective Canadian wish for a symbolic passage to national maturity. Penny Cousineau-Levine discusses the works of over 120 artists. The book includes 16 colour reproductions and 150 duotones of photographs by artists such as Raymonde April, Geneviève Cadieux, Lynne Cohen, Donigan Cumming, Evergon, Janieta Eyre, Charles Gagnon, Thaddeus Holownia, Geoffrey James, Michel Lambeth, Ken Lum, Shelley Niro, Gabor Szilasi, Diana Thorneycroft, Jeff Wall, Ian Wallace, and Jin-me Yoon.
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books
books
Publication:
January 1900, Montreal and Kingston
January 1900, Montreal and Kingston
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$24.95
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Summary:
L'auteur vous invite à explorer les limites et les avancées des cinquante premières années en photographie et montre aussi comment certains des plus grands photographes de l'époque entendentla faire reconnaître comme un art.
$24.95
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L'auteur vous invite à explorer les limites et les avancées des cinquante premières années en photographie et montre aussi comment certains des plus grands photographes de l'époque entendentla faire reconnaître comme un art.
Title:
L'image révélée : l'invention de la photographie
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L'auteur vous invite à explorer les limites et les avancées des cinquante premières années en photographie et montre aussi comment certains des plus grands photographes de l'époque entendentla faire reconnaître comme un art.
L'image révélée : l'invention de la photographie
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L'auteur vous invite à explorer les limites et les avancées des cinquante premières années en photographie et montre aussi comment certains des plus grands photographes de l'époque entendentla faire reconnaître comme un art.
Form:
books
books
Publication:
January 1900, Paris
January 1900, Paris
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$100.00
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Based on decades of research, this book chronicles Baker and Burke's early days in Peshawar and their move to Muree, the Himalayan hill station on the border of Kashmir. It follows their documenting of the Afghan Wars, some of the earliest war photography, and their return to the plains of Lahore, where they continued to photograph the region’s people and landscape.
$100.00
(available to order)
Summary:
Based on decades of research, this book chronicles Baker and Burke's early days in Peshawar and their move to Muree, the Himalayan hill station on the border of Kashmir. It follows their documenting of the Afghan Wars, some of the earliest war photography, and their return to the plains of Lahore, where they continued to photograph the region’s people and landscape.
Title:
From Kashmir to Kabul : the photographs of John Burke and William Baker 1860-1900
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$100.00
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Based on decades of research, this book chronicles Baker and Burke's early days in Peshawar and their move to Muree, the Himalayan hill station on the border of Kashmir. It follows their documenting of the Afghan Wars, some of the earliest war photography, and their return to the plains of Lahore, where they continued to photograph the region’s people and landscape.
From Kashmir to Kabul : the photographs of John Burke and William Baker 1860-1900
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$100.00
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Summary:
Based on decades of research, this book chronicles Baker and Burke's early days in Peshawar and their move to Muree, the Himalayan hill station on the border of Kashmir. It follows their documenting of the Afghan Wars, some of the earliest war photography, and their return to the plains of Lahore, where they continued to photograph the region’s people and landscape.
Form:
books
books
Publication:
October 2002, Munich
October 2002, Munich
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$52.00
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Summary:
Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process(...)
$52.00
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Summary:
Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
September 2002, Ostfildern
September 2002, Ostfildern
Title:
Endcommercial : reading the city
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Summary:
Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process are documented: writings on the wall, signs on the street, codes, symbols, fragments, authorship of the anonymous, wear and tear of the public living space and the people who use it. The surprise the book holds is the sudden perception of what has frequently been seen but seldom registered.
Endcommercial : reading the city
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$52.00
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Summary:
Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process are documented: writings on the wall, signs on the street, codes, symbols, fragments, authorship of the anonymous, wear and tear of the public living space and the people who use it. The surprise the book holds is the sudden perception of what has frequently been seen but seldom registered.
Form:
books
books
Publication:
September 2002, Ostfildern
September 2002, Ostfildern
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$37.95
(available to order)
Summary:
In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon(...)
$37.95
(available to order)
Summary:
In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
June 2002, Andover, Massachusetts
June 2002, Andover, Massachusetts
Title:
Reinventing the West : the photography of Ansel Adams and Robert Adams
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Summary:
In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon majestically presiding in the expansive sky overhead. These two pictures could be neither more different nor more similar; nor could the younger Adams have made his photograph without knowledge of his greatly admired predecessor's. If Ansel Adams created singular images in search of a platonic ideal of nature, Robert Adams explored repetition and conformity; both were responding, in their own personal and aesthetic way, to the landscape of the American West. The first book to juxtapose bodies of work by these two 20th-century master photographers, Reinventing the West reveals how their photographs reflect changing attitudes toward the western landscape and the natural world.
Reinventing the West : the photography of Ansel Adams and Robert Adams
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$37.95
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Summary:
In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon majestically presiding in the expansive sky overhead. These two pictures could be neither more different nor more similar; nor could the younger Adams have made his photograph without knowledge of his greatly admired predecessor's. If Ansel Adams created singular images in search of a platonic ideal of nature, Robert Adams explored repetition and conformity; both were responding, in their own personal and aesthetic way, to the landscape of the American West. The first book to juxtapose bodies of work by these two 20th-century master photographers, Reinventing the West reveals how their photographs reflect changing attitudes toward the western landscape and the natural world.
Form:
books
books
Publication:
June 2002, Andover, Massachusetts
June 2002, Andover, Massachusetts
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$59.95
(available to order)
Summary:
This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing(...)
$59.95
(available to order)
Summary:
This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
October 2002, New Haven / London
October 2002, New Haven / London
Title:
Print the legend : photography and the American West
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$59.95
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Summary:
This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing technology, photographers soon set out across the overland trails, recorded the shifting fortunes of California’s goldseekers, pictured native peoples, and documented the spectacular topography of the American West. The new medium of photography made vivid a landscape few Americans had seen for themselves. Resurrecting scores of little-known images of the nineteenth-century American West, "Print the legend" offers engaging tales of ambitious photographic adventurers, missing photographs, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photographs and, consequently, to envision their nation.
Print the legend : photography and the American West
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Price:
$59.95
(available to order)
Summary:
This book tells the intertwined stories of photography and the American West--a new medium and a new place that came of age together in the nineteenth century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing technology, photographers soon set out across the overland trails, recorded the shifting fortunes of California’s goldseekers, pictured native peoples, and documented the spectacular topography of the American West. The new medium of photography made vivid a landscape few Americans had seen for themselves. Resurrecting scores of little-known images of the nineteenth-century American West, "Print the legend" offers engaging tales of ambitious photographic adventurers, missing photographs, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photographs and, consequently, to envision their nation.
Form:
books
books
Publication:
October 2002, New Haven / London
October 2002, New Haven / London
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$59.95
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Summary:
Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis,(...)
$59.95
(available to order)
Summary:
Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis,(...)
Title:
Vues d'architectures : photographies des XIXè et XXè siècles
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis, Brassaï, Balthasar Burkhard, René Burri, Jean-Marc Bustamante, Harry Callahan, Robert Capa, Hermann Claasen, Alvin Langdon Coburn, Auguste Collard, Marjorie Content, Stéphane Couturier, Louis-Jacques Daguerre, Guy Dépollier, Walker Evans, Jaromir Funke, Marc-Antoine Gaudin, Andreas Gursky, Hugo-Paul Herdeg, Lucien Hervé, Paul Hossard, Boris Ignatovitch, Pierre Jahan, Thomas Kellner, André Kertész, François Kollar, Kurt Kranz, Germaine Krull, Juan Laurent, Gustave Le Gray, Henri Le Secq, Herbert List, Werner Mantz, Charles Marville, Erich Mendelsohn, Mestral, Lee Miller, Guido Mocafico, Laszlo Moholy-Nagy, Lucia Moholy, Jean Moral, André Morin, Carlo Naya, Georgij Petrussov, Man Ray, Albert Renger-Patzsch, Alexandre Rodtchenko, Jaroslav Rössler, Thomas Ruff, Edward Ruscha, August Sander, Arthur Schlegel, Charles Sheeler, Julius Shulman, Emmanuel Sougez, Edward Steichen, André Steiner, Alfred Stieglitz, Paul Strand, Thomas Struth, Josef Sudek, Hiroshi Sugimoto, William Henry Fox Talbot, Félix Teynard, Tokayer, Hanni Werner, Eugen Wiscovski, René Zuber.
Vues d'architectures : photographies des XIXè et XXè siècles
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$59.95
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Summary:
Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis, Brassaï, Balthasar Burkhard, René Burri, Jean-Marc Bustamante, Harry Callahan, Robert Capa, Hermann Claasen, Alvin Langdon Coburn, Auguste Collard, Marjorie Content, Stéphane Couturier, Louis-Jacques Daguerre, Guy Dépollier, Walker Evans, Jaromir Funke, Marc-Antoine Gaudin, Andreas Gursky, Hugo-Paul Herdeg, Lucien Hervé, Paul Hossard, Boris Ignatovitch, Pierre Jahan, Thomas Kellner, André Kertész, François Kollar, Kurt Kranz, Germaine Krull, Juan Laurent, Gustave Le Gray, Henri Le Secq, Herbert List, Werner Mantz, Charles Marville, Erich Mendelsohn, Mestral, Lee Miller, Guido Mocafico, Laszlo Moholy-Nagy, Lucia Moholy, Jean Moral, André Morin, Carlo Naya, Georgij Petrussov, Man Ray, Albert Renger-Patzsch, Alexandre Rodtchenko, Jaroslav Rössler, Thomas Ruff, Edward Ruscha, August Sander, Arthur Schlegel, Charles Sheeler, Julius Shulman, Emmanuel Sougez, Edward Steichen, André Steiner, Alfred Stieglitz, Paul Strand, Thomas Struth, Josef Sudek, Hiroshi Sugimoto, William Henry Fox Talbot, Félix Teynard, Tokayer, Hanni Werner, Eugen Wiscovski, René Zuber.
Form:
books
books
Publication:
June 2002, Grenoble
June 2002, Grenoble
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$75.00
(available to order)
Summary:
Many of the images that have came to sum up the twentieth century, the most turbulent in human history, belong to the realist tradition of photography. At once objective and polemical, disengaged and yet concerned, the documentary photograph has not merely recorded, but also shaped the way we see our world. Over 200 photographs are reproduced in this(...)
$75.00
(available to order)
Summary:
Many of the images that have came to sum up the twentieth century, the most turbulent in human history, belong to the realist tradition of photography. At once objective and polemical, disengaged and yet concerned, the documentary photograph has not merely recorded, but also shaped the way we see our world. Over 200 photographs are reproduced in this(...)
Title:
Cruel and tender : the real in the twentieth-century photography
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$75.00
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Summary:
Many of the images that have came to sum up the twentieth century, the most turbulent in human history, belong to the realist tradition of photography. At once objective and polemical, disengaged and yet concerned, the documentary photograph has not merely recorded, but also shaped the way we see our world. Over 200 photographs are reproduced in this book,together with essays and biographies of the photographers featured.
Cruel and tender : the real in the twentieth-century photography
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$75.00
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Summary:
Many of the images that have came to sum up the twentieth century, the most turbulent in human history, belong to the realist tradition of photography. At once objective and polemical, disengaged and yet concerned, the documentary photograph has not merely recorded, but also shaped the way we see our world. Over 200 photographs are reproduced in this book,together with essays and biographies of the photographers featured.
Form:
books
books
Publication:
August 2003, London
August 2003, London
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Actions:
Price:
$75.00
(available to order)
Summary:
Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of(...)
$75.00
(available to order)
Summary:
Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of(...)
Title:
One hundred photographs : a collection by Bruce Bernard
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$75.00
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Summary:
Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of photography, ranging from nineteenth-century pioneers like Muybridge and Fox Talbot to giants of the twentieth century like André Kertész, Man Ray, Brassai and Robert Frank. These one hundred photographs are the result: he does not attempt to cover every period or every notable artist, but rather includes only images that ‘truly stimulated and satisfied … and seemed could permanently continue to do so’. In other words what he considered to be classics.
One hundred photographs : a collection by Bruce Bernard
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Price:
$75.00
(available to order)
Summary:
Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of photography, ranging from nineteenth-century pioneers like Muybridge and Fox Talbot to giants of the twentieth century like André Kertész, Man Ray, Brassai and Robert Frank. These one hundred photographs are the result: he does not attempt to cover every period or every notable artist, but rather includes only images that ‘truly stimulated and satisfied … and seemed could permanently continue to do so’. In other words what he considered to be classics.
Form:
books
books
Publication:
September 2002, London
September 2002, London
Subject:
Theory of Photography
Theory of Photography
