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In this book, the author provides a comprehensive history of the significant presence of California farmworkers in the visual culture of America. Also, he spans 150 years and sheds a new perspective on some of America’s photographic masters, such as Carleton E. Watkins, Ansel Adams, and Dorothea Lange, and brings to light heretofore unknown and unheralded work by(...)
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In this book, the author provides a comprehensive history of the significant presence of California farmworkers in the visual culture of America. Also, he spans 150 years and sheds a new perspective on some of America’s photographic masters, such as Carleton E. Watkins, Ansel Adams, and Dorothea Lange, and brings to light heretofore unknown and unheralded work by(...)
Title:
Everyone had camera, photography and frameworkers in California, 1850-2000
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In this book, the author provides a comprehensive history of the significant presence of California farmworkers in the visual culture of America. Also, he spans 150 years and sheds a new perspective on some of America’s photographic masters, such as Carleton E. Watkins, Ansel Adams, and Dorothea Lange, and brings to light heretofore unknown and unheralded work by perceptive amateurs, socially committed journeymen, digital documentarians, commercial propagandists, and left-wing critics.
Everyone had camera, photography and frameworkers in California, 1850-2000
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In this book, the author provides a comprehensive history of the significant presence of California farmworkers in the visual culture of America. Also, he spans 150 years and sheds a new perspective on some of America’s photographic masters, such as Carleton E. Watkins, Ansel Adams, and Dorothea Lange, and brings to light heretofore unknown and unheralded work by perceptive amateurs, socially committed journeymen, digital documentarians, commercial propagandists, and left-wing critics.
Form:
books
books
Publication:
October 2008, Minneapolis
October 2008, Minneapolis
Subject:
Theory of Photography
Theory of Photography
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books
books
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Since 2003, photographer Abdi Roble and writer Doug Rutledge have been documenting the lives of Somali immigrants in the United States and of the people forced into the vast refugee camps that were set up in Kenya in the wake of the 1991 civil war in Somalia.
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Since 2003, photographer Abdi Roble and writer Doug Rutledge have been documenting the lives of Somali immigrants in the United States and of the people forced into the vast refugee camps that were set up in Kenya in the wake of the 1991 civil war in Somalia.
Subject:
Theory of Photography
Theory of Photography
Publication:
September 2008, Minneapolis
September 2008, Minneapolis
Title:
The Somalie diaspora : a journey away
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Since 2003, photographer Abdi Roble and writer Doug Rutledge have been documenting the lives of Somali immigrants in the United States and of the people forced into the vast refugee camps that were set up in Kenya in the wake of the 1991 civil war in Somalia.
The Somalie diaspora : a journey away
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Since 2003, photographer Abdi Roble and writer Doug Rutledge have been documenting the lives of Somali immigrants in the United States and of the people forced into the vast refugee camps that were set up in Kenya in the wake of the 1991 civil war in Somalia.
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books
books
Publication:
September 2008, Minneapolis
September 2008, Minneapolis
Subject:
Theory of Photography
Theory of Photography
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books
books
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$50.00
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This book examines a recurrent question in recent literature on the use of the photographic medium in contemporary art. It is concerned with the multiformity of ways the photograph manifests itself in diverse artistic practices today, and with the consequences of this situation for photography’s critical potential. Central to this discussion is the question whether(...)
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This book examines a recurrent question in recent literature on the use of the photographic medium in contemporary art. It is concerned with the multiformity of ways the photograph manifests itself in diverse artistic practices today, and with the consequences of this situation for photography’s critical potential. Central to this discussion is the question whether(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
September 2008, Leuven
September 2008, Leuven
Title:
Photography between poetry and politics: the critical position of the photographic medium in contemporary art
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This book examines a recurrent question in recent literature on the use of the photographic medium in contemporary art. It is concerned with the multiformity of ways the photograph manifests itself in diverse artistic practices today, and with the consequences of this situation for photography’s critical potential. Central to this discussion is the question whether photography has a hybrid or chameleonic character because it can be part of entirely different mixed-media works of art. The book also raises such questions as: Does the photo-image nowadays serve mainly as a useful tool to make a renewed kind of tableau, often marked by a rather noncommittal and ‘poetic’ visual imagery? When photographic practices aim at raising a critical debate on the internal workings of the artistic system itself or on broader social problems, is the photograph then able to distinguish itself from a merely ‘political’ statement or a pamphlet? A distinguished variety of authors, all specialists in the field of contemporary photography, offer their viewpoints on this debate.
Photography between poetry and politics: the critical position of the photographic medium in contemporary art
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Summary:
This book examines a recurrent question in recent literature on the use of the photographic medium in contemporary art. It is concerned with the multiformity of ways the photograph manifests itself in diverse artistic practices today, and with the consequences of this situation for photography’s critical potential. Central to this discussion is the question whether photography has a hybrid or chameleonic character because it can be part of entirely different mixed-media works of art. The book also raises such questions as: Does the photo-image nowadays serve mainly as a useful tool to make a renewed kind of tableau, often marked by a rather noncommittal and ‘poetic’ visual imagery? When photographic practices aim at raising a critical debate on the internal workings of the artistic system itself or on broader social problems, is the photograph then able to distinguish itself from a merely ‘political’ statement or a pamphlet? A distinguished variety of authors, all specialists in the field of contemporary photography, offer their viewpoints on this debate.
Form:
books
books
Publication:
September 2008, Leuven
September 2008, Leuven
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$37.95
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In this groundbreaking work, Ariella Azoulay provides a compelling rethinking of the political and ethical status of photography. In her extraordinary account of the “civil contract” of photography, she thoroughly revises our understanding of the power relations that sustain and make possible photographic meanings. Photography, she insists, must be thought and understood(...)
$37.95
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Summary:
In this groundbreaking work, Ariella Azoulay provides a compelling rethinking of the political and ethical status of photography. In her extraordinary account of the “civil contract” of photography, she thoroughly revises our understanding of the power relations that sustain and make possible photographic meanings. Photography, she insists, must be thought and understood(...)
Title:
The civil contract of photography
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In this groundbreaking work, Ariella Azoulay provides a compelling rethinking of the political and ethical status of photography. In her extraordinary account of the “civil contract” of photography, she thoroughly revises our understanding of the power relations that sustain and make possible photographic meanings. Photography, she insists, must be thought and understood in its inseparability from the many catastrophes of recent history.
The civil contract of photography
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$37.95
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Summary:
In this groundbreaking work, Ariella Azoulay provides a compelling rethinking of the political and ethical status of photography. In her extraordinary account of the “civil contract” of photography, she thoroughly revises our understanding of the power relations that sustain and make possible photographic meanings. Photography, she insists, must be thought and understood in its inseparability from the many catastrophes of recent history.
Form:
books
books
Publication:
October 2008, New York
October 2008, New York
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$52.00
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Summary:
Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses(...)
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Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
May 2008, Rotterdam
May 2008, Rotterdam
Title:
Putting people in the picture: visual methodologies for social change
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Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses on the ways in which researchers, practitioners and activists are using such techniques as photo voice, collaborative video, drawings and other visual and arts-based tools as modes of inquiry, as modes of representation and as modes of disseminating findings in social research. The various chapters address methodological, analytical, interpretive, aesthetic, technical and ethical concerns in using visual methodologies in work with young people, teachers, community health care workers -- and even the self-as-researcher. The range of issues addressed in the work is broad, and includes work in the areas of HIV & AIDS, schooling, poverty, gender violence, race, and children's visions for the future. While the studies are situated within a variety of social contexts, the focus is primarily on work in Southern Africa. The book takes up some of the theoretical and practical challenges offered by Visual Sociology, Image- based Research, Media Studies, Rural Development, and Community-based and Participatory Research, and in so doing offers audiences an array of visual approaches to studying and bringing about social change.
Putting people in the picture: visual methodologies for social change
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$52.00
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Summary:
Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses on the ways in which researchers, practitioners and activists are using such techniques as photo voice, collaborative video, drawings and other visual and arts-based tools as modes of inquiry, as modes of representation and as modes of disseminating findings in social research. The various chapters address methodological, analytical, interpretive, aesthetic, technical and ethical concerns in using visual methodologies in work with young people, teachers, community health care workers -- and even the self-as-researcher. The range of issues addressed in the work is broad, and includes work in the areas of HIV & AIDS, schooling, poverty, gender violence, race, and children's visions for the future. While the studies are situated within a variety of social contexts, the focus is primarily on work in Southern Africa. The book takes up some of the theoretical and practical challenges offered by Visual Sociology, Image- based Research, Media Studies, Rural Development, and Community-based and Participatory Research, and in so doing offers audiences an array of visual approaches to studying and bringing about social change.
Form:
books
books
Publication:
May 2008, Rotterdam
May 2008, Rotterdam
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$62.50
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Summary:
Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually(...)
$62.50
(available to order)
Summary:
Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually(...)
Title:
Beyond the architect's eye: photographs and the american built environment
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Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually not considered architectural but that often take the built environment as their subject. Mary N. Woods is Professor of the History of Architecture and Urbanism at Cornell University. She is the author of From Craft to Profession: The Practice of Architecture in Nineteenth-Century America.
Beyond the architect's eye: photographs and the american built environment
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$62.50
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Summary:
Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually not considered architectural but that often take the built environment as their subject. Mary N. Woods is Professor of the History of Architecture and Urbanism at Cornell University. She is the author of From Craft to Profession: The Practice of Architecture in Nineteenth-Century America.
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books
books
Publication:
September 2008, Philadelphia
September 2008, Philadelphia
Subject:
Theory of Photography
Theory of Photography
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books
books
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$25.95
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This publication features the photographic work of 5 New York-based artists : Thomas Holton, Bettina Johae, Reiner leist, Zoe leonard and Ethan Levitas. As a counterpoint to these works, Glenn Ligon offers the literal narrative of his own housing.
$25.95
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Summary:
This publication features the photographic work of 5 New York-based artists : Thomas Holton, Bettina Johae, Reiner leist, Zoe leonard and Ethan Levitas. As a counterpoint to these works, Glenn Ligon offers the literal narrative of his own housing.
Title:
Eminent domain : contemporary photography and the city
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This publication features the photographic work of 5 New York-based artists : Thomas Holton, Bettina Johae, Reiner leist, Zoe leonard and Ethan Levitas. As a counterpoint to these works, Glenn Ligon offers the literal narrative of his own housing.
Eminent domain : contemporary photography and the city
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$25.95
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Summary:
This publication features the photographic work of 5 New York-based artists : Thomas Holton, Bettina Johae, Reiner leist, Zoe leonard and Ethan Levitas. As a counterpoint to these works, Glenn Ligon offers the literal narrative of his own housing.
Form:
books
books
Publication:
May 2008
May 2008
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$13.00
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Summary:
"This is a great book-flawed, impossible, infuriating, and moving . . . but he has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the(...)
$13.00
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Summary:
"This is a great book-flawed, impossible, infuriating, and moving . . . but he has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the(...)
Title:
Roland Barthes Camera Lucida Reflections on Photography
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"This is a great book-flawed, impossible, infuriating, and moving . . . but he has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the 'intractable reality' of the human condition." Douglas Davis, Newsweek
Roland Barthes Camera Lucida Reflections on Photography
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"This is a great book-flawed, impossible, infuriating, and moving . . . but he has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the 'intractable reality' of the human condition." Douglas Davis, Newsweek
Form:
books
books
Publication:
October 1980, New York
October 1980, New York
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Photobook conversations
Photobook conversations
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$27.95
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Summary:
Published by acclaimed magazine 1000 Words, twice winner of Photography Magazine of the Year at the Lucie Awards, ''Photobook Conversations'' foregrounds discussions on a range of positions, practices and politics that shape contemporary photography and publishing. Editors Ana Casas Broda, Anshika Varma and Duncan Wooldridge provide the same set of questions to each(...)
$27.95
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Summary:
Published by acclaimed magazine 1000 Words, twice winner of Photography Magazine of the Year at the Lucie Awards, ''Photobook Conversations'' foregrounds discussions on a range of positions, practices and politics that shape contemporary photography and publishing. Editors Ana Casas Broda, Anshika Varma and Duncan Wooldridge provide the same set of questions to each(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
June 2025
June 2025
Title:
Photobook conversations
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$27.95
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Summary:
Published by acclaimed magazine 1000 Words, twice winner of Photography Magazine of the Year at the Lucie Awards, ''Photobook Conversations'' foregrounds discussions on a range of positions, practices and politics that shape contemporary photography and publishing. Editors Ana Casas Broda, Anshika Varma and Duncan Wooldridge provide the same set of questions to each interviewee, creating a kaleidoscope of responses. Among the organizations whose activities and ambitions are represented within this volume are MACK, Hydra + Fotografía, Offset Projects, Self Publish Be Happy, Goliga and the Nepal Picture Library. Speaking with hope and humility, the concerns expressed by those who work with the photobook form vary from approaches to editing and sequencing images to questions around the audience and market for photobooks and models for better ecosystems.
Photobook conversations
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$27.95
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Summary:
Published by acclaimed magazine 1000 Words, twice winner of Photography Magazine of the Year at the Lucie Awards, ''Photobook Conversations'' foregrounds discussions on a range of positions, practices and politics that shape contemporary photography and publishing. Editors Ana Casas Broda, Anshika Varma and Duncan Wooldridge provide the same set of questions to each interviewee, creating a kaleidoscope of responses. Among the organizations whose activities and ambitions are represented within this volume are MACK, Hydra + Fotografía, Offset Projects, Self Publish Be Happy, Goliga and the Nepal Picture Library. Speaking with hope and humility, the concerns expressed by those who work with the photobook form vary from approaches to editing and sequencing images to questions around the audience and market for photobooks and models for better ecosystems.
Form:
books
books
Publication:
June 2025
June 2025
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
La photo me regardait
La photo me regardait
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$52.95
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Summary:
D’œuvres d’art, Katja Petrowskaja entremêle souvenirs d’enfance, actualités, réflexions esthétiques, historiques ou sociologiques dans une écriture délicate. La photographie d’un mineur du Donbass, un couple de migrants syriens arrivés sur l’île de Lesbos, un autoportrait de Francesca Woodman, une fleur nouvelle à Tchernobyl ou un énigmatique pigeongramme : chaque fois(...)
$52.95
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Summary:
D’œuvres d’art, Katja Petrowskaja entremêle souvenirs d’enfance, actualités, réflexions esthétiques, historiques ou sociologiques dans une écriture délicate. La photographie d’un mineur du Donbass, un couple de migrants syriens arrivés sur l’île de Lesbos, un autoportrait de Francesca Woodman, une fleur nouvelle à Tchernobyl ou un énigmatique pigeongramme : chaque fois(...)
Title:
La photo me regardait
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$52.95
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D’œuvres d’art, Katja Petrowskaja entremêle souvenirs d’enfance, actualités, réflexions esthétiques, historiques ou sociologiques dans une écriture délicate. La photographie d’un mineur du Donbass, un couple de migrants syriens arrivés sur l’île de Lesbos, un autoportrait de Francesca Woodman, une fleur nouvelle à Tchernobyl ou un énigmatique pigeongramme : chaque fois que l’on croit deviner le trajet d’une pensée ou d’un songe, l’autrice déplace notre regard de quelques centimètres à peine, et cela suffit à renverser notre imaginaire. Née en Ukraine, Katja Petrowskaja se met à écrire sur les photographies au début de l’invasion russe en 2014, « par impuissance face à la violence ». Dans une écriture parfaitement limpide, La photo me regardait porte une attention si minutieuse aux choses et aux images qu’elle en fait ressentir une lenteur inédite, opposant au bruit des guerres « des possibilités de silence et de beauté ». Ces textes, écrits entre 2014 et 2021, dessinent « les traits d’une autobiographie dispersée, en éclats » (Jean-Christophe Bailly).
La photo me regardait
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$52.95
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Summary:
D’œuvres d’art, Katja Petrowskaja entremêle souvenirs d’enfance, actualités, réflexions esthétiques, historiques ou sociologiques dans une écriture délicate. La photographie d’un mineur du Donbass, un couple de migrants syriens arrivés sur l’île de Lesbos, un autoportrait de Francesca Woodman, une fleur nouvelle à Tchernobyl ou un énigmatique pigeongramme : chaque fois que l’on croit deviner le trajet d’une pensée ou d’un songe, l’autrice déplace notre regard de quelques centimètres à peine, et cela suffit à renverser notre imaginaire. Née en Ukraine, Katja Petrowskaja se met à écrire sur les photographies au début de l’invasion russe en 2014, « par impuissance face à la violence ». Dans une écriture parfaitement limpide, La photo me regardait porte une attention si minutieuse aux choses et aux images qu’elle en fait ressentir une lenteur inédite, opposant au bruit des guerres « des possibilités de silence et de beauté ». Ces textes, écrits entre 2014 et 2021, dessinent « les traits d’une autobiographie dispersée, en éclats » (Jean-Christophe Bailly).
Form:
books
books
Publication:
May 2025
May 2025
Subject:
Theory of Photography
Theory of Photography
