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De la guerre 1914-1918 témoignent de multiples photographies : la violence des assauts, leurs effrayants résultats s'y inscrivent entre noir et blanc dans toutes ces nuances de gris qu'on accorde si aisément, culturellement, aux visions dramatiques. Mais d'autres images existent, moins connues parce que moins montrées et reproduites, qui rendent à cette guerre ses(...)
$57.95
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De la guerre 1914-1918 témoignent de multiples photographies : la violence des assauts, leurs effrayants résultats s'y inscrivent entre noir et blanc dans toutes ces nuances de gris qu'on accorde si aisément, culturellement, aux visions dramatiques. Mais d'autres images existent, moins connues parce que moins montrées et reproduites, qui rendent à cette guerre ses(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
May 2006, Paris
May 2006, Paris
Title:
Couleurs de guerre : autochromes 1914-1918 Reims & La Marne
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De la guerre 1914-1918 témoignent de multiples photographies : la violence des assauts, leurs effrayants résultats s'y inscrivent entre noir et blanc dans toutes ces nuances de gris qu'on accorde si aisément, culturellement, aux visions dramatiques. Mais d'autres images existent, moins connues parce que moins montrées et reproduites, qui rendent à cette guerre ses couleurs. Des couleurs étonnamment préservées, grâce au procédé autochrome mis au point par les frères Lumière, comme on peut en juger par les photographies de cet album consacré à la bataille de la Marne, au front de Champagne et à la ville de Reims. Dans cette zone de combats très emblématique du conflit travaillèrent, avec ce même procédé autochrome, des photographes aussi bien français qu'allemand : Jules Gervais-Courtellemont (1863-1931), Hans Hildenbrand (1870-1957), Paul Castelnau (1880-1944) et Fernand Cuville (1887-1927). Introduction par Alain Fleischer.
Couleurs de guerre : autochromes 1914-1918 Reims & La Marne
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De la guerre 1914-1918 témoignent de multiples photographies : la violence des assauts, leurs effrayants résultats s'y inscrivent entre noir et blanc dans toutes ces nuances de gris qu'on accorde si aisément, culturellement, aux visions dramatiques. Mais d'autres images existent, moins connues parce que moins montrées et reproduites, qui rendent à cette guerre ses couleurs. Des couleurs étonnamment préservées, grâce au procédé autochrome mis au point par les frères Lumière, comme on peut en juger par les photographies de cet album consacré à la bataille de la Marne, au front de Champagne et à la ville de Reims. Dans cette zone de combats très emblématique du conflit travaillèrent, avec ce même procédé autochrome, des photographes aussi bien français qu'allemand : Jules Gervais-Courtellemont (1863-1931), Hans Hildenbrand (1870-1957), Paul Castelnau (1880-1944) et Fernand Cuville (1887-1927). Introduction par Alain Fleischer.
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books
books
Publication:
May 2006, Paris
May 2006, Paris
Subject:
Theory of Photography
Theory of Photography
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books
books
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$99.95
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Summary:
This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
$99.95
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Summary:
This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
Title:
The photobook : a history, volume II
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This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
The photobook : a history, volume II
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$99.95
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Summary:
This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
Form:
books
books
Publication:
October 2006, London
October 2006, London
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Sur l'art et la photographie
Sur l'art et la photographie
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$9.75
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
$9.75
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Summary:
Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
Title:
Sur l'art et la photographie
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$9.75
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
Sur l'art et la photographie
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$9.75
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Summary:
Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
Form:
books
books
Publication:
May 1997, Paris
May 1997, Paris
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$27.95
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Summary:
Second edition, revised and expanded. Introduction by Shelley Rice.
$27.95
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Second edition, revised and expanded. Introduction by Shelley Rice.
Title:
Light readings : a photography critic's writings, 1968-1978
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$27.95
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Summary:
Second edition, revised and expanded. Introduction by Shelley Rice.
Light readings : a photography critic's writings, 1968-1978
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Second edition, revised and expanded. Introduction by Shelley Rice.
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books
books
Publication:
September 1998, Albuquerque
September 1998, Albuquerque
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Beauty in photography
Beauty in photography
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$16.95
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Summary:
The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
$16.95
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Summary:
The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Title:
Beauty in photography
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$16.95
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Summary:
The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Beauty in photography
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Summary:
The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Form:
books
books
Publication:
April 1996
April 1996
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$25.95
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Summary:
Catalogue from the exhibition at the RIBA, London.
$25.95
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Catalogue from the exhibition at the RIBA, London.
Title:
Photography takes command : the camera and British architecture 1890-1939
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Catalogue from the exhibition at the RIBA, London.
Photography takes command : the camera and British architecture 1890-1939
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Catalogue from the exhibition at the RIBA, London.
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books
books
Publication:
January 1994, London
January 1994, London
Subject:
Theory of Photography
Theory of Photography
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books
books
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$36.50
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Summary:
In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
$36.50
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Summary:
In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
Title:
Burning with desire : the conception of photography
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$36.50
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Summary:
In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
Burning with desire : the conception of photography
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$36.50
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Summary:
In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
Form:
books
books
Publication:
March 1999, Cambridge, Mass.
March 1999, Cambridge, Mass.
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$50.00
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Summary:
Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
$50.00
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Summary:
Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
Title:
Looking at photographs : 100 pictures from the collection of the Museum of Modern Art
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$50.00
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Summary:
Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
Looking at photographs : 100 pictures from the collection of the Museum of Modern Art
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$50.00
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Summary:
Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
Form:
books
books
Publication:
September 1999, New York
September 1999, New York
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Parisian views
Parisian views
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$49.95
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Summary:
In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles(...)
$49.95
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Summary:
In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles(...)
Title:
Parisian views
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$49.95
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Summary:
In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles Marville, Henri Le Secq, Edouard-Denis Baldus, and Gustave Le Gray. Also available in pb.
Parisian views
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$49.95
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Summary:
In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles Marville, Henri Le Secq, Edouard-Denis Baldus, and Gustave Le Gray. Also available in pb.
Form:
books
books
Publication:
November 1997, Cambridge, Mass.
November 1997, Cambridge, Mass.
Subject:
Theory of Photography
Theory of Photography
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books
books
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$23.95
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Summary:
A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross,
$23.95
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Summary:
A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross,
Title:
Why people photograph: selected essays and reviews
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$23.95
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Summary:
A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross,
Why people photograph: selected essays and reviews
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$23.95
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Summary:
A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross,
Form:
books
books
Publication:
April 2005
April 2005
Subject:
Theory of Photography
Theory of Photography
