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books
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Comprendre une photographie
Comprendre une photographie
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Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment(...)
$29.95
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Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment(...)
Title:
Comprendre une photographie
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$29.95
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Summary:
Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment aux éditions de L’Arche, Champ- Vallon ou Le Temps des Cerises, tandis que d’autres sont traduits en français pour la première fois. La présente sélection reprend l’édition anglaise intitulée Understanding a Photograph, établie par Geoff Dyer et publiée en 2013 chez Penguin Books.
Comprendre une photographie
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$29.95
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Summary:
Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment aux éditions de L’Arche, Champ- Vallon ou Le Temps des Cerises, tandis que d’autres sont traduits en français pour la première fois. La présente sélection reprend l’édition anglaise intitulée Understanding a Photograph, établie par Geoff Dyer et publiée en 2013 chez Penguin Books.
Form:
books
books
Publication:
October 2017
October 2017
Form:
books
books
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$25.95
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Engagé dans un projet artistique, Philippe Bazin prend parti et analyse des oeuvres de Lewis Baltz, Allan Sekula, Martha Rosler ou encore Bruno Serralongue, ainsi que de photographes moins connus comme Géraldine Millo, David Marié ou Mahaut Lavoine. Les textes rassemblés créent une unité de réflexion autour d'une photographie critique des contextes historiques,(...)
$25.95
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Summary:
Engagé dans un projet artistique, Philippe Bazin prend parti et analyse des oeuvres de Lewis Baltz, Allan Sekula, Martha Rosler ou encore Bruno Serralongue, ainsi que de photographes moins connus comme Géraldine Millo, David Marié ou Mahaut Lavoine. Les textes rassemblés créent une unité de réflexion autour d'une photographie critique des contextes historiques,(...)
Title:
Pour une photographie documentaire critique
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$25.95
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Engagé dans un projet artistique, Philippe Bazin prend parti et analyse des oeuvres de Lewis Baltz, Allan Sekula, Martha Rosler ou encore Bruno Serralongue, ainsi que de photographes moins connus comme Géraldine Millo, David Marié ou Mahaut Lavoine. Les textes rassemblés créent une unité de réflexion autour d'une photographie critique des contextes historiques, esthétiques et idéologiques dans lesquels elle se crée aujourd'hui, une "photographie documentaire critique". Chaque texte ouvre une nouvelle facette de cette photographie, alors que l'ensemble est introduit par un texte qui entend proposer une méthodologie de travail, une "attitude documentaire". Le livre explore ainsi les apports d'une posture critique, dans tous les sens du terme - appréciation, épreuve, seuil, distance, tension, crise, analyse - et s'achève par la formulation d'un "manifeste documentaire" (écrit avec la philosophe Christiane Vollaire).
Pour une photographie documentaire critique
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$25.95
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Summary:
Engagé dans un projet artistique, Philippe Bazin prend parti et analyse des oeuvres de Lewis Baltz, Allan Sekula, Martha Rosler ou encore Bruno Serralongue, ainsi que de photographes moins connus comme Géraldine Millo, David Marié ou Mahaut Lavoine. Les textes rassemblés créent une unité de réflexion autour d'une photographie critique des contextes historiques, esthétiques et idéologiques dans lesquels elle se crée aujourd'hui, une "photographie documentaire critique". Chaque texte ouvre une nouvelle facette de cette photographie, alors que l'ensemble est introduit par un texte qui entend proposer une méthodologie de travail, une "attitude documentaire". Le livre explore ainsi les apports d'une posture critique, dans tous les sens du terme - appréciation, épreuve, seuil, distance, tension, crise, analyse - et s'achève par la formulation d'un "manifeste documentaire" (écrit avec la philosophe Christiane Vollaire).
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$54.95
(available to order)
Summary:
Réalité éminemment subjective, objet vivant et évolutif, le paysage reflète aussi à travers ses mutations les transformations de la société. Ancré historiquement dans l’art des jardins, le projet de paysage a rencontré plus récemment de nouvelles échelles avec l’aménagement des villes et des territoires, suscitant argumentations et débats. Dès ses origines, la(...)
$54.95
(available to order)
Summary:
Réalité éminemment subjective, objet vivant et évolutif, le paysage reflète aussi à travers ses mutations les transformations de la société. Ancré historiquement dans l’art des jardins, le projet de paysage a rencontré plus récemment de nouvelles échelles avec l’aménagement des villes et des territoires, suscitant argumentations et débats. Dès ses origines, la(...)
Title:
Photopaysage : débattre du projet de paysage par la photographie
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$54.95
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Réalité éminemment subjective, objet vivant et évolutif, le paysage reflète aussi à travers ses mutations les transformations de la société. Ancré historiquement dans l’art des jardins, le projet de paysage a rencontré plus récemment de nouvelles échelles avec l’aménagement des villes et des territoires, suscitant argumentations et débats. Dès ses origines, la photographie a été associée au paysage pour le documenter, témoigner de ses évolutions, le promouvoir, le défendre. Le rôle de la photographie est bien sûr variable en fonction des contextes culturels et des périodes historiques et renvoie à des situations de commande variées.
Photopaysage : débattre du projet de paysage par la photographie
Actions:
Price:
$54.95
(available to order)
Summary:
Réalité éminemment subjective, objet vivant et évolutif, le paysage reflète aussi à travers ses mutations les transformations de la société. Ancré historiquement dans l’art des jardins, le projet de paysage a rencontré plus récemment de nouvelles échelles avec l’aménagement des villes et des territoires, suscitant argumentations et débats. Dès ses origines, la photographie a été associée au paysage pour le documenter, témoigner de ses évolutions, le promouvoir, le défendre. Le rôle de la photographie est bien sûr variable en fonction des contextes culturels et des périodes historiques et renvoie à des situations de commande variées.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$90.00
(available to order)
Summary:
Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are(...)
$90.00
(available to order)
Summary:
Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are(...)
Title:
The street philosophy of Garry Winogrand
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$90.00
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Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are unorthodox, eye-opening, and often hilarious. This inimitable combination of photographer and writer, images and text, itself offers what Dyer claims for Winogrand’s photography—an education in seeing.
The street philosophy of Garry Winogrand
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$90.00
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Summary:
Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are unorthodox, eye-opening, and often hilarious. This inimitable combination of photographer and writer, images and text, itself offers what Dyer claims for Winogrand’s photography—an education in seeing.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$32.50
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
$32.50
(available to order)
Summary:
Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
Title:
The Camera: essence and apparatus
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$32.50
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Summary:
Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
The Camera: essence and apparatus
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$32.50
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Summary:
Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$118.00
(available to order)
Summary:
La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie(...)
$118.00
(available to order)
Summary:
La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie(...)
Title:
Histoire de la photographie d'architecture
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$118.00
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La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie comme l’outil privilégié des architectes contemporains pour documenter les phases d’un projet ou le résultat final de son exécution. Sur la base d’une interaction forte entre texte et images, l’auteur retrace ici l’évolution de la photographie d’architecture, depuis sa conception au XIXe siècle, entre art et source documentaire, et entre production amateur et proto-professionnelle, jusqu’au rôle essentiel qu’elle joue aujourd’hui. De Daguerre à Baldus, Moholy-Nagy ou Couturier, et de Viollet-le-Duc à Mies van der Rohe, Le Corbusier ou Pagano, cette référence constitue la première synthèse ample et structurée de l’histoire de l’iconographie photographique d’architecture, des origines à nos jours. Cette édition constitue une version révisée et augmentée de l’édition italienne originale.
Histoire de la photographie d'architecture
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$118.00
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Summary:
La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie comme l’outil privilégié des architectes contemporains pour documenter les phases d’un projet ou le résultat final de son exécution. Sur la base d’une interaction forte entre texte et images, l’auteur retrace ici l’évolution de la photographie d’architecture, depuis sa conception au XIXe siècle, entre art et source documentaire, et entre production amateur et proto-professionnelle, jusqu’au rôle essentiel qu’elle joue aujourd’hui. De Daguerre à Baldus, Moholy-Nagy ou Couturier, et de Viollet-le-Duc à Mies van der Rohe, Le Corbusier ou Pagano, cette référence constitue la première synthèse ample et structurée de l’histoire de l’iconographie photographique d’architecture, des origines à nos jours. Cette édition constitue une version révisée et augmentée de l’édition italienne originale.
Form:
books
books
Publication:
February 2016
February 2016
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Julia Margaret Cameron
Julia Margaret Cameron
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$22.95
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Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th(...)
$22.95
(available to order)
Summary:
Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
October 2016
October 2016
Title:
Julia Margaret Cameron
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$22.95
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Summary:
Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th anniversary of her birth, the 150th anniversary of her most extensive exhibition, and two major new exhibitions: Julia Margaret Cameron, at the Victoria & Albert Museum, and Art and Photography from the Pre-Raphaelites to the Modern Age, at Tate Britain.
Julia Margaret Cameron
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$22.95
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Summary:
Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th anniversary of her birth, the 150th anniversary of her most extensive exhibition, and two major new exhibitions: Julia Margaret Cameron, at the Victoria & Albert Museum, and Art and Photography from the Pre-Raphaelites to the Modern Age, at Tate Britain.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$48.00
(available to order)
Summary:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such(...)
$48.00
(available to order)
Summary:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such(...)
Title:
The public life of photographs
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$48.00
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Summary:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's "media hegemony"; and the curatorial challenges of making vernacular photographs accessible in an artistic environment.
The public life of photographs
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Price:
$48.00
(available to order)
Summary:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's "media hegemony"; and the curatorial challenges of making vernacular photographs accessible in an artistic environment.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Actions:
Price:
$65.00
(available to order)
Summary:
The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective(...)
$65.00
(available to order)
Summary:
The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective(...)
Title:
A matter of memory: photography as object in the digital age
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$65.00
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The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective memories when photographic images are not instantly accessible on the face of physical objects? How is society’s relationship to memory changing as digital photographs become the norm? ''A Matter of Memory'' features the work of more than 30 artists including Thomas Barrow, Matthew Brandt, Ellen Carey, John Chiara, Adam Fuss, Robert Heinecken, Leslie Hewitt, Kenneth Josephson, Laura Letinsky, Chris McCaw, Diane Meyer, Yola Monakhov Stockton, Vik Muniz, Floris Neusüss, Marlo Pascual, Matthew Porter, Taryn Simon, Michelle Stuart, Kunié Sugiura, Bertien van Manen, James Welling and Augusta Wood.
A matter of memory: photography as object in the digital age
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Price:
$65.00
(available to order)
Summary:
The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective memories when photographic images are not instantly accessible on the face of physical objects? How is society’s relationship to memory changing as digital photographs become the norm? ''A Matter of Memory'' features the work of more than 30 artists including Thomas Barrow, Matthew Brandt, Ellen Carey, John Chiara, Adam Fuss, Robert Heinecken, Leslie Hewitt, Kenneth Josephson, Laura Letinsky, Chris McCaw, Diane Meyer, Yola Monakhov Stockton, Vik Muniz, Floris Neusüss, Marlo Pascual, Matthew Porter, Taryn Simon, Michelle Stuart, Kunié Sugiura, Bertien van Manen, James Welling and Augusta Wood.
Form:
books
books
Publication:
August 2016
August 2016
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$54.95
(available to order)
Summary:
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a(...)
$54.95
(available to order)
Summary:
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a(...)
Title:
Photography against the grain: essays and photo works 1973-1983
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$54.95
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Summary:
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities and the institutional structures that reinforce cultural biases.
Photography against the grain: essays and photo works 1973-1983
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$54.95
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Summary:
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities and the institutional structures that reinforce cultural biases.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Theory of Photography
Theory of Photography
