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This new edition of The Photographic Image in Digital Culture explores the condition of photography after some 20 years of remediation and transformation by digital technology. Through ten especially commissioned essays, by some of the leading scholars in the field of contemporary photography studies, a range of key topics are discussed including: the meaning of(...)
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Summary:
This new edition of The Photographic Image in Digital Culture explores the condition of photography after some 20 years of remediation and transformation by digital technology. Through ten especially commissioned essays, by some of the leading scholars in the field of contemporary photography studies, a range of key topics are discussed including: the meaning of(...)
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The photographic image in digital culture
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This new edition of The Photographic Image in Digital Culture explores the condition of photography after some 20 years of remediation and transformation by digital technology. Through ten especially commissioned essays, by some of the leading scholars in the field of contemporary photography studies, a range of key topics are discussed including: the meaning of software in the production of photograph; the nature of networked photographs; the screen as the site of photographic display; the simulation of photography in the videogame; photography, ubiquitous computing and technologies of ambient intelligence; developments in vernacular photography and social media; the photograph and the digital archive; the curation and exhibition of the networked photograph; the dominance of the image bank in commercial and advertising photography; the complexities of citizen photojournalism.
The photographic image in digital culture
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Summary:
This new edition of The Photographic Image in Digital Culture explores the condition of photography after some 20 years of remediation and transformation by digital technology. Through ten especially commissioned essays, by some of the leading scholars in the field of contemporary photography studies, a range of key topics are discussed including: the meaning of software in the production of photograph; the nature of networked photographs; the screen as the site of photographic display; the simulation of photography in the videogame; photography, ubiquitous computing and technologies of ambient intelligence; developments in vernacular photography and social media; the photograph and the digital archive; the curation and exhibition of the networked photograph; the dominance of the image bank in commercial and advertising photography; the complexities of citizen photojournalism.
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books
books
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October 2013
October 2013
Subject:
Theory of Photography
Theory of Photography
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books
books
Title:
The human snapshot
The human snapshot
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The Human Snapshot draws upon a conference of the same name organized by the LUMA Foundation and Center for Curatorial Studies at Bard College. The look toward art and photography stems from theorist Ariella Azoulay’s research on the seminal exhibition “The Family of Man,” first installed at the Museum of Modern Art in New York in 1955, which she frames as a lens through(...)
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The Human Snapshot draws upon a conference of the same name organized by the LUMA Foundation and Center for Curatorial Studies at Bard College. The look toward art and photography stems from theorist Ariella Azoulay’s research on the seminal exhibition “The Family of Man,” first installed at the Museum of Modern Art in New York in 1955, which she frames as a lens through(...)
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The human snapshot
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The Human Snapshot draws upon a conference of the same name organized by the LUMA Foundation and Center for Curatorial Studies at Bard College. The look toward art and photography stems from theorist Ariella Azoulay’s research on the seminal exhibition “The Family of Man,” first installed at the Museum of Modern Art in New York in 1955, which she frames as a lens through which to view universalism at play. These values have been under conceptual assault in recent years, yet they continue to proliferate—even through the visual arts, where humanism and universalism are customarily dismissed. The Human Snapshot takes these themes and wrestles with their application in the use of photography, the exhibition format, contemporary democracy, human rights discourse, and the power of the image at large.
The human snapshot
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The Human Snapshot draws upon a conference of the same name organized by the LUMA Foundation and Center for Curatorial Studies at Bard College. The look toward art and photography stems from theorist Ariella Azoulay’s research on the seminal exhibition “The Family of Man,” first installed at the Museum of Modern Art in New York in 1955, which she frames as a lens through which to view universalism at play. These values have been under conceptual assault in recent years, yet they continue to proliferate—even through the visual arts, where humanism and universalism are customarily dismissed. The Human Snapshot takes these themes and wrestles with their application in the use of photography, the exhibition format, contemporary democracy, human rights discourse, and the power of the image at large.
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books
books
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August 2013
August 2013
Subject:
Theory of Photography
Theory of Photography
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books
books
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$40.00
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Bien plus qu’un catalogue d’exposition, cet ouvrage de référence abondamment illustré présente les œuvres des vingt-cinq expositions de l’événement, et comprend des essais rédigés par des experts en art contemporain et en technologie. L’appareil photo n’est pas seulement un outil en attente d’être saisi et utilisé, mais aussi un instrument sophistiqué possédant ses(...)
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Bien plus qu’un catalogue d’exposition, cet ouvrage de référence abondamment illustré présente les œuvres des vingt-cinq expositions de l’événement, et comprend des essais rédigés par des experts en art contemporain et en technologie. L’appareil photo n’est pas seulement un outil en attente d’être saisi et utilisé, mais aussi un instrument sophistiqué possédant ses(...)
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Drone : l'image automatisée. Le Mois de la Photo à Montréal 2013
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Bien plus qu’un catalogue d’exposition, cet ouvrage de référence abondamment illustré présente les œuvres des vingt-cinq expositions de l’événement, et comprend des essais rédigés par des experts en art contemporain et en technologie. L’appareil photo n’est pas seulement un outil en attente d’être saisi et utilisé, mais aussi un instrument sophistiqué possédant ses propres lois, son propre fonctionnement, voire sa propre vie. Grâce à l’automatisation de ses mécanismes – et, plus récemment, l’intégration de l’ordinateur –, l’appareil photo est désormais capable d’intention et d’action. Il peut voir ce qui est invisible à l’oeil nu, fonctionner sans relâche, atteindre des endroits inaccessibles ou dangereux, et il peut aussi bien pénétrer le corps que voyager dans l’espace. On a longtemps considéré l’image comme étant l’aspect le plus important du processus photographique. Cependant, les artistes et les auteurs de Drone : l’image automatisée présentent une tout autre conception. Au centre de leurs préoccupations se trouve la relation en pleine mutation entre le corps et l’appareil photo, et la manière dont celui-ci peut opérer avec un minimum d’intervention. Tandis que l’humain s’appuie de plus en plus sur la technologie pour prolonger sa vision, l’appareil photo devient une extension du corps. De la télévision en circuit fermé à Google Street View, des contrôles à distance aux robots, des photomatons aux drones, l’appareil photo est en voie de redéfinir les conditions de l’existence humaine.
Drone : l'image automatisée. Le Mois de la Photo à Montréal 2013
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Bien plus qu’un catalogue d’exposition, cet ouvrage de référence abondamment illustré présente les œuvres des vingt-cinq expositions de l’événement, et comprend des essais rédigés par des experts en art contemporain et en technologie. L’appareil photo n’est pas seulement un outil en attente d’être saisi et utilisé, mais aussi un instrument sophistiqué possédant ses propres lois, son propre fonctionnement, voire sa propre vie. Grâce à l’automatisation de ses mécanismes – et, plus récemment, l’intégration de l’ordinateur –, l’appareil photo est désormais capable d’intention et d’action. Il peut voir ce qui est invisible à l’oeil nu, fonctionner sans relâche, atteindre des endroits inaccessibles ou dangereux, et il peut aussi bien pénétrer le corps que voyager dans l’espace. On a longtemps considéré l’image comme étant l’aspect le plus important du processus photographique. Cependant, les artistes et les auteurs de Drone : l’image automatisée présentent une tout autre conception. Au centre de leurs préoccupations se trouve la relation en pleine mutation entre le corps et l’appareil photo, et la manière dont celui-ci peut opérer avec un minimum d’intervention. Tandis que l’humain s’appuie de plus en plus sur la technologie pour prolonger sa vision, l’appareil photo devient une extension du corps. De la télévision en circuit fermé à Google Street View, des contrôles à distance aux robots, des photomatons aux drones, l’appareil photo est en voie de redéfinir les conditions de l’existence humaine.
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books
books
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September 2013
September 2013
Subject:
Theory of Photography
Theory of Photography
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books
books
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$24.95
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Quel est rôle de l’art environnemental, de l’art public et de la photographie dans les processus de production paysagers, urbanistiques et spatiaux, et quelles sont les pratiques sociales et identitaires qui leur sont liées ? Cet ouvrage propose un tour d’horizon sur la question, avec d’abondantes photographies d’une grande qualité artistique.
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Quel est rôle de l’art environnemental, de l’art public et de la photographie dans les processus de production paysagers, urbanistiques et spatiaux, et quelles sont les pratiques sociales et identitaires qui leur sont liées ? Cet ouvrage propose un tour d’horizon sur la question, avec d’abondantes photographies d’une grande qualité artistique.
Title:
Errances photographiques: mobilité et intermédialité
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Quel est rôle de l’art environnemental, de l’art public et de la photographie dans les processus de production paysagers, urbanistiques et spatiaux, et quelles sont les pratiques sociales et identitaires qui leur sont liées ? Cet ouvrage propose un tour d’horizon sur la question, avec d’abondantes photographies d’une grande qualité artistique.
Errances photographiques: mobilité et intermédialité
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$24.95
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Quel est rôle de l’art environnemental, de l’art public et de la photographie dans les processus de production paysagers, urbanistiques et spatiaux, et quelles sont les pratiques sociales et identitaires qui leur sont liées ? Cet ouvrage propose un tour d’horizon sur la question, avec d’abondantes photographies d’une grande qualité artistique.
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books
books
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January 2014
January 2014
Subject:
Theory of Photography
Theory of Photography
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books
books
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Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. This richly illustrated work shows how new ideas and new buildings arose from the interplay of photography and architecture — transforming how we see the world and how we act on it.
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Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. This richly illustrated work shows how new ideas and new buildings arose from the interplay of photography and architecture — transforming how we see the world and how we act on it.
Title:
Photographic architecture in the twentieth century
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Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. This richly illustrated work shows how new ideas and new buildings arose from the interplay of photography and architecture — transforming how we see the world and how we act on it.
Photographic architecture in the twentieth century
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Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. This richly illustrated work shows how new ideas and new buildings arose from the interplay of photography and architecture — transforming how we see the world and how we act on it.
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books
books
Publication:
May 2014
May 2014
Subject:
Theory of Photography
Theory of Photography
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books
books
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$43.75
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In Old Fields, John Stilgoe offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural(...)
$43.75
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Summary:
In Old Fields, John Stilgoe offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural(...)
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Old fields : photography, glamour, and fantasy landscape
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In Old Fields, John Stilgoe offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural legacy of our photographic history.
Old fields : photography, glamour, and fantasy landscape
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In Old Fields, John Stilgoe offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural legacy of our photographic history.
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books
books
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March 2014
March 2014
Subject:
Theory of Photography
Theory of Photography
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books
books
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$27.50
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This publication features photography assignments, as well as ideas, stories and anecdotes from many of the world's most talented photographers and photography professionals. Inside you will find advice for better shooting and editing, creative ways to start new projects, games and activities and insight into the practices of those responsible for our most iconic(...)
$27.50
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Summary:
This publication features photography assignments, as well as ideas, stories and anecdotes from many of the world's most talented photographers and photography professionals. Inside you will find advice for better shooting and editing, creative ways to start new projects, games and activities and insight into the practices of those responsible for our most iconic(...)
Title:
The photographer's playbook: 307 assignments and ideas
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This publication features photography assignments, as well as ideas, stories and anecdotes from many of the world's most talented photographers and photography professionals. Inside you will find advice for better shooting and editing, creative ways to start new projects, games and activities and insight into the practices of those responsible for our most iconic photographs--John Baldessari, Tina Barney, Philip-Lorca diCorcia, Jim Goldberg, Miranda July, Susan Meiselas, Stephen Shore, Alec Soth, Tim Walker and many more. The book also features a Polaroid alphabet by Mike Slack, which divides each chapter, and a handy subject guide.
The photographer's playbook: 307 assignments and ideas
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Price:
$27.50
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Summary:
This publication features photography assignments, as well as ideas, stories and anecdotes from many of the world's most talented photographers and photography professionals. Inside you will find advice for better shooting and editing, creative ways to start new projects, games and activities and insight into the practices of those responsible for our most iconic photographs--John Baldessari, Tina Barney, Philip-Lorca diCorcia, Jim Goldberg, Miranda July, Susan Meiselas, Stephen Shore, Alec Soth, Tim Walker and many more. The book also features a Polaroid alphabet by Mike Slack, which divides each chapter, and a handy subject guide.
Form:
books
books
Publication:
June 2014
June 2014
Subject:
Theory of Photography
Theory of Photography
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books
books
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$54.95
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Picturing Mexico: From the Camera Lucida to Film explores the early artistic and cultural factors that contributed to the emergence of film in a heterogeneous media environment at the turn of the 20th century. Focusing his attention upon lithographs and photographs of Mexico created by European and North American visitors, Fullerton argues that the introduction of the(...)
$54.95
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Picturing Mexico: From the Camera Lucida to Film explores the early artistic and cultural factors that contributed to the emergence of film in a heterogeneous media environment at the turn of the 20th century. Focusing his attention upon lithographs and photographs of Mexico created by European and North American visitors, Fullerton argues that the introduction of the(...)
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Picturing Mexico: from the camera lucida to film
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Picturing Mexico: From the Camera Lucida to Film explores the early artistic and cultural factors that contributed to the emergence of film in a heterogeneous media environment at the turn of the 20th century. Focusing his attention upon lithographs and photographs of Mexico created by European and North American visitors, Fullerton argues that the introduction of the illustrated press and the popular photographic album towards the end of the 19th century transformed the private space of the printed page. He contends that the dynamics of the moving image were informed by the convergence of these media forms.
Picturing Mexico: from the camera lucida to film
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Picturing Mexico: From the Camera Lucida to Film explores the early artistic and cultural factors that contributed to the emergence of film in a heterogeneous media environment at the turn of the 20th century. Focusing his attention upon lithographs and photographs of Mexico created by European and North American visitors, Fullerton argues that the introduction of the illustrated press and the popular photographic album towards the end of the 19th century transformed the private space of the printed page. He contends that the dynamics of the moving image were informed by the convergence of these media forms.
Form:
books
books
Publication:
April 2014
April 2014
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Feeling photography
Feeling photography
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$36.95
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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality,(...)
$36.95
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Summary:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality,(...)
Title:
Feeling photography
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$36.95
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Summary:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory.
Feeling photography
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$36.95
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Summary:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$31.00
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Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this text examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism, and explores its role in areas such as aesthetics and epistemology. Using examples of specific cultural moments to elucidate(...)
$31.00
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Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this text examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism, and explores its role in areas such as aesthetics and epistemology. Using examples of specific cultural moments to elucidate(...)
Title:
Seeing from above: the aerial view in visual culture
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$31.00
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Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this text examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism, and explores its role in areas such as aesthetics and epistemology. Using examples of specific cultural moments to elucidate the wider theory, this is the only book to provide a cultural history of the aerial imagination and its centrality to visual culture.
Seeing from above: the aerial view in visual culture
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$31.00
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Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this text examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism, and explores its role in areas such as aesthetics and epistemology. Using examples of specific cultural moments to elucidate the wider theory, this is the only book to provide a cultural history of the aerial imagination and its centrality to visual culture.
Form:
books
books
Publication:
January 2014
January 2014
Subject:
Theory of Photography
Theory of Photography
