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Summary:
Selections from the Helen Kornblum Collection.
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Summary:
Selections from the Helen Kornblum Collection.
Subject:
Theory of Photography
Theory of Photography
Publication:
August 1998, Saint Louis
August 1998, Saint Louis
Title:
Defining eye : women photographers of the 20th century
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Summary:
Selections from the Helen Kornblum Collection.
Defining eye : women photographers of the 20th century
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Summary:
Selections from the Helen Kornblum Collection.
Form:
books
books
Publication:
August 1998, Saint Louis
August 1998, Saint Louis
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$39.99
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Summary:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
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Summary:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
Subject:
Theory of Photography
Theory of Photography
Publication:
April 1998, New York
April 1998, New York
Title:
Closing : the life and death of an American factory
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Summary:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
Closing : the life and death of an American factory
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Price:
$39.99
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Summary:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
Form:
books
books
Publication:
April 1998, New York
April 1998, New York
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$91.00
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Summary:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
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Summary:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Subject:
Theory of Photography
Theory of Photography
Publication:
March 1998, University Park, Penn.
March 1998, University Park, Penn.
Title:
Positive pleasures : early photography and humor
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$91.00
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Summary:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Positive pleasures : early photography and humor
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$91.00
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Summary:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Form:
books
books
Publication:
March 1998, University Park, Penn.
March 1998, University Park, Penn.
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$98.00
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Summary:
"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
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Summary:
"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
Subject:
Theory of Photography
Theory of Photography
Publication:
November 1997, Paris
November 1997, Paris
Title:
Paris : Les cathédrales inconnues, espaces vides dans l'ombre de la ville
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$98.00
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Summary:
"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
Paris : Les cathédrales inconnues, espaces vides dans l'ombre de la ville
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$98.00
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Summary:
"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
Form:
books
books
Publication:
November 1997, Paris
November 1997, Paris
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$30.00
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Summary:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
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Summary:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Title:
Photography : crisis of history
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Summary:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Photography : crisis of history
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Summary:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Form:
books
books
Publication:
March 2001, Barcelona
March 2001, Barcelona
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$74.95
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Summary:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
$74.95
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Summary:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
Subject:
Theory of Photography
Theory of Photography
Publication:
June 2001, London
June 2001, London
Title:
The great wide open : panoramic photographs of the American West
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$74.95
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Summary:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
The great wide open : panoramic photographs of the American West
Actions:
Price:
$74.95
(available to order)
Summary:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
Form:
books
books
Publication:
June 2001, London
June 2001, London
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$52.50
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Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
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Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
Title:
Each wild idea : writing, photography, history
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In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Each wild idea : writing, photography, history
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Price:
$52.50
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Summary:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Form:
books
books
Publication:
March 2001, Cambridge
March 2001, Cambridge
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$65.00
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Summary:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
$65.00
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Summary:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
Title:
The Last Empire : photography in British India, 1855-1911
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$65.00
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Summary:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
The Last Empire : photography in British India, 1855-1911
Actions:
Price:
$65.00
(available to order)
Summary:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
Form:
books
books
Publication:
June 2001, New York
June 2001, New York
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$59.95
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Summary:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important(...)
$59.95
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Summary:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
September 2000, Cambridge, Mass.
September 2000, Cambridge, Mass.
Title:
Photography in Boston : 1955-1985
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Summary:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White. The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography. The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.
Photography in Boston : 1955-1985
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Price:
$59.95
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Summary:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White. The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography. The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.
Form:
books
books
Publication:
September 2000, Cambridge, Mass.
September 2000, Cambridge, Mass.
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$39.99
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Summary:
Second edition.
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Summary:
Second edition.
Title:
Photography : a critical introduction
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$39.99
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Summary:
Second edition.
Photography : a critical introduction
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$39.99
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Summary:
Second edition.
Form:
books
books
Publication:
April 2000, London
April 2000, London
Subject:
Theory of Photography
Theory of Photography
