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"Transbordeur" est une revue d’histoire de la photographie. Elle s’adresse à tous ceux qui sont intéressés par les images, leur histoire, leur sociologie, leur évolution technique, leurs significations et matérialités multiples, leur rapport au temps et à l’histoire, leur circulation ; à tous ceux qui veulent comprendre le monde contemporain à travers l’histoire de la(...)
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"Transbordeur" est une revue d’histoire de la photographie. Elle s’adresse à tous ceux qui sont intéressés par les images, leur histoire, leur sociologie, leur évolution technique, leurs significations et matérialités multiples, leur rapport au temps et à l’histoire, leur circulation ; à tous ceux qui veulent comprendre le monde contemporain à travers l’histoire de la(...)
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Transbordeur photographie no. 1
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"Transbordeur" est une revue d’histoire de la photographie. Elle s’adresse à tous ceux qui sont intéressés par les images, leur histoire, leur sociologie, leur évolution technique, leurs significations et matérialités multiples, leur rapport au temps et à l’histoire, leur circulation ; à tous ceux qui veulent comprendre le monde contemporain à travers l’histoire de la culture ; à tous ceux qui jettent un regard critique et curieux sur les phénomènes visuels qui les entourent. Plutôt que d’approcher la photographie d’un point de vue strictement esthétique, la revue "Transbordeur" a pour ambition de montrer sa place dans toutes les activités de la société, d’analyser comment elle a transformé en profondeur notre rapport au monde.
Transbordeur photographie no. 1
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"Transbordeur" est une revue d’histoire de la photographie. Elle s’adresse à tous ceux qui sont intéressés par les images, leur histoire, leur sociologie, leur évolution technique, leurs significations et matérialités multiples, leur rapport au temps et à l’histoire, leur circulation ; à tous ceux qui veulent comprendre le monde contemporain à travers l’histoire de la culture ; à tous ceux qui jettent un regard critique et curieux sur les phénomènes visuels qui les entourent. Plutôt que d’approcher la photographie d’un point de vue strictement esthétique, la revue "Transbordeur" a pour ambition de montrer sa place dans toutes les activités de la société, d’analyser comment elle a transformé en profondeur notre rapport au monde.
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books
books
Publication:
March 2017
March 2017
Subject:
Theory of Photography
Theory of Photography
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books
books
Title:
Transbordeur, no. 3
Transbordeur, no. 3
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Durant plusieurs décennies et avant l’avènement de l’électronique, la photographie a suscité les espoirs d’une relève du papier comme support d’accumulation et de diffusion du savoir. Dans ce mouvement d’accélération et d’automatisation de sa diffusion, la photographie a été amenée à dépasser l’opération élémentaire d’enregistrement mimétique du monde pour devenir un(...)
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Durant plusieurs décennies et avant l’avènement de l’électronique, la photographie a suscité les espoirs d’une relève du papier comme support d’accumulation et de diffusion du savoir. Dans ce mouvement d’accélération et d’automatisation de sa diffusion, la photographie a été amenée à dépasser l’opération élémentaire d’enregistrement mimétique du monde pour devenir un(...)
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Transbordeur, no. 3
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Durant plusieurs décennies et avant l’avènement de l’électronique, la photographie a suscité les espoirs d’une relève du papier comme support d’accumulation et de diffusion du savoir. Dans ce mouvement d’accélération et d’automatisation de sa diffusion, la photographie a été amenée à dépasser l’opération élémentaire d’enregistrement mimétique du monde pour devenir un médium hybride englobant à la fois l’enregistrement de l’image et le traitement des données relatives à celle-ci. Son statut s’en est trouvé profondément redéfini : de surface servant de support matériel à l’image latente, la photographie est devenue interface à travers laquelle cette même image se trouve non seulement fixée, mais encore augmentée de toutes sortes de renseignements – chronologiques, géographiques, techniques – qui lui permettent de se donner à voir comme information. Revenir sur son histoire oubliée, « chaînon manquant » entre l’ère du livre et la culture numérique, s’avère essentiel pour saisir les fondements de la « société de l’information » contemporaine et des digital humanities.
Transbordeur, no. 3
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Durant plusieurs décennies et avant l’avènement de l’électronique, la photographie a suscité les espoirs d’une relève du papier comme support d’accumulation et de diffusion du savoir. Dans ce mouvement d’accélération et d’automatisation de sa diffusion, la photographie a été amenée à dépasser l’opération élémentaire d’enregistrement mimétique du monde pour devenir un médium hybride englobant à la fois l’enregistrement de l’image et le traitement des données relatives à celle-ci. Son statut s’en est trouvé profondément redéfini : de surface servant de support matériel à l’image latente, la photographie est devenue interface à travers laquelle cette même image se trouve non seulement fixée, mais encore augmentée de toutes sortes de renseignements – chronologiques, géographiques, techniques – qui lui permettent de se donner à voir comme information. Revenir sur son histoire oubliée, « chaînon manquant » entre l’ère du livre et la culture numérique, s’avère essentiel pour saisir les fondements de la « société de l’information » contemporaine et des digital humanities.
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books
books
Publication:
March 2019
March 2019
Subject:
Theory of Photography
Theory of Photography
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books
books
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$49.95
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The ruins of war have long held the power to stupefy and appall. Can such ruins ever be persuasively depicted and comprehended? Can images of them force us to identify with the suffering of the enemy and raise uncomfortable questions about forgiveness and revenge? Françoise Meltzer explores those questions in Dark Lens, which uses the images of war ruins in Nazi(...)
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The ruins of war have long held the power to stupefy and appall. Can such ruins ever be persuasively depicted and comprehended? Can images of them force us to identify with the suffering of the enemy and raise uncomfortable questions about forgiveness and revenge? Françoise Meltzer explores those questions in Dark Lens, which uses the images of war ruins in Nazi(...)
Title:
Dark lens: imaging Germany, 1945
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The ruins of war have long held the power to stupefy and appall. Can such ruins ever be persuasively depicted and comprehended? Can images of them force us to identify with the suffering of the enemy and raise uncomfortable questions about forgiveness and revenge? Françoise Meltzer explores those questions in Dark Lens, which uses the images of war ruins in Nazi Germany to investigate problems of aestheticization, the representation of catastrophe, and the targeting of civilians in war. Through texts that give accounts of bombed-out towns in Germany in the last years of the war, painters’ attempts to depict the destruction, and her own mother’s photographs taken in Berlin and other cities in 1945, Meltzer asks if any medium offers a direct experience of war ruins for the viewer. Ultimately, she concludes that while the viewer cannot help reimaging the devastation through the lenses of history, aestheticization, or voyeurism, these images at least allow us to approach the reality of ruins and grasp the larger issue of targeting civilians in modern warfare for what it is.
Dark lens: imaging Germany, 1945
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$49.95
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Summary:
The ruins of war have long held the power to stupefy and appall. Can such ruins ever be persuasively depicted and comprehended? Can images of them force us to identify with the suffering of the enemy and raise uncomfortable questions about forgiveness and revenge? Françoise Meltzer explores those questions in Dark Lens, which uses the images of war ruins in Nazi Germany to investigate problems of aestheticization, the representation of catastrophe, and the targeting of civilians in war. Through texts that give accounts of bombed-out towns in Germany in the last years of the war, painters’ attempts to depict the destruction, and her own mother’s photographs taken in Berlin and other cities in 1945, Meltzer asks if any medium offers a direct experience of war ruins for the viewer. Ultimately, she concludes that while the viewer cannot help reimaging the devastation through the lenses of history, aestheticization, or voyeurism, these images at least allow us to approach the reality of ruins and grasp the larger issue of targeting civilians in modern warfare for what it is.
Form:
books
books
Publication:
September 2019
September 2019
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Photography and war
Photography and war
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There are countless books on war photography, most of them focusing on dramatic images made by photojournalists in combat zones. "Photography and War" instead proposes a radically expanded notion of war photography, one that encompasses a far broader terrain of geographies, chronologies, practices, and viewpoints. Pippa Oldfied considers photography’s fundamental role in(...)
$48.00
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Summary:
There are countless books on war photography, most of them focusing on dramatic images made by photojournalists in combat zones. "Photography and War" instead proposes a radically expanded notion of war photography, one that encompasses a far broader terrain of geographies, chronologies, practices, and viewpoints. Pippa Oldfied considers photography’s fundamental role in(...)
Title:
Photography and war
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There are countless books on war photography, most of them focusing on dramatic images made by photojournalists in combat zones. "Photography and War" instead proposes a radically expanded notion of war photography, one that encompasses a far broader terrain of geographies, chronologies, practices, and viewpoints. Pippa Oldfied considers photography’s fundamental role in military reconnaissance, propaganda, and protest, as well as the exposure of war crimes and the memorialization of war, among other themes. While iconic images by well-known names such as Roger Fenton and Robert Capa are included, the viewpoints of people who have historically been overlooked—women and photographers from diasporic and non-Western backgrounds—are significantly gathered here. As a result, this book offers a nuanced and more inclusive understanding of war as a far-reaching undertaking in which anyone might be implicated and affected.
Photography and war
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$48.00
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Summary:
There are countless books on war photography, most of them focusing on dramatic images made by photojournalists in combat zones. "Photography and War" instead proposes a radically expanded notion of war photography, one that encompasses a far broader terrain of geographies, chronologies, practices, and viewpoints. Pippa Oldfied considers photography’s fundamental role in military reconnaissance, propaganda, and protest, as well as the exposure of war crimes and the memorialization of war, among other themes. While iconic images by well-known names such as Roger Fenton and Robert Capa are included, the viewpoints of people who have historically been overlooked—women and photographers from diasporic and non-Western backgrounds—are significantly gathered here. As a result, this book offers a nuanced and more inclusive understanding of war as a far-reaching undertaking in which anyone might be implicated and affected.
Form:
books
books
Publication:
December 2019
December 2019
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$31.95
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''After the crisis'' offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring(...)
$31.95
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''After the crisis'' offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring(...)
Title:
After the crisis: contemporary states of photography
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''After the crisis'' offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring together history and the contemporary. Comparing the current situation of photographic images with the crisis experienced by representation at the time of the birth of photography, they set our relationship with photographic images in the digital era in perspective. Through these discussions, we come to sense the existential burden of being surrounded by images, while also beginning to grasp the historical depth of a questioning of images that started long before the current generation and engages with crucial political and cultural issues of our time.
After the crisis: contemporary states of photography
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$31.95
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Summary:
''After the crisis'' offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring together history and the contemporary. Comparing the current situation of photographic images with the crisis experienced by representation at the time of the birth of photography, they set our relationship with photographic images in the digital era in perspective. Through these discussions, we come to sense the existential burden of being surrounded by images, while also beginning to grasp the historical depth of a questioning of images that started long before the current generation and engages with crucial political and cultural issues of our time.
Form:
books
books
Publication:
February 2020
February 2020
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$45.00
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This elegant volume features eighty highlights of th SFMOMA collection, from nineteenth-century daguerreotypes and turn-of-the-century pictorialist works to ground-breaking works by the f.64 Group, experimental European photographs from the 1920s and '30s, works in the American documentary tradition, and contemporary color images.
$45.00
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Summary:
This elegant volume features eighty highlights of th SFMOMA collection, from nineteenth-century daguerreotypes and turn-of-the-century pictorialist works to ground-breaking works by the f.64 Group, experimental European photographs from the 1920s and '30s, works in the American documentary tradition, and contemporary color images.
Title:
Picturing modernity : highlights from the photography collection of the San Francisco Museum of Modern Art
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This elegant volume features eighty highlights of th SFMOMA collection, from nineteenth-century daguerreotypes and turn-of-the-century pictorialist works to ground-breaking works by the f.64 Group, experimental European photographs from the 1920s and '30s, works in the American documentary tradition, and contemporary color images.
Picturing modernity : highlights from the photography collection of the San Francisco Museum of Modern Art
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$45.00
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Summary:
This elegant volume features eighty highlights of th SFMOMA collection, from nineteenth-century daguerreotypes and turn-of-the-century pictorialist works to ground-breaking works by the f.64 Group, experimental European photographs from the 1920s and '30s, works in the American documentary tradition, and contemporary color images.
Form:
books
books
Publication:
March 1999, San Francisco
March 1999, San Francisco
Subject:
Theory of Photography
Theory of Photography
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books
books
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$40.75
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This book presents Brasser's photos of 59 desolate stations built along the Geisterbahn, an abandoned tramway in Berlin, before the renovation associated with reunification changed their character.
$40.75
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Summary:
This book presents Brasser's photos of 59 desolate stations built along the Geisterbahn, an abandoned tramway in Berlin, before the renovation associated with reunification changed their character.
Subject:
Theory of Photography
Theory of Photography
Publication:
January 1900, Amsterdam
January 1900, Amsterdam
Title:
Fons Brasser : Berlin Geisterbahn
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This book presents Brasser's photos of 59 desolate stations built along the Geisterbahn, an abandoned tramway in Berlin, before the renovation associated with reunification changed their character.
Fons Brasser : Berlin Geisterbahn
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This book presents Brasser's photos of 59 desolate stations built along the Geisterbahn, an abandoned tramway in Berlin, before the renovation associated with reunification changed their character.
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books
books
Publication:
January 1900, Amsterdam
January 1900, Amsterdam
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$54.00
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban(...)
$54.00
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Summary:
For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
June 1997, Milan
June 1997, Milan
Title:
Venezia Marghera : photography and transformations in the contemporary city
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban landscape of Porto Marghera, a decisive area for the future of Venice which is on the threshold of profound changes. With an introduction by Phyllis Lambert.
Venezia Marghera : photography and transformations in the contemporary city
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban landscape of Porto Marghera, a decisive area for the future of Venice which is on the threshold of profound changes. With an introduction by Phyllis Lambert.
Form:
books
books
Publication:
June 1997, Milan
June 1997, Milan
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$43.50
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Summary:
Catalogue for an exhibition of ninety 19th-century photographs drawn principally from the collection of Michael G. Wilson. Included are the photographs of Sergeant James McDonald's survey of Palestine and Jerusalem, recently discovered photographs by Ernest Benecke, and the rare photographs taken by Maxime Du Camp as he travelled with Flaubert. With an(...)
$43.50
(available to order)
Summary:
Catalogue for an exhibition of ninety 19th-century photographs drawn principally from the collection of Michael G. Wilson. Included are the photographs of Sergeant James McDonald's survey of Palestine and Jerusalem, recently discovered photographs by Ernest Benecke, and the rare photographs taken by Maxime Du Camp as he travelled with Flaubert. With an(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
October 1997, Santa Barbara
October 1997, Santa Barbara
Title:
Revealing the holy land : the photographic exploration of Palestine
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$43.50
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Summary:
Catalogue for an exhibition of ninety 19th-century photographs drawn principally from the collection of Michael G. Wilson. Included are the photographs of Sergeant James McDonald's survey of Palestine and Jerusalem, recently discovered photographs by Ernest Benecke, and the rare photographs taken by Maxime Du Camp as he travelled with Flaubert. With an introduction by Nitza Rosovsky.
Revealing the holy land : the photographic exploration of Palestine
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$43.50
(available to order)
Summary:
Catalogue for an exhibition of ninety 19th-century photographs drawn principally from the collection of Michael G. Wilson. Included are the photographs of Sergeant James McDonald's survey of Palestine and Jerusalem, recently discovered photographs by Ernest Benecke, and the rare photographs taken by Maxime Du Camp as he travelled with Flaubert. With an introduction by Nitza Rosovsky.
Form:
books
books
Publication:
October 1997, Santa Barbara
October 1997, Santa Barbara
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
New objectivity : August Sander, Karl Blossfeldt, Albert Renger-Patzsch, Bernd and Hilla Becher
New objectivity : August Sander, Karl Blossfeldt, Albert Renger-Patzsch, Bernd and Hilla Becher
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$79.00
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Summary:
By presenting the systematic approaches to photo-documentation as practised by these 20th century German photographers, this book examines the differences and similarities in their work.
$79.00
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Summary:
By presenting the systematic approaches to photo-documentation as practised by these 20th century German photographers, this book examines the differences and similarities in their work.
Subject:
Theory of Photography
Theory of Photography
Publication:
September 1997, Munich
September 1997, Munich
Title:
New objectivity : August Sander, Karl Blossfeldt, Albert Renger-Patzsch, Bernd and Hilla Becher
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$79.00
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Summary:
By presenting the systematic approaches to photo-documentation as practised by these 20th century German photographers, this book examines the differences and similarities in their work.
New objectivity : August Sander, Karl Blossfeldt, Albert Renger-Patzsch, Bernd and Hilla Becher
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$79.00
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Summary:
By presenting the systematic approaches to photo-documentation as practised by these 20th century German photographers, this book examines the differences and similarities in their work.
Form:
books
books
Publication:
September 1997, Munich
September 1997, Munich
Subject:
Theory of Photography
Theory of Photography
