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Une reconstitution de l'exposition de 1935 à la galerie Julien Levy de New York. C'est la première fois depuis lors que sont réunis ces tirages d'époque, qui constituent un ensemble excpetionnel d'images essentielles et parfois méconnues. Cette exposition historique rassemble l'oeuvre de jeunesse de trois grands maîtres de la photographie.
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Une reconstitution de l'exposition de 1935 à la galerie Julien Levy de New York. C'est la première fois depuis lors que sont réunis ces tirages d'époque, qui constituent un ensemble excpetionnel d'images essentielles et parfois méconnues. Cette exposition historique rassemble l'oeuvre de jeunesse de trois grands maîtres de la photographie.
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Theory of Photography
Theory of Photography
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January 1900, Gottingen
January 1900, Gottingen
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Documentary and anti-graphic : photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo
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Une reconstitution de l'exposition de 1935 à la galerie Julien Levy de New York. C'est la première fois depuis lors que sont réunis ces tirages d'époque, qui constituent un ensemble excpetionnel d'images essentielles et parfois méconnues. Cette exposition historique rassemble l'oeuvre de jeunesse de trois grands maîtres de la photographie.
Documentary and anti-graphic : photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo
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$45.95
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Une reconstitution de l'exposition de 1935 à la galerie Julien Levy de New York. C'est la première fois depuis lors que sont réunis ces tirages d'époque, qui constituent un ensemble excpetionnel d'images essentielles et parfois méconnues. Cette exposition historique rassemble l'oeuvre de jeunesse de trois grands maîtres de la photographie.
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books
books
Publication:
January 1900, Gottingen
January 1900, Gottingen
Subject:
Theory of Photography
Theory of Photography
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books
books
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Ce livre pratique est là pour vous accompagner dans toutes les étapes de l’élaboration de votre portfolio, depuis l’identification de la problématique au choix des images, en passant par le rythme et la composition de la mise en page. Pour vous guider dans sa construction, un cahier central propose une sélection de portfolios de professionnels, illustrant la variété des(...)
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Ce livre pratique est là pour vous accompagner dans toutes les étapes de l’élaboration de votre portfolio, depuis l’identification de la problématique au choix des images, en passant par le rythme et la composition de la mise en page. Pour vous guider dans sa construction, un cahier central propose une sélection de portfolios de professionnels, illustrant la variété des(...)
Title:
Réussir sont portfolio photographique
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Ce livre pratique est là pour vous accompagner dans toutes les étapes de l’élaboration de votre portfolio, depuis l’identification de la problématique au choix des images, en passant par le rythme et la composition de la mise en page. Pour vous guider dans sa construction, un cahier central propose une sélection de portfolios de professionnels, illustrant la variété des choix de présentation et des univers photographiques, sans pour autant épuiser toutes les possibilités. Ponctué d’entretiens et de conseils d’experts de la photographie, cet ouvrage complet vous aidera également à décrypter un appel à candidatures, à débusquer les pièges à éviter, à vous préparer à une lecture de portfolios et à défendre votre point de vue.
Réussir sont portfolio photographique
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Ce livre pratique est là pour vous accompagner dans toutes les étapes de l’élaboration de votre portfolio, depuis l’identification de la problématique au choix des images, en passant par le rythme et la composition de la mise en page. Pour vous guider dans sa construction, un cahier central propose une sélection de portfolios de professionnels, illustrant la variété des choix de présentation et des univers photographiques, sans pour autant épuiser toutes les possibilités. Ponctué d’entretiens et de conseils d’experts de la photographie, cet ouvrage complet vous aidera également à décrypter un appel à candidatures, à débusquer les pièges à éviter, à vous préparer à une lecture de portfolios et à défendre votre point de vue.
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books
books
Publication:
July 2024
July 2024
Subject:
Theory of Photography
Theory of Photography
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books
books
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In ''Camera Geologica'' Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements(...)
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In ''Camera Geologica'' Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements(...)
Title:
Camera Geologica: An Elemental History of Photography
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In ''Camera Geologica'' Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.
Camera Geologica: An Elemental History of Photography
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In ''Camera Geologica'' Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.
Form:
books
books
Publication:
July 2024
July 2024
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$54.00
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Summary:
''Glitchy Vision'' takes a feminist approach to media history to examine how photographic social media cultures change human bodies and the experience of being human. To illuminate these glitches, Greene focuses on the inevitable distortions that arise from looking at the past through the lens of the present. Treating these distortions as tools as opposed to obstacles,(...)
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''Glitchy Vision'' takes a feminist approach to media history to examine how photographic social media cultures change human bodies and the experience of being human. To illuminate these glitches, Greene focuses on the inevitable distortions that arise from looking at the past through the lens of the present. Treating these distortions as tools as opposed to obstacles,(...)
Title:
Glitchy vision: A feminist history of the social photo
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''Glitchy Vision'' takes a feminist approach to media history to examine how photographic social media cultures change human bodies and the experience of being human. To illuminate these glitches, Greene focuses on the inevitable distortions that arise from looking at the past through the lens of the present. Treating these distortions as tools as opposed to obstacles, Greene uncovers new ways of viewing social media cultures of the past, while also revealing parallels between historical contexts and our contemporary digital media environment.
Glitchy vision: A feminist history of the social photo
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''Glitchy Vision'' takes a feminist approach to media history to examine how photographic social media cultures change human bodies and the experience of being human. To illuminate these glitches, Greene focuses on the inevitable distortions that arise from looking at the past through the lens of the present. Treating these distortions as tools as opposed to obstacles, Greene uncovers new ways of viewing social media cultures of the past, while also revealing parallels between historical contexts and our contemporary digital media environment.
Form:
books
books
Publication:
November 2024
November 2024
Subject:
Theory of Photography
Theory of Photography
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books
books
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$40.95
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Dès le milieu des années 1950, critiques et photographes relient volontiers la peinture de Mondrian avec l’architecture japonaise moderne et certains historiens iront jusqu’à soutenir que Mondrian aurait lui-même été influencé par l’architecture japonaise traditionnelle… Ces associations puissantes ont concouru au rapprochement de la modernité architecturale de(...)
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Dès le milieu des années 1950, critiques et photographes relient volontiers la peinture de Mondrian avec l’architecture japonaise moderne et certains historiens iront jusqu’à soutenir que Mondrian aurait lui-même été influencé par l’architecture japonaise traditionnelle… Ces associations puissantes ont concouru au rapprochement de la modernité architecturale de(...)
Title:
Survival Boogie Woogie: Néo-japonisme photographie d'architecture et abstraction 1945-1985
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Dès le milieu des années 1950, critiques et photographes relient volontiers la peinture de Mondrian avec l’architecture japonaise moderne et certains historiens iront jusqu’à soutenir que Mondrian aurait lui-même été influencé par l’architecture japonaise traditionnelle… Ces associations puissantes ont concouru au rapprochement de la modernité architecturale de l’Occident avec celle du Japon. Elles sont également un pilier de la survivance du japonisme architectural, autrement dit un pilier du néo-japonisme qui se développe après-guerre. Or cette relation entre l’abstraction de Mondrian et l’esthétique de l’architecture japonaise se perçoit peu dans l’architecture, mais plutôt dans la photographie d’architecture. Ce livre, qui pose un regard oblique sur Mondrian, interroge les œuvres des plus grands photographes d’architecture japonais et américains pour expliquer les mécanismes de la japonisation du monde architectural entre 1945 et 1985.
Survival Boogie Woogie: Néo-japonisme photographie d'architecture et abstraction 1945-1985
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Dès le milieu des années 1950, critiques et photographes relient volontiers la peinture de Mondrian avec l’architecture japonaise moderne et certains historiens iront jusqu’à soutenir que Mondrian aurait lui-même été influencé par l’architecture japonaise traditionnelle… Ces associations puissantes ont concouru au rapprochement de la modernité architecturale de l’Occident avec celle du Japon. Elles sont également un pilier de la survivance du japonisme architectural, autrement dit un pilier du néo-japonisme qui se développe après-guerre. Or cette relation entre l’abstraction de Mondrian et l’esthétique de l’architecture japonaise se perçoit peu dans l’architecture, mais plutôt dans la photographie d’architecture. Ce livre, qui pose un regard oblique sur Mondrian, interroge les œuvres des plus grands photographes d’architecture japonais et américains pour expliquer les mécanismes de la japonisation du monde architectural entre 1945 et 1985.
Form:
books
books
Publication:
August 2024
August 2024
Subject:
Theory of Photography
Theory of Photography
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books
books
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This is the first major English-language study of factography, an avant-garde movement of 1920s modernism. Devin Fore charts this style through the work of its key figures, illuminating factography’s position in the material culture of the early Soviet period and situating it as a precursor to the genre of documentary that arose in the 1930s. Factographers employed(...)
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This is the first major English-language study of factography, an avant-garde movement of 1920s modernism. Devin Fore charts this style through the work of its key figures, illuminating factography’s position in the material culture of the early Soviet period and situating it as a precursor to the genre of documentary that arose in the 1930s. Factographers employed(...)
Title:
Soviet Factography: Reality without realism
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This is the first major English-language study of factography, an avant-garde movement of 1920s modernism. Devin Fore charts this style through the work of its key figures, illuminating factography’s position in the material culture of the early Soviet period and situating it as a precursor to the genre of documentary that arose in the 1930s. Factographers employed photography and film practices in their campaign to inscribe facts and to chronicle modernization as it transformed human experience and society. Fore considers factography in light of the period’s explosion of new media technologies—including radio broadcasting, sound in film, and photo-media innovations—that allowed the press to transform culture on a massive scale.
Soviet Factography: Reality without realism
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This is the first major English-language study of factography, an avant-garde movement of 1920s modernism. Devin Fore charts this style through the work of its key figures, illuminating factography’s position in the material culture of the early Soviet period and situating it as a precursor to the genre of documentary that arose in the 1930s. Factographers employed photography and film practices in their campaign to inscribe facts and to chronicle modernization as it transformed human experience and society. Fore considers factography in light of the period’s explosion of new media technologies—including radio broadcasting, sound in film, and photo-media innovations—that allowed the press to transform culture on a massive scale.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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''History of light'' delves into the fascinating life of František Drtikol (1883–1961), an important figure in early-twentieth-century photography who is all but forgotten in contemporary times. A dandy from a small mining town, a world-famous photographer whose business went bankrupt, a master of the nude who never had much luck with women, a mystic and a Buddhist who(...)
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''History of light'' delves into the fascinating life of František Drtikol (1883–1961), an important figure in early-twentieth-century photography who is all but forgotten in contemporary times. A dandy from a small mining town, a world-famous photographer whose business went bankrupt, a master of the nude who never had much luck with women, a mystic and a Buddhist who(...)
Title:
History of light: František Drtikol
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''History of light'' delves into the fascinating life of František Drtikol (1883–1961), an important figure in early-twentieth-century photography who is all but forgotten in contemporary times. A dandy from a small mining town, a world-famous photographer whose business went bankrupt, a master of the nude who never had much luck with women, a mystic and a Buddhist who believed in communism—a man whose numerous contradictions were evident externally and synthesized internally. A unique blend of fiction and biography, this novel vividly portrays Drtikol’s life, tracing the diverse stages of his career and offering detailed, almost encyclopedic insights into the times and places pivotal to his journey. Acclaimed Czech author Jan Nemec narrates the story in the uncommon second-person singular, speaking directly to his subject. Fresco-like, this novel is an artistic and spiritual Bildungsroman that covers over half a century, bringing to life the silver mines of Príbram, Jugendstil Munich, and the Bohemianism of the First Czechoslovak Republic. Drtikol’s role as a photographer is set against the turbulent history of Central Europe through the two World Wars, and the events of those five decades form a riveting backdrop for an exploration of the artist’s work.
History of light: František Drtikol
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''History of light'' delves into the fascinating life of František Drtikol (1883–1961), an important figure in early-twentieth-century photography who is all but forgotten in contemporary times. A dandy from a small mining town, a world-famous photographer whose business went bankrupt, a master of the nude who never had much luck with women, a mystic and a Buddhist who believed in communism—a man whose numerous contradictions were evident externally and synthesized internally. A unique blend of fiction and biography, this novel vividly portrays Drtikol’s life, tracing the diverse stages of his career and offering detailed, almost encyclopedic insights into the times and places pivotal to his journey. Acclaimed Czech author Jan Nemec narrates the story in the uncommon second-person singular, speaking directly to his subject. Fresco-like, this novel is an artistic and spiritual Bildungsroman that covers over half a century, bringing to life the silver mines of Príbram, Jugendstil Munich, and the Bohemianism of the First Czechoslovak Republic. Drtikol’s role as a photographer is set against the turbulent history of Central Europe through the two World Wars, and the events of those five decades form a riveting backdrop for an exploration of the artist’s work.
Form:
books
books
Publication:
July 2025
July 2025
Subject:
Theory of Photography
Theory of Photography
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books
books
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$87.50
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This volume, published in conjunction with the artist’s first solo exhibition at the Museum of Modern Art, New York, provides new insights into the interdisciplinary and lesser-known aspects of Robert Frank’s expansive career. The exhibition explores the six decades that followed his landmark photobook "The Americans," a period in which Frank maintained an extraordinarily(...)
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Summary:
This volume, published in conjunction with the artist’s first solo exhibition at the Museum of Modern Art, New York, provides new insights into the interdisciplinary and lesser-known aspects of Robert Frank’s expansive career. The exhibition explores the six decades that followed his landmark photobook "The Americans," a period in which Frank maintained an extraordinarily(...)
Title:
Life dances on: Robert Frank in dialogue
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This volume, published in conjunction with the artist’s first solo exhibition at the Museum of Modern Art, New York, provides new insights into the interdisciplinary and lesser-known aspects of Robert Frank’s expansive career. The exhibition explores the six decades that followed his landmark photobook "The Americans," a period in which Frank maintained an extraordinarily multifaceted practice characterized by perpetual experimentation across mediums and artistic and personal dialogues with other artists and with his communities. Coinciding with the centennial of his birth, this catalog takes its name from the artist’s poignant 1980 film, "Life Dances On," in which Frank reflects on the individuals who have shaped his outlook.
Life dances on: Robert Frank in dialogue
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This volume, published in conjunction with the artist’s first solo exhibition at the Museum of Modern Art, New York, provides new insights into the interdisciplinary and lesser-known aspects of Robert Frank’s expansive career. The exhibition explores the six decades that followed his landmark photobook "The Americans," a period in which Frank maintained an extraordinarily multifaceted practice characterized by perpetual experimentation across mediums and artistic and personal dialogues with other artists and with his communities. Coinciding with the centennial of his birth, this catalog takes its name from the artist’s poignant 1980 film, "Life Dances On," in which Frank reflects on the individuals who have shaped his outlook.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$60.00
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf(...)
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf(...)
Title:
The color black: Antinomies of a color in architecture and art
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf Loos to Norman Foster, Hans Holbein to Derek Jarman. Alongside these renowned touchpoints, Mostafavi draws on a little-known and highly distinctive text by the Marxist German art historian Max Raphael, based on a collection of historic paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York's Abstract Expressionists, Raphael's essay offers a drastically contrasting approach to the same multivalent subject. The book is completed by Rapahel's luminous essay, published in its entirety for the first time in an English translation by Pamela Johnston, as well as conversations with Swiss architect Peter Märkli, whose work with the colour black is informed by Raphael's writings, and Theaster Gates. By juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black ? and of colour more widely ? in relation to contemporary architectural thinking and practice.
The color black: Antinomies of a color in architecture and art
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$60.00
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Summary:
This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf Loos to Norman Foster, Hans Holbein to Derek Jarman. Alongside these renowned touchpoints, Mostafavi draws on a little-known and highly distinctive text by the Marxist German art historian Max Raphael, based on a collection of historic paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York's Abstract Expressionists, Raphael's essay offers a drastically contrasting approach to the same multivalent subject. The book is completed by Rapahel's luminous essay, published in its entirety for the first time in an English translation by Pamela Johnston, as well as conversations with Swiss architect Peter Märkli, whose work with the colour black is informed by Raphael's writings, and Theaster Gates. By juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black ? and of colour more widely ? in relation to contemporary architectural thinking and practice.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$44.95
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Summary:
La vie et l'oeuvre de Sergio Larrain, un des photographes chiliens les plus importants, sont entourées d'une aura de génie et de mystère. Il réalisa dès les années cinquante un travail précieux et brillant qui, jusqu'à sa mort en 2012, demeura quasiment inconnu au Chili. Personnage contradictoire, il s'est retiré de la vie publique à la fin des années soixante-dix pour se(...)
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La vie et l'oeuvre de Sergio Larrain, un des photographes chiliens les plus importants, sont entourées d'une aura de génie et de mystère. Il réalisa dès les années cinquante un travail précieux et brillant qui, jusqu'à sa mort en 2012, demeura quasiment inconnu au Chili. Personnage contradictoire, il s'est retiré de la vie publique à la fin des années soixante-dix pour se(...)
Title:
Sergio Larrain, la photo perdue
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La vie et l'oeuvre de Sergio Larrain, un des photographes chiliens les plus importants, sont entourées d'une aura de génie et de mystère. Il réalisa dès les années cinquante un travail précieux et brillant qui, jusqu'à sa mort en 2012, demeura quasiment inconnu au Chili. Personnage contradictoire, il s'est retiré de la vie publique à la fin des années soixante-dix pour se consacrer à la méditation, au yoga et à l'écriture. Larrain resta connecté au monde de la photographie en maintenant une multitude de relations épistolaires, avec la singularité qui le caractérise. Ce livre, écrit aux confins du cercle familial, explore les clairs-obscurs de sa biographie. Sergio Lorrain, la photo perdue est le sixième titre de la collection TXT, dirigée par Agnès Sire.
Sergio Larrain, la photo perdue
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La vie et l'oeuvre de Sergio Larrain, un des photographes chiliens les plus importants, sont entourées d'une aura de génie et de mystère. Il réalisa dès les années cinquante un travail précieux et brillant qui, jusqu'à sa mort en 2012, demeura quasiment inconnu au Chili. Personnage contradictoire, il s'est retiré de la vie publique à la fin des années soixante-dix pour se consacrer à la méditation, au yoga et à l'écriture. Larrain resta connecté au monde de la photographie en maintenant une multitude de relations épistolaires, avec la singularité qui le caractérise. Ce livre, écrit aux confins du cercle familial, explore les clairs-obscurs de sa biographie. Sergio Lorrain, la photo perdue est le sixième titre de la collection TXT, dirigée par Agnès Sire.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Theory of Photography
Theory of Photography
