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Thème classique de la photographie, la famille est un terrain d'expérimentation et de questionnement fécond. Quelles sont ses représentations actuelles ? Comment les photographes contemporains participent-ils à en redéfinir les contours ? Réponses avec une trentaine d'artistes français et internationaux choisis pour leurs visions singulières du sujet. A classic theme(...)
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Thème classique de la photographie, la famille est un terrain d'expérimentation et de questionnement fécond. Quelles sont ses représentations actuelles ? Comment les photographes contemporains participent-ils à en redéfinir les contours ? Réponses avec une trentaine d'artistes français et internationaux choisis pour leurs visions singulières du sujet. A classic theme(...)
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The Photographer v.01 : Familles
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Thème classique de la photographie, la famille est un terrain d'expérimentation et de questionnement fécond. Quelles sont ses représentations actuelles ? Comment les photographes contemporains participent-ils à en redéfinir les contours ? Réponses avec une trentaine d'artistes français et internationaux choisis pour leurs visions singulières du sujet. A classic theme in photography, family is a fertile ground for experimentation and interrogation. How is it represented today? How are contemporary photographers helping redefine its boundaries? Here are the answers from some thirty international artists chosen for their singular visions of the subject.
The Photographer v.01 : Familles
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Thème classique de la photographie, la famille est un terrain d'expérimentation et de questionnement fécond. Quelles sont ses représentations actuelles ? Comment les photographes contemporains participent-ils à en redéfinir les contours ? Réponses avec une trentaine d'artistes français et internationaux choisis pour leurs visions singulières du sujet. A classic theme in photography, family is a fertile ground for experimentation and interrogation. How is it represented today? How are contemporary photographers helping redefine its boundaries? Here are the answers from some thirty international artists chosen for their singular visions of the subject.
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books
books
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January 2026
January 2026
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Theory of Photography
Theory of Photography
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Dans les sciences comme dans les arts, l’œuvre prolifique de Marey s’est diffusée comme une traînée de poudre, générant des pans entiers des sciences et techniques tout en faisant éclore des courants de l’art du XXe siècle. Le physiologiste Étienne-Jules Marey (1830-1904) a consacré sa carrière à l’étude du vivant en mouvement. Ses recherches l’entraînent dans des(...)
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Dans les sciences comme dans les arts, l’œuvre prolifique de Marey s’est diffusée comme une traînée de poudre, générant des pans entiers des sciences et techniques tout en faisant éclore des courants de l’art du XXe siècle. Le physiologiste Étienne-Jules Marey (1830-1904) a consacré sa carrière à l’étude du vivant en mouvement. Ses recherches l’entraînent dans des(...)
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Étienne-Jules Marey : chronophotographie, sciences et arts
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Dans les sciences comme dans les arts, l’œuvre prolifique de Marey s’est diffusée comme une traînée de poudre, générant des pans entiers des sciences et techniques tout en faisant éclore des courants de l’art du XXe siècle. Le physiologiste Étienne-Jules Marey (1830-1904) a consacré sa carrière à l’étude du vivant en mouvement. Ses recherches l’entraînent dans des explorations expérimentales d’une incroyable diversité. Il a mis en œuvre la « chronophotographie » comme dispositif scientifique. Pionnier du cinéma, de la photographie, il révolutionne la perception visuelle de son époque. Étienne-Jules Marey est une figure incontournable des débuts de la photographie, et incarne également la figure type de l’inventeur, avec une personnalité fascinante. Son œuvre s’inscrit dans une époque historique d’ébullition de la science, instrumentalisée à des fins politiques, dont nous entendons, encore particulièrement aujourd’hui, les résonances.
Étienne-Jules Marey : chronophotographie, sciences et arts
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Dans les sciences comme dans les arts, l’œuvre prolifique de Marey s’est diffusée comme une traînée de poudre, générant des pans entiers des sciences et techniques tout en faisant éclore des courants de l’art du XXe siècle. Le physiologiste Étienne-Jules Marey (1830-1904) a consacré sa carrière à l’étude du vivant en mouvement. Ses recherches l’entraînent dans des explorations expérimentales d’une incroyable diversité. Il a mis en œuvre la « chronophotographie » comme dispositif scientifique. Pionnier du cinéma, de la photographie, il révolutionne la perception visuelle de son époque. Étienne-Jules Marey est une figure incontournable des débuts de la photographie, et incarne également la figure type de l’inventeur, avec une personnalité fascinante. Son œuvre s’inscrit dans une époque historique d’ébullition de la science, instrumentalisée à des fins politiques, dont nous entendons, encore particulièrement aujourd’hui, les résonances.
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books
books
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January 2026
January 2026
Subject:
Theory of Photography
Theory of Photography
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books
books
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''The Devouring Eye: Photography and the Mouth'' is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art(...)
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''The Devouring Eye: Photography and the Mouth'' is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art(...)
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The devouring eye: Photography and the mouth
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''The Devouring Eye: Photography and the Mouth'' is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (1997–2022) – a period during which the course shaped an entire generation of photographers – the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images. Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium – one that satisfies and frustrates our appetite for representation in equal measure. ''The Devouring Eye'' invites us to reconsider how we relate to images, and how deeply they live in us.
The devouring eye: Photography and the mouth
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''The Devouring Eye: Photography and the Mouth'' is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (1997–2022) – a period during which the course shaped an entire generation of photographers – the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images. Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium – one that satisfies and frustrates our appetite for representation in equal measure. ''The Devouring Eye'' invites us to reconsider how we relate to images, and how deeply they live in us.
Form:
books
books
Publication:
March 2026
March 2026
Subject:
Theory of Photography
Theory of Photography
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books
books
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After arriving in New York in 1938, Austrian photographer Lisette Model quickly found stunning early success. Her photographs graced the pages of renowned magazines and were exhibited at the Museum of Modern Art. Their frank portrayals of ordinary Americans, captured in bars and restaurants, on the beach and in the streets, revolutionised the world of photography. Yet by(...)
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After arriving in New York in 1938, Austrian photographer Lisette Model quickly found stunning early success. Her photographs graced the pages of renowned magazines and were exhibited at the Museum of Modern Art. Their frank portrayals of ordinary Americans, captured in bars and restaurants, on the beach and in the streets, revolutionised the world of photography. Yet by(...)
Title:
Renegade: Photography in the life of Lisette Model
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After arriving in New York in 1938, Austrian photographer Lisette Model quickly found stunning early success. Her photographs graced the pages of renowned magazines and were exhibited at the Museum of Modern Art. Their frank portrayals of ordinary Americans, captured in bars and restaurants, on the beach and in the streets, revolutionised the world of photography. Yet by 1950, Model had all but ceased to circulate her images, devoting herself instead to teaching a new generation of photographers, including Diane Arbus and Rosalind Fox Solomon. She gained the reputation, scandalous in business-like New York, of being ''difficult''. In this illustrated essay, Duncan Forbes offers a new interpretation of Model's photography and biography, asking whether the artist's rebelliousness is not in fact the key to understanding her remarkable life and work.
Renegade: Photography in the life of Lisette Model
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After arriving in New York in 1938, Austrian photographer Lisette Model quickly found stunning early success. Her photographs graced the pages of renowned magazines and were exhibited at the Museum of Modern Art. Their frank portrayals of ordinary Americans, captured in bars and restaurants, on the beach and in the streets, revolutionised the world of photography. Yet by 1950, Model had all but ceased to circulate her images, devoting herself instead to teaching a new generation of photographers, including Diane Arbus and Rosalind Fox Solomon. She gained the reputation, scandalous in business-like New York, of being ''difficult''. In this illustrated essay, Duncan Forbes offers a new interpretation of Model's photography and biography, asking whether the artist's rebelliousness is not in fact the key to understanding her remarkable life and work.
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books
books
Publication:
November 2025
November 2025
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Chien fou: Selected writings
Chien fou: Selected writings
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The career of avant-garde photographer and activist Germaine Krull (1897–1985) took her across the world over a turbulent century. After growing up around Europe, Krull studied photography in Munich during the First World War. There she acquired her nickname or alter-ego ‘Chien fou’ (Mad Dog), which provides the chronological and thematic starting point for this volume of(...)
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The career of avant-garde photographer and activist Germaine Krull (1897–1985) took her across the world over a turbulent century. After growing up around Europe, Krull studied photography in Munich during the First World War. There she acquired her nickname or alter-ego ‘Chien fou’ (Mad Dog), which provides the chronological and thematic starting point for this volume of(...)
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Chien fou: Selected writings
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The career of avant-garde photographer and activist Germaine Krull (1897–1985) took her across the world over a turbulent century. After growing up around Europe, Krull studied photography in Munich during the First World War. There she acquired her nickname or alter-ego ‘Chien fou’ (Mad Dog), which provides the chronological and thematic starting point for this volume of writings drawn from the course of Krull’s extraordinary life, most published for the first time. The selected texts range from artistic manifestos to political essays to memoirs, written between the 1920s and ’80s in a wide variety of places and circumstances. They narrate Krull’s life among the creative communities of the Bavarian Soviet Republic and interwar Paris, her participation in the French Resistance in Brazil and Equatorial Africa, and her later decision to settle in Thailand, then India.
Chien fou: Selected writings
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The career of avant-garde photographer and activist Germaine Krull (1897–1985) took her across the world over a turbulent century. After growing up around Europe, Krull studied photography in Munich during the First World War. There she acquired her nickname or alter-ego ‘Chien fou’ (Mad Dog), which provides the chronological and thematic starting point for this volume of writings drawn from the course of Krull’s extraordinary life, most published for the first time. The selected texts range from artistic manifestos to political essays to memoirs, written between the 1920s and ’80s in a wide variety of places and circumstances. They narrate Krull’s life among the creative communities of the Bavarian Soviet Republic and interwar Paris, her participation in the French Resistance in Brazil and Equatorial Africa, and her later decision to settle in Thailand, then India.
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books
books
Publication:
November 2025
November 2025
Subject:
Theory of Photography
Theory of Photography
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books
books
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Larry Sultan was one of the most important and celebrated photographers of the twentieth century, but his lifelong commitment to writing is less well known. Water Over Thunder is the first publication devoted to Sultan’s wideranging use of writing as a personal, artistic, and pedagogic tool. The selected texts – many unpublished until now – come from Sultan’s numerous(...)
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Larry Sultan was one of the most important and celebrated photographers of the twentieth century, but his lifelong commitment to writing is less well known. Water Over Thunder is the first publication devoted to Sultan’s wideranging use of writing as a personal, artistic, and pedagogic tool. The selected texts – many unpublished until now – come from Sultan’s numerous(...)
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Water over thunder: Selected writings
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Larry Sultan was one of the most important and celebrated photographers of the twentieth century, but his lifelong commitment to writing is less well known. Water Over Thunder is the first publication devoted to Sultan’s wideranging use of writing as a personal, artistic, and pedagogic tool. The selected texts – many unpublished until now – come from Sultan’s numerous journals and notebooks, encompassing reflections on his teaching and art practice, drafts for short stories, vivid dream diaries, and polished essays. Interspersed throughout are extracts from Sultan’s eloquent public lectures and interviews, illuminating the questions he investigated throughout his life and emphasizing the thematic underpinnings of his best known series: "Pictures from Home," "Evidence" (with Mike Mandel), and "The Valley."
Water over thunder: Selected writings
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Larry Sultan was one of the most important and celebrated photographers of the twentieth century, but his lifelong commitment to writing is less well known. Water Over Thunder is the first publication devoted to Sultan’s wideranging use of writing as a personal, artistic, and pedagogic tool. The selected texts – many unpublished until now – come from Sultan’s numerous journals and notebooks, encompassing reflections on his teaching and art practice, drafts for short stories, vivid dream diaries, and polished essays. Interspersed throughout are extracts from Sultan’s eloquent public lectures and interviews, illuminating the questions he investigated throughout his life and emphasizing the thematic underpinnings of his best known series: "Pictures from Home," "Evidence" (with Mike Mandel), and "The Valley."
Form:
books
books
Publication:
January 2026
January 2026
Subject:
Theory of Photography
Theory of Photography
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books
books
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Minor White, Aaron Siskind, and Harry Callahan carved out a new role for photographers and their art in the decades after World War Two. "Photography as a way of life" traces how these influential teachers and theorists reimagined the medium as a livelihood and a life’s work. Together with growing markets for snapshots and photojournalism, the postwar years saw the(...)
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Minor White, Aaron Siskind, and Harry Callahan carved out a new role for photographers and their art in the decades after World War Two. "Photography as a way of life" traces how these influential teachers and theorists reimagined the medium as a livelihood and a life’s work. Together with growing markets for snapshots and photojournalism, the postwar years saw the(...)
Title:
Photography as a way of life: Minor White, Aaron Siskind, and Harry Callahan
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Minor White, Aaron Siskind, and Harry Callahan carved out a new role for photographers and their art in the decades after World War Two. "Photography as a way of life" traces how these influential teachers and theorists reimagined the medium as a livelihood and a life’s work. Together with growing markets for snapshots and photojournalism, the postwar years saw the emergence of photography as an established field of study in higher education. In this beautifully produced book, Brendan Fay takes readers from the late 1940s through the 1970s to explore how White, Siskind, and Callahan transformed the ways photography was taught, shown, and understood. Inclined toward abstraction and personally expressive images, they modeled a commitment to art in the face of commercial and professional pressures. In classrooms and private workshops and through exhibitions, photobooks, and magazines—including Aperture, with White as its founding editor—they offered training and inspiration while building a devoted audience for their pictures.
Photography as a way of life: Minor White, Aaron Siskind, and Harry Callahan
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Minor White, Aaron Siskind, and Harry Callahan carved out a new role for photographers and their art in the decades after World War Two. "Photography as a way of life" traces how these influential teachers and theorists reimagined the medium as a livelihood and a life’s work. Together with growing markets for snapshots and photojournalism, the postwar years saw the emergence of photography as an established field of study in higher education. In this beautifully produced book, Brendan Fay takes readers from the late 1940s through the 1970s to explore how White, Siskind, and Callahan transformed the ways photography was taught, shown, and understood. Inclined toward abstraction and personally expressive images, they modeled a commitment to art in the face of commercial and professional pressures. In classrooms and private workshops and through exhibitions, photobooks, and magazines—including Aperture, with White as its founding editor—they offered training and inspiration while building a devoted audience for their pictures.
Form:
books
books
Publication:
May 2026
May 2026
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
When home is a photograph
When home is a photograph
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In ''When Home Is a Photograph", Leigh Raiford asks how Black people use photography to make home in the world. Raiford focuses on a selection of Black American activists and artists, including Marcus Garvey, James Van Der Zee, Eslanda Goode Robeson, and Kathleen Neal Cleaver to explore the complex relationship between racialized subjects and the medium of photography. As(...)
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In ''When Home Is a Photograph", Leigh Raiford asks how Black people use photography to make home in the world. Raiford focuses on a selection of Black American activists and artists, including Marcus Garvey, James Van Der Zee, Eslanda Goode Robeson, and Kathleen Neal Cleaver to explore the complex relationship between racialized subjects and the medium of photography. As(...)
Title:
When home is a photograph
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In ''When Home Is a Photograph", Leigh Raiford asks how Black people use photography to make home in the world. Raiford focuses on a selection of Black American activists and artists, including Marcus Garvey, James Van Der Zee, Eslanda Goode Robeson, and Kathleen Neal Cleaver to explore the complex relationship between racialized subjects and the medium of photography. As they traveled the world for study, for work, for pleasure, or for survival, these artists and activists took and collected photographs to express their political platforms and personal sense of self. Raiford considers the everyday image-making practices that these Black Americans employed to improve the condition of Black lives globally by imagining, identifying, inhabiting, leaving, defending, and destroying “home.” ''When Home Is a Photograph'' shows how these figures did not merely utilize photography to emplace themselves in the world—they demonstrated how the use of photography is itself a way to mediate one’s relationship to the world.
When home is a photograph
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In ''When Home Is a Photograph", Leigh Raiford asks how Black people use photography to make home in the world. Raiford focuses on a selection of Black American activists and artists, including Marcus Garvey, James Van Der Zee, Eslanda Goode Robeson, and Kathleen Neal Cleaver to explore the complex relationship between racialized subjects and the medium of photography. As they traveled the world for study, for work, for pleasure, or for survival, these artists and activists took and collected photographs to express their political platforms and personal sense of self. Raiford considers the everyday image-making practices that these Black Americans employed to improve the condition of Black lives globally by imagining, identifying, inhabiting, leaving, defending, and destroying “home.” ''When Home Is a Photograph'' shows how these figures did not merely utilize photography to emplace themselves in the world—they demonstrated how the use of photography is itself a way to mediate one’s relationship to the world.
Form:
books
books
Publication:
April 2026
April 2026
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$38.95
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Félix Nadar took the first aerial photograph in 1858, so the story goes. The evidence, Emily Doucet notes, is mixed. In Inventing Nadar, Doucet analyzes the historical and material production of the nineteenth-century Parisian photographer’s famous and numerous photographic firsts. Focusing on these oft-labeled groundbreaking elements of his career, she deconstructs(...)
$38.95
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Summary:
Félix Nadar took the first aerial photograph in 1858, so the story goes. The evidence, Emily Doucet notes, is mixed. In Inventing Nadar, Doucet analyzes the historical and material production of the nineteenth-century Parisian photographer’s famous and numerous photographic firsts. Focusing on these oft-labeled groundbreaking elements of his career, she deconstructs(...)
Title:
Inventing Nadar: A history of photographic firsts
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Félix Nadar took the first aerial photograph in 1858, so the story goes. The evidence, Emily Doucet notes, is mixed. In Inventing Nadar, Doucet analyzes the historical and material production of the nineteenth-century Parisian photographer’s famous and numerous photographic firsts. Focusing on these oft-labeled groundbreaking elements of his career, she deconstructs Nadar’s legacy as a prime protagonist in the history of photography by interrogating the media techniques used to construct his invention narratives. Doucet highlights this highly mediated process as one that canonized novel applications of photography as discrete techniques with single authors and inventors. Looking to this process of mediation through the institutions and individuals that shaped Nadar’s archives, Doucet unpacks assumptions of Nadar as a master of early photography and shows how the medium is enmeshed in larger histories of media, science, and technology. The result is both a new account of Nadar’s place in photographic history and a critical study of how stories of innovation take shape.
Inventing Nadar: A history of photographic firsts
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Félix Nadar took the first aerial photograph in 1858, so the story goes. The evidence, Emily Doucet notes, is mixed. In Inventing Nadar, Doucet analyzes the historical and material production of the nineteenth-century Parisian photographer’s famous and numerous photographic firsts. Focusing on these oft-labeled groundbreaking elements of his career, she deconstructs Nadar’s legacy as a prime protagonist in the history of photography by interrogating the media techniques used to construct his invention narratives. Doucet highlights this highly mediated process as one that canonized novel applications of photography as discrete techniques with single authors and inventors. Looking to this process of mediation through the institutions and individuals that shaped Nadar’s archives, Doucet unpacks assumptions of Nadar as a master of early photography and shows how the medium is enmeshed in larger histories of media, science, and technology. The result is both a new account of Nadar’s place in photographic history and a critical study of how stories of innovation take shape.
Form:
books
books
Publication:
April 2026
April 2026
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$74.95
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Summary:
More and more artists from beyond the traditional “West” are exploring questions of their history and origins through colonial-era photography. Through textile, photographic, filmic and sculptural collages, new memories emerge that do not remain confined to the history of colonial oppression but rather remain in motion, resisting and serving as a living foundation for the(...)
$74.95
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Summary:
More and more artists from beyond the traditional “West” are exploring questions of their history and origins through colonial-era photography. Through textile, photographic, filmic and sculptural collages, new memories emerge that do not remain confined to the history of colonial oppression but rather remain in motion, resisting and serving as a living foundation for the(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
September 2026
September 2026
Title:
A kind of paradise: Artistic counter-narratives to colonial-era photography
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More and more artists from beyond the traditional “West” are exploring questions of their history and origins through colonial-era photography. Through textile, photographic, filmic and sculptural collages, new memories emerge that do not remain confined to the history of colonial oppression but rather remain in motion, resisting and serving as a living foundation for the future. "A kind of paradise," in conjunction with the exhibition of the same name at Museum Rietberg, presents a prescient visual cosmos offering a synoptic view of this phenomenon.
A kind of paradise: Artistic counter-narratives to colonial-era photography
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More and more artists from beyond the traditional “West” are exploring questions of their history and origins through colonial-era photography. Through textile, photographic, filmic and sculptural collages, new memories emerge that do not remain confined to the history of colonial oppression but rather remain in motion, resisting and serving as a living foundation for the future. "A kind of paradise," in conjunction with the exhibition of the same name at Museum Rietberg, presents a prescient visual cosmos offering a synoptic view of this phenomenon.
Form:
books
books
Publication:
September 2026
September 2026
Subject:
Theory of Photography
Theory of Photography
