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With this book, author Henry Petroski delves into the ongoing physical interaction between people and things that enables them to stay put or causes them to move. He explores the range of daily human experience whereby we feel the sensations of push and pull, resistance and assistance. The book is also about metaphorical force, which manifests itself as pressure and(...)
Force: What it means to push and pull, slip and grip, start and stop
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With this book, author Henry Petroski delves into the ongoing physical interaction between people and things that enables them to stay put or causes them to move. He explores the range of daily human experience whereby we feel the sensations of push and pull, resistance and assistance. The book is also about metaphorical force, which manifests itself as pressure and relief, achievement and defeat. Petroski draws from a variety of disciplines to make the case that force—represented especially by our sense of touch—is a unifying principle that pervades our lives. In the wake of a prolonged global pandemic that increasingly cautioned us about contact with the physical world, Petroski offers a new perspective on the importance of the sensation and power of touch.
Design Theory
Communication, espace, image
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La communication visuelle constitue aujourd'hui une partie fondamentale de notre expérience quotidienne. Les affiches dans la rue, les campagnes publicitaires, les images qui circulent entre nouveaux médias et médias traditionnels alimentent nos imaginaires, nos valeurs et nos actions. La sémiologue Giorgia Aiello nous propose une lecture engagée des images dans(...)
Communication, espace, image
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La communication visuelle constitue aujourd'hui une partie fondamentale de notre expérience quotidienne. Les affiches dans la rue, les campagnes publicitaires, les images qui circulent entre nouveaux médias et médias traditionnels alimentent nos imaginaires, nos valeurs et nos actions. La sémiologue Giorgia Aiello nous propose une lecture engagée des images dans lesquelles nous sommes immergées au jour le jour. Les textes qui sont réunis dans cet ouvrage visent à complexifier nos visions et compréhensions des paysages sémiotiques qui peuplent nos espaces urbains. A travers l'analyse de différents exemples, de Starbucks à Getty Images, de Magnum Photo à Manifattura Tabacchi à Bologne, l'autrice nous propose une approche critique de l'esthétique mondialiste contemporaine.
Design Theory
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Scandinavia is famous for its design culture, and for its pioneering efforts toward a sustainable future. In this volume, Kjetil Fallan shows how these two forces came together in the late 1960s and early 1970s, when Scandinavian designers began to question the endless cycle in which designed objects are produced, consumed, discarded, and replaced in quick succession. The(...)
Ecological by design: A history from Scandinavia
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Scandinavia is famous for its design culture, and for its pioneering efforts toward a sustainable future. In this volume, Kjetil Fallan shows how these two forces came together in the late 1960s and early 1970s, when Scandinavian designers began to question the endless cycle in which designed objects are produced, consumed, discarded, and replaced in quick succession. The emergence of ecological design in Scandinavia at the height of the popular environmental movement, Fallan suggests, illuminates a little-known reciprocity between environmentalism and design: not only did design play a role in the rise of modern environmentalism, but ecological thinking influenced the transformation in design culture in Scandinavia and beyond that began as the modernist faith in progress and prosperity waned.
Design Theory
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy,(...)
January 2024
Seeing <—> Making: Room for thought
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss’ perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action. In both design and content, "Seeing <—> Making: Room for thought" builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore's book "The medium is the massage", Walter Benjamin's "Arcades" Project and John Berger's "Ways of seeing". This innovative volume brings Buck-Morss’ more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.
$39.95
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Le design institue un rapport ambivalent à notre culture matérielle. Il produit à la fois l'objet de série, fini et prêt à l'usage et le prototype mis en oeuvre au sein de l'enchevêtrement de croquis et de maquettes, comme matériau actif et ouvert de développement du geste inventif. Comment une même culture industrielle peut-elle induire deux rapports aux objets si(...)
La zone obscure : Vers une pensée mineure du design
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Le design institue un rapport ambivalent à notre culture matérielle. Il produit à la fois l'objet de série, fini et prêt à l'usage et le prototype mis en oeuvre au sein de l'enchevêtrement de croquis et de maquettes, comme matériau actif et ouvert de développement du geste inventif. Comment une même culture industrielle peut-elle induire deux rapports aux objets si différents ? En sondant les zones obscures qui les séparent, il s'agit de défricher une voie mineure dans la compréhension des pratiques de conception et d'engager un rapport renouvelé à la matérialité du monde. La zone obscure (LZO) de Vincent Beaubois interroge la discipline du design à l'aune de la conceptualité de Gilbert Simondon, l'un des rares philosophes français à s'être très tôt intéressé aux objets techniques. Beaubois s'oppose à une pensée majeure du design, d'essence industrielle, pour promouvoir au contraire une « pensée mineure du design » qui, contre l'idéologie du projet, privilégierait les notions de diagramme et de prototype. Il faudra donc « se défaire du design comme simple outil de développement pour en faire un vecteur d'intensification et de problématisation de notre rapport au monde ».
Design Theory
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A collection of timely new scholarship, ''Repair: Sustainable design futures'' investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic(...)
Repair: Sustainable design futures
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A collection of timely new scholarship, ''Repair: Sustainable design futures'' investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic futures. Thematically expansive and richly illustrated, with over 125 visuals, this volume features an international, interdisciplinary group of contributors from across the design spectrum whose voices and artwork speak to how we might address our broken social and physical worlds. Organized around reparative thinking and practices, the book includes 30 long and short chapters, photo essays, and interviews that focus on multiple responses to fractured systems, relationships, cities, architecture, objects, and more. ''Repair'' will encourage students, academics, researchers, and practitioners in art, design and architecture practice and theory, cultural studies, environment and sustainability, to discuss, engage, and rethink the act of repair and its impact on our society and environment.
Design Theory
Abécédaire de la beauté
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Qu’est-il advenu de la beauté ? Du charme dissimulé dans le quotidien au régime esthétique atypique de l’imagerie scientifique, de sa capacité inouïe à penser le vivant jusqu’à ses innombrables applications littéraires, philosophiques, techniques, historiques et artistiques, la beauté se révèle être un terrain intellectuel particulièrement fécond. Cet abécédaire croise(...)
Abécédaire de la beauté
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Qu’est-il advenu de la beauté ? Du charme dissimulé dans le quotidien au régime esthétique atypique de l’imagerie scientifique, de sa capacité inouïe à penser le vivant jusqu’à ses innombrables applications littéraires, philosophiques, techniques, historiques et artistiques, la beauté se révèle être un terrain intellectuel particulièrement fécond. Cet abécédaire croise les axes de réflexion autour d’une notion aussi galvaudée qu’insaisissable, mais qui, selon les quarante-trois contributions réunies ici, demeure au centre de nos préoccupations les plus actuelles et les plus vives. Mêlant à la fois une réflexion sur les termes attendus (Grèce, Style, Sublime, Vénus) et d’autres beaucoup plus insolites (Déchets, Robot, Chaos, Pieuvre), la beauté est présente comme un cadre structurant nos pensées mais également comme une lézarde, diffuse et souterraine, dans les interstices de toutes nos modalités d’existence.
Design Theory
L'intelligence des affiches
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À travers plus de vingt exemples d’affiches, traversant les époques depuis la fin du XIXe siècle jusqu’à la création contemporaine, Pierre Fresnault-Deruelle nous montre la richesse visuelle et sémantique de ce moyen d’expression. Il nous présente des exemples illustres d’affiches vantant des produits de marque ou des spectacles et nous amène ainsi à la rencontre de(...)
L'intelligence des affiches
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À travers plus de vingt exemples d’affiches, traversant les époques depuis la fin du XIXe siècle jusqu’à la création contemporaine, Pierre Fresnault-Deruelle nous montre la richesse visuelle et sémantique de ce moyen d’expression. Il nous présente des exemples illustres d’affiches vantant des produits de marque ou des spectacles et nous amène ainsi à la rencontre de quelques-uns des plus grands affichistes (Lautrec, Cassandre, Savignac, Bundi, etc...).
Design Theory
$28.95
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Some call it design for the greater good. Others call it social design. Whatever you call it, it's clear that an altruistic impulse is on the rise in the design community. Designing for Social Change, is a compact, hands-on primer for graphic designers who want to use their unique problem-solving skills to help others.
Design for social change : strategies for community-based graphic design
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Some call it design for the greater good. Others call it social design. Whatever you call it, it's clear that an altruistic impulse is on the rise in the design community. Designing for Social Change, is a compact, hands-on primer for graphic designers who want to use their unique problem-solving skills to help others.
Design Theory
$31.95
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A collection of essays by Michael Bierut, Pentagram partner, cofounder of the website Design Observer, and AIGA board member. Bierut is one of the best-respected and most-beloved writers within the graphic design field, a spokesman for the profession, and a man pretty much universally admired within the academy and among practitioners. This collection includes writings(...)
Seventy-nine short essays on design
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A collection of essays by Michael Bierut, Pentagram partner, cofounder of the website Design Observer, and AIGA board member. Bierut is one of the best-respected and most-beloved writers within the graphic design field, a spokesman for the profession, and a man pretty much universally admired within the academy and among practitioners. This collection includes writings from the 1980s through today.
Design Theory