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Title:
The Polaroid book
The Polaroid book
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In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton,(...)
$51.95
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Summary:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton,(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
April 2005, Cologne
April 2005, Cologne
Title:
The Polaroid book
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$51.95
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Summary:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. "The Polaroid Book", a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favourite among artists for its quirky look and instantly gratifying, one-of-kind images. The book includes over 400 works from the Polaroid Collections, an essay by Barbara Hitchcock illuminating the beginnings and history of the collection, and a technical reference section featuring the various types of Polaroid cameras.
The Polaroid book
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$51.95
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Summary:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. "The Polaroid Book", a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favourite among artists for its quirky look and instantly gratifying, one-of-kind images. The book includes over 400 works from the Polaroid Collections, an essay by Barbara Hitchcock illuminating the beginnings and history of the collection, and a technical reference section featuring the various types of Polaroid cameras.
Form:
books
books
Publication:
April 2005, Cologne
April 2005, Cologne
Subject:
Theory of Photography
Theory of Photography
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books
books
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$29.95
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Summary:
"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of(...)
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of(...)
Title:
Light in the dark room : photography and loss
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of figures as different as Roland Barthes and Claude Lévi-Strauss, Gordon Parks and Elizabeth Bishop, "Light in the Dark Room" offers a vision of photography as realization of loss - and a revelation of how photographs can shed light on the dark rooms of our lives. Beginning with an analysis of Roland Barthes’s "Camera Lucida", Prosser explores the relationship of autobiography and photography and then considers Lévi-Strauss’s last published book, his photographic memoir; he uncovers the collection of photography painstakingly assembled by poet Elizabeth Bishop but never published; and he recounts the story of a forgotten Brazilian boy from the 1960s who lost his home as a result of photographs. The losses this book recalls are poignant yet universal - a son loses his mother; an anthropologist, his culture; a photographer, his youth; a poet, her lover. Among these personal and moving losses and the remarkable photographs that accompany them, Prosser weaves his own meditations on photography, on the interdependence of loss and enlightenment, on the emergence of our technologized society - and the world we have lost in the process.
Light in the dark room : photography and loss
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Summary:
"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of figures as different as Roland Barthes and Claude Lévi-Strauss, Gordon Parks and Elizabeth Bishop, "Light in the Dark Room" offers a vision of photography as realization of loss - and a revelation of how photographs can shed light on the dark rooms of our lives. Beginning with an analysis of Roland Barthes’s "Camera Lucida", Prosser explores the relationship of autobiography and photography and then considers Lévi-Strauss’s last published book, his photographic memoir; he uncovers the collection of photography painstakingly assembled by poet Elizabeth Bishop but never published; and he recounts the story of a forgotten Brazilian boy from the 1960s who lost his home as a result of photographs. The losses this book recalls are poignant yet universal - a son loses his mother; an anthropologist, his culture; a photographer, his youth; a poet, her lover. Among these personal and moving losses and the remarkable photographs that accompany them, Prosser weaves his own meditations on photography, on the interdependence of loss and enlightenment, on the emergence of our technologized society - and the world we have lost in the process.
Form:
books
books
Publication:
December 2005, Minneapolis
December 2005, Minneapolis
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$31.25
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Summary:
Eugène Atget, Jacques Henri Lartigue, André Kertész, Brassaï, Henri Cartier- Bresson, Robert Doisneau—some of the greatest photographers of Paris—were relatively unknown when they began their most innovative work. Not yet burdened with conventional career expectations, they found the city the perfect environment in which to invent and develop an entirely new approach to(...)
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Summary:
Eugène Atget, Jacques Henri Lartigue, André Kertész, Brassaï, Henri Cartier- Bresson, Robert Doisneau—some of the greatest photographers of Paris—were relatively unknown when they began their most innovative work. Not yet burdened with conventional career expectations, they found the city the perfect environment in which to invent and develop an entirely new approach to(...)
Title:
Paris : photographs from a time that was
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Eugène Atget, Jacques Henri Lartigue, André Kertész, Brassaï, Henri Cartier- Bresson, Robert Doisneau—some of the greatest photographers of Paris—were relatively unknown when they began their most innovative work. Not yet burdened with conventional career expectations, they found the city the perfect environment in which to invent and develop an entirely new approach to conceiving the photographic image. In the 1920s and 1930s, the generation of photographers after Atget responded not only to the physical city itself but also to a new sensibility of time as a spontaneous act. Masterworks by these now-famous visionaries of the medium are featured in this book of photographs of Paris from the 1850s to the 1950s, drawn from the collection of the Art Institute of Chicago. David Travis introduces the book with an essay on how these photographers inherited the culture of walking in and observing Paris from Jean-Jacques Rousseau, Charles Baudelaire, and the boulevard flâneurs of the late nineteenth century. Their acceptance and celebration of the fluidity of the city’s street life became the chief virtue of their profession as photojournalists for the new illustrated magazines that would eventually make them famous.
Paris : photographs from a time that was
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Eugène Atget, Jacques Henri Lartigue, André Kertész, Brassaï, Henri Cartier- Bresson, Robert Doisneau—some of the greatest photographers of Paris—were relatively unknown when they began their most innovative work. Not yet burdened with conventional career expectations, they found the city the perfect environment in which to invent and develop an entirely new approach to conceiving the photographic image. In the 1920s and 1930s, the generation of photographers after Atget responded not only to the physical city itself but also to a new sensibility of time as a spontaneous act. Masterworks by these now-famous visionaries of the medium are featured in this book of photographs of Paris from the 1850s to the 1950s, drawn from the collection of the Art Institute of Chicago. David Travis introduces the book with an essay on how these photographers inherited the culture of walking in and observing Paris from Jean-Jacques Rousseau, Charles Baudelaire, and the boulevard flâneurs of the late nineteenth century. Their acceptance and celebration of the fluidity of the city’s street life became the chief virtue of their profession as photojournalists for the new illustrated magazines that would eventually make them famous.
Form:
books
books
Publication:
January 1900, New Haven, London
January 1900, New Haven, London
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$29.95
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Summary:
La photographie connaît depuis quelques années un engouement sans précédent auprès du public, des institutions, de la critique mais aussi des artistes, qui l'intègrent de plus en plus à leur pratique. Elle est ainsi devenue aujourd'hui l'un des principaux médiums de l'art contemporain. Ce livre analyse l'infinie variété de sujets abordés et de techniques employées par les(...)
$29.95
(available to order)
Summary:
La photographie connaît depuis quelques années un engouement sans précédent auprès du public, des institutions, de la critique mais aussi des artistes, qui l'intègrent de plus en plus à leur pratique. Elle est ainsi devenue aujourd'hui l'un des principaux médiums de l'art contemporain. Ce livre analyse l'infinie variété de sujets abordés et de techniques employées par les(...)
Title:
La photographie dans l'art contemporain
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La photographie connaît depuis quelques années un engouement sans précédent auprès du public, des institutions, de la critique mais aussi des artistes, qui l'intègrent de plus en plus à leur pratique. Elle est ainsi devenue aujourd'hui l'un des principaux médiums de l'art contemporain. Ce livre analyse l'infinie variété de sujets abordés et de techniques employées par les artistes, mais il s'attache surtout, et c'est là son originalité, à dresser une typologie de leurs différentes approches. Pour certains artistes, comme Sophie Calle ou Erwin Wurm, la photographie est un moyen d'enregistrer une performance ou une action quotidienne, tandis que pour d'autres, comme Yinka Shonibare ou Gregory Crewdson, elle permet la mise en scène de récits imaginaires. Andreas Gursky, Thomas Demand et Rineke Dijkstra présentent de leur côté une vision froide et en apparence objective du monde extérieur, tandis que Richard Billingham, Nan Goldin ou encore Wolfgang Tillmans donnent à voir des détails intimes de leur vie privée. Entre les mains de Luc Delahaye et d'Allan Sekula, la photographie est un moyen de créer un travail documentaire, alors que pour d'autres encore, comme Cindy Sherman ou Gillian Wearing, l'image photographique devient un réceptacle de valeurs personnelles, sociales et culturelles dans un monde saturé d'images. Au fil de sept chapitres richement illustrés, Charlotte Cotton mène une analyse originale du travail des artistes les plus importants dans ce domaine et de leurs œuvres clés, et livre ainsi une introduction subtile et exigeante à une forme qui domine la scène artistique en ce début de XXIe siècle.
La photographie dans l'art contemporain
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Summary:
La photographie connaît depuis quelques années un engouement sans précédent auprès du public, des institutions, de la critique mais aussi des artistes, qui l'intègrent de plus en plus à leur pratique. Elle est ainsi devenue aujourd'hui l'un des principaux médiums de l'art contemporain. Ce livre analyse l'infinie variété de sujets abordés et de techniques employées par les artistes, mais il s'attache surtout, et c'est là son originalité, à dresser une typologie de leurs différentes approches. Pour certains artistes, comme Sophie Calle ou Erwin Wurm, la photographie est un moyen d'enregistrer une performance ou une action quotidienne, tandis que pour d'autres, comme Yinka Shonibare ou Gregory Crewdson, elle permet la mise en scène de récits imaginaires. Andreas Gursky, Thomas Demand et Rineke Dijkstra présentent de leur côté une vision froide et en apparence objective du monde extérieur, tandis que Richard Billingham, Nan Goldin ou encore Wolfgang Tillmans donnent à voir des détails intimes de leur vie privée. Entre les mains de Luc Delahaye et d'Allan Sekula, la photographie est un moyen de créer un travail documentaire, alors que pour d'autres encore, comme Cindy Sherman ou Gillian Wearing, l'image photographique devient un réceptacle de valeurs personnelles, sociales et culturelles dans un monde saturé d'images. Au fil de sept chapitres richement illustrés, Charlotte Cotton mène une analyse originale du travail des artistes les plus importants dans ce domaine et de leurs œuvres clés, et livre ainsi une introduction subtile et exigeante à une forme qui domine la scène artistique en ce début de XXIe siècle.
Form:
books
books
Publication:
May 2005, Paris
May 2005, Paris
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$93.95
(available to order)
Summary:
Architect and propagandist of the modern movement, Alberto Sartoris (1901-1998) assembled a remarkable photography collection of modern architecture, published in part in two anthologies that have since achieved mythical stature: «Gli elementi dell'architettura funzionale» and «l'Encyclopédie de l'architecture nouvelle». These photographs document the architectural works(...)
$93.95
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Summary:
Architect and propagandist of the modern movement, Alberto Sartoris (1901-1998) assembled a remarkable photography collection of modern architecture, published in part in two anthologies that have since achieved mythical stature: «Gli elementi dell'architettura funzionale» and «l'Encyclopédie de l'architecture nouvelle». These photographs document the architectural works(...)
Publication:
May 2005, Lausanne
May 2005, Lausanne
Title:
Photography, modern architecture and design : the Alberto Sartoris collection | objects from the Vitra design museum
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Architect and propagandist of the modern movement, Alberto Sartoris (1901-1998) assembled a remarkable photography collection of modern architecture, published in part in two anthologies that have since achieved mythical stature: «Gli elementi dell'architettura funzionale» and «l'Encyclopédie de l'architecture nouvelle». These photographs document the architectural works around the world, from Le Corbusier to Luis Barragàn, photographed by the best specialists of their period. This work presents the collection that Alberto Sartoris donated to the Ecole polytechnique fédérale de Lausanne. It also throws light on a poorly understood aspect of twentieth century architecture, namely, the mechanisms behind the creation and diffusion of the «image of modern architecture», as well as the determining role played by photography in this process.
Photography, modern architecture and design : the Alberto Sartoris collection | objects from the Vitra design museum
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$93.95
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Summary:
Architect and propagandist of the modern movement, Alberto Sartoris (1901-1998) assembled a remarkable photography collection of modern architecture, published in part in two anthologies that have since achieved mythical stature: «Gli elementi dell'architettura funzionale» and «l'Encyclopédie de l'architecture nouvelle». These photographs document the architectural works around the world, from Le Corbusier to Luis Barragàn, photographed by the best specialists of their period. This work presents the collection that Alberto Sartoris donated to the Ecole polytechnique fédérale de Lausanne. It also throws light on a poorly understood aspect of twentieth century architecture, namely, the mechanisms behind the creation and diffusion of the «image of modern architecture», as well as the determining role played by photography in this process.
Form:
books
books
Publication:
May 2005, Lausanne
May 2005, Lausanne
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books
books
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$39.95
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Summary:
"Light Matters" gathers for the first time a selection of Vicki Goldberg's essays and criticism, culled from her writings published over the past twenty-five years. Goldberg’s take on photography is both insightful and encompassing: her subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the “boredom” of(...)
$39.95
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Summary:
"Light Matters" gathers for the first time a selection of Vicki Goldberg's essays and criticism, culled from her writings published over the past twenty-five years. Goldberg’s take on photography is both insightful and encompassing: her subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the “boredom” of(...)
Title:
Light matters : writings on photography
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"Light Matters" gathers for the first time a selection of Vicki Goldberg's essays and criticism, culled from her writings published over the past twenty-five years. Goldberg’s take on photography is both insightful and encompassing: her subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the “boredom” of voyeurism to the great preponderance of tragic photographs in the news. She brings new light to the work of the medium’s “old masters,” among them Walker Evans, Lotte Jacobi, and Lartigue, writing with equal acuity about contemporary trailblazers such as Bill Viola, Daido Moriyama, and Bastienne Schmidt. Goldberg also tackles provocative larger issues facing the medium, such as the potentially “transgressive” nature of photographs, and the camera’s powerful role in a culture of commodification. Dismissing clichés and deftly negotiating the many diverging paths photography now follows, Goldberg demonstrates how to consider not just photographic images themselves, but their impact, and the meaning of that impact. "Light Matters" showcases a writer of great intelligence, wit, and insight, whose understanding of this multifarious and evolving medium is unsurpassed.
Light matters : writings on photography
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$39.95
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Summary:
"Light Matters" gathers for the first time a selection of Vicki Goldberg's essays and criticism, culled from her writings published over the past twenty-five years. Goldberg’s take on photography is both insightful and encompassing: her subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the “boredom” of voyeurism to the great preponderance of tragic photographs in the news. She brings new light to the work of the medium’s “old masters,” among them Walker Evans, Lotte Jacobi, and Lartigue, writing with equal acuity about contemporary trailblazers such as Bill Viola, Daido Moriyama, and Bastienne Schmidt. Goldberg also tackles provocative larger issues facing the medium, such as the potentially “transgressive” nature of photographs, and the camera’s powerful role in a culture of commodification. Dismissing clichés and deftly negotiating the many diverging paths photography now follows, Goldberg demonstrates how to consider not just photographic images themselves, but their impact, and the meaning of that impact. "Light Matters" showcases a writer of great intelligence, wit, and insight, whose understanding of this multifarious and evolving medium is unsurpassed.
Form:
books
books
Publication:
March 2005, New York
March 2005, New York
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$39.95
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Summary:
From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many(...)
$39.95
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Summary:
From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many(...)
Title:
Photography speaks : 150 photographers on their art
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$39.95
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From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many students, the discourse on art and artistry contained in this volume is of unprecedented scale - collecting the writing of such diverse photographers as William Henry Fox Talbot, Eugène Atget, Alfred Stieglitz, Lewis Hine, August Sander, Man Ray, Weegee, Robert Frank, Diane Arbus, Robert Heinecken, and Lucas Samaras. New additions include selections from Nadar, William Eggleston, Eikoh Hosoe, Gordon Parks, Manuel Alvarez Bravo, Christian Boltanski, Thomas Struth, and Rineke Dijkstra. The contributors expound upon topics such as their method and intentions, the state of the arts, or the medium itself. "Photography Speaks" has been and will continue to be a vital reference source, an enduring testament to the art of photography, and an engrossing text for artists and enthusiasts alike.
Photography speaks : 150 photographers on their art
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$39.95
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Summary:
From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many students, the discourse on art and artistry contained in this volume is of unprecedented scale - collecting the writing of such diverse photographers as William Henry Fox Talbot, Eugène Atget, Alfred Stieglitz, Lewis Hine, August Sander, Man Ray, Weegee, Robert Frank, Diane Arbus, Robert Heinecken, and Lucas Samaras. New additions include selections from Nadar, William Eggleston, Eikoh Hosoe, Gordon Parks, Manuel Alvarez Bravo, Christian Boltanski, Thomas Struth, and Rineke Dijkstra. The contributors expound upon topics such as their method and intentions, the state of the arts, or the medium itself. "Photography Speaks" has been and will continue to be a vital reference source, an enduring testament to the art of photography, and an engrossing text for artists and enthusiasts alike.
Form:
books
books
Publication:
March 2005, New York
March 2005, New York
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$45.95
(available to order)
Summary:
Une reconstitution de l'exposition de 1935 à la galerie Julien Levy de New York. C'est la première fois depuis lors que sont réunis ces tirages d'époque, qui constituent un ensemble excpetionnel d'images essentielles et parfois méconnues. Cette exposition historique rassemble l'oeuvre de jeunesse de trois grands maîtres de la photographie.
$45.95
(available to order)
Summary:
Une reconstitution de l'exposition de 1935 à la galerie Julien Levy de New York. C'est la première fois depuis lors que sont réunis ces tirages d'époque, qui constituent un ensemble excpetionnel d'images essentielles et parfois méconnues. Cette exposition historique rassemble l'oeuvre de jeunesse de trois grands maîtres de la photographie.
Subject:
Theory of Photography
Theory of Photography
Publication:
January 1900, Gottingen
January 1900, Gottingen
Title:
Documentary and anti-graphic : photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo
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Une reconstitution de l'exposition de 1935 à la galerie Julien Levy de New York. C'est la première fois depuis lors que sont réunis ces tirages d'époque, qui constituent un ensemble excpetionnel d'images essentielles et parfois méconnues. Cette exposition historique rassemble l'oeuvre de jeunesse de trois grands maîtres de la photographie.
Documentary and anti-graphic : photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo
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$45.95
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Summary:
Une reconstitution de l'exposition de 1935 à la galerie Julien Levy de New York. C'est la première fois depuis lors que sont réunis ces tirages d'époque, qui constituent un ensemble excpetionnel d'images essentielles et parfois méconnues. Cette exposition historique rassemble l'oeuvre de jeunesse de trois grands maîtres de la photographie.
Form:
books
books
Publication:
January 1900, Gottingen
January 1900, Gottingen
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$59.95
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Summary:
Considéré comme «les plus grandes photographies du monde», les Coloramas présentaient une vision immuable, commémorative et consumériste de la société américaine : un concentré de rêve américain. Mises en scène inouïes et monumentales, ils ont été une source majeure de nostalgie et de mythification.
$59.95
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Considéré comme «les plus grandes photographies du monde», les Coloramas présentaient une vision immuable, commémorative et consumériste de la société américaine : un concentré de rêve américain. Mises en scène inouïes et monumentales, ils ont été une source majeure de nostalgie et de mythification.
Subject:
Theory of Photography
Theory of Photography
Publication:
January 1900, Paris
January 1900, Paris
Title:
Colorama : les plus grandes photographies du monde,
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Considéré comme «les plus grandes photographies du monde», les Coloramas présentaient une vision immuable, commémorative et consumériste de la société américaine : un concentré de rêve américain. Mises en scène inouïes et monumentales, ils ont été une source majeure de nostalgie et de mythification.
Colorama : les plus grandes photographies du monde,
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$59.95
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Considéré comme «les plus grandes photographies du monde», les Coloramas présentaient une vision immuable, commémorative et consumériste de la société américaine : un concentré de rêve américain. Mises en scène inouïes et monumentales, ils ont été une source majeure de nostalgie et de mythification.
Form:
books
books
Publication:
January 1900, Paris
January 1900, Paris
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
On photography
On photography
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$25.00
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"On Photography" first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato’s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
$25.00
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Summary:
"On Photography" first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato’s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
Publication:
January 2001, New York
January 2001, New York
Title:
On photography
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$25.00
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"On Photography" first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato’s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
On photography
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$25.00
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Summary:
"On Photography" first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato’s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
Form:
books
books
Publication:
January 2001, New York
January 2001, New York
