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books
books
Title:
Beauty in photography
Beauty in photography
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$16.95
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Summary:
The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
$16.95
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Summary:
The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Title:
Beauty in photography
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$16.95
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Summary:
The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Beauty in photography
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$16.95
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Summary:
The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Form:
books
books
Publication:
April 1996
April 1996
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Augmented Photography
Augmented Photography
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$42.95
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"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The(...)
$42.95
(available to order)
Summary:
"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
October 2017
October 2017
Title:
Augmented Photography
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$42.95
(available to order)
Summary:
"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The publication presents also productions done by the Master’s students during practical exercises throughout the 2016-2017 academic year, together with a selection of representative works.
Augmented Photography
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$42.95
(available to order)
Summary:
"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The publication presents also productions done by the Master’s students during practical exercises throughout the 2016-2017 academic year, together with a selection of representative works.
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$45.00
(available to order)
Summary:
Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue(...)
$45.00
(available to order)
Summary:
Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue(...)
Title:
Aperture conversations: 1985 to the present
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$45.00
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Summary:
Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from "Aperture" magazine with selections from Aperture’s booklist and online platform, "Aperture Conversations" celebrates the artist’s voice, collaborations, and the photography community at large.
Aperture conversations: 1985 to the present
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$45.00
(available to order)
Summary:
Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from "Aperture" magazine with selections from Aperture’s booklist and online platform, "Aperture Conversations" celebrates the artist’s voice, collaborations, and the photography community at large.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$75.50
(available to order)
Summary:
Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and(...)
$75.50
(available to order)
Summary:
Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and(...)
Title:
Feast for the eyes: The story of food in photography
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$75.50
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Summary:
Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and intelligence to this spectacular subject, and trace the progression of the genre from photography's beginnings to present day, featuring artists from all eras-Roger Fenton, Nickolas Muray, Edward Weston, Irving Penn, Stephen Shore, Laura Letinsky, Wolfgang Tillmans, Nobuyoshi Araki, and Martin Parr, to name a few. Through key pictures, Bright explores the important figures and movements of food photography to provide an essential primer.
Feast for the eyes: The story of food in photography
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Price:
$75.50
(available to order)
Summary:
Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and intelligence to this spectacular subject, and trace the progression of the genre from photography's beginnings to present day, featuring artists from all eras-Roger Fenton, Nickolas Muray, Edward Weston, Irving Penn, Stephen Shore, Laura Letinsky, Wolfgang Tillmans, Nobuyoshi Araki, and Martin Parr, to name a few. Through key pictures, Bright explores the important figures and movements of food photography to provide an essential primer.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Walker Evans: kitchen corner
Walker Evans: kitchen corner
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$28.50
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Summary:
Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous(...)
$28.50
(available to order)
Summary:
Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous(...)
Title:
Walker Evans: kitchen corner
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Price:
$28.50
(available to order)
Summary:
Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous impact on perceptions of the Great Depression and its effects on the American South. Olivier Richon’s detailed examination of the image, reveals unexpected visual and literary associations. Richon argues that Evans employs a photographic form that privileges detachment, calling attention to overlooked objects and the architecture of the dispossessed.
Walker Evans: kitchen corner
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Price:
$28.50
(available to order)
Summary:
Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous impact on perceptions of the Great Depression and its effects on the American South. Olivier Richon’s detailed examination of the image, reveals unexpected visual and literary associations. Richon argues that Evans employs a photographic form that privileges detachment, calling attention to overlooked objects and the architecture of the dispossessed.
Form:
books
books
Publication:
October 2018
October 2018
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Actions:
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$45.95
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Summary:
''Constructing Imperial Berlin'' is the first book to critically assess, contextualize, and frame urban and architectural photographs of the Imperial years in Berlin between 1871 and 1918. Berlin, as it was pronounced Germany's capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed?(...)
$45.95
(available in store)
Summary:
''Constructing Imperial Berlin'' is the first book to critically assess, contextualize, and frame urban and architectural photographs of the Imperial years in Berlin between 1871 and 1918. Berlin, as it was pronounced Germany's capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed?(...)
Title:
Constructing Imperial Berlin: photography and the metropolis
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$45.95
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Summary:
''Constructing Imperial Berlin'' is the first book to critically assess, contextualize, and frame urban and architectural photographs of the Imperial years in Berlin between 1871 and 1918. Berlin, as it was pronounced Germany's capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed? What was the city's understanding of its comparably short history? Given this short history, how did it embody the idea of a capital? A key theme of this book is the close interrelation of the city's rapid physical metamorphosis with repercussions on promotional and critical narratives, the emergence of groundbreaking photographic technologies, and novel forms of mass distribution.
Constructing Imperial Berlin: photography and the metropolis
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Price:
$45.95
(available in store)
Summary:
''Constructing Imperial Berlin'' is the first book to critically assess, contextualize, and frame urban and architectural photographs of the Imperial years in Berlin between 1871 and 1918. Berlin, as it was pronounced Germany's capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed? What was the city's understanding of its comparably short history? Given this short history, how did it embody the idea of a capital? A key theme of this book is the close interrelation of the city's rapid physical metamorphosis with repercussions on promotional and critical narratives, the emergence of groundbreaking photographic technologies, and novel forms of mass distribution.
Form:
books
books
Publication:
January 2019
January 2019
Form:
books
books
Actions:
Price:
$66.95
(available to order)
Summary:
This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, “photography” is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no(...)
$66.95
(available to order)
Summary:
This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, “photography” is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no(...)
Title:
Why exhibit? Positions on exhibiting photographs
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$66.95
(available to order)
Summary:
This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, “photography” is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no primary format for displaying photographs. By drawing upon the diverse perspectives of a group of curators, scholars, photographers, and artists based in the field of contemporary photography, this volume aims to provide a foundation for a wider discourse about exhibiting photographies in the twenty-first century.
Why exhibit? Positions on exhibiting photographs
Actions:
Price:
$66.95
(available to order)
Summary:
This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, “photography” is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no primary format for displaying photographs. By drawing upon the diverse perspectives of a group of curators, scholars, photographers, and artists based in the field of contemporary photography, this volume aims to provide a foundation for a wider discourse about exhibiting photographies in the twenty-first century.
Form:
books
books
Publication:
October 2018
October 2018
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$39.95
(available to order)
Summary:
''Public, Private, Secret: On Photography & the Configuration of Self'' explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and(...)
$39.95
(available to order)
Summary:
''Public, Private, Secret: On Photography & the Configuration of Self'' explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and(...)
Title:
Public, private, secret: on photography and the configuration of self
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$39.95
(available to order)
Summary:
''Public, Private, Secret: On Photography & the Configuration of Self'' explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and consumption patterns are embedded and implicated in a wider matrix of online behavior and social codes, which in turn give images a life of their own. The writings address the various disruptions, resistances, and subversions that artists propose to the limited versions of race, gender, sexuality, and autonomy that populate mainstream popular culture.
Public, private, secret: on photography and the configuration of self
Actions:
Price:
$39.95
(available to order)
Summary:
''Public, Private, Secret: On Photography & the Configuration of Self'' explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and consumption patterns are embedded and implicated in a wider matrix of online behavior and social codes, which in turn give images a life of their own. The writings address the various disruptions, resistances, and subversions that artists propose to the limited versions of race, gender, sexuality, and autonomy that populate mainstream popular culture.
Form:
books
books
Publication:
June 2018
June 2018
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Le daguerréotype
Le daguerréotype
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$11.95
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Summary:
Quand Arago défend l’invention de Daguerre, le 3 juillet 1839, devant la Chambre des députés, il en souligne avant tout la portée scientifique, dont il mesure l’importance. Il explore les perspectives ouvertes par cette nouvelle technique, de l’astrophysique jusqu’à l’étude des civilisations anciennes.
$11.95
(available to order)
Summary:
Quand Arago défend l’invention de Daguerre, le 3 juillet 1839, devant la Chambre des députés, il en souligne avant tout la portée scientifique, dont il mesure l’importance. Il explore les perspectives ouvertes par cette nouvelle technique, de l’astrophysique jusqu’à l’étude des civilisations anciennes.
Title:
Le daguerréotype
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$11.95
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Summary:
Quand Arago défend l’invention de Daguerre, le 3 juillet 1839, devant la Chambre des députés, il en souligne avant tout la portée scientifique, dont il mesure l’importance. Il explore les perspectives ouvertes par cette nouvelle technique, de l’astrophysique jusqu’à l’étude des civilisations anciennes.
Le daguerréotype
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Price:
$11.95
(available to order)
Summary:
Quand Arago défend l’invention de Daguerre, le 3 juillet 1839, devant la Chambre des députés, il en souligne avant tout la portée scientifique, dont il mesure l’importance. Il explore les perspectives ouvertes par cette nouvelle technique, de l’astrophysique jusqu’à l’étude des civilisations anciennes.
Form:
books
books
Publication:
October 2018
October 2018
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$48.95
(available to order)
Summary:
Une (contre-)histoire de la photographie au travers de ses accidents : un ouvrage clé pour la théorie de la photographie et plus généralement pour la théorie des images et des médias.
$48.95
(available to order)
Summary:
Une (contre-)histoire de la photographie au travers de ses accidents : un ouvrage clé pour la théorie de la photographie et plus généralement pour la théorie des images et des médias.
Title:
Images par accident : une histoire des surgissements photographiques
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$48.95
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Summary:
Une (contre-)histoire de la photographie au travers de ses accidents : un ouvrage clé pour la théorie de la photographie et plus généralement pour la théorie des images et des médias.
Images par accident : une histoire des surgissements photographiques
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$48.95
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Summary:
Une (contre-)histoire de la photographie au travers de ses accidents : un ouvrage clé pour la théorie de la photographie et plus généralement pour la théorie des images et des médias.
Form:
books
books
Publication:
October 2018
October 2018
Subject:
Theory of Photography
Theory of Photography
