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In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
Theory of Photography
April 2008, Montréal, Kingston, London, Ithaca
Suspended conversations : the afterlife of memory in photographic albums
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In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness. Albums are treasured by families, collected as illustrations of the past by museums of social history, and examined by scholars for what they can reveal about attitudes and sensibilities. Most agree that albums are stories that come to life in the retelling - but when no one is left to tell the tale, the intrigue of the album becomes a puzzle, a suspended conversation. Langford argues that oral consciousness provides the missing key. By correlating photography and orality she shows how albums were designed to work as performances and how we can unlock their mysteries. "Suspended Conversations" brings to light a collection of photographic travelogues, memoirs, thematic collections, and family sagas compiled between 1860 and 1960 and held by the McCord Museum of Canadian History. Langford not only provides a fascinating glimpse of the preoccupations of previous centuries but brings photography into the great conversation of how we remember and how we send our stories into the future.
Theory of Photography
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Sur l'art et la photographie
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
Sur l'art et la photographie
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
books
May 1997, Paris
Theory of Photography
books
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Second edition, revised and expanded. Introduction by Shelley Rice.
Light readings : a photography critic's writings, 1968-1978
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Second edition, revised and expanded. Introduction by Shelley Rice.
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September 1998, Albuquerque
Theory of Photography
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Beauty in photography
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Beauty in photography
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
books
April 1996
Theory of Photography
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Catalogue from the exhibition at the RIBA, London.
Photography takes command : the camera and British architecture 1890-1939
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Catalogue from the exhibition at the RIBA, London.
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January 1994, London
Theory of Photography
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$145.00
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Second edition, revised and enlarged.
An American century of photography : from dry-plate to digital
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Second edition, revised and enlarged.
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February 1999, New York
Theory of Photography
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$47.50
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L'ouvrage analyse avec précision l'emprise de la technologie, de la science et de la raison sur l'art. Depuis la photographie jusqu'à la pointe la plus avancée du numérique. Au fil de ce parcours sont abordées sous un nouvel éclairage quelques-unes des grandes questions qui ont jalonné la modernité depuis Baudelaire.
La technologie dans l'art : de la photographie à la réalité virtuelle
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L'ouvrage analyse avec précision l'emprise de la technologie, de la science et de la raison sur l'art. Depuis la photographie jusqu'à la pointe la plus avancée du numérique. Au fil de ce parcours sont abordées sous un nouvel éclairage quelques-unes des grandes questions qui ont jalonné la modernité depuis Baudelaire.
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November 1998, Paris
Theory of Photography
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Selections from the Helen Kornblum Collection.
Theory of Photography
August 1998, Saint Louis
Defining eye : women photographers of the 20th century
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Selections from the Helen Kornblum Collection.
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August 1998, Saint Louis
Theory of Photography
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$39.99
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Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
Theory of Photography
April 1998, New York
Closing : the life and death of an American factory
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Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
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April 1998, New York
Theory of Photography
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$91.00
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This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Theory of Photography
March 1998, University Park, Penn.
Positive pleasures : early photography and humor
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This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
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March 1998, University Park, Penn.
Theory of Photography