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Cette publication constitue une plate-forme internationale de discussion entre artistes, écrivains, théoriciens, curateurs et historiens questionnant le statut même de la photographie aujourd'hui, notre relation à l'image, ainsi que les dimensions politiques et culturelles de celle-ci, à partir d'une mise en perspective de l'image photographique contemporaine à l'ère(...)
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Cette publication constitue une plate-forme internationale de discussion entre artistes, écrivains, théoriciens, curateurs et historiens questionnant le statut même de la photographie aujourd'hui, notre relation à l'image, ainsi que les dimensions politiques et culturelles de celle-ci, à partir d'une mise en perspective de l'image photographique contemporaine à l'ère(...)
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Après la crise : états contemporains de la photographie
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Cette publication constitue une plate-forme internationale de discussion entre artistes, écrivains, théoriciens, curateurs et historiens questionnant le statut même de la photographie aujourd'hui, notre relation à l'image, ainsi que les dimensions politiques et culturelles de celle-ci, à partir d'une mise en perspective de l'image photographique contemporaine à l'ère numérique avec la crise de la représentation à l'époque de la naissance de la photographie.
Après la crise : états contemporains de la photographie
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Cette publication constitue une plate-forme internationale de discussion entre artistes, écrivains, théoriciens, curateurs et historiens questionnant le statut même de la photographie aujourd'hui, notre relation à l'image, ainsi que les dimensions politiques et culturelles de celle-ci, à partir d'une mise en perspective de l'image photographique contemporaine à l'ère numérique avec la crise de la représentation à l'époque de la naissance de la photographie.
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books
books
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November 2019
November 2019
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Theory of Photography
Theory of Photography
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books
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Le présent recueil réunit les textes que Nicolas Bouvier a écrits sur la photographie entre 1965 et 1996. À de nombreuses occasions, l’auteur genevois avait parlé de son métier d’iconographe, notamment dans le petit livre Le hibou et la baleine, paru en 1993, mais sa réflexion sur l’acte photographique restait à découvrir. Jusqu’à ce jour, les écrits qu’il a dédié à ce(...)
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Le présent recueil réunit les textes que Nicolas Bouvier a écrits sur la photographie entre 1965 et 1996. À de nombreuses occasions, l’auteur genevois avait parlé de son métier d’iconographe, notamment dans le petit livre Le hibou et la baleine, paru en 1993, mais sa réflexion sur l’acte photographique restait à découvrir. Jusqu’à ce jour, les écrits qu’il a dédié à ce(...)
Title:
Du coin de l'oeil : écrits sur la photographie
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Le présent recueil réunit les textes que Nicolas Bouvier a écrits sur la photographie entre 1965 et 1996. À de nombreuses occasions, l’auteur genevois avait parlé de son métier d’iconographe, notamment dans le petit livre Le hibou et la baleine, paru en 1993, mais sa réflexion sur l’acte photographique restait à découvrir. Jusqu’à ce jour, les écrits qu’il a dédié à ce sujet (préfaces, articles de presse, introductions à des catalogues d’exposition) restaient dispersés. Près de quarante textes se trouvent ainsi rassemblés ici. Parmi eux, certains relatent également son activité de « chercheur-traqueur d’images », qui aura été son gagne-pain durant près de trente ans.
Du coin de l'oeil : écrits sur la photographie
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Le présent recueil réunit les textes que Nicolas Bouvier a écrits sur la photographie entre 1965 et 1996. À de nombreuses occasions, l’auteur genevois avait parlé de son métier d’iconographe, notamment dans le petit livre Le hibou et la baleine, paru en 1993, mais sa réflexion sur l’acte photographique restait à découvrir. Jusqu’à ce jour, les écrits qu’il a dédié à ce sujet (préfaces, articles de presse, introductions à des catalogues d’exposition) restaient dispersés. Près de quarante textes se trouvent ainsi rassemblés ici. Parmi eux, certains relatent également son activité de « chercheur-traqueur d’images », qui aura été son gagne-pain durant près de trente ans.
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books
books
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November 2019
November 2019
Subject:
Theory of Photography
Theory of Photography
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books
books
Title:
Trigger impact
Trigger impact
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'Trigger' is a new platform launched by Fotomuseum Antwerpen for research, reflection, and dialogue on all things photographic. This first publication on 'Impact' is made in close collaboration with the Royal Academy of Fine Arts (KABK), The Hague, and guest editor Donald Weber. It aims to cast impact as a re-enactment or assertion of radical intimacy, initiate a(...)
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'Trigger' is a new platform launched by Fotomuseum Antwerpen for research, reflection, and dialogue on all things photographic. This first publication on 'Impact' is made in close collaboration with the Royal Academy of Fine Arts (KABK), The Hague, and guest editor Donald Weber. It aims to cast impact as a re-enactment or assertion of radical intimacy, initiate a(...)
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Trigger impact
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'Trigger' is a new platform launched by Fotomuseum Antwerpen for research, reflection, and dialogue on all things photographic. This first publication on 'Impact' is made in close collaboration with the Royal Academy of Fine Arts (KABK), The Hague, and guest editor Donald Weber. It aims to cast impact as a re-enactment or assertion of radical intimacy, initiate a different gaze on the world, and show that impact can also exist within an ecology or geography of photography. Through 20 contributions by Ariella Azoulay, Lewis Bush, Taco Hidde Bakker, Andrew Jackson and Savannah Dodd, Shahidul Alam, Andrea Stultiens, and more, we learn how impact is social, participative, conflictual.
Trigger impact
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'Trigger' is a new platform launched by Fotomuseum Antwerpen for research, reflection, and dialogue on all things photographic. This first publication on 'Impact' is made in close collaboration with the Royal Academy of Fine Arts (KABK), The Hague, and guest editor Donald Weber. It aims to cast impact as a re-enactment or assertion of radical intimacy, initiate a different gaze on the world, and show that impact can also exist within an ecology or geography of photography. Through 20 contributions by Ariella Azoulay, Lewis Bush, Taco Hidde Bakker, Andrew Jackson and Savannah Dodd, Shahidul Alam, Andrea Stultiens, and more, we learn how impact is social, participative, conflictual.
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books
books
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January 2020
January 2020
Subject:
Theory of Photography
Theory of Photography
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books
books
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Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The(...)
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Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The(...)
Title:
Dorothea Lange: Migrant mother, Migrant gender
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Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens. Dr. Stein, Professor Emerita, UC Irvine, is an independent scholar based in Los Angeles who continues to research and write about 20thcentury photography in the U.S. and its relation to broader questions of culture and society. She has written about New Deal FSA photographers—particularly Dorothea Lange, Marion Post Wolcott, Jack Delano—as well as the contested image of FDR. Her numerous essays about popular mass media – Ladies Home Journal, Life and Look – extend her ongoing study of the various aspects of the rise of color photography. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens.
Dorothea Lange: Migrant mother, Migrant gender
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Summary:
Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens. Dr. Stein, Professor Emerita, UC Irvine, is an independent scholar based in Los Angeles who continues to research and write about 20thcentury photography in the U.S. and its relation to broader questions of culture and society. She has written about New Deal FSA photographers—particularly Dorothea Lange, Marion Post Wolcott, Jack Delano—as well as the contested image of FDR. Her numerous essays about popular mass media – Ladies Home Journal, Life and Look – extend her ongoing study of the various aspects of the rise of color photography. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens.
Form:
books
books
Publication:
February 2020
February 2020
Subject:
Theory of Photography
Theory of Photography
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books
books
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$49.95
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In 'Suspended Conversations' Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Rather than isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she demonstrates that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
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Summary:
In 'Suspended Conversations' Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Rather than isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she demonstrates that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
Title:
Suspended conversations: the afterlife of memory in photographic albums, second edition
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In 'Suspended Conversations' Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Rather than isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she demonstrates that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness.
Suspended conversations: the afterlife of memory in photographic albums, second edition
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$49.95
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Summary:
In 'Suspended Conversations' Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Rather than isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she demonstrates that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness.
Form:
books
books
Publication:
July 2021
July 2021
Subject:
Theory of Photography
Theory of Photography
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books
books
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$68.95
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A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European(...)
$68.95
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A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European(...)
Title:
Modern look: photography and the American magazine
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A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue-whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers-emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. With more than 150 revolutionary photographs, layouts, and cover designs, 'Modern Look' considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand.
Modern look: photography and the American magazine
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$68.95
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A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue-whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers-emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. With more than 150 revolutionary photographs, layouts, and cover designs, 'Modern Look' considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand.
Form:
books
books
Publication:
May 2020
May 2020
Subject:
Theory of Photography
Theory of Photography
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books
books
Price:
$39.95
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
$39.95
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Summary:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
Title:
Visions of nature: How landscape photography shaped settler colonialism
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
Visions of nature: How landscape photography shaped settler colonialism
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$39.95
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Summary:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
Form:
books
books
Publication:
May 2022
May 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Muybridge and mobility
Muybridge and mobility
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Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that(...)
$34.95
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Summary:
Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that(...)
Title:
Muybridge and mobility
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Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that marked the nineteenth century and how mobility represents the possibilities of social movement for African Americans. Together, these complementary essays look to Eadweard Muybridge’s works as interventions in knowledge and experience and as opportunities to investigate larger social ramifications and possibilities.
Muybridge and mobility
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Summary:
Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that marked the nineteenth century and how mobility represents the possibilities of social movement for African Americans. Together, these complementary essays look to Eadweard Muybridge’s works as interventions in knowledge and experience and as opportunities to investigate larger social ramifications and possibilities.
Form:
books
books
Publication:
March 2022
March 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$107.99
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Summary:
During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit(...)
$107.99
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During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit(...)
Title:
Photography of protest and community: The radical collectives of the 1970s
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During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men’s Clubs, polytechnics, nurseries – anywhere that would have them. This book reveals how they created a ‘history from below’, positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate.
Photography of protest and community: The radical collectives of the 1970s
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$107.99
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Summary:
During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men’s Clubs, polytechnics, nurseries – anywhere that would have them. This book reveals how they created a ‘history from below’, positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate.
Form:
books
books
Publication:
December 2020
December 2020
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Écrits sur l'image
Écrits sur l'image
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Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu,(...)
$48.95
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Summary:
Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu,(...)
Title:
Écrits sur l'image
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Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu, Wim Wenders et bien d'autres. L'ouvrage réunit au total 27 textes publiés entre 1976 et 2020.
Écrits sur l'image
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$48.95
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Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu, Wim Wenders et bien d'autres. L'ouvrage réunit au total 27 textes publiés entre 1976 et 2020.
Form:
books
books
Publication:
April 2022
April 2022
Subject:
Theory of Photography
Theory of Photography
