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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by(...)
Armin Linke: The body of the state
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by Giorgio Agamben.
Theory of Photography
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
The face of the lens: Anonymous photographs
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
Theory of Photography
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for(...)
June 2011
Speculating Daguerre : arts & enterprise in the work of L. J. M. Daguerre
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In "Speculating Daguerre," Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before.
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Theory of Photography
Photography and anthropology
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s(...)
Photography and anthropology
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s enchantment with photography alongside the anthropological theory of photography and documentation.
Theory of Photography
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This first major monograph of Los Angeles-based artist Judy Fiskin includes reproductions of nearly three hundred images taken from 1973 to 1995. Since Fiskin turned to video in the late 1990s, this compendium represents her complete photographic oeuvre, including many images never before published.
Judy Fiskin: Some aesthetic decisions
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This first major monograph of Los Angeles-based artist Judy Fiskin includes reproductions of nearly three hundred images taken from 1973 to 1995. Since Fiskin turned to video in the late 1990s, this compendium represents her complete photographic oeuvre, including many images never before published.
Theory of Photography
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into(...)
From polaroid to impossible: masterpieces of instant photography, the Westlicht collection
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into Polaroid's International Collection at their European headquarters near Frankfurt am Main. In 2008 Polaroid went bankrupt. The company was bought by the Impossible Project (who promptly invented a new kind of instant film at the Polaroid factory in Enschede) and its legendary collection was acquired by the Westlicht Schauplatz museum in Vienna. From Polaroid to Impossible celebrates both this acquisition and the launch of a new Polaroid collection spearheaded by Westlicht and the Impossible Project. It offers the first overview of the European Polaroid Collection, and includes selected Polaroid masterpieces by figures such as Ansel Adams, Barbara Crane, Giselle Freund, Gottfried Helnwein, Sally Mann, Robert Mapplethorpe, Helmut Newton, Stephen Shore, Aaron Siskind, Andy Warhol, William Wegman and Minor White; artists like Miyako Ishiuchi, Andreas Mahl and Catherine Wagner, who made specialties of the medium; plus newly commissioned Impossible instant photography by contemporary artists such as Nobuyoshi Araki, David Leventhal, Mary Ellen Mark and Stefanie Schneider. Numerous images are reproduced in full color at 1:1 scale, making this volume a luscious and giftworthy celebration of the charm of the Polaroid photograph.
Theory of Photography
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body(...)
November 2011
André Kertész : the polaroids
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City's Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer's eye as manifested in the simple Polaroid.
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Photography Degree Zero is the first anthology of writings on Roland Barthe's Camera Lucida. It includes essays written soon after Barthes’s book appeared as well as more recent rereadings of it, some previously unpublished. The variety of perspectives included in this publication, and the focus on Camera Lucida in the context of photography rather than literature or(...)
Photography degree zero: reflection on Roland Barthe's Camera Lucida
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Photography Degree Zero is the first anthology of writings on Roland Barthe's Camera Lucida. It includes essays written soon after Barthes’s book appeared as well as more recent rereadings of it, some previously unpublished. The variety of perspectives included in this publication, and the focus on Camera Lucida in the context of photography rather than literature or philosophy, servetoreopen a vital conversation on Barthes’s influential work.
Theory of Photography
Touching photographs
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Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities,(...)
Touching photographs
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Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.
Theory of Photography