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From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many(...)
Photography speaks : 150 photographers on their art
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From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many students, the discourse on art and artistry contained in this volume is of unprecedented scale - collecting the writing of such diverse photographers as William Henry Fox Talbot, Eugène Atget, Alfred Stieglitz, Lewis Hine, August Sander, Man Ray, Weegee, Robert Frank, Diane Arbus, Robert Heinecken, and Lucas Samaras. New additions include selections from Nadar, William Eggleston, Eikoh Hosoe, Gordon Parks, Manuel Alvarez Bravo, Christian Boltanski, Thomas Struth, and Rineke Dijkstra. The contributors expound upon topics such as their method and intentions, the state of the arts, or the medium itself. "Photography Speaks" has been and will continue to be a vital reference source, an enduring testament to the art of photography, and an engrossing text for artists and enthusiasts alike.
Theory of Photography
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Une reconstitution de l'exposition de 1935 à la galerie Julien Levy de New York. C'est la première fois depuis lors que sont réunis ces tirages d'époque, qui constituent un ensemble excpetionnel d'images essentielles et parfois méconnues. Cette exposition historique rassemble l'oeuvre de jeunesse de trois grands maîtres de la photographie.
Theory of Photography
January 1900, Gottingen
Documentary and anti-graphic : photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo
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Une reconstitution de l'exposition de 1935 à la galerie Julien Levy de New York. C'est la première fois depuis lors que sont réunis ces tirages d'époque, qui constituent un ensemble excpetionnel d'images essentielles et parfois méconnues. Cette exposition historique rassemble l'oeuvre de jeunesse de trois grands maîtres de la photographie.
Theory of Photography
On photography
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"On Photography" first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato’s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
January 2001, New York
On photography
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"On Photography" first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato’s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
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Loin d'un surréalisme onirique, ce recueil de textes montre le rôle de la photographie dans les stratégies du mouvement emmené par André Breton. La puissance du document assure, dans les années 1920-1930, le passage d'une culture artistique à une culture politique. Pour parvenir à cette conversion, la photographie donne une vision concrète des concepts surréalistes en(...)
L'image au service de la révolution : photographie, surréalisme, politique
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Loin d'un surréalisme onirique, ce recueil de textes montre le rôle de la photographie dans les stratégies du mouvement emmené par André Breton. La puissance du document assure, dans les années 1920-1930, le passage d'une culture artistique à une culture politique. Pour parvenir à cette conversion, la photographie donne une vision concrète des concepts surréalistes en prenant pour modèle les révolutions scientifiques. L’image mentale devient, grâce à Dali, Brassaï ou encore Man Ray, une force objective susceptible d’engager l’avant-garde dans la grande histoire.
Theory of Photography
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Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a(...)
Theory of Photography
June 2007, Montreal Kingston London Ithica
Scissors, paper, stone : Expressions of memory in contemporary photographic art
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Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.
Theory of Photography
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This volume presents more than 150 works from the collection of the Miami-raised and New York-based collector, art dealer and curator Charles Cowles. Spanning the breadth of modern photographic history from the early twentieth-century to the present, these works display a broad range of styles, processes and aesthetic intentions and an impressive number of concentrated(...)
Modern Photographs : The machine the body and the city
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This volume presents more than 150 works from the collection of the Miami-raised and New York-based collector, art dealer and curator Charles Cowles. Spanning the breadth of modern photographic history from the early twentieth-century to the present, these works display a broad range of styles, processes and aesthetic intentions and an impressive number of concentrated strengths--featuring works by Atget, Arbus, Cartier-Bresson, Eggleston, Evans, Hockney, Frank, Mapplethorpe, Ruscha, Schorr, Sherman, Sugimoto, Warhol, Weegee and Winogrand, among many others. Renowned photography critic Andy Grundberg presents a precise analysis of the collection along with studied observations about the nature of photography and how it has become the art form that it is today. Cowles provides an engaging inside look at the development of a collection in an era when photography gained acceptance as an acknowledged art form. And Miami Art Museum Director Terence Riley contributes an introduction.
Theory of Photography
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Après les succès de Vitamine P et Vitamine D, deux ouvrages témoignant respectivement, du dynamisme de la peinture, puis de celui du dessin, au sein de la création artistique la plus récente, Vitamine Ph administre une dose supplémentaire de vitalité artistique, en offrant d explorer la place prépondérante du médium photographique dans les arts visuels aujourd hui.(...)
Vitamine Ph : nouvelles perspectives en photographie
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Après les succès de Vitamine P et Vitamine D, deux ouvrages témoignant respectivement, du dynamisme de la peinture, puis de celui du dessin, au sein de la création artistique la plus récente, Vitamine Ph administre une dose supplémentaire de vitalité artistique, en offrant d explorer la place prépondérante du médium photographique dans les arts visuels aujourd hui. "Vitamine Ph : nouvelles perspective en photographie", présente ainsi les travaux photographiques de 121 artistes, originaires de plus de trente pays différents, et sélectionnés par un comité international composé d éminents critiques, commissaires d exposition et directeurs de musées. L'introduction à cette sélection audacieuse, TJ Demos examine l'évolution de la pratique photographique par les artistes qui en repoussent toujours plus loin les limites. Les artistes de Vitamine Ph renouvellent et réinventent ainsi les genres photographiques - de la photographie documentaire à celle dite «artistique», de la photographie héritée de l art conceptuel mêlant images et texte à la photographie «performative». Sont présents les travaux d artistes établis tels que ceux de Tacita Dean, Olafur Eliasson, ou Peter Fraser comme ceux des figures montantes parmi lesquelles, Anri Sala, Tim Lee, et les français Ito Barrada et Valérie Belin.
Theory of Photography
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The vitality of New York City, its energy, ambition and beauty, has long inspired great photographers, from Berenice Abbott to Garry Winogrand, from Lisette Model to Lee Friedlander. Composed of works selected from the collection of The Museum of Modern Art, Life of the City celebrates the great and continuing tradition of photography about New York. Featuring work by(...)
Life of the city: New York photographs from the museum of modern art
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The vitality of New York City, its energy, ambition and beauty, has long inspired great photographers, from Berenice Abbott to Garry Winogrand, from Lisette Model to Lee Friedlander. Composed of works selected from the collection of The Museum of Modern Art, Life of the City celebrates the great and continuing tradition of photography about New York. Featuring work by Harry Callahan, Henri Cartier-Bresson, Irving Penn, Alfred Stieglitz, Weegee and many others, and including a chapter of writings by notable observers of the city, the book explores the drama of New York's architecture, ranging from cavernous brick canyons and towering stone pinnacles to humble storefronts and tenements.
Theory of Photography
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Drawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter (born 1968) argues passionately—in one main essay and a series of lively digressions—that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach(...)
To photograph is to learn how to die: An essay with digressions
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Drawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter (born 1968) argues passionately—in one main essay and a series of lively digressions—that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach that separates the self from all that is not the self; for enriching one’s sense of freedom and personhood; and for cultivating meaning in an otherwise meaningless reality. Printed in three colors that reflect the various ''voices'' of the book, the text design follows several channels of thought, inviting various approaches to reading. A unique and instructive contribution to the literature on photography, Carpenter’s research offers both a timely polemic and a timeless resource for those who use a camera.
Theory of Photography
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This volume is an essential primer of how to look at and understand photographs, by one of the world's most influential photographers, Stephen Shore. In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files. This books serves as an indispensable tool for(...)
The nature of photographs: A primer
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This volume is an essential primer of how to look at and understand photographs, by one of the world's most influential photographers, Stephen Shore. In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files. This books serves as an indispensable tool for students, teachers and everyone who wants to take better pictures or learn to look at them in a more informed way.
Theory of Photography