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Paysages en poésie
Paysages en poésie
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Convier trois poètes et trois photographes à décrire trois endroits dans les Alpes, tel fut le projet. Ce livre en est l’aboutissement. Invités en résidence, ces écrivains et ces artistes ont interrogé trois paysages. Dans ces pages, ils nous offrent ce que le séjour a évoqué pour eux : les pensées qui leur sont venues, les vues qu’ils ont prises. Hélène Binet et Jacques(...)
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Convier trois poètes et trois photographes à décrire trois endroits dans les Alpes, tel fut le projet. Ce livre en est l’aboutissement. Invités en résidence, ces écrivains et ces artistes ont interrogé trois paysages. Dans ces pages, ils nous offrent ce que le séjour a évoqué pour eux : les pensées qui leur sont venues, les vues qu’ils ont prises. Hélène Binet et Jacques(...)
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Paysages en poésie
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Convier trois poètes et trois photographes à décrire trois endroits dans les Alpes, tel fut le projet. Ce livre en est l’aboutissement. Invités en résidence, ces écrivains et ces artistes ont interrogé trois paysages. Dans ces pages, ils nous offrent ce que le séjour a évoqué pour eux : les pensées qui leur sont venues, les vues qu’ils ont prises. Hélène Binet et Jacques Réda ont porté leur regard sur Château-d’Oex, Thomas Flechtner et Michel Butor ont séjourné à Leysin, enfin Balthasar Burkhard et Pierre Bergounioux ont arpenté les environs du hameau du col de la Croix.
Paysages en poésie
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Convier trois poètes et trois photographes à décrire trois endroits dans les Alpes, tel fut le projet. Ce livre en est l’aboutissement. Invités en résidence, ces écrivains et ces artistes ont interrogé trois paysages. Dans ces pages, ils nous offrent ce que le séjour a évoqué pour eux : les pensées qui leur sont venues, les vues qu’ils ont prises. Hélène Binet et Jacques Réda ont porté leur regard sur Château-d’Oex, Thomas Flechtner et Michel Butor ont séjourné à Leysin, enfin Balthasar Burkhard et Pierre Bergounioux ont arpenté les environs du hameau du col de la Croix.
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books
books
Publication:
March 2004, Gollion
March 2004, Gollion
Subject:
Theory of Photography
Theory of Photography
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books
books
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These essays have been published in a broad range of magazines, including Aperture, ArtForum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects ranging from “Photography and Propaganda” to the imagery of dreams; from Sebastião Salgado’s epic social documents to the deeply personal photographic revelations of Francesca(...)
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These essays have been published in a broad range of magazines, including Aperture, ArtForum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects ranging from “Photography and Propaganda” to the imagery of dreams; from Sebastião Salgado’s epic social documents to the deeply personal photographic revelations of Francesca(...)
Title:
Between the eyes : essays on photography and politics
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These essays have been published in a broad range of magazines, including Aperture, ArtForum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects ranging from “Photography and Propaganda” to the imagery of dreams; from Sebastião Salgado’s epic social documents to the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay “Photography and belief,” and in “The highest degree of illusion,” Strauss discusses the media frenzy surrounding the events of September 11.
Between the eyes : essays on photography and politics
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These essays have been published in a broad range of magazines, including Aperture, ArtForum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects ranging from “Photography and Propaganda” to the imagery of dreams; from Sebastião Salgado’s epic social documents to the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay “Photography and belief,” and in “The highest degree of illusion,” Strauss discusses the media frenzy surrounding the events of September 11.
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books
books
Publication:
April 2003, New York
April 2003, New York
Subject:
Theory of Photography
Theory of Photography
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books
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Catalogue publié à l'occasion de l'exposition "Confluence. La photographie canadienne contemporaine", organisée par le Musée canadien de la photographie contemporaine, et présentée à Ottawa du 25 janvier au 4 mai 2003. "Confluence" souligne le travail de 17 photographes qui exercent leur art aujourd'hui au Canada, et montre l'étendue et la diversité de leurs recherches.(...)
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Catalogue publié à l'occasion de l'exposition "Confluence. La photographie canadienne contemporaine", organisée par le Musée canadien de la photographie contemporaine, et présentée à Ottawa du 25 janvier au 4 mai 2003. "Confluence" souligne le travail de 17 photographes qui exercent leur art aujourd'hui au Canada, et montre l'étendue et la diversité de leurs recherches.(...)
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Confluence : la photographie canadienne contemporaine
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Catalogue publié à l'occasion de l'exposition "Confluence. La photographie canadienne contemporaine", organisée par le Musée canadien de la photographie contemporaine, et présentée à Ottawa du 25 janvier au 4 mai 2003. "Confluence" souligne le travail de 17 photographes qui exercent leur art aujourd'hui au Canada, et montre l'étendue et la diversité de leurs recherches. Au cours de la dernière décennie, la plupart de ces artistes a figuré au programme du MCPC, qu'il s'agisse de photographes établis et renommés mondialement comme Geneviève Cadieux, Edward Burtynsky, Jeff Wall, Lynne Cohen, Donigan Cumming, Evergon, Michael Snow et Arnaud Maggs, ou d'artistes de la relève tels que Damian Moppett, Kelly Wood et Janieta Eyre.
Confluence : la photographie canadienne contemporaine
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Catalogue publié à l'occasion de l'exposition "Confluence. La photographie canadienne contemporaine", organisée par le Musée canadien de la photographie contemporaine, et présentée à Ottawa du 25 janvier au 4 mai 2003. "Confluence" souligne le travail de 17 photographes qui exercent leur art aujourd'hui au Canada, et montre l'étendue et la diversité de leurs recherches. Au cours de la dernière décennie, la plupart de ces artistes a figuré au programme du MCPC, qu'il s'agisse de photographes établis et renommés mondialement comme Geneviève Cadieux, Edward Burtynsky, Jeff Wall, Lynne Cohen, Donigan Cumming, Evergon, Michael Snow et Arnaud Maggs, ou d'artistes de la relève tels que Damian Moppett, Kelly Wood et Janieta Eyre.
Form:
books
books
Publication:
January 1900, Ottawa
January 1900, Ottawa
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$39.95
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Summary:
En parfaite phase avec la thématique du Mois de la Photo à Montréal 2003, cette publication, bien plus que le catalogue des expositions présentées, est un ouvrage autonome. Ce livre réunit des contributions d'experts de renommée internationale issus d'horizons professionnels et théoriques divers (psychanalyse, sociologie des médias, philosophie, science politique). Des(...)
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En parfaite phase avec la thématique du Mois de la Photo à Montréal 2003, cette publication, bien plus que le catalogue des expositions présentées, est un ouvrage autonome. Ce livre réunit des contributions d'experts de renommée internationale issus d'horizons professionnels et théoriques divers (psychanalyse, sociologie des médias, philosophie, science politique). Des(...)
Title:
Maintenant : images du temps présent / Now : images of the present time
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En parfaite phase avec la thématique du Mois de la Photo à Montréal 2003, cette publication, bien plus que le catalogue des expositions présentées, est un ouvrage autonome. Ce livre réunit des contributions d'experts de renommée internationale issus d'horizons professionnels et théoriques divers (psychanalyse, sociologie des médias, philosophie, science politique). Des analyses et essais inédits portant sur des sujets tels que les rituels médiatiques, la monumentalisation des images de presse, la réception artistique de la catastrophe, les logiques de l'impact, le refus de l'événement, la fatigue compassionnelle et les prestiges du spectateur-témoin. Avec la participation de plusieurs photographes canadiens et internationaux. Published on the occasion of one of the longest-running international photography biennials, Montréal's Mois de la photo, this profusely illustrated publication documents and expands upon the event's central theme: the role of the photograph and the photographer in the new world order. Original essays from diverse professional and theoretical perspectives analyze the relationship between current world conflict and photography with a particular emphasis on the role of photojournalism. Central concerns include the growing dominance of press imagery, the artistic interpretation of the catastrophic, how the impact of an event distorts its depiction and the privileges and responsibilities of the spectator.
Maintenant : images du temps présent / Now : images of the present time
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En parfaite phase avec la thématique du Mois de la Photo à Montréal 2003, cette publication, bien plus que le catalogue des expositions présentées, est un ouvrage autonome. Ce livre réunit des contributions d'experts de renommée internationale issus d'horizons professionnels et théoriques divers (psychanalyse, sociologie des médias, philosophie, science politique). Des analyses et essais inédits portant sur des sujets tels que les rituels médiatiques, la monumentalisation des images de presse, la réception artistique de la catastrophe, les logiques de l'impact, le refus de l'événement, la fatigue compassionnelle et les prestiges du spectateur-témoin. Avec la participation de plusieurs photographes canadiens et internationaux. Published on the occasion of one of the longest-running international photography biennials, Montréal's Mois de la photo, this profusely illustrated publication documents and expands upon the event's central theme: the role of the photograph and the photographer in the new world order. Original essays from diverse professional and theoretical perspectives analyze the relationship between current world conflict and photography with a particular emphasis on the role of photojournalism. Central concerns include the growing dominance of press imagery, the artistic interpretation of the catastrophic, how the impact of an event distorts its depiction and the privileges and responsibilities of the spectator.
Form:
books
books
Publication:
January 1900, Montréal
January 1900, Montréal
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$59.95
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis,(...)
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis,(...)
Title:
Vues d'architectures : photographies des XIXè et XXè siècles
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis, Brassaï, Balthasar Burkhard, René Burri, Jean-Marc Bustamante, Harry Callahan, Robert Capa, Hermann Claasen, Alvin Langdon Coburn, Auguste Collard, Marjorie Content, Stéphane Couturier, Louis-Jacques Daguerre, Guy Dépollier, Walker Evans, Jaromir Funke, Marc-Antoine Gaudin, Andreas Gursky, Hugo-Paul Herdeg, Lucien Hervé, Paul Hossard, Boris Ignatovitch, Pierre Jahan, Thomas Kellner, André Kertész, François Kollar, Kurt Kranz, Germaine Krull, Juan Laurent, Gustave Le Gray, Henri Le Secq, Herbert List, Werner Mantz, Charles Marville, Erich Mendelsohn, Mestral, Lee Miller, Guido Mocafico, Laszlo Moholy-Nagy, Lucia Moholy, Jean Moral, André Morin, Carlo Naya, Georgij Petrussov, Man Ray, Albert Renger-Patzsch, Alexandre Rodtchenko, Jaroslav Rössler, Thomas Ruff, Edward Ruscha, August Sander, Arthur Schlegel, Charles Sheeler, Julius Shulman, Emmanuel Sougez, Edward Steichen, André Steiner, Alfred Stieglitz, Paul Strand, Thomas Struth, Josef Sudek, Hiroshi Sugimoto, William Henry Fox Talbot, Félix Teynard, Tokayer, Hanni Werner, Eugen Wiscovski, René Zuber.
Vues d'architectures : photographies des XIXè et XXè siècles
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis, Brassaï, Balthasar Burkhard, René Burri, Jean-Marc Bustamante, Harry Callahan, Robert Capa, Hermann Claasen, Alvin Langdon Coburn, Auguste Collard, Marjorie Content, Stéphane Couturier, Louis-Jacques Daguerre, Guy Dépollier, Walker Evans, Jaromir Funke, Marc-Antoine Gaudin, Andreas Gursky, Hugo-Paul Herdeg, Lucien Hervé, Paul Hossard, Boris Ignatovitch, Pierre Jahan, Thomas Kellner, André Kertész, François Kollar, Kurt Kranz, Germaine Krull, Juan Laurent, Gustave Le Gray, Henri Le Secq, Herbert List, Werner Mantz, Charles Marville, Erich Mendelsohn, Mestral, Lee Miller, Guido Mocafico, Laszlo Moholy-Nagy, Lucia Moholy, Jean Moral, André Morin, Carlo Naya, Georgij Petrussov, Man Ray, Albert Renger-Patzsch, Alexandre Rodtchenko, Jaroslav Rössler, Thomas Ruff, Edward Ruscha, August Sander, Arthur Schlegel, Charles Sheeler, Julius Shulman, Emmanuel Sougez, Edward Steichen, André Steiner, Alfred Stieglitz, Paul Strand, Thomas Struth, Josef Sudek, Hiroshi Sugimoto, William Henry Fox Talbot, Félix Teynard, Tokayer, Hanni Werner, Eugen Wiscovski, René Zuber.
Form:
books
books
Publication:
June 2002, Grenoble
June 2002, Grenoble
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$75.00
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Summary:
Many of the images that have came to sum up the twentieth century, the most turbulent in human history, belong to the realist tradition of photography. At once objective and polemical, disengaged and yet concerned, the documentary photograph has not merely recorded, but also shaped the way we see our world. Over 200 photographs are reproduced in this(...)
$75.00
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Summary:
Many of the images that have came to sum up the twentieth century, the most turbulent in human history, belong to the realist tradition of photography. At once objective and polemical, disengaged and yet concerned, the documentary photograph has not merely recorded, but also shaped the way we see our world. Over 200 photographs are reproduced in this(...)
Title:
Cruel and tender : the real in the twentieth-century photography
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Many of the images that have came to sum up the twentieth century, the most turbulent in human history, belong to the realist tradition of photography. At once objective and polemical, disengaged and yet concerned, the documentary photograph has not merely recorded, but also shaped the way we see our world. Over 200 photographs are reproduced in this book,together with essays and biographies of the photographers featured.
Cruel and tender : the real in the twentieth-century photography
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Many of the images that have came to sum up the twentieth century, the most turbulent in human history, belong to the realist tradition of photography. At once objective and polemical, disengaged and yet concerned, the documentary photograph has not merely recorded, but also shaped the way we see our world. Over 200 photographs are reproduced in this book,together with essays and biographies of the photographers featured.
Form:
books
books
Publication:
August 2003, London
August 2003, London
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of(...)
$75.00
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Summary:
Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of(...)
Title:
One hundred photographs : a collection by Bruce Bernard
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Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of photography, ranging from nineteenth-century pioneers like Muybridge and Fox Talbot to giants of the twentieth century like André Kertész, Man Ray, Brassai and Robert Frank. These one hundred photographs are the result: he does not attempt to cover every period or every notable artist, but rather includes only images that ‘truly stimulated and satisfied … and seemed could permanently continue to do so’. In other words what he considered to be classics.
One hundred photographs : a collection by Bruce Bernard
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Summary:
Bruce Bernard was the leading picture editor of his generation, celebrated for his visual taste, knowledge and judgement of photography. In the 1990s, he was commissioned by a private client to assemble a photographic collection and set about acquiring a selection of images that represented, to his unique eye, the best work in the medium from the whole history of photography, ranging from nineteenth-century pioneers like Muybridge and Fox Talbot to giants of the twentieth century like André Kertész, Man Ray, Brassai and Robert Frank. These one hundred photographs are the result: he does not attempt to cover every period or every notable artist, but rather includes only images that ‘truly stimulated and satisfied … and seemed could permanently continue to do so’. In other words what he considered to be classics.
Form:
books
books
Publication:
September 2002, London
September 2002, London
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$56.00
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In "Killing ground", John Huddleston embarks on a photographic odyssey through the modern-day landscape of the Civil War. He pairs historical images of the conflict from sixty-two battle sites across the nation -battle-field scenes, soldiers living and dead, prisoners of war, civilians, and slaves - with his own color photographs of the same locations a century and a half(...)
$56.00
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In "Killing ground", John Huddleston embarks on a photographic odyssey through the modern-day landscape of the Civil War. He pairs historical images of the conflict from sixty-two battle sites across the nation -battle-field scenes, soldiers living and dead, prisoners of war, civilians, and slaves - with his own color photographs of the same locations a century and a half(...)
Title:
Killing ground : photographs of the Civil War and the changing American landscape
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In "Killing ground", John Huddleston embarks on a photographic odyssey through the modern-day landscape of the Civil War. He pairs historical images of the conflict from sixty-two battle sites across the nation -battle-field scenes, soldiers living and dead, prisoners of war, civilians, and slaves - with his own color photographs of the same locations a century and a half later, always taken at the same time of year, often at the same hour of the day. Sometimes Huddleston's lens reveals a department store or fast-food restaurant carelessly built on hallowed ground; other images depict overgrown fields or well-manicured parks. When constrasted with their mid-nineteenth-century counterparts, these indelible images challenge the meaning of place in American culture and the evolving legacy of the Civil War in our national memory.
Killing ground : photographs of the Civil War and the changing American landscape
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In "Killing ground", John Huddleston embarks on a photographic odyssey through the modern-day landscape of the Civil War. He pairs historical images of the conflict from sixty-two battle sites across the nation -battle-field scenes, soldiers living and dead, prisoners of war, civilians, and slaves - with his own color photographs of the same locations a century and a half later, always taken at the same time of year, often at the same hour of the day. Sometimes Huddleston's lens reveals a department store or fast-food restaurant carelessly built on hallowed ground; other images depict overgrown fields or well-manicured parks. When constrasted with their mid-nineteenth-century counterparts, these indelible images challenge the meaning of place in American culture and the evolving legacy of the Civil War in our national memory.
Form:
books
books
Publication:
April 2002, Baltimore / London
April 2002, Baltimore / London
Subject:
Theory of Photography
Theory of Photography
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books
books
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$55.95
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Photographs made in Egypt by the American photographers Linda Connor, Lynn Davis, Tom van Eynde, and Richard Misrach.
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Photographs made in Egypt by the American photographers Linda Connor, Lynn Davis, Tom van Eynde, and Richard Misrach.
Title:
The angle of repose : four American photographers in Egypt
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Photographs made in Egypt by the American photographers Linda Connor, Lynn Davis, Tom van Eynde, and Richard Misrach.
The angle of repose : four American photographers in Egypt
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Photographs made in Egypt by the American photographers Linda Connor, Lynn Davis, Tom van Eynde, and Richard Misrach.
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books
books
Publication:
January 1900, Chicago
January 1900, Chicago
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Remake Berlin
Remake Berlin
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Eight international artists and six international writers were invited to work on the theme of Berlin for the project "Remake Berlin". They have approached the city cautiosly, laconically capturing the violent changes, and commenting on some of the Berliners' characteristics and peculiarities with a touch of irony. Together, all these subjective views of the city and its(...)
$55.95
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Eight international artists and six international writers were invited to work on the theme of Berlin for the project "Remake Berlin". They have approached the city cautiosly, laconically capturing the violent changes, and commenting on some of the Berliners' characteristics and peculiarities with a touch of irony. Together, all these subjective views of the city and its(...)
Title:
Remake Berlin
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Eight international artists and six international writers were invited to work on the theme of Berlin for the project "Remake Berlin". They have approached the city cautiosly, laconically capturing the violent changes, and commenting on some of the Berliners' characteristics and peculiarities with a touch of irony. Together, all these subjective views of the city and its phenomena combine to draft "one" version of a portrait of Berlin.
Remake Berlin
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Eight international artists and six international writers were invited to work on the theme of Berlin for the project "Remake Berlin". They have approached the city cautiosly, laconically capturing the violent changes, and commenting on some of the Berliners' characteristics and peculiarities with a touch of irony. Together, all these subjective views of the city and its phenomena combine to draft "one" version of a portrait of Berlin.
Form:
books
books
Publication:
March 2002, Zurich
March 2002, Zurich
Subject:
Theory of Photography
Theory of Photography
