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Taschen’s new architecture series brings a unique perspective to world architecture, highlighting architectural trends by country. Each book features 15 to 20 architects—from the firmly established to the up-and-coming—with the focus on how they have contributed to very recent architecture in the chosen nation. Architects/firms included: David Adjaye Alsop Architects(...)
Architecture in the United Kingdom
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Taschen’s new architecture series brings a unique perspective to world architecture, highlighting architectural trends by country. Each book features 15 to 20 architects—from the firmly established to the up-and-coming—with the focus on how they have contributed to very recent architecture in the chosen nation. Architects/firms included: David Adjaye Alsop Architects Caruso St John Architects Chetwood Associates David Chipperfield Edward Cullinan dECOi Ellis Williams Eva Jiricna Foreign Office Architects FOA Norman Foster Nicholas Grimshaw Zaha Hadid Michael Hopkins Richard Rogers
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Le travail de deux architectes du Sud de la France C+D (Nicolas Crégut + Laurent Duport) sous une forme originale.
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
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En donnant à cette livraison le titre d'un album des Swans, Pierre Belouin rend un hommage discret à l'univers sombre de Michael Gira.
Livraison No. 10: soundtracks for the blind
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En donnant à cette livraison le titre d'un album des Swans, Pierre Belouin rend un hommage discret à l'univers sombre de Michael Gira.
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition(...)
January 2009, Houston
On the banks of Bayou city: the center for land use interpretation in Houston
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition at the Blaffer Gallery, titled "Texas Oil: Landscape of an Industry". The book documents the CLUI's methodology in a series of interviews and includes a photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's projects and publications over the past 14 years.
I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations,(...)
January 1900, New York
I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations, culminating in the last works he is currently completing.
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that(...)
How New York became american 1890-1924
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that capitalized on the trend toward pleasure travel. Blake examines the ways in which these early boosters built on the attention drawn to the city and its exotic populations to craft an image of New York City as America writ urban -- a place where the arts flourished, diverse peoples lived together boisterously but peacefully, and where one could enjoy a visit.
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In this book, Eric Mumford traces how members of the International Congress of Modern Architecture (CIAM), such as Walter Gropius, Josep Lluís Sert, and their American associates, developed the discipline of urban design from the 1940s to the 1960s. Now widely known, this field has had significant influence in university departments and building projects around the world,(...)
May 2009, New Haven, London
Defining urban design : CIAM architects and the formation of a discipline, 1937-69
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In this book, Eric Mumford traces how members of the International Congress of Modern Architecture (CIAM), such as Walter Gropius, Josep Lluís Sert, and their American associates, developed the discipline of urban design from the 1940s to the 1960s. Now widely known, this field has had significant influence in university departments and building projects around the world, but its roots in the urbanism of CIAM are not well understood.
Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s(...)
January 1900, Milano
Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s works, an index of exhibitions, and a bibliography.
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Published on the occasion of the exhibiton at Arnolfini, Bristol from 15 september to 11 november 2007 and tour in Southampton and Liverpool. Included artists: Erik van Lieshout, Mary Evans, Jenny Vogel, Raimi Gbadamosi and all.
Port city on mobility & exchange
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Published on the occasion of the exhibiton at Arnolfini, Bristol from 15 september to 11 november 2007 and tour in Southampton and Liverpool. Included artists: Erik van Lieshout, Mary Evans, Jenny Vogel, Raimi Gbadamosi and all.
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