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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
Kesling modern structures : popularizing modern design in southern California 1934-1962
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have(...)
Place - Geoffrey James, Rudy Wiebe
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have been married with the words of Rudy Wiebe to present a vision of the very soul of Canada, and of that Prairie experience which has so informed recent Canadian fiction. Rudy Wiebe offers an accompanying set of brief stories that draw on many layers of history as well as his personal memories to evoke the sense of place that is Lethbridge.
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Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures(...)
Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures into communities, subcultures, networks and innumerable other unities. "Scenes" are both the haziest of such unities and some of the most productive. Amidst an explosion of writing on all aspects of urban culture, our focus on scenes has served to constrain and inspire the studies contained in this issue. Contributors: Adrian Blackwell, Alan Blum, Jenny Burman, Jean-François Côté, Jonathan Gainer, Elke Grenzer, Janet Jones, Ryan Kamstra, Janine Marchessault, Paul Moore, Brian Poole, James N. Porter, John Porter, Peter Shevlin, Johanne Sloane, Geoff Stahl, Will Straw, Tom Taylor, Kathryn Walter, Margaux Williamson, Kelly Wood. Originally priced at $20.00.
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January 2002, Toronto
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The book serves as a histirical survey of architectural lighting throughout the twentieth century and also examines the cultural, social, and artistic issues surrounding this phenomenon. During the 1920's and 1930's architectural floodlighting was at its most intense, considered an essentially modern abstract art form that crossed the boundaries between film,(...)
Architecture of the night : the illuminated building
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The book serves as a histirical survey of architectural lighting throughout the twentieth century and also examines the cultural, social, and artistic issues surrounding this phenomenon. During the 1920's and 1930's architectural floodlighting was at its most intense, considered an essentially modern abstract art form that crossed the boundaries between film, architecture, and painting. "Architecture of the Night" explores this dynamic period in depth, considers its impact today, and addresses the new issues that confront contemporary lighting, such as "light pollution", conservation, and aesthetics. The book features close to 200 illustrations and examines 100 examples of building illumination, including the Paris Opera House (1880), the Gas and Electric Building, Denver (1910), the Empire State Building, New York (1931), the Seagram Building, New York (1958), the Lloyds Building, London (1988) and the Anzeiger Hochhaus, Hanover (2000).
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February 2002, Munich
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This introduction to the architectural master etcher Piranesi includes 168 plates.
Giovanni Battista Piranesi : selected etchings
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This introduction to the architectural master etcher Piranesi includes 168 plates.
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January 2001, Cologne
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An alphabet of London
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In An Alphabet of London, Christoper Brown presents a series of wonderfully whimsical linocuts illustrating every aspect of London past and present, including personalities, buildings, monuments, legends, historic events, and other metropolitan icons. From Dickens, Dr Johnson, Tower Bridge and the Shard to the Diamond Jubilee, Wimbledon, pigeons, and jellied eels, all(...)
An alphabet of London
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In An Alphabet of London, Christoper Brown presents a series of wonderfully whimsical linocuts illustrating every aspect of London past and present, including personalities, buildings, monuments, legends, historic events, and other metropolitan icons. From Dickens, Dr Johnson, Tower Bridge and the Shard to the Diamond Jubilee, Wimbledon, pigeons, and jellied eels, all London life is here. A born-and-bred Londoner, Brown recounts his own memories of growing up in the capital, and also describes how he creates his distinctive prints. His unique, often humorous take on London will delight anyone who lives in or visits the city.
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A principal member of the De Stijl group, the Dutch architect and theorist Robert van 't Hoff designed buildings, composed essays and provided financial support for the movement, making him an animating presence in the Dutch avant garde. Van 't Hoff's view of the architect's role exemplified the movement's utopian ideals. This monograph on van 't Hoff gathers his critical(...)
July 2010
Robert van't Hoff: architect of a new society
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A principal member of the De Stijl group, the Dutch architect and theorist Robert van 't Hoff designed buildings, composed essays and provided financial support for the movement, making him an animating presence in the Dutch avant garde. Van 't Hoff's view of the architect's role exemplified the movement's utopian ideals. This monograph on van 't Hoff gathers his critical writings alongside unpublished materials and descriptions of his best known projects.
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This publication is a meticulous reproduction of a rare catalog including floor plans as well as exterior and interior views of 80 American home. Among them a handsome, three-story frame residence with six bedrooms and a cozy, three-room cottage measuring 18 feet by 22 feet. 94 black-and-white illustrations depict stairways, french doors, and other amenities.
Wardway homes, bungalows and cottages, 1925
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This publication is a meticulous reproduction of a rare catalog including floor plans as well as exterior and interior views of 80 American home. Among them a handsome, three-story frame residence with six bedrooms and a cozy, three-room cottage measuring 18 feet by 22 feet. 94 black-and-white illustrations depict stairways, french doors, and other amenities.
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October 2006
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Un'opera che raccoglie e cataloga tutti i libri fotografici di Gabriele Basilico, coprendo un'attività quasi trentennale, dal 1978 al 2006. Ogni libro è presentato con la copertina originale, i dati bibliografici e una foto tratta dal volume. Pagina dopo pagina, foto dopo foto, salta all'occhio la ricchezza e la varietà dei soggetti scelti da Basilico per i suoi scatti:(...)
Gabriele Basilico: photobooks 1978-2005
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Un'opera che raccoglie e cataloga tutti i libri fotografici di Gabriele Basilico, coprendo un'attività quasi trentennale, dal 1978 al 2006. Ogni libro è presentato con la copertina originale, i dati bibliografici e una foto tratta dal volume. Pagina dopo pagina, foto dopo foto, salta all'occhio la ricchezza e la varietà dei soggetti scelti da Basilico per i suoi scatti: dalle periferie milanesi della fine degli anni Settanta, alle balere emiliane, alle industrie e ai porti, fino ad arrivare al centro di Beirut nei primi anni Novanta e alla nuova anima di Berlino. Questo libro si pone come uno strumento utile a studiosi ma anche a semplici appassionati di grande fotografia ed è un'occasione speciale per fare il punto sulla carriera di un fotografo che con i suoi scatti ha costruito la nostra percezione del paesaggio contemporaneo.
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December 2006
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an(...)
January 2009
John Gutmann: the photographer at work
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider—a Jew in Germany, a naturalized citizen in the United States—informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This book acknowledges Gutmann’s place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy.