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The Palladian ideal
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Photographs by Roberto Schezen.
The Palladian ideal
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Photographs by Roberto Schezen.
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February 2000, New York
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Building a better tomorrow
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This book provides an introductory overview to a period which is now being increasingly studied, and in which there is burgeoning interest. Using archival photographs from the RIBA's collection, it investigates how architects went about the task of reconstruction during the 1950s.
Building a better tomorrow
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This book provides an introductory overview to a period which is now being increasingly studied, and in which there is burgeoning interest. Using archival photographs from the RIBA's collection, it investigates how architects went about the task of reconstruction during the 1950s.
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February 2000, London
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Early in Sullivan's career in the 1890s, when he emerged as a leading skyscraper architect of Chicago, his ornament gave scale and quality to his work. After 1900, as his career declined, it served to identify his buildings and the humane conception they encapsulated in an increasingly hostile cityscape. The brilliant(...)
Sullivan's city : the meaning of ornament for Louis Sullivan
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Early in Sullivan's career in the 1890s, when he emerged as a leading skyscraper architect of Chicago, his ornament gave scale and quality to his work. After 1900, as his career declined, it served to identify his buildings and the humane conception they encapsulated in an increasingly hostile cityscape. The brilliant pencil execution of ornament in his old age became a surrogate for the great architectural projects realized earlier. This extended essay on how Sullivan's ornament shaped the city is illuminated by new colour photographs by Cervin Robinson.
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January 2000, New York
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Throughout his architectural career, Peter Eisenman has been known primarily as a theorist and educator. Since the late 1980s, however, he has designed and built several major projects throughout the world. In this comprehensive monograph of the years 1988–1998, Eisenman the theoretician and Eisenman the practicing architect are presented in a series of projects and(...)
Blurred zones : investigations of the interstitial - Eisenman architects 1988-1998
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Throughout his architectural career, Peter Eisenman has been known primarily as a theorist and educator. Since the late 1980s, however, he has designed and built several major projects throughout the world. In this comprehensive monograph of the years 1988–1998, Eisenman the theoretician and Eisenman the practicing architect are presented in a series of projects and essays. Interspersed with the design projects are essays by Eisenman–on blurring, the interstitial, and undecidability–and by other writers and critics, including Frederic Jameson, John Rajchman, and K. Michael Hays.
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This book focuses on the printed work of avant-garde artistic movement such as Cubism, Expressionism, Futurism, Dadaism, Constructivism and Surrealism. Avant-garde artists and writers published their own manifestos, poetry, magazines and books, and created new genres such as the artist's book and the photo-book. Printed works were easy to distribute and helped to(...)
Breaking the rules: The printed Face of the European Avant Garde 1900-1937
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This book focuses on the printed work of avant-garde artistic movement such as Cubism, Expressionism, Futurism, Dadaism, Constructivism and Surrealism. Avant-garde artists and writers published their own manifestos, poetry, magazines and books, and created new genres such as the artist's book and the photo-book. Printed works were easy to distribute and helped to disseminate avant-garde ideas internationally. Around 30 cities of particular importance to the avant-garde are featured, and their artists and contributions are described in depth. Around 100 illustrations show the range of avant-garde printed works.
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How architects and engineers relate to one another has long been debated but never before addressed over a broad span of history. There are many controversial issues: about professional demarcation, about credit for design, about the value we attach to art in buildings, and about how that connects with advances in technique and efficiency. This pioneering and handsomely(...)
March 2008, New Haven, London
Architect and Engineer: a study in sibling rivalry
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How architects and engineers relate to one another has long been debated but never before addressed over a broad span of history. There are many controversial issues: about professional demarcation, about credit for design, about the value we attach to art in buildings, and about how that connects with advances in technique and efficiency. This pioneering and handsomely illustrated book enquires for the first time into the pattern of these relationships since the Renaissance. Concentrating particularly on Britain, France and the United States, Architect and Engineer looks at what has actually taken place when architecture and engineering have interlocked. It examines projects ranging from the building of Waterloo Bridge to the evolution of the Chicago skyscraper, and personalities from Vauban to Brunel and Wright. The results of this impartial investigation may often surprise and provoke the reader. It is a study that has radical implications for the compartmentalized ways in which the history of architecture and construction has conventionally been addressed
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New (...)
The architecture of Ulrich Franzen
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New York in 1955. His encounter with Modernism had a determining influence on his work, and Franzen soon developed his own individual architectural language. Reference to context and collage, the bringing together of different elements in free composition are typical themes in his work. The spectrum of his architecture spans elegant, generous residences and severe, rigorous buildings for industry and research. He has also worked on projects in urban development.
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April 1999, Basel
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Featuring the Guggenheim Museum in Bilbao, by Frank Gehry; Educatorium, by OMA; Beyeler Foundation Museum, by Renzo Piano; and an article on Finnish contemporary architecture and city planning in Helsinki.
Kenchiku Bunka 3 march 1998 : Gehry, Koolhaas, Piano
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Featuring the Guggenheim Museum in Bilbao, by Frank Gehry; Educatorium, by OMA; Beyeler Foundation Museum, by Renzo Piano; and an article on Finnish contemporary architecture and city planning in Helsinki.
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March 1998, Tokyo
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Published in conjunction with the first museum exhibition to address this vital and engaging aspect of modern photographic practice, this volume is at once a serious examination of the snapshot as a cultural artifact and a visually delightful collection of some outstanding examples of the form.
Snapshots : the photography of everyday life,1888 to the present
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Published in conjunction with the first museum exhibition to address this vital and engaging aspect of modern photographic practice, this volume is at once a serious examination of the snapshot as a cultural artifact and a visually delightful collection of some outstanding examples of the form.
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March 1999, San Francisco
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This book is part of the small-format series "A History of Architecture".
Imperial Form: From Achaemenid Iran to Augustan Rome
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This book is part of the small-format series "A History of Architecture".
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April 1998, London
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