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Essay by Otto Kapfinger. Architects include: Carlo Baumschlager, Marianne Burkhalter, Dietmar Eberle, Ernst Giselbrecht, Roland Gnaiger, Hermann Kaufmann, Christian Lenz, Wolfgang Ritsch, Bruno Spagolla, Christian Sumi, Peter Zumthor.
Architecture in Vorarlberg since 1980: a guide to 260 noteworthy buildings
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Essay by Otto Kapfinger. Architects include: Carlo Baumschlager, Marianne Burkhalter, Dietmar Eberle, Ernst Giselbrecht, Roland Gnaiger, Hermann Kaufmann, Christian Lenz, Wolfgang Ritsch, Bruno Spagolla, Christian Sumi, Peter Zumthor.
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The house of stone is the kind of project that happens only rarely : a house built to the highest standards of craftsmanship with the full support of the client, who acted as a patron of architecture in almost a Renaissance sense. This publication documents in full its making. It covers the initial phase of the project, the invited competition between Meili + Peter and(...)
Marcel Meili, Marcus Peter Architects Zurich : the house of stone
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The house of stone is the kind of project that happens only rarely : a house built to the highest standards of craftsmanship with the full support of the client, who acted as a patron of architecture in almost a Renaissance sense. This publication documents in full its making. It covers the initial phase of the project, the invited competition between Meili + Peter and Peter Zumthor, and contains a detailed description of the concepts underlying the design. A particular focus is the relation between the structural and the technical aspects of the project, which is described through engineering and working drawings as well as photographs of the house under construction.
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Given an ideal situation to work with, the Zurich architects Marcel Meili and Markus Peter designed and built a new training and meeting center for Swiss Re in Rüschlikon. Backed by an ambitious client and a substantial budget, they developed an expansive park complex overlooking Lake Zurich and the Bodmer mansion, a protected historical monument, into a setting in which(...)
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February 2002, Ostfildern
Swiss Re Rüschilkon : centre for global dialogue
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Given an ideal situation to work with, the Zurich architects Marcel Meili and Markus Peter designed and built a new training and meeting center for Swiss Re in Rüschlikon. Backed by an ambitious client and a substantial budget, they developed an expansive park complex overlooking Lake Zurich and the Bodmer mansion, a protected historical monument, into a setting in which architecture and art, landscape and interior space, old and new combine to form a complex whole. The result is not a manifesto of a particular style but the equally perfect and subtle interpretation of a real place and the programmatic vision it inspires. The Art Commission of Swiss Re chose a "strategy of systematic artistic interventions in existing space". The design of all furniture and interiors was entrusted to the hands of renowned artists and architects. Adolf Krischanitz and Hermann Czech designed the furniture and the "Red Bar" in the Gardener's Lodge. Gilbert Bretterbauer supervised the design and selection of textiles. Artist Günther Förg handled the color design for all of the interiors in the old mansion. The old grounds had been preserved almost entirely in their original condition. The existing stands of trees served as a framework for the detailed design of the park complex by landscape architects Kienast Vogt and Partner. With photographs by Margherita Spiluttini
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February 2002, Ostfildern
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Un an après son achèvement et dès sa publication en 1933 dans "L'Architecture d'Aujourd'hui" la Maison de verre surprend, provoque, inquiète ou enthousiaste et surtout suscite réflexion. L'impact de cet objet singulier sur les visiteurs se poursuit jusqu'à nos jours. Sa notoriété contraste nettement avec la maigreur des archives publiques ou privées. La Maison de verre(...)
Pierre Chareau : la Maison de verre 1928-1933 - un objet singulier
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Un an après son achèvement et dès sa publication en 1933 dans "L'Architecture d'Aujourd'hui" la Maison de verre surprend, provoque, inquiète ou enthousiaste et surtout suscite réflexion. L'impact de cet objet singulier sur les visiteurs se poursuit jusqu'à nos jours. Sa notoriété contraste nettement avec la maigreur des archives publiques ou privées. La Maison de verre constitue pour des générations d'architectes une référence absolue, elle demeure un lieu magique.
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Inauguré en 1913, le théâtre des Champs-Élysés représente un moment important dans l'histoire de l'architecture du XXè siècle. Son programme novateur, sa construction en béton armé et les multiples interactions qui se sont produites lors de l'élaboration du projet entre l'erchitecture et les différents domaines artistiques en ont fait une oeuvre exceptionnelle. La(...)
A. et G. Perret : le Théâtre des Champs-Élysées 1913 - La magie du béton armé
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Inauguré en 1913, le théâtre des Champs-Élysés représente un moment important dans l'histoire de l'architecture du XXè siècle. Son programme novateur, sa construction en béton armé et les multiples interactions qui se sont produites lors de l'élaboration du projet entre l'erchitecture et les différents domaines artistiques en ont fait une oeuvre exceptionnelle. La retauration de l'édifice, en 1987, lui a redonné l'éclat qu'il méritait.
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Exhibition Catalogue
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January 2001, Berlin
LCM / Fernando Romero : interpretations
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Exhibition Catalogue
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January 2001, Berlin
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The rapid development of "information technology" has also effected the layout and planning of our towns. Increasingly, physical structures are being covered with a veneer of visual-virtual light architecture which makes use of the new media to alter existing buildings and quarters, enriching and enhancing them. The townscape of tomorrow will become a huge, multilayered(...)
Light architecture : the new edge city
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The rapid development of "information technology" has also effected the layout and planning of our towns. Increasingly, physical structures are being covered with a veneer of visual-virtual light architecture which makes use of the new media to alter existing buildings and quarters, enriching and enhancing them. The townscape of tomorrow will become a huge, multilayered screen, which will draw the passers-by into an interactive electronic world.
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History of form*z
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Developed in 1989, the software Form*Z has become an important digital tool for architects when exploring three dimensional objects, in particular when designing spaces which have complex shapes and multiple curved surfaces, which do not adher to Cartesian geometry and cannot be depicted by traditional CAD programs. This book outlines the development, qualities and the(...)
History of form*z
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Developed in 1989, the software Form*Z has become an important digital tool for architects when exploring three dimensional objects, in particular when designing spaces which have complex shapes and multiple curved surfaces, which do not adher to Cartesian geometry and cannot be depicted by traditional CAD programs. This book outlines the development, qualities and the future potential of this ingenious program, and the genuine contribution it has made to architectural design is illustrated by projects from Roto Architects, Skidmore Owings & Merrill, Siegel Diamond Architecture, Stanley Saitowitz Office, Form 4 amongst others.
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To create these daring designs, Gehry makes extensive use of the latest electronic tools, physical models are transformed into digital models using software and hardware which has been adapted from the space industry and medical research. This book provides a colourful insight into Gehry’s design methods and the creative process behind his fantastic buildings.
Digital Gehry : material resistance, digital construction
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To create these daring designs, Gehry makes extensive use of the latest electronic tools, physical models are transformed into digital models using software and hardware which has been adapted from the space industry and medical research. This book provides a colourful insight into Gehry’s design methods and the creative process behind his fantastic buildings.
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The subject of the book is an architectural encounter with the psyche, the starting point being an intervention in a solitary confinement cell of a psychiatric clinic in 1997. Crumbling edges, shifting perceptions, a world of confinement and liberated space, ... a network of thoughts and illusions, ... "sequences" describes the development of architectonic structures in(...)
Sequences : saw only the moon
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The subject of the book is an architectural encounter with the psyche, the starting point being an intervention in a solitary confinement cell of a psychiatric clinic in 1997. Crumbling edges, shifting perceptions, a world of confinement and liberated space, ... a network of thoughts and illusions, ... "sequences" describes the development of architectonic structures in an in-between world of unstable equilibrium. Architecture, art, psychiatry, psychology and philosophy are all linked by perception. By means of pictures, drawings and (thought) models, the different layers are exposed. The book has no beginning and no end, it offers an insight into various sequences involved in the design process
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November 2001, Vienne
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