Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
7 December 2017
Come and Forget the Internet, with Evgeny Morozov
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Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Craig Hodgetts
29 March 2018
Come and Forget the Grid, with Craig Hodgetts
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Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Craig Hodgetts
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Johannes Grenzfurthner
12 April 2018
Come and Forget the Counterculture, with Johannes Grenzfurthner
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Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Johannes Grenzfurthner
Not only do toys provide evidence of the social and economic life of their period, but architectural toys ranging from wooden building blocks to iron and steel construction sets reflect distinct stylistic predilections and technological advances. New industrial and building techniques were used not only to create the new building types transforming our cities, but were(...)
Octagonal gallery
28 November 1990 to 31 March 1991
Buildings in Boxes: Architectural Toys from the CCA
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Not only do toys provide evidence of the social and economic life of their period, but architectural toys ranging from wooden building blocks to iron and steel construction sets reflect distinct stylistic predilections and technological advances. New industrial and building techniques were used not only to create the new building types transforming our cities, but were(...)
Octagonal gallery
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
21 September 2017, 6:30pm
David B. Stewart, what was history for Kazuo Shinohara?
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Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
5 October 2017, 6:30pm
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
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The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Paul Desmarais Theatre
22 September 2016, 6pm
Nicholas de Monchaux: Local Code
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When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Paul Desmarais Theatre
archives
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14 items ; 29 cm
L'histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen = Besides, history : Go Hasegawa, Kersten Geers, David Van Severen : exhibition products, 2017.
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14 items ; 29 cm
archives
video
Description:
1 streaming video file (41 min., 49 sec.) : sound, colour
[Montréal] : Canadien Centre for Architecture, [2017]
Besides, history : Go Hasegawa, Kersten Geers, David Van Severen = L'histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen.
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1 streaming video file (41 min., 49 sec.) : sound, colour
video
[Montréal] : Canadien Centre for Architecture, [2017]
books
Description:
188 pages : illustrations en noir et en coul. ; 22 cm.
Bruxelles : Memogrames, 2008.
Les empêche-pipi : à Bruxelles, Mons, Paris, Tournai ... et ailleurs : de l'oubli architecturé à la prévoyance intégrée, en passant par les aristocratiques / Jacky Legge.
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188 pages : illustrations en noir et en coul. ; 22 cm.
books
Bruxelles : Memogrames, 2008.