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In the 1960s the French colonial regime detonated four atmospheric atomic bombs, thirteen underground nuclear bombs, and conducted other nuclear experiments in the Algerian Sahara. This secret, still-classified programme occurred during and after the Algerian War (1954–1962). Meticulously culled together from numerous sources by architectural historian Samia Henni, this(...)
Colonial toxicity: Rehearsing French radioactive architecture and landscape in the Sahara
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In the 1960s the French colonial regime detonated four atmospheric atomic bombs, thirteen underground nuclear bombs, and conducted other nuclear experiments in the Algerian Sahara. This secret, still-classified programme occurred during and after the Algerian War (1954–1962). Meticulously culled together from numerous sources by architectural historian Samia Henni, this publication’s wealth of materials documenting the violent history of France’s activities in the Algerian desert offers a rich repository for all those concerned with histories of nuclear weapons and engaged at the intersections of spatial, social, and environmental justice, as well as anticolonial archival practices.
Architecture ecologies
MAP 005 : Chernobyl
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This issue charts the history of major nuclear accidents, focusing on the Chernobyl reactor 4 explosion of 1986, mapping a minute by minute description of the events on nuclear plant cut-outs and info graphics. From its medical implications to the social impact of the accident and articles and input from scientists, this issue offers a wide spectrum of commentaries on the(...)
MAP 005 : Chernobyl
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This issue charts the history of major nuclear accidents, focusing on the Chernobyl reactor 4 explosion of 1986, mapping a minute by minute description of the events on nuclear plant cut-outs and info graphics. From its medical implications to the social impact of the accident and articles and input from scientists, this issue offers a wide spectrum of commentaries on the implications of radiation in this scarred landscape. The project page investigates various scenarios; an astrobiology testing base, the reuse of the massive "Woodpecker" ex-soviet antenna into a migratory bird feeding ground, a mobile archeology lab for radioactive landscapes and Mount Chernobyl, an alternative to the new sarcophagus for the damaged reactor.
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal:(...)
Environment and environmental theory
May 2017
Arts of living on a damaged planet: ghosts of the Anthropocene
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent "arts of living." Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication's two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste--in short, the wonders and terrors of an unintended epoch.
Environment and environmental theory