1284 Results
Form:
exhibitions
exhibitions
Title:
Learning Architecture
Learning Architecture
Actions:
Description:
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Location:
Hall cases
Hall cases
Date:
5 July 1994 to 2 October 1994
5 July 1994 to 2 October 1994
Title:
Learning Architecture
Actions:
Description:
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Learning Architecture
Actions:
Description:
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Form:
exhibitions
exhibitions
Date:
5 July 1994 to
2 October 1994
5 July 1994 to
2 October 1994
Location:
Hall cases
Hall cases
Form:
drawings, works of art
drawings, works of art
Actions:
Reference number:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
People:
- Charles Rohault de Fleury (draughtsman)
- Girard (draughtsman)
- Francesco Piranesi (draughtsman)
- Ecole des beaux-arts (France) (educational institution)
- Francesco Piranesi (etcher)
- Ecole polytechnique (France) (educational institution)
- Charles Rohault de Fleury (student)
- L. Stévigny (engraver (printmaker))
- L. Stévigny (etcher)
- Gaitte (etcher)
- Philibert de L'Orme (architect)
- Giacomo Barozzi da Vignola (architect)
- Jean-Nicolas-Louis Durand (teacher)
- Andrea Palladio (architect)
- Sebastiano Serlio (architect)
(See more)
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Title:
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Form:
drawings, works of art
drawings, works of art
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
People:
- Charles Rohault de Fleury (draughtsman)
- Girard (draughtsman)
- Francesco Piranesi (draughtsman)
- Ecole des beaux-arts (France) (educational institution)
- Francesco Piranesi (etcher)
- Ecole polytechnique (France) (educational institution)
- Charles Rohault de Fleury (student)
- L. Stévigny (engraver (printmaker))
- L. Stévigny (etcher)
- Gaitte (etcher)
- Philibert de L'Orme (architect)
- Giacomo Barozzi da Vignola (architect)
- Jean-Nicolas-Louis Durand (teacher)
- Andrea Palladio (architect)
- Sebastiano Serlio (architect)
(See more)
Form:
events
events
Title:
Speed Reading
Speed Reading
Actions:
Description:
An afternoon reading marathon in which 20-25 people walk, jog, or run on a treadmill while reading aloud a text addressing the notion of speed. Reader-runners will share their preferred fast or slow manifesto, philosophical treatise, timetable, literary excerpt, slow-food recipe, biological notation, or space-time continuum in readings of 1 second to 4 minutes. Speed(...)
An afternoon reading marathon in which 20-25 people walk, jog, or run on a treadmill while reading aloud a text addressing the notion of speed. Reader-runners will share their preferred fast or slow manifesto, philosophical treatise, timetable, literary excerpt, slow-food recipe, biological notation, or space-time continuum in readings of 1 second to 4 minutes. Speed(...)
Location:
CCA Bookstore and galleries
CCA Bookstore and galleries
Date:
20 September 2009
20 September 2009
Title:
Speed Reading
Actions:
Description:
An afternoon reading marathon in which 20-25 people walk, jog, or run on a treadmill while reading aloud a text addressing the notion of speed. Reader-runners will share their preferred fast or slow manifesto, philosophical treatise, timetable, literary excerpt, slow-food recipe, biological notation, or space-time continuum in readings of 1 second to 4 minutes. Speed(...)
Speed Reading
Actions:
Description:
An afternoon reading marathon in which 20-25 people walk, jog, or run on a treadmill while reading aloud a text addressing the notion of speed. Reader-runners will share their preferred fast or slow manifesto, philosophical treatise, timetable, literary excerpt, slow-food recipe, biological notation, or space-time continuum in readings of 1 second to 4 minutes. Speed(...)
Form:
events
events
Date:
20 September 2009
20 September 2009
Location:
CCA Bookstore and galleries
CCA Bookstore and galleries
Form:
drawings
drawings
Title:
Elevation of a palace façade
Elevation of a palace façade
Actions:
Reference number:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Title:
Elevation of a palace façade
Actions:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Elevation of a palace façade
Actions:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Form:
drawings
drawings
Date:
first quarter of the 16th century
first quarter of the 16th century
Form:
books
books
Actions:
Holdings:
Description:
ix, [5], 380 pages : charts ; 23 cm.
Description:
ix, [5], 380 pages : charts ; 23 cm.
Author:
Subject:
- Military art and science Byzantine Empire.,
- Art et science militaires Empire byzantin.,
- Military art and science,
- Militär,
- Strategie,
- Taktik,
- Kriegführung,
- Quelle,
- Military art and science Byzantine Empire Sources.,
- War.,
- Strategy.,
- Middle Ages.,
- Military history.,
- Stratégie.,
- Littérature byzantine.,
- Byzantine Empire History, Military.,
- Impero bizantino Storia militare.,
- Empire byzantin Histoire militaire.,
- Byzantine Empire,
- Byzantinisches Reich,
- Byzantine Empire History, Military Sources.
(See more)
Publication:
Washington, D.C. : Dumbarton Oaks, Research Library and Collection, 1985.
Washington, D.C. : Dumbarton Oaks, Research Library and Collection, 1985.
Title:
Three Byzantine military treatises / text, translation, and notes by George T. Dennis.
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Holdings:
Description:
ix, [5], 380 pages : charts ; 23 cm.
Three Byzantine military treatises / text, translation, and notes by George T. Dennis.
Actions:
Holdings:
Description:
ix, [5], 380 pages : charts ; 23 cm.
Form:
books
books
Publication:
Washington, D.C. : Dumbarton Oaks, Research Library and Collection, 1985.
Washington, D.C. : Dumbarton Oaks, Research Library and Collection, 1985.
Subject:
- Military art and science Byzantine Empire.,
- Art et science militaires Empire byzantin.,
- Military art and science,
- Militär,
- Strategie,
- Taktik,
- Kriegführung,
- Quelle,
- Military art and science Byzantine Empire Sources.,
- War.,
- Strategy.,
- Middle Ages.,
- Military history.,
- Stratégie.,
- Littérature byzantine.,
- Byzantine Empire History, Military.,
- Impero bizantino Storia militare.,
- Empire byzantin Histoire militaire.,
- Byzantine Empire,
- Byzantinisches Reich,
- Byzantine Empire History, Military Sources.
(See more)
Form:
books
books
Holdings:
Description:
xiv, 164 pages, plates : illustrations ; 31 cm
Description:
xiv, 164 pages, plates : illustrations ; 31 cm
Title:
The treatises of Benevenuto Cellini on goldsmithing and sculpture.
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Holdings:
Description:
xiv, 164 pages, plates : illustrations ; 31 cm
The treatises of Benevenuto Cellini on goldsmithing and sculpture.
Actions:
Holdings:
Description:
xiv, 164 pages, plates : illustrations ; 31 cm
Form:
books
books
Publication:
[London] : [E. Arnold], [1898]
[London] : [E. Arnold], [1898]
Form:
books
books
Title:
Word and image in architectural treatises of the Italian Renaissance / Margaret Muther D'Evelyn.
Word and image in architectural treatises of the Italian Renaissance / Margaret Muther D'Evelyn.
Actions:
Holdings:
Description:
4 v. (xxv, 840 leaves)
Description:
4 v. (xxv, 840 leaves)
Subject:
- Palladio, Andrea, 1508-1580.,
- Serlio, Sebastiano, 1475-1554.,
- Barbaro, Daniel, 1514-1570.,
- Architecture, Renaissance Italy.,
- Humanism Italy.,
- Architectural writing Italy.,
- Humanisme Italie.,
- Architecture Art d'écrire Italie.,
- Architectural writing.,
- Architecture, Renaissance.,
- Humanism.,
- Italy.,
- Theses.
(See more)
Publication:
1994.
1994.
Title:
Word and image in architectural treatises of the Italian Renaissance / Margaret Muther D'Evelyn.
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Holdings:
Description:
4 v. (xxv, 840 leaves)
Word and image in architectural treatises of the Italian Renaissance / Margaret Muther D'Evelyn.
Actions:
Holdings:
Description:
4 v. (xxv, 840 leaves)
Form:
books
books
Publication:
1994.
1994.
Subject:
- Palladio, Andrea, 1508-1580.,
- Serlio, Sebastiano, 1475-1554.,
- Barbaro, Daniel, 1514-1570.,
- Architecture, Renaissance Italy.,
- Humanism Italy.,
- Architectural writing Italy.,
- Humanisme Italie.,
- Architecture Art d'écrire Italie.,
- Architectural writing.,
- Architecture, Renaissance.,
- Humanism.,
- Italy.,
- Theses.
(See more)
Form:
books
books
Actions:
Holdings:
Description:
xxiv, 162 pages : illustrations ; 22 cm.
Description:
xxiv, 162 pages : illustrations ; 22 cm.
Subject:
- Piero, della Francesca, 1416?-1492. Trattato d'abaco.,
- Piero, della Francesca, 1416?-1492. Libellus de quinque corporibus regularibus.,
- Piero della Francesca 1416-1492,
- Piero della Francesca, (1416?-1492),
- Piero (della Francesca),
- Libellus de quinque corporibus regularibus (Piero, della Francesca),
- Mathematics Early works to 1800.,
- Geometry Early works to 1800.,
- Mathématiques Ouvrages avant 1800.,
- Géométrie Ouvrages avant 1800.,
- Geometry,
- Mathematics,
- Kunst,
- Mathematik,
- Renaissance,
- Meetkunde.,
- Abacus.,
- Mathématiques 15e siècle.,
- Géométrie 15e siècle.,
- 1482-1494,
- Mathematiktraktat.,
- Mathematische Traktate.,
- Early works
(See more)
Publication:
Ravenna : Longo, 1977.
Ravenna : Longo, 1977.
Title:
Piero della Francesca's mathematical treatises : the Trattato d'abaco and Libellus de quinque corporibus regularibus / Margaret Daly Davis.
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Holdings:
Description:
xxiv, 162 pages : illustrations ; 22 cm.
Piero della Francesca's mathematical treatises : the Trattato d'abaco and Libellus de quinque corporibus regularibus / Margaret Daly Davis.
Actions:
Holdings:
Description:
xxiv, 162 pages : illustrations ; 22 cm.
Form:
books
books
Publication:
Ravenna : Longo, 1977.
Ravenna : Longo, 1977.
Subject:
- Piero, della Francesca, 1416?-1492. Trattato d'abaco.,
- Piero, della Francesca, 1416?-1492. Libellus de quinque corporibus regularibus.,
- Piero della Francesca 1416-1492,
- Piero della Francesca, (1416?-1492),
- Piero (della Francesca),
- Libellus de quinque corporibus regularibus (Piero, della Francesca),
- Mathematics Early works to 1800.,
- Geometry Early works to 1800.,
- Mathématiques Ouvrages avant 1800.,
- Géométrie Ouvrages avant 1800.,
- Geometry,
- Mathematics,
- Kunst,
- Mathematik,
- Renaissance,
- Meetkunde.,
- Abacus.,
- Mathématiques 15e siècle.,
- Géométrie 15e siècle.,
- 1482-1494,
- Mathematiktraktat.,
- Mathematische Traktate.,
- Early works
(See more)
Form:
books
books
Actions:
Holdings:
Description:
157 pages, 35 unnumbered leaves of plates : illustrations ; 30 cm
Description:
157 pages, 35 unnumbered leaves of plates : illustrations ; 30 cm
Author:
Subject:
- Architecture Handbooks, manuals, etc.,
- Building Handbooks, manuals, etc.,
- Masonry.,
- Carpentry.,
- Framing (Building),
- Construction Guides, manuels, etc.,
- Maçonnerie.,
- Charpenterie.,
- Architecture Guides, manuels, etc.,
- masonry (building materials),
- carpentry (process),
- Architecture,
- Building,
- handbooks.,
- Handbooks and manuals,
- Guides et manuels.
(See more)
Publication:
Edinburgh : A. & C. Black, 1839.
Edinburgh : A. & C. Black, 1839.
Title:
Treatises on architecture, building, masonry, joinery, and carpentry / From the Encyclopaedia Britannica, seventh edition ; with thirty-five plates.
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Holdings:
Description:
157 pages, 35 unnumbered leaves of plates : illustrations ; 30 cm
Treatises on architecture, building, masonry, joinery, and carpentry / From the Encyclopaedia Britannica, seventh edition ; with thirty-five plates.
Actions:
Holdings:
Description:
157 pages, 35 unnumbered leaves of plates : illustrations ; 30 cm
Form:
books
books
Publication:
Edinburgh : A. & C. Black, 1839.
Edinburgh : A. & C. Black, 1839.
Subject:
- Architecture Handbooks, manuals, etc.,
- Building Handbooks, manuals, etc.,
- Masonry.,
- Carpentry.,
- Framing (Building),
- Construction Guides, manuels, etc.,
- Maçonnerie.,
- Charpenterie.,
- Architecture Guides, manuels, etc.,
- masonry (building materials),
- carpentry (process),
- Architecture,
- Building,
- handbooks.,
- Handbooks and manuals,
- Guides et manuels.
(See more)
Form:
books
books
Actions:
Holdings:
Description:
157 pages, 36 unnumbered leaves of plates : illustrations ; 30 cm
- Library study room microform 69830 | ID87B7159s45 MFM; ID:91-B812 | Available
(See more)
Description:
157 pages, 36 unnumbered leaves of plates : illustrations ; 30 cm
Author:
Subject:
Publication:
New York : D. Appleton, 1852.
New York : D. Appleton, 1852.
Title:
Treatises on architecture, building, masonry, joinery and carpentry / by William Hosking, Thomas Tredgold and Thomas Young.
Actions:
Holdings:
Description:
157 pages, 36 unnumbered leaves of plates : illustrations ; 30 cm
Treatises on architecture, building, masonry, joinery and carpentry / by William Hosking, Thomas Tredgold and Thomas Young.
Actions:
Holdings:
- Library study room microform 69830 | ID87B7159s45 MFM; ID:91-B812 | Available
(See more)
Description:
157 pages, 36 unnumbered leaves of plates : illustrations ; 30 cm
Form:
books
books
Publication:
New York : D. Appleton, 1852.
New York : D. Appleton, 1852.
