Project
AP164.S1.2005.D1
Description:
The project series documents the renovation of the Télévision Suisse Romande (TSR) tower in Geneva, Switzerland. There were two competition finalists: Abalos & Herreros received the second phase of the project which was not realised. The firm identified this project as number 197. "The project approaches the two presented problems in a single way: the image change of the existing complex and the extension of the floor area at the roof top. […] [A] single type of curtain wall has been developed with windows of reasonable shape and format which curve at the top floor to take advantage of the maximum volume allowed by local building laws, generating an image of the building which is completely different than the actual one. The use of silk printed glass in the whole building, with motives from plants, creates an impression from the interior to be situated in a garden. At the same time the exterior appearance underlines the building’s singularity at the pedestrian level. […] The created extension of the building has a trae [sic] singular shape which one day could host a possible showroom or multifunctional rooms or as executive floor.” (ARCH270975) Abalos & Herreros worked with Blaise Sahy. Documenting the project are conceptual, design development, presentation and working drawings, digital, graphic, presentation and reference materials, correspondence, notes, and a model.
1967-1973, 1996-2005, predominant 2004-2005
Tour TSR, Geneva, Switzerland (2005)
Actions:
AP164.S1.2005.D1
Description:
The project series documents the renovation of the Télévision Suisse Romande (TSR) tower in Geneva, Switzerland. There were two competition finalists: Abalos & Herreros received the second phase of the project which was not realised. The firm identified this project as number 197. "The project approaches the two presented problems in a single way: the image change of the existing complex and the extension of the floor area at the roof top. […] [A] single type of curtain wall has been developed with windows of reasonable shape and format which curve at the top floor to take advantage of the maximum volume allowed by local building laws, generating an image of the building which is completely different than the actual one. The use of silk printed glass in the whole building, with motives from plants, creates an impression from the interior to be situated in a garden. At the same time the exterior appearance underlines the building’s singularity at the pedestrian level. […] The created extension of the building has a trae [sic] singular shape which one day could host a possible showroom or multifunctional rooms or as executive floor.” (ARCH270975) Abalos & Herreros worked with Blaise Sahy. Documenting the project are conceptual, design development, presentation and working drawings, digital, graphic, presentation and reference materials, correspondence, notes, and a model.
Project
1967-1973, 1996-2005, predominant 2004-2005
Project
AP164.S1.2003.D9
Description:
The project series documents Abalos & Herreros’ competition entry organised by the Cabinet of Andalucia for the underground in Málaga, Spain. The firm identified this project as number 172. “The stations are the masterpieces of the interaction between the peasant and the new infrastructure. […] A diversity of additive materials – combinations opaque or luminous, translucent or transparent, vegetal or aerial – make of [Abalos & Herreros’] proposal an elaborate sting operation that can adaptate [sic] to every imaginable circumstances looking for an agreement of highest coincidence between underground stations and the surface. The building and finishing coincidence between underground stations and the surface. The building and finishing system not only pretends [sic] an unitary image for all the underground web, but also constitutes itself an orientation code, an indicator for movement, a locator of accesses and a resource of orientation in town.” (ARCH270975). The firm worked with Mike Schlaich and Schlaich Bergermann und Partner (Stuttgart). Documenting the project are conceptual drawings, correspondence, specifications, cartographic and digital materials.
2002-2003
Metro de Málaga, Spain, (2003)
Actions:
AP164.S1.2003.D9
Description:
The project series documents Abalos & Herreros’ competition entry organised by the Cabinet of Andalucia for the underground in Málaga, Spain. The firm identified this project as number 172. “The stations are the masterpieces of the interaction between the peasant and the new infrastructure. […] A diversity of additive materials – combinations opaque or luminous, translucent or transparent, vegetal or aerial – make of [Abalos & Herreros’] proposal an elaborate sting operation that can adaptate [sic] to every imaginable circumstances looking for an agreement of highest coincidence between underground stations and the surface. The building and finishing coincidence between underground stations and the surface. The building and finishing system not only pretends [sic] an unitary image for all the underground web, but also constitutes itself an orientation code, an indicator for movement, a locator of accesses and a resource of orientation in town.” (ARCH270975). The firm worked with Mike Schlaich and Schlaich Bergermann und Partner (Stuttgart). Documenting the project are conceptual drawings, correspondence, specifications, cartographic and digital materials.
Project
2002-2003
Project
Puerto Málaga, Spain (1992)
AP164.S1.1992.D1
Description:
The project series documents a competition entry for a national competition organised by the Málaga City Council. The competition was held to plan the seafront promenade and park between the Guadalmedina river and the fuel storage facilities of the Compañía Arrendataria del Monopolio del Petróleo, S.A. (CAMPSA), in Málaga, Spain. The firm identified this project as number 75. Abalos & Herreros worked with Javier Fresneda, Martin Marciano, and Javier Peña. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, competition documents, clippings, correspondence, and notes.
circa 1991-1993
Puerto Málaga, Spain (1992)
Actions:
AP164.S1.1992.D1
Description:
The project series documents a competition entry for a national competition organised by the Málaga City Council. The competition was held to plan the seafront promenade and park between the Guadalmedina river and the fuel storage facilities of the Compañía Arrendataria del Monopolio del Petróleo, S.A. (CAMPSA), in Málaga, Spain. The firm identified this project as number 75. Abalos & Herreros worked with Javier Fresneda, Martin Marciano, and Javier Peña. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, competition documents, clippings, correspondence, and notes.
Project
circa 1991-1993
Project
AP164.S1.1993.D9
Description:
The project series documents a residential project with 24 units and garages located in Colonia Saconia, a neighbourhood located in northwest Madrid, Spain. Originally, the project site was on Isla de Pascua street and was moved to San Restituto street. The project was later built, however the construction was not overseen by Abalos & Herreros. The firm identified this project as number 87. The firm worked with Filippi Costo and Rafael Hernandez for Inversiones Sena, S.A. Documenting the project are design development and working drawings, project description, correspondence, notes, reference and photographic materials.
1984-1994
Saconia, Madrid, Spain (1993)
Actions:
AP164.S1.1993.D9
Description:
The project series documents a residential project with 24 units and garages located in Colonia Saconia, a neighbourhood located in northwest Madrid, Spain. Originally, the project site was on Isla de Pascua street and was moved to San Restituto street. The project was later built, however the construction was not overseen by Abalos & Herreros. The firm identified this project as number 87. The firm worked with Filippi Costo and Rafael Hernandez for Inversiones Sena, S.A. Documenting the project are design development and working drawings, project description, correspondence, notes, reference and photographic materials.
Project
1984-1994
Project
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
1996-2009, predominant 1999
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Project
1996-2009, predominant 1999
Project
AP164.S1.1994.D2
Description:
The project series documents self-sufficient hybrid towers in Madrid, Spain. The project was entered in the 1994 international competition “Zephyr” held by the Comisión Comunidades Europeas. Abalos & Herreros worked in collaboration with Pablo Gallego and Beatriz Inglés. The firm identified this project as number 91. Documenting the project are conceptual and design development drawings, textual records, and photographic materials.
circa 1994
Concurso Zephyr: torres mixtas autosuficientes, Madrid, Spain (1994)
Actions:
AP164.S1.1994.D2
Description:
The project series documents self-sufficient hybrid towers in Madrid, Spain. The project was entered in the 1994 international competition “Zephyr” held by the Comisión Comunidades Europeas. Abalos & Herreros worked in collaboration with Pablo Gallego and Beatriz Inglés. The firm identified this project as number 91. Documenting the project are conceptual and design development drawings, textual records, and photographic materials.
Project
circa 1994
Project
AP164.S1.1997.D2
Description:
The project series documents the competition entry for an interactive centre and an ecomuseum in La Cabrera, Spain, designed by Abalos & Herreros and Angel Jaramillo (Sanchez?). The project was submitted to the competition for the Centro Comarcal de las Humanidades y de las Ciencias de la Cabrera (Regional Center for Humanities and Sciences), organised by the La Cabrera City Council in 1997. The firm's entry finished in third place. Their project included an auditorium, a museum, a library, and activity rooms. The firm identified this project as number 101. Documenting the project are photographic materials and a few printouts.
circa 1997
Centro interactivo y ecomuseo de La Cabrera, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D2
Description:
The project series documents the competition entry for an interactive centre and an ecomuseum in La Cabrera, Spain, designed by Abalos & Herreros and Angel Jaramillo (Sanchez?). The project was submitted to the competition for the Centro Comarcal de las Humanidades y de las Ciencias de la Cabrera (Regional Center for Humanities and Sciences), organised by the La Cabrera City Council in 1997. The firm's entry finished in third place. Their project included an auditorium, a museum, a library, and activity rooms. The firm identified this project as number 101. Documenting the project are photographic materials and a few printouts.
Project
circa 1997
ARCH267558
13 January 1995
Project
AP164.S1.2000.D7
Description:
The project series documents the design of an office building and showroom for Einsteinet, in Hamburg, Germany. The project included, among other things, office space and parking for 230 people, facade, relocation of the entrance and exterior access for cars. It was designed by Abalos & Herreros with the architects Renata Sentkiewicz and Juergen Westphal. The firm identified this project as number 131. Documenting this project are conceptual and working drawings, correspondence, maps, and reference and photographic materials.
2000
Einsteinet, edificio de oficinas y show-room, Hamburg, Germany (2000)
Actions:
AP164.S1.2000.D7
Description:
The project series documents the design of an office building and showroom for Einsteinet, in Hamburg, Germany. The project included, among other things, office space and parking for 230 people, facade, relocation of the entrance and exterior access for cars. It was designed by Abalos & Herreros with the architects Renata Sentkiewicz and Juergen Westphal. The firm identified this project as number 131. Documenting this project are conceptual and working drawings, correspondence, maps, and reference and photographic materials.
Project
2000
Project
AP164.S1.2002.D12
Description:
The project series documents Abalos & Herreros’ assesment for the potential redevelopment of Catalonia. The firm identified this project as number 156. The firm was one of a few chosen consultants invited by the government of Catalonia and the Instituto de Arquitectura Avanzada de Cataluña (IAAC). Some of the other invited consultants included MVRDV, Duncan Lewis, FOA, NL Architects, West 8, UNStudio, IAN+, S&Aa, Xaveer de Geyter. Documenting the project are dummies, presentation documents, publications, and cartographic and reference materials.
1990-2003
HiperCatalunya, Catalonia, Spain (2002)
Actions:
AP164.S1.2002.D12
Description:
The project series documents Abalos & Herreros’ assesment for the potential redevelopment of Catalonia. The firm identified this project as number 156. The firm was one of a few chosen consultants invited by the government of Catalonia and the Instituto de Arquitectura Avanzada de Cataluña (IAAC). Some of the other invited consultants included MVRDV, Duncan Lewis, FOA, NL Architects, West 8, UNStudio, IAN+, S&Aa, Xaveer de Geyter. Documenting the project are dummies, presentation documents, publications, and cartographic and reference materials.
Project
1990-2003