Project
AP075.S1.1957.PR05
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the garden of Mr & Mrs Wong residence on South Cambie Street in Vancouver. Oberlander worked on this project in 1954-1956 with architect Harry Lee from Duncan McNab’s office. Oberlander’s concept for the landscape was to create a garden with rock outcropping, due to the complicated site on which the house was built. She “designed a main walkway paralleling the side yard property line to connect S. Cambie Street to the rear alley.” [1] The walkway, decorated with flowerpots, leads to a u-shaped paved courtyard with a central lawn area with decorative rocks. Between the expose rock at the front of the property and the façade of the house, she created a lawn area with a pathway of steppingstones at the side of house leading to the backyard. The project series contains only six drawings, including two sketches, two design development drawings of landscape plans, and working drawings for the residence used as reference. The project is also documented through photographs of the residence and the landscaping, and a plant list. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 88.
1957-1958
W.K. Wong Residence, Vancouver, British Columbia (1957-1958)
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AP075.S1.1957.PR05
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the garden of Mr & Mrs Wong residence on South Cambie Street in Vancouver. Oberlander worked on this project in 1954-1956 with architect Harry Lee from Duncan McNab’s office. Oberlander’s concept for the landscape was to create a garden with rock outcropping, due to the complicated site on which the house was built. She “designed a main walkway paralleling the side yard property line to connect S. Cambie Street to the rear alley.” [1] The walkway, decorated with flowerpots, leads to a u-shaped paved courtyard with a central lawn area with decorative rocks. Between the expose rock at the front of the property and the façade of the house, she created a lawn area with a pathway of steppingstones at the side of house leading to the backyard. The project series contains only six drawings, including two sketches, two design development drawings of landscape plans, and working drawings for the residence used as reference. The project is also documented through photographs of the residence and the landscaping, and a plant list. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 88.
Project
1957-1958
Old Books New Cities
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Hall cases
12 December 2013 to 15 June 2014
Old Books New Cities
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Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Hall cases
Architecture as Evidence
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Octagonal gallery
16 June 2016 to 11 September 2016
Architecture as Evidence
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Description:
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Octagonal gallery
John Soane 1753-1837
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Main galleries
16 May 2001 to 3 September 2001
John Soane 1753-1837
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Description:
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Main galleries
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Main galleries
26 November 2008 to 19 April 2009
Actions: What You Can Do With the City
Actions:
Description:
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Main galleries
Shaping the Great City explores the role of city-building throughout the Austro-Hungarian Empire, both before and after its dissolution, and expands architectural history by bringing to the fore a rich variety of modernisms. In the years surrounding World War I, these strains of modernism both reflected and shaped the many national and multinational identities of the(...)
Main galleries and hall cases
14 May 2000 to 15 October 2000
Shaping the Great City: Modern Architecture in Central Europe, 1890–1937
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Description:
Shaping the Great City explores the role of city-building throughout the Austro-Hungarian Empire, both before and after its dissolution, and expands architectural history by bringing to the fore a rich variety of modernisms. In the years surrounding World War I, these strains of modernism both reflected and shaped the many national and multinational identities of the(...)
Main galleries and hall cases
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Main galleries
23 October 2002 to 6 April 2003
Herzog & de Meuron: Archaeology of the Mind
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Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Main galleries
Scouting Skateboard Sites
Skateboarder and landscape architect Mathieu Robichaud takes participants on a guided walk, analysing the skateboarding potential of urban spaces. Robichaud, of the firm Bloom Paysage, specialises in the design of skate parks. Inspired by the exhibition Actions: What You Can Do With the City (2008), the CCA hosts a series of workshops devoted to public actions in urban(...)
11 April 2009
Scouting Skateboard Sites
Actions:
Description:
Skateboarder and landscape architect Mathieu Robichaud takes participants on a guided walk, analysing the skateboarding potential of urban spaces. Robichaud, of the firm Bloom Paysage, specialises in the design of skate parks. Inspired by the exhibition Actions: What You Can Do With the City (2008), the CCA hosts a series of workshops devoted to public actions in urban(...)
Iannis Xenakis: Composer, Architect, Visionary explores the fundamental role of drawing in the work avant-garde composer Iannis Xenakis. One of the most important figures in late twentieth-century music, Xenakis is also known for his innovative work on Le Corbusier’s La Tourette and Philips Pavilion. Curated by Sharon Kanach and Carey Lovelace, The Drawing Center.(...)
Octagonal gallery
17 June 2010 to 17 October 2010
Iannis Xenakis: Composer, Architect, Visionary
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Description:
Iannis Xenakis: Composer, Architect, Visionary explores the fundamental role of drawing in the work avant-garde composer Iannis Xenakis. One of the most important figures in late twentieth-century music, Xenakis is also known for his innovative work on Le Corbusier’s La Tourette and Philips Pavilion. Curated by Sharon Kanach and Carey Lovelace, The Drawing Center.(...)
Octagonal gallery
At the beginning of powered flight, most airplanes required only a stretch of grassy plain 1,500 feet long for take-off and landing, and a converted barn served as both terminal and hangar. Only with the advent of a profitable commercial aviation industry in the late 1920s, some twenty-five years after Wilbur and Orville Wright’s historic flight, did the modern airport(...)
Hall cases
12 June 1990 to 16 September 1990
Airport Origins: Three Projects by Lloyd Wright
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Description:
At the beginning of powered flight, most airplanes required only a stretch of grassy plain 1,500 feet long for take-off and landing, and a converted barn served as both terminal and hangar. Only with the advent of a profitable commercial aviation industry in the late 1920s, some twenty-five years after Wilbur and Orville Wright’s historic flight, did the modern airport(...)
Hall cases