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In our current era of global pandemic and violent political upheaval, the question must be asked: What is our future and whose voices will announce it? These can only be situated voices, each with its own body and space, formed through dialogue within their own communities and in reaction and resistance to dominant discourses. Museum director, curator, and writer Zdenka(...)
Unannounced voices: Curatorial practice and changing institutions
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In our current era of global pandemic and violent political upheaval, the question must be asked: What is our future and whose voices will announce it? These can only be situated voices, each with its own body and space, formed through dialogue within their own communities and in reaction and resistance to dominant discourses. Museum director, curator, and writer Zdenka Badovinac argues that these situated voices of people, artworks, and exhibitions, rooted in the local, can bring incisive, productive change. The call of these voices, in rethinking art, curation, and institutions, is the subject of this powerful essay.
Museology
Ari Marcopoulos: Upstream
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This artist’s book accompanies Ari Marcopoulos’s exhibition at Kunst Halle Sankt Gallen. To create the book, Marcopoulos re-photographed prints of his photographs that he had produced at home using a pigment printer. This process was in many ways a continuation of the period of pandemic isolation in which most of the images were photographed. Closely aligned with his own(...)
Ari Marcopoulos: Upstream
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This artist’s book accompanies Ari Marcopoulos’s exhibition at Kunst Halle Sankt Gallen. To create the book, Marcopoulos re-photographed prints of his photographs that he had produced at home using a pigment printer. This process was in many ways a continuation of the period of pandemic isolation in which most of the images were photographed. Closely aligned with his own copious output, the selection is both haphazard and intuitive, leaving room for spontaneity and even mistakes. A portion of the book also focuses on the 2021 video installation ‘Alone Together’, featuring a saxophone performance by jazz legend Joe McPhee, which forms a central part of the exhibition.
Photography monographs
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of(...)
Maria Hupfield: Breaking protocol
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For "Breaking protocol", transdisciplinary artist Maria Hupfield embarked on a research project on the protocols of Indigenous performance—tracing Indigenous knowledge systems, land-preservation practices and feminist scholarship to illuminate strategies for enacting refusal within decolonial frameworks. The book draws from Hupfield’s "Coffee Break"—a series of conversations held over Zoom during the pandemic, in which Hupfield invited international Indigenous performance artists to discuss their work (from dance to stand-up comedy), who in turn invited other artists to join the conversations. Building on these exchanges, "Breaking protocol" asks what we can learn from Indigenous, place-based artistic modes of making and practice to open spaces for reciprocity and multiplicity.
Contemporary Art Monographs
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'Oggetti Socievoli' is a project that investigates home objects that have been discovered, re-discovered and re-interpreted during social isolation due to the Covid-19 pandemic. Prisca Arosio and Vittoria Rossi are joined by artists, writers, designers, academics in a social study of home objects in relation to people’s lockdown experiences. The book showcases the(...)
The season of home objects / La stagione degli Oggetti di casa
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'Oggetti Socievoli' is a project that investigates home objects that have been discovered, re-discovered and re-interpreted during social isolation due to the Covid-19 pandemic. Prisca Arosio and Vittoria Rossi are joined by artists, writers, designers, academics in a social study of home objects in relation to people’s lockdown experiences. The book showcases the participatory project’s photos and texts and artisans' production process of household objects. It contains compared and inspiring ideas and design concepts to stimulate the next generation of home-made activities. The content of this book aims at creating a common ground where similarities and differences among countries as well as its contexts come together harmoniously.
Social
Real Review 11
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The collective trauma of the pandemic has become an excuse for global capital to accelerate the total commodification of everyday life. Everything is for sale. There is more merchandise than love, more sponsored content than truth. No society in human history has demanded so many people be such active participants in producing the contemporary. No contemporary has ever(...)
Real Review 11
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The collective trauma of the pandemic has become an excuse for global capital to accelerate the total commodification of everyday life. Everything is for sale. There is more merchandise than love, more sponsored content than truth. No society in human history has demanded so many people be such active participants in producing the contemporary. No contemporary has ever been so aggressively monetised. As a coping mechanism, many amongst us have decided to check out from reality altogether; preferring to inhabit tailor-made fantasies and simulations. But only children believe that closing their eyes renders them invisible to monsters. When the monsters are real, closing our eyes rather increases the danger.
Magazines
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The world came to a standstill in the year 2020. Aside from the health crisis presented by the global pandemic, the economic catastrophe deepened peoples’ suffering and uncertainty in a tense climate of political polarisation. In his introduction, editor Luis Fernández-Galiano analyses the year’s main architectural events and key topical issues in a chronicle of four(...)
AV Monographs 233-234 : Spain 2021
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The world came to a standstill in the year 2020. Aside from the health crisis presented by the global pandemic, the economic catastrophe deepened peoples’ suffering and uncertainty in a tense climate of political polarisation. In his introduction, editor Luis Fernández-Galiano analyses the year’s main architectural events and key topical issues in a chronicle of four seasons. The yearbook presents a selection of 24 buildings that reflect the discipline’s current panorama in Spain, categorised as destinations, industrial spaces, cultural or social projects, edifices for education, and collective alternatives. Other features reflect on a year like no other, but with hope for the future.
Magazines
Social distance
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Once only a vague metaphor to describe the relationship between different social groups, the term “social distance” has acquired a precise meaning during the Covid-19 pandemic. It is the mandatory minimum distance for face-to-face contact between persons, and can vary slightly depending on the jurisdiction. Rather than asserting a diagnosis of our contemporary global(...)
Social distance
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Once only a vague metaphor to describe the relationship between different social groups, the term “social distance” has acquired a precise meaning during the Covid-19 pandemic. It is the mandatory minimum distance for face-to-face contact between persons, and can vary slightly depending on the jurisdiction. Rather than asserting a diagnosis of our contemporary global emergency, this issue offers perspectives from architectural history and theory. From the great plague of Venice to cholera in the industrialising city, and from the human placenta to the 1960s bubble or the office of today, here a broad range of reflections on contagion, disease, and health can be found.
Architectural Theory
Heterotemporality
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and(...)
October 2021
Heterotemporality
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and people, while the black-and-white photographs on the visible pages are recent work, primarily exterior shots taken in January and February of 2021. Envisioning his own photos in book form is “a good way to see how images look together”, according to Marcopoulos.
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This book tells a new story about the cultural imagination of the West wherein cheerfulness — a momentary uptick in emotional energy, a temporary lightening of spirit — functions as a crucial theme in literary, philosophical, and artistic creations from early modern to contemporary times. In dazzling interpretations of Shakespeare and Montaigne, Hume, Austen and Emerson,(...)
Cheerfulness: a literary and cultural history
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This book tells a new story about the cultural imagination of the West wherein cheerfulness — a momentary uptick in emotional energy, a temporary lightening of spirit — functions as a crucial theme in literary, philosophical, and artistic creations from early modern to contemporary times. In dazzling interpretations of Shakespeare and Montaigne, Hume, Austen and Emerson, Dickens, Nietzsche, and Louis Armstrong, Hampton explores the philosophical construal of cheerfulness — as a theme in Protestant theology, a focus of medical writing, a topic in Enlightenment psychology, and a category of modern aesthetics. In a conclusion on cheerfulness in pandemic days, Hampton stresses the importance of lightness of mind under the pressure of catastrophe.
Social
Life is not useful
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Indigenous leader and activist Ailton Krenak reminds us that we must awaken from the comatose senselessness we have been immersed in since the beginning of the modern colonial project, where order, progress, development, consumerism, and capitalism have taken over our entire existence, leaving us only very partially alive, and, in fact, almost dead. To awaken from the(...)
Life is not useful
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Indigenous leader and activist Ailton Krenak reminds us that we must awaken from the comatose senselessness we have been immersed in since the beginning of the modern colonial project, where order, progress, development, consumerism, and capitalism have taken over our entire existence, leaving us only very partially alive, and, in fact, almost dead. To awaken from the coma of modernity is, for Krenak, to awaken to the possibility of becoming attuned to “the cosmic sense of life.” He points out that the COVID-19 pandemic affects all so-called “human” lives and that the time is ripe for us all to reflect on and undo the exclusivity and distinction that have characterized the concept of humanity throughout Western modernity.