6506 Results
Form:
photographs
Quantity:
78 photograph(s)
photographs
Quantity:
78 photograph(s)
Title:
Artist Jim Dine
Artist Jim Dine
Actions:
Reference number:
ARCH196026
Description:
Artist Jim Dine working on paintings in a basement room of the Biltmore Hotel; views of Jim Dine paintings in basement room of Biltmore Hotel; Jim Dine and his sculptures at the Walla Walla Foundry at Walla Walla, Washington.
ARCH196026
Description:
Artist Jim Dine working on paintings in a basement room of the Biltmore Hotel; views of Jim Dine paintings in basement room of Biltmore Hotel; Jim Dine and his sculptures at the Walla Walla Foundry at Walla Walla, Washington.
People:
Title:
Artist Jim Dine
Actions:
ARCH196026
Description:
Artist Jim Dine working on paintings in a basement room of the Biltmore Hotel; views of Jim Dine paintings in basement room of Biltmore Hotel; Jim Dine and his sculptures at the Walla Walla Foundry at Walla Walla, Washington.
Artist Jim Dine
Actions:
ARCH196026
Description:
Artist Jim Dine working on paintings in a basement room of the Biltmore Hotel; views of Jim Dine paintings in basement room of Biltmore Hotel; Jim Dine and his sculptures at the Walla Walla Foundry at Walla Walla, Washington.
Form:
photographs
Quantity:
78 photograph(s)
photographs
Quantity:
78 photograph(s)
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH256992
Description:
15 files - estimates and costs, general and client correspondence, design notes, conference reports, press clipping; art policy and photographs of sketches for provincial art competition and sculptures, including diazotypes, artist information including C.V, photographs and slides
ARCH256992
Description:
15 files - estimates and costs, general and client correspondence, design notes, conference reports, press clipping; art policy and photographs of sketches for provincial art competition and sculptures, including diazotypes, artist information including C.V, photographs and slides
People:
Date:
circa 1947-2002
circa 1947-2002
Title:
Estimates and costs, general and client correspondence, design notes, conference reports
Actions:
ARCH256992
Description:
15 files - estimates and costs, general and client correspondence, design notes, conference reports, press clipping; art policy and photographs of sketches for provincial art competition and sculptures, including diazotypes, artist information including C.V, photographs and slides
Estimates and costs, general and client correspondence, design notes, conference reports
Actions:
ARCH256992
Description:
15 files - estimates and costs, general and client correspondence, design notes, conference reports, press clipping; art policy and photographs of sketches for provincial art competition and sculptures, including diazotypes, artist information including C.V, photographs and slides
Form:
textual records
textual records
Date:
circa 1947-2002
circa 1947-2002
People:
Actions:
Reference number:
DR1987:0034:001-033
Description:
- This album contains 17 drawings, 13 photographs and 2 prints which record the design and construction of the Palais de l'Industrie, Paris. The drawings, DR1987:0034:001 - DR1987:0034:0017, were probably executed in the office of J.M.V. Viel, one of the building's architects, who signed them on 1 February 1859. These drawings are rendered in pen and watercolour, and appear to be an official record of the building. The printed plan with additions in pen, DR1987:0034:0018, was signed by Viel in 1856. The photographs, DR1987:0034:019 - DR1987:0034:0030, are views of the interior and the main entrance under construction, ca. 1854, and views of the completed main entrance of 1855 or after, including details of relief sculpture and the stained-glass window.
DR1987:0034:001-033
Description:
- This album contains 17 drawings, 13 photographs and 2 prints which record the design and construction of the Palais de l'Industrie, Paris. The drawings, DR1987:0034:001 - DR1987:0034:0017, were probably executed in the office of J.M.V. Viel, one of the building's architects, who signed them on 1 February 1859. These drawings are rendered in pen and watercolour, and appear to be an official record of the building. The printed plan with additions in pen, DR1987:0034:0018, was signed by Viel in 1856. The photographs, DR1987:0034:019 - DR1987:0034:0030, are views of the interior and the main entrance under construction, ca. 1854, and views of the completed main entrance of 1855 or after, including details of relief sculpture and the stained-glass window.
People:
Subject:
architecture
architecture
Date:
ca. 1853-1859
ca. 1853-1859
Title:
Palais de l'Industrie: Atlas du Bâtiment
Actions:
DR1987:0034:001-033
Description:
- This album contains 17 drawings, 13 photographs and 2 prints which record the design and construction of the Palais de l'Industrie, Paris. The drawings, DR1987:0034:001 - DR1987:0034:0017, were probably executed in the office of J.M.V. Viel, one of the building's architects, who signed them on 1 February 1859. These drawings are rendered in pen and watercolour, and appear to be an official record of the building. The printed plan with additions in pen, DR1987:0034:0018, was signed by Viel in 1856. The photographs, DR1987:0034:019 - DR1987:0034:0030, are views of the interior and the main entrance under construction, ca. 1854, and views of the completed main entrance of 1855 or after, including details of relief sculpture and the stained-glass window.
Palais de l'Industrie: Atlas du Bâtiment
Actions:
DR1987:0034:001-033
Description:
- This album contains 17 drawings, 13 photographs and 2 prints which record the design and construction of the Palais de l'Industrie, Paris. The drawings, DR1987:0034:001 - DR1987:0034:0017, were probably executed in the office of J.M.V. Viel, one of the building's architects, who signed them on 1 February 1859. These drawings are rendered in pen and watercolour, and appear to be an official record of the building. The printed plan with additions in pen, DR1987:0034:0018, was signed by Viel in 1856. The photographs, DR1987:0034:019 - DR1987:0034:0030, are views of the interior and the main entrance under construction, ca. 1854, and views of the completed main entrance of 1855 or after, including details of relief sculpture and the stained-glass window.
Date:
ca. 1853-1859
ca. 1853-1859
People:
Subject:
architecture
architecture
Level of archival description:
Project
Project
Reference number:
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
People:
Date:
1965-1971
1965-1971
Title:
Children's Creative Centre Playground, Canadian Federal Pavilion, Expo '67, Montréal, Québec (1965-1967)
Actions:
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
Children's Creative Centre Playground, Canadian Federal Pavilion, Expo '67, Montréal, Québec (1965-1967)
Actions:
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
Level of archival description:
Project
Project
Date:
1965-1971
1965-1971
People:
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0012:084:002
Description:
Ring binder containing magazine clippings, a photocopy, photographs, and postcards related to the following projects: - Une histoire 1974-1977 (26 photographs, including 1 in colour and 7 duplicates); - Fragments 1975-1978 (2 photographs, including 1 in colour); - Streetwork 1978 (4 photographs, including 2 in colour, 1 photocopy, 1 magazine clipping); - Edifice 1979 (2 postcards); - Room 202, p. s. 1 1979 (4 photographs, including 2 in colour, 1 postcard); - A Chicago construction 1981-1983 (7 photographs, including 2 in colour and 1 duplicate); - A Toronto construction 1982 (10 photographs, including 7 in colour); - A Kingston construction 1983 (6 photographs); - Pliny on my mind 1983 (1 photograph); - A Quebec construction 1989 (3 photographs). Original folder labelled: MC ARTWORK / SCULPTURE + INSTALLATION / PHOTO DOCUMENTATION
DR2012:0012:084:002
Description:
Ring binder containing magazine clippings, a photocopy, photographs, and postcards related to the following projects: - Une histoire 1974-1977 (26 photographs, including 1 in colour and 7 duplicates); - Fragments 1975-1978 (2 photographs, including 1 in colour); - Streetwork 1978 (4 photographs, including 2 in colour, 1 photocopy, 1 magazine clipping); - Edifice 1979 (2 postcards); - Room 202, p. s. 1 1979 (4 photographs, including 2 in colour, 1 postcard); - A Chicago construction 1981-1983 (7 photographs, including 2 in colour and 1 duplicate); - A Toronto construction 1982 (10 photographs, including 7 in colour); - A Kingston construction 1983 (6 photographs); - Pliny on my mind 1983 (1 photograph); - A Quebec construction 1989 (3 photographs). Original folder labelled: MC ARTWORK / SCULPTURE + INSTALLATION / PHOTO DOCUMENTATION
People:
Date:
1974-1989
1974-1989
Title:
Artwork and installation slides
Actions:
DR2012:0012:084:002
Description:
Ring binder containing magazine clippings, a photocopy, photographs, and postcards related to the following projects: - Une histoire 1974-1977 (26 photographs, including 1 in colour and 7 duplicates); - Fragments 1975-1978 (2 photographs, including 1 in colour); - Streetwork 1978 (4 photographs, including 2 in colour, 1 photocopy, 1 magazine clipping); - Edifice 1979 (2 postcards); - Room 202, p. s. 1 1979 (4 photographs, including 2 in colour, 1 postcard); - A Chicago construction 1981-1983 (7 photographs, including 2 in colour and 1 duplicate); - A Toronto construction 1982 (10 photographs, including 7 in colour); - A Kingston construction 1983 (6 photographs); - Pliny on my mind 1983 (1 photograph); - A Quebec construction 1989 (3 photographs). Original folder labelled: MC ARTWORK / SCULPTURE + INSTALLATION / PHOTO DOCUMENTATION
Artwork and installation slides
Actions:
DR2012:0012:084:002
Description:
Ring binder containing magazine clippings, a photocopy, photographs, and postcards related to the following projects: - Une histoire 1974-1977 (26 photographs, including 1 in colour and 7 duplicates); - Fragments 1975-1978 (2 photographs, including 1 in colour); - Streetwork 1978 (4 photographs, including 2 in colour, 1 photocopy, 1 magazine clipping); - Edifice 1979 (2 postcards); - Room 202, p. s. 1 1979 (4 photographs, including 2 in colour, 1 postcard); - A Chicago construction 1981-1983 (7 photographs, including 2 in colour and 1 duplicate); - A Toronto construction 1982 (10 photographs, including 7 in colour); - A Kingston construction 1983 (6 photographs); - Pliny on my mind 1983 (1 photograph); - A Quebec construction 1989 (3 photographs). Original folder labelled: MC ARTWORK / SCULPTURE + INSTALLATION / PHOTO DOCUMENTATION
Form:
photographs
photographs
Date:
1974-1989
1974-1989
People:
Level of archival description:
Project
Project
Reference number:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
People:
Date:
1986-1988
1986-1988
Title:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Level of archival description:
File 65
File 65
Date:
1986-1988
1986-1988
People:
Level of archival description:
Project
Project
Title:
Westpen
Westpen
Reference number:
AP144.S2.D101
Description:
File documents an unexecuted project for Westpen, an animal enclosure for the property at West Green House at Hartley Wintney, in Hampshire, England, and also the location for the project Greenbird (AP144.S2.D96). The pen can be adapted for several uses and its pivoting and sliding gates can be removed when not used for livestock, to be converted into a sculptured landscape for picnicking and leisure activities. Conceptual drawings include diagrammatic sketches which show the movement of animals through the pen for collecting, weighing, cleaning, and shearing. Sketches show pivoting rails, and preliminary plans are annotated with individual gate dimensions. Design development and working drawings illustrate the development of the pen components: 8 ft swing slide and cattle gates; 3 ft sheep gates; a sheep dip and footbath area; a sheep drafting and guillotine gate; and feed bins. Plans and details show the concrete apron and pre-formed gate sockets. Reprographic copies made from a consultant's drawings show the configuration of gates and hurdles. Some material in this file was published in Price-Works II' (London: Architectural Press, 1984), 72, 79. Material in this file was produced between 1977 and 1979. File contains conceptual drawings, design development drawings, model, photographic materials and textual records.
AP144.S2.D101
Description:
File documents an unexecuted project for Westpen, an animal enclosure for the property at West Green House at Hartley Wintney, in Hampshire, England, and also the location for the project Greenbird (AP144.S2.D96). The pen can be adapted for several uses and its pivoting and sliding gates can be removed when not used for livestock, to be converted into a sculptured landscape for picnicking and leisure activities. Conceptual drawings include diagrammatic sketches which show the movement of animals through the pen for collecting, weighing, cleaning, and shearing. Sketches show pivoting rails, and preliminary plans are annotated with individual gate dimensions. Design development and working drawings illustrate the development of the pen components: 8 ft swing slide and cattle gates; 3 ft sheep gates; a sheep dip and footbath area; a sheep drafting and guillotine gate; and feed bins. Plans and details show the concrete apron and pre-formed gate sockets. Reprographic copies made from a consultant's drawings show the configuration of gates and hurdles. Some material in this file was published in Price-Works II' (London: Architectural Press, 1984), 72, 79. Material in this file was produced between 1977 and 1979. File contains conceptual drawings, design development drawings, model, photographic materials and textual records.
People:
Date:
1977-1979
1977-1979
Title:
Westpen
Actions:
AP144.S2.D101
Description:
File documents an unexecuted project for Westpen, an animal enclosure for the property at West Green House at Hartley Wintney, in Hampshire, England, and also the location for the project Greenbird (AP144.S2.D96). The pen can be adapted for several uses and its pivoting and sliding gates can be removed when not used for livestock, to be converted into a sculptured landscape for picnicking and leisure activities. Conceptual drawings include diagrammatic sketches which show the movement of animals through the pen for collecting, weighing, cleaning, and shearing. Sketches show pivoting rails, and preliminary plans are annotated with individual gate dimensions. Design development and working drawings illustrate the development of the pen components: 8 ft swing slide and cattle gates; 3 ft sheep gates; a sheep dip and footbath area; a sheep drafting and guillotine gate; and feed bins. Plans and details show the concrete apron and pre-formed gate sockets. Reprographic copies made from a consultant's drawings show the configuration of gates and hurdles. Some material in this file was published in Price-Works II' (London: Architectural Press, 1984), 72, 79. Material in this file was produced between 1977 and 1979. File contains conceptual drawings, design development drawings, model, photographic materials and textual records.
Westpen
Actions:
AP144.S2.D101
Description:
File documents an unexecuted project for Westpen, an animal enclosure for the property at West Green House at Hartley Wintney, in Hampshire, England, and also the location for the project Greenbird (AP144.S2.D96). The pen can be adapted for several uses and its pivoting and sliding gates can be removed when not used for livestock, to be converted into a sculptured landscape for picnicking and leisure activities. Conceptual drawings include diagrammatic sketches which show the movement of animals through the pen for collecting, weighing, cleaning, and shearing. Sketches show pivoting rails, and preliminary plans are annotated with individual gate dimensions. Design development and working drawings illustrate the development of the pen components: 8 ft swing slide and cattle gates; 3 ft sheep gates; a sheep dip and footbath area; a sheep drafting and guillotine gate; and feed bins. Plans and details show the concrete apron and pre-formed gate sockets. Reprographic copies made from a consultant's drawings show the configuration of gates and hurdles. Some material in this file was published in Price-Works II' (London: Architectural Press, 1984), 72, 79. Material in this file was produced between 1977 and 1979. File contains conceptual drawings, design development drawings, model, photographic materials and textual records.
Level of archival description:
File 101
File 101
Date:
1977-1979
1977-1979
People:
Form:
photographs
photographs
Reference number:
AP206.S3.164
Description:
These materials include photographic negatives of paintings, sculptures, family photos and photographs and negatives of the following projects: Punjab Agricultural University, Hisar; Punjab Agricultural University, Ludhiana; Tagore Theatre, Chandigarh; School of Architecture Hostel; Indo-Swiss Training Centre; Jagat Cinema; Shopping Centre, Chandigarh; and V.C. Residence.
AP206.S3.164
Description:
These materials include photographic negatives of paintings, sculptures, family photos and photographs and negatives of the following projects: Punjab Agricultural University, Hisar; Punjab Agricultural University, Ludhiana; Tagore Theatre, Chandigarh; School of Architecture Hostel; Indo-Swiss Training Centre; Jagat Cinema; Shopping Centre, Chandigarh; and V.C. Residence.
People:
Date:
1960s
1960s
Title:
Negatives of various architectural projects
Actions:
AP206.S3.164
Description:
These materials include photographic negatives of paintings, sculptures, family photos and photographs and negatives of the following projects: Punjab Agricultural University, Hisar; Punjab Agricultural University, Ludhiana; Tagore Theatre, Chandigarh; School of Architecture Hostel; Indo-Swiss Training Centre; Jagat Cinema; Shopping Centre, Chandigarh; and V.C. Residence.
Negatives of various architectural projects
Actions:
AP206.S3.164
Description:
These materials include photographic negatives of paintings, sculptures, family photos and photographs and negatives of the following projects: Punjab Agricultural University, Hisar; Punjab Agricultural University, Ludhiana; Tagore Theatre, Chandigarh; School of Architecture Hostel; Indo-Swiss Training Centre; Jagat Cinema; Shopping Centre, Chandigarh; and V.C. Residence.
Form:
photographs
photographs
Date:
1960s
1960s
People:
Title:
Orban & Litolff
Orban & Litolff
Actions:
Reference number:
PH1986:0900.14
Description:
Album PH1986:0900.14 comprises 58 photographs of a private mansion located on square Frère-Orban and on Rue de la Science in Brussels, Belgium, designed by Michel Roux-Spitz. Photographs include 5 elevations of the building (PH1986:0900.14:001-PH1986:0900.14:004 are signed and dated by Michel Roux-Spitz), views of the building site, exterior views of the building, the courtyard, details of the windows and the doors. Interior views showing the staircases, living rooms with bookcases and furniture, fireplaces (one with ornamentation in bas-relief signed by A. Jamiot), several details of bas-relief ornamentations, 2 views of a dining room with a painted scene on walls and views of a hallway with a sculpture are included. Further research may confirm that some of these views are from the Litolff apartment referring to an apartment located on rue de Litolff in Paris, France.
PH1986:0900.14
Description:
Album PH1986:0900.14 comprises 58 photographs of a private mansion located on square Frère-Orban and on Rue de la Science in Brussels, Belgium, designed by Michel Roux-Spitz. Photographs include 5 elevations of the building (PH1986:0900.14:001-PH1986:0900.14:004 are signed and dated by Michel Roux-Spitz), views of the building site, exterior views of the building, the courtyard, details of the windows and the doors. Interior views showing the staircases, living rooms with bookcases and furniture, fireplaces (one with ornamentation in bas-relief signed by A. Jamiot), several details of bas-relief ornamentations, 2 views of a dining room with a painted scene on walls and views of a hallway with a sculpture are included. Further research may confirm that some of these views are from the Litolff apartment referring to an apartment located on rue de Litolff in Paris, France.
People:
Subject:
architecture, interior design, ornament, sculpture
architecture, interior design, ornament, sculpture
Date:
1931-1936
1931-1936
Title:
Orban & Litolff
Actions:
PH1986:0900.14
Description:
Album PH1986:0900.14 comprises 58 photographs of a private mansion located on square Frère-Orban and on Rue de la Science in Brussels, Belgium, designed by Michel Roux-Spitz. Photographs include 5 elevations of the building (PH1986:0900.14:001-PH1986:0900.14:004 are signed and dated by Michel Roux-Spitz), views of the building site, exterior views of the building, the courtyard, details of the windows and the doors. Interior views showing the staircases, living rooms with bookcases and furniture, fireplaces (one with ornamentation in bas-relief signed by A. Jamiot), several details of bas-relief ornamentations, 2 views of a dining room with a painted scene on walls and views of a hallway with a sculpture are included. Further research may confirm that some of these views are from the Litolff apartment referring to an apartment located on rue de Litolff in Paris, France.
Orban & Litolff
Actions:
PH1986:0900.14
Description:
Album PH1986:0900.14 comprises 58 photographs of a private mansion located on square Frère-Orban and on Rue de la Science in Brussels, Belgium, designed by Michel Roux-Spitz. Photographs include 5 elevations of the building (PH1986:0900.14:001-PH1986:0900.14:004 are signed and dated by Michel Roux-Spitz), views of the building site, exterior views of the building, the courtyard, details of the windows and the doors. Interior views showing the staircases, living rooms with bookcases and furniture, fireplaces (one with ornamentation in bas-relief signed by A. Jamiot), several details of bas-relief ornamentations, 2 views of a dining room with a painted scene on walls and views of a hallway with a sculpture are included. Further research may confirm that some of these views are from the Litolff apartment referring to an apartment located on rue de Litolff in Paris, France.
Date:
1931-1936
1931-1936
People:
Subject:
architecture, interior design, ornament, sculpture
architecture, interior design, ornament, sculpture
Form:
drawings
Quantity:
3 portfolio(s)
drawings
Quantity:
3 portfolio(s)
Actions:
Reference number:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
People:
Subject:
architecture, interior design, painting, sculpture
architecture, interior design, painting, sculpture
Date:
between 1800 and 1868
between 1800 and 1868
Title:
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Form:
drawings
Quantity:
3 portfolio(s)
drawings
Quantity:
3 portfolio(s)
Date:
between 1800 and 1868
between 1800 and 1868
People:
Subject:
architecture, interior design, painting, sculpture
architecture, interior design, painting, sculpture
